Sentences with phrase «afro combs»

To achieve the clotted density of xeroxed text, Jack Whitten dragged afro combs and saws through thick sheets of black and white paint.

In this vein, he began to draw large fields of color across his canvases with Afro combs, squeegees, and homemade rakes to create what he called «Energy Fields».

In the 1970s, Whittenʼs experimentation turned to abstraction, when he developed new methods of painting, in which brushstroke was removed from the making of the work; instead, paint and canvas were processed, using large troughs to hold paint, and dragging canvas across, with squeegees, rakes, and Afro combs to create surface texture, line, and voids.

He began to «process» the paint and canvas by dragging «large troughs of paint... across the canvas with tools including squeegees, rakes, and Afro combs.

In this work, gesture was removed from the making of the work; instead, paint and canvas were «processed», using large troughs to hold paint, and dragging canvas across, with squeegees, rakes, Afro combs to create surface texture, line, and voids.

Note that I do not use an Afro comb as in my opinion, they stretch out my curls too much.

His curatorial work includes: The West Indian Front Room (Geffrye Museum 2005 - 06), The Beauty Shop (198 Contemporary Arts & Learning 2008) The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor 2012), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort 2012) My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013).

Dr. Michael McMillan is a writer, dramatist, artist / curator whose exhibitions include The West Indian Front Room (2005) and Origins of the Afro Comb (2013).

Dr. Michael McMillan is a writer, dramatist, artist / curator and scholar of Vincentian migrant parentage whose recent play includes: a new translation of Bertolt Brecht's The Good Person of Sezuan (Trenchtown)(MAT tour 2010 & 2012) and curatorial work includes: My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort, Netherlands 2012), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor, North Wales 2012), The Beauty Shop (198 Contemporary Arts & Learning 2008), The West Indian Front Room (Geffrye Museum 2005 - 06), The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex University 2010 and is currently an Associate Lecturer in Cultural & Historical Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSM, UAL.

Dr. Michael McMillan is a writer, dramatist, artist / curator and scholar of Vincentian migrant parentage whose recent play includes: a new translation of Bertolt Brecht's The Good Person of Sezuan (Trenchtown)(MAT tour 2010 & 2012) and curatorial work includes: My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort, Netherlands 2012), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor, North Wales 2012), The Beauty Shop (198 Contemporary Arts & Learning 2008), The West Indian Front Room (Geffrye Museum 2005 - 06), The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex Univ. 2010 and is currently an Associate Lecturer in Cultural & Historical Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSM, UAL.

He experimented with an Afro comb, then a 12 - foot - long brush of his own devising, and he separated pigment from acrylic medium, in one series scattering pigment over paper covered in clear acrylic.

Not exact matches

You can fondle the plastic comb sticking out of your unfashionably robust Afro, tug on the drawstrings of your XXXL UCLA track sweatshirt, request a table for five in a packed dining room and be seated immediately.

Fossils discovered in Tunisia challenge several hypotheses concerning the origin of tooth - combed primates (Malagasy lemurs, Afro - Asian lorises and African galagos).

The afro - comb became a big carpenter saw.

The artwork by Hank Willis Thomas is called «All Power to All People» — sculpted like an afro pick hair comb.