These rainbow - candy shaded frames are influenced by fantasy film, animation, manga and
African mythology; and intersect realism with the absurd, surreal and pop culture flair.
Marshall discusses why he makes art,
African mythology, ideals of beauty, and the freedom that comes with mastery.
Her work weaves elements of East
African mythology, as seen in the nguva, with Afro - surrealist elements of science fiction and fantasy, critiques of African and female stereotypes, and universal notions of power, race, and colonialism.
After graduating Harvard University with an honors degree in English literature, she studied West
African mythology and culture in Salvador, Brazil.
African mythology is as vast and diverse as the continent itself.
(«In our household, the Bible, the Koran and the Bhagavad Gita sat on the shelf alongside books of Greek and Norse and
African mythology,»)
Marshall's unflinching dedication to «confronting racial stereotypes, race - based economic disparities, and
African mythologies» provokes his viewer to acknowledge the transgressions of the past to reimagine their own present.
He opts for representational art over abstraction, yet he tends to portray his central figures in almost complete blackness, blurring many of the distinctive physical details while confronting racial stereotypes, race - based economic disparities, and
African mythologies.
Shonibare combines powerful imagery from Christian European and
African mythologies in order to create a hybrid: what the artist calls «a third myth».
Not exact matches
There are whole disciplines of academic study on Greek, Asian,
African, Mesoamerican, and Egyptian culture and
mythology, and her work consistently ignores key aspects of each and every realm of study her work tries to touch.
But in the charismatic movement we see the growth of a new
mythology that originated in Afrikaner circles yet offers all South
Africans a vision of a new Africa.
«80s movies,
African American sports stars, Alternatives to A-list celebrity baby names, April Fool's Day, Artists, Baby names inspired by Olympians, Baby names inspired by great American men, Biblical, Classic, Disney characters, Easter, Famous writers, Football stars, Fourth of July, Labor Day, Military heroes,
Mythology, Native American leaders, Nobel laureates, Popular baby names from around the world, Saints, Shakespeare, Short and sweet, Spiritual, St. Patrick's Day, U.S. presidents
African American leaders,
African American sports stars, Artists, Baby names inspired by great American men, Children's books, Classic, Disney characters, Elegant baby names, Famous writers, Military heroes, Musicians,
Mythology, Old - fashioned, Oscar winners, Saints, Shakespeare, Short and sweet, U.S. presidents
African American sports stars, Children's books, Disney characters, Famous writers,
Mythology, Old - fashioned, Popular baby names from around the world, Shakespeare, U.S. presidents
According to this Lost Cause
mythology, the South went to war to defend states» rights, slavery was essentially a benevolent institution that imparted Christianity to
African «savages,» -LSB-...].
From the old — Forest Whitaker (Ghost Dog, The Last King of Scotland, Rogue One)-- to the new — breakout star and Academy Award nominee Daniel Kaluuya (Get Out)-- Black Panther celebrates its blackness by filling every nook and cranny of the film with
African symbolism,
mythology, and memorabilia, in addition to its host of talent with their multitude of
African roots.
While many have speculated about the inspiration behind these warriors, it is clear that one of their main antecedents was the famous all - female
African military corps of Dahomey, West Africa (now The Republic of Benin), whom the French dubbed «Dahomey Amazons» after female warriors in Greek
mythology.
The text was nearly 600 pages long, and it contained perhaps 30 pages written by
African Americans, no more than that by Americans of Hispanic heritage, literally nothing by Asian Americans, and a 3 page speech attributed to Chief Seattle for which there is no definitive text and a lot of
mythology that served other people's interests.
EW spoke with James, who says the inspiration for the series was an argument about the lack of diversity in fantasies like The Lord of the Rings: «It made me realize that there was this huge universe of
African history and
mythology and crazy stories, these fantastic beasts and so on, that was just waiting there.»
Skygoblin's The Journey Down [$ 4.99] is a classic point and click adventure with a certain visual similarity to Grim Fandango, due in part to the way that many of the characters» faces are modeled on
African tribal masks, and a setting and
mythology that owes as much to
African diasporic culture as Grim Fandango owes to Latin American traditions...
As a mature artist, utilizing scenes of the black milieu, musical rhythms, various
mythologies, and the physical joy of an array of materials and colors, Bearden wove together stories of the conditions and dreams of
African Americans.»
If Houseago's works resonate, it is because they encompass a wide range of influences: the formal language of sculpture throughout the ages (from ancient to early modern),
mythology, the natural world of plants and animals,
African tribal art, cartoon imagery and contemporary music and culture (the title of the exhibition contains a fragment from the lyrics of «Wild Child» by Lou Reed and a reference to James Taylor's «Like A Circle Round the Sun»).
The title of Henrot's show, The Pale Fox, is borrowed from a 1965 anthropological study of the West
African Dogon people, whose complex
mythology — incorporating astronomy, mathematics and philosophy — informs Henrot's own convoluted study.
By integrating new and old materials, Bearden created complex narratives that were often inspired by the
African American experience,
mythology and religion; many of his works have titles with origins in literature and music, two lifelong passions.
In the Black Odyssey series, Bearden establishes an artistic bridge between Homer's poem — arguably the definitive work of classical
mythology — and
African - American culture by depicting Homeric characters as black players on the timeless stage of antiquity.
The museum describes Bearden's series as «rich in symbolism and allegorical content» creating «an artistic bridge between classical
mythology and
African - American culture.»
Interested in reinterpreting lost culture and
mythology using modern and antique materials, he pays tribute to both spiritual and artistic
African and Trinidadian identities which have been given new meanings through the Trinidadian carnival and the cross-cultural dispersion of ideas.