Sentences with phrase «afro american»

It includes people who indicated their race or races as «black, African American, or Negro» or wrote in entries such as «African American,» «Afro American,» «Nigerian,» or «Haitian.»

Graduated middle of class, enjoyed SADD, Varsity Club, Spanish Club, Afro American Club, Upward Bound, Three sport player senior year

Overstreet's work was also central in watershed museum exhibitions of African American artists in the period, including «Afro - American Artists: New York and Boston,» (1973) organized jointly by the Boston Museum of Fine Arts and the National Center of Afro American Artists; and «New Black Artists,» (1970) organized by the Brooklyn Museum.

Drawing its title from allusions to Robert P. T. Coffin's celebration of American Culture in his «Primer for America» and from Gwendolyn Brooks» poem «Primer for Blacks,» the piece takes an interdisciplinary approach to collective and specifically documented identities from Afro American and Euro American inheritance.

During his years at New York University, however, Bearden worked as a cartoonist for the university's humor magazine, Medley, did editorial drawings for the Baltimore Afro American, and worked for Colliers and the Saturday Evening Post.

Bearden also organized several important exhibitions including Contemporary Art of the American Negro in Harlem in 1966 at what is now the site of the Studio Museum in Harlem, and in 1967, with art historian Carroll Greene, he organized «The Evolution of Afro American Artists: 1800 — 1950» at City College in New York.

Drawing inspiration from classic jazz big bands, Muddy Waters, Fats Waller, James Brown and many other African and Afro American musical legends, Mwenso & The Shakes pack a fierce jazz and blues punch.

Arkansas Arts Center, Little Rock, AR Armand Hammer Museum of Art and Cultural Center, University of California, Los Angeles, CA Art Institute of Chicago, Chicago, IL Birmingham Museum of Art, Birmingham, AL Brooklyn Museum of Art, Brooklyn, NY California African American Museum, Los Angeles, CA Chrysler Museum of Art, Norfolk, VA Crystal Bridges Museum of American Art, Bentonville, AR Colby College Museum of Art, Waterville, ME Dayton Art Institute, Dayton, OH Denver Art Museum, Denver, CO Detroit Institute of Arts, Detroit, MI Greenville County Museum of Art, Greenville, SC Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Herter Art Gallery, University of Massachusetts, Amherst, MA Hirshhorn Museum and Sculpture Garden, Washington, DC Indianapolis Museum of Art, Indianapolis, IN LaJolla Museum of Art, LaJolla, CA The Metropolitan Museum of Art, New York, NY Minneapolis Institute of Arts, Minneapolis, MN Mint Museum of Art, Charlotte, NC Munson - Williams - Proctor Institute, Museum of Art, Utica, NY Museum of Contemporary Art, Chicago, IL Museum of Fine Arts, Boston, MA Museum of Fine Arts, St. Petersburg, FL The Museum of Modern Art, New York, NY Museum of the National Center of Afro American Artists, Boston, MA Nasher Museum of Art, Duke University, Durham, NC National Gallery of Art, Washington, DC New Jersey State Museum, Trenton, NJ New Orleans Museum of Art, New Orleans, LA The Newark Museum, Newark, NJ Norton Museum of Art, West Palm Beach, FL Pennsylvania Academy of the Fine Arts, Philadelphia, PA Solomon R. Guggenheim Museum, New York, NY The Smart Museum of Art, University of Chicago, Chicago, IL Smithsonian Museum of American Art, Washington, DC The Speed Art Museum, Louisville, Kentucky The Studio Museum in Harlem, New York, NY Tougaloo College Art Collection, Tougaloo, MS University Art Museum, University of California, Santa Barbara, CA University of Louisville, Louisville, KY Wadsworth Atheneum Museum of Art, Hartford, CT Whitney Museum of American Art, New York, NY

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A previous report released in 2012 revealed a long history at UNC of classes in the Department of Afro and African - American Studies that never met, as well as a culture of changing and improving grades.

This film has the potential to inspire not just the African American community, but also the broader black American community — including African, Caribbean, and Afro - Latin American immigrants — and even the African diaspora.

One of the largest referrers to these fake courses, which were run by the African and Afro - American studies department, was UNC's fraternity system.

