Not exact matches
He is
seen as a potential heir apparent
after a broad grounding in the family - controlled company that recently split in two,
with James now running the half encompassing the broadcasting and
film interests.
Twelve years
after «Titanic,» which still stands as the all - time B.O. champ, Cameron delivers again
with a
film of universal appeal that just about everyone who ever goes to the movies will need to
see.
Close to 140 million people have made «decisions for Christ»
after seeing the
film, which ends
with a low - key «altar call» segment.
«s internal debate over this sets up a fascinating conversation about the balance between personal ambition and responsibility to others that I don't believe a lot of parents will
see coming
after watching the
film with their children.
Coco «s internal debate over this sets up a fascinating conversation about the balance between personal ambition and responsibility to others that I don't believe a lot of parents will
see coming
after watching the
film with their children.
After seeing the
film «Julia & Julia»
with my parents last year, my mother bought «Mastering the Art of French Cooking» by Julia Child and immediately got to work on boeuf bourguignon.
Hence at the end of the Asda
film we
see mum finally get to sit down
with a glass of wine
after 2 months» graft, as dad delivers the final, inevitable punchline: «What's for tea, love?».
I've had some really good conversations
with my kids during or
after a
film we
see together, especially if it has to do
with identity or secrets or values.
Since this is in an indie - produced
film with razor (thin) budgets, they basically gave us the song
after they
saw the section.
After seeing the 1983
film The Day
After, in which Lawrence, Kan., is wiped out in a nuclear war
with Russia, Reagan wrote in his diary that it «left me greatly depressed....
In August, R&B star Ne - Yo, a lifelong meat - eater, announced on Facebook that he «ain't messing
with meat no more»
after having
seen the
film.
The 33 - year - old Mrs. Cruise was
seen out and about
with little 6 - year - old Suri in the streets of New York City last Wednesday
after spending some time in Connecticut, where Katie
filmed her latest project.
I think that it's been certainly proven that this was not the case
after seeing The Spirit, Robert Rodriguez clearly directed that
film (
with the obvious exception of Taratino's scene).
I won't reveal the plot twists just in case you're not familiar
with what happened in reality, but suffice it to say that I had no clue why Finkel seems to become more and more frantic as Longo's trial date inches closer, and I had absolutely no clue as to what Longo's actual motives were — I had to Google the real events
after seeing the
film in order to understand what I'd watched onscreen.
You Don't Know Jack is a well crafted picture that in the end, might make you ask some important questions, and it's a
film that will stay
with you long
after you've
seen it.
Scott Cooper has proven himself to be a force to be reckoned
with after Crazy Heart and this
film, I can not wait to
see what else he has up his sleeve.
After winning an Emmy for 1978's
See How She Runs, Woodward returned to feature
films with the Burt Reynolds farce The End; it was her final big - screen appearance for six years; instead, she focused solely on
One would be hard - pressed to disagree
with this notion
after seeing Persepolis, a
film based on Marjane Satrapi's graphic novel memoirs of the same name and adapted for the screen by Satrapi and fellow comics artist Vincent Paronnaud.
I really miss John Barry,
after his departure from Bond we had to make do
with some adequate scores over several years even from David Arnold, then along came a new Bond in the form of Mr Craig and wow DA really found the formula for Bond and composed two truly magnificent scores if only he could have done Skyfall, that said lets give Thomas Newman a chance
see the
film with the score then listen to the score as stand alone then we can judge, one thing, I really wish just once they could use John Barry's brilliant 007 theme in a sequence just for old times sake and as a tribute to the man that gave Bond so much.
Seeing Brolin work
with this team, especially
after his kooky work in Inherent Vice, could be a joy, and we're happy that McBride and Hill are doing a new
film together in the wake of the conclusion of Eastbound and Down, which finished its HBO run in 2013.
Despite the problems
with the characterizations and the lack of an interesting storyline, the true test for the
film will likely be among pre-teen girls, who will likely find the
film colorful, lively, and charming enough to be entertained by, even if they may forget all about it a week
after they
see it.
After the jump, you can
see all of the feature
film categories
with the winners denoted in bold.
While the theme may be one we
see lazily churned out Halloween
after Halloween, critics across the board are agreeing that this movie is a mustwatch —
with Time Out New York calling it «One of the most genuinely unnerving horror
films in recent memory.»
Twilight Time once again brings another fine release to their catalog
with Pretty Poison a
film I was most pleased to
see,
after having no awareness of it.
You can't really call them professional, but there is a unity among the employees, most of whom have bonded by partying together
after hours or playing silly games
with each other (in this
film, the game involves trying to get fellow employees to unwittingly
see the participants genitalia).
You
see, Air's screenwriting credits went into arbitration
with the Writers Guild, and the result is a shared credit between two people who never even met until
after filming was finished.
The Las Vegas company builds its rankings by presenting opening - day audiences
with survey cards
after seeing a
film, compiling scores from tests in five randomly selected cities.
The
film starts
with the premise that the following
film we would
see was recovered a year
after three individuals went missing in the woods of Maryland.
Unlike Sony, Paramount couldn't
see the forest for the trees, which is why they went ahead
with another Transformers movie
after the 2014
film grossed $ 1.1 billion worldwide
with an estimated $ 250M + profit.
One thing they all share is memorable scenes, the type that stay
with you long
after you
see the
film.
mmm... a protagonist who complete dominates a long
film to the detriment of context and the other players in the story (though the abolitionist, limping senator
with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal
with political process and I appreciate the lack of «action» but somehow the context is missing and
after seeing the
film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the
film falls between the stools of docufiction and costume drama,
with costume drama winning out; and the second subject of the
film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction
Even
with long scenes of action utilizing modern effects, the approach doesn't seem gratuitous, which is an impressive accomplishment
after having
seen so many action
films already this year.
Where the
film derails — besides being a little too like the
films cited above — is when you start to
see the inevitable end - point (in this case, it has to do
with the completion of some rather radical landscaping), and feel like you're just ticking off incident
after incident to get there.
CoF: Finally then, Ghost Protocol establishes a new silhouette for Cruise's Ethan Hunt, first
seen with the hood of his leather jacket pulled up over his head
after the Kremlin bombing and then repeated at the end of the
film with a hooded sweater.
>>
After the dreary arthouse po - faced Archipelago what a relief to
see a home grown
film which is movie - literate and bounces along
with a deadpan humour which makes you chuckle quietly throughout >> There was more and louder laughter for Archipelago than for Submarine when I
saw it a couple of weeks ago.
After the dreary arthouse po - faced Archipelago what a relief to
see a home grown
film which is movie - literate and bounces along
with a deadpan humour which makes you chuckle quietly throughout.
The humor did make me chuckle a few times but nothing serious but then again I
saw it more as a drama
film then a comedy
after seeing the trailers so I wasn't disappointed
with it.
Not bad at all.this
film keeps you guessing in ways you never do a lot in horror films.Rob Zombie directs theses actors like I've never
seen a horror director do before.this movie is truly amazing, people are calling it «terrible» I call it «good» it's the kind of horror
film that actually deals
with characters and not just pointless blood and guts.I felt like all these characters really did go through something, and this movie is truly just about them overcoming it.I don't consider this a horror
film, I consider this a drama / horror
film, cause that is what it is, and I love it.this mvie isn't just about a killer killing people, it actually deals
with the people he's
after anf even deals
with himself at times, which I truly loved.Rob Zombie has proved to me again that he could direct.perfect seq...
Year
after year her awards are fraught
with controversy that includes incomplete nominations lists (check out the TWO nominations in Adapted Screenplay this year), names that are later removed (which happened to Viola Davis for 2008's Doubt), actors being listed as TV shows (I'm looking at your, Lizzy Caplan) but the biggest and most real controversy has been the group's penchant for nominating
films they haven't even
seen.
The
Saw franchise is coming back to theaters this Halloween
with the eighth
film, titled simply Jigsaw
after the iconic mastermind killer, and
after a poster debut last week, the first official trailer has arrived online today.
Brie Larson, «Room» If the
film continues
with the reception it's received
after Telluride and Toronto it's hard to
see her not making the cut.
Snitch (second preview
with The Rock, this one not so good), Oblivion (now the third time I have
seen this, and my reaction by now is: «blech»), Broken City (I'll be
seeing the
film this Tuesday at a press screening, and just from the trailer it looks like it could be decent), and
After Earth (is it just me, or does anyone else find it annoying how Will Smith keeps pushing his son on us?).
Coco Chanel & Igor Stravinsky Rated R for some strong sexuality and nudity Available on DVD and Blu - ray French
with English Subtitles Although the two
films are unrelated, if you recently
saw Coco Before Chanel
with Audrey Tautou, then this serves as sort of a sequel as it takes place shortly
after those events.
Then finally he put together his last
film, Far from Home: The Adventures of Yellow Dog [1995],
with Mimi Rogers, Jesse Bradford and Bruce Davison, a movie that was set and shot in the area of British Columbia where he was living, that has two boy characters who are named
after his own sons, and which sadly turned out to be a
film whose release he didn't
see.
After directing hit
films A Tale of Two Sisters; The Good, The Bad, The Weird; and I
Saw the Devil, Korean director Kim Jee - woon makes his American debut
with The Last Stand (watch the new trailer here).
It's the most quotable
film of the 2000s — by miles — and the cynical potty mouths on screen are so articulate and creative that,
after the avalanche of witticisms, you're left
with the lingering sense that you've
seen not just a funny movie but also a wicked political satire of the highest order, the kind where the absurdity speaks for itself.
Normally I write my reviews immediately
after seeing the
film, but
with «La La Land» I did no such thing.
Verdict: The second directorial feature from «Eastern Promises» writer Steven Knight
after so - so Jason Statham vehicle «Hummingbird,» «Locke» was both more stripped down and more ambitious: a
film set entirely within a moving car, shot in real time,
with only one actor on screen (the rest of the cast are heard over the phone, but never
seen).
I will, however, reserve final judgement until
after I've
seen the
film, but so far it's impressive how Peyton Reed rescued the mess that Marvel and Edgar Wright created
with their break up.
After seeing such poor
films by Hong Kong directors done outside of their usual realm by John Woo (Windtalkers), Ronny Yu (Formula 51), and now Corey Yuen (The Transporter), I would amend that line
with, «You might not be able to take Hong Kong out of the director, but you can take director out of the director.»