I am glad to see that people are finally beginning to compare the struggle that Blacks (Afro - Americans) in this country have experienced in the past, with the struggle that gays are still experiencing in this country.

Those latter steps require attention not just to Bayles, and what she learned (with help from Albert Murray and Ralph Ellison) about the Afro - American musical tradition, but also to the sort of socio - cultural analysis we do so much of here at pomocon, which derives from we've learned from Tocqueville most of all.

2d) often reflects a reductive (and ultimately racist) attitude that sees sexual abandon as the heart of Afro - American music

Cornel West is currently in the Afro - American Studies Department at Harvard University and a member of the Harvard Divinity School's Faculty of Divinity.

After leaving Yale in 1977, Dr. Jones became Professor of Religion and the Director of Afro - American Studies program in the College of Social Sciences at Florida State University (FSU) in Tallahassee.

While I do get interested in Dylan, hippies, Bowie, baroque - rock, and even some art rock, I am overall not a fan of the turn to seriousness in our pop music, whose first big wave came in 1966 - 1975, especially insofar as it snuffed out what was best in the Afro - American tradition.

That was not exactly intentional, but had everything to do with (white) disco fans simply permitting themselves to re-embrace the original raison d'etre of the whole Afro - American pop music phenomenon: good - time dancing.

Dindac — Again, slavery of those time were not like the Afro - American slavery... Either you want to acknowledge or not you have to obey the laws of your land... Period..

The most significant development in recent years has been an increasing awareness among blacks not affiliated with the churches that religious institutions are as critical to the survival of Afro - Americans in the present as they have been in the past.

George S. Schuyler, for example, published a witty and acerbic column in an influential black newspaper, the Pittsburgh Courier, for decades, and his book Black and conservative is a minor classic in Afro - American letters.

The impact of the economic recession on Afro - Americans was immense.

But the most significant development in recent years has been an increasing awareness among blacks not affiliated with the churches that religious institutions are as critical to the survival of Afro - Americans in the present as they have been in the past.

And Zora Neale Hurston, one of the most renowned Afro - American woman writers, wrote reactionary essays (some of which appeared in the Reader's Digest) and gave her allegiance to the Republican Party — facts often overlooked by her contemporary feminist followers.

And while slavery is the poisonous weed in the gardens of her ancestors, Cannon became a student of slave narratives, «seeking the interior garden of Afro - American culture» and consciously working to inherit the strength and dignity of her slave foremothers.

The promotion of conservative ideas is not new in Afro - American history.

In addition to inhibiting the growth of national church structures, the generalized economic deprivation of blacks in America has contributed to the continued fragmentation of the Afro - American religious community.

This is so because the great majority of Afro - American mothers have been seduced, deceived, betrayed, and abandoned by the men to whom they gave their love and trust.»

While it worked to demean and harass Negroes, Mormons, Catholics, Jews, and agnostics,... it also provided Afro - Americans with institutions of their own and bred nearly all black public leaders.

The isolation of adult Afro - Americans from each other generates, in turn, numerous psychological, physical and social problems.»

, the far greater crime rate among Afro - American men must in great part be explained by their unmarried and largely unpartnered existence.»

«True, it takes two to be unfaithful, and single Afro - American women who have affairs with married or cohabiting men, especially those with children, should do better,» he writes.

But, he writes, «an even greater tragedy has befallen Afro - American music: it is the fact that while the mass of Afro - American music lovers have embraced the misogynistic, self - loathing noise of «gangsta» rap now sponsored mainly by Euro - American companies — they have largely abandoned the authentic music of the blues and jazz.»

At one point he argues, more sweepingly, that «sixty percent of Afro - American children are now being brought up without the emotional or material support of a father.

Not only because it is Afro - Americans themselves, especially men, who now inflict these wounds upon themselves — through the ways they betray those who love them and bear their progeny, through the ways they bring up or abandon their children, through the ways they relate, or fail to relate, to each other, through the values and attitudes they cherish and the ones they choose to spurn, through their comforting ethnic myths about their neighborhoods, through their self - indulgences, denials and deceits — but because only they as individual men and women can find the antidote to heal themselves.

An Afro - American Revolutionary Christianity.