Afterall Journal's recent article «The Doorman» by Our Literal Speed discusses the Salon de Fleurus project The Autobiography of Alice B. Toklas, on view at 41 Spring Street, New York from 1992 — 2013.
Beshty's writing has appeared in Texte zur Kunst,
Afterall Journal, Artforum, Aperture, Art Review, Parkett, Dot Dot Dot, and The Exhibitionist, in addition to several exhibition catalogues and anthologies.
He is director of the Van Abbemuseum, Eindhoven and co-editorial director and co-founder with Mark Lewis of
Afterall Journal and Books based at Central St. Martins, London.
The Trouble with Art Criticism 14 December 2011 This panel, chaired by curator and writer Teresa Gleadowe, speakers include JJ Charlesworth, associate editor at ArtReview Magazine; Adrian Searle, chief art critic of The Guardian newspaper; Melissa Gronlund; Managing Editor of
Afterall journal and independent writer and curator Tom Morton tackle the nature of the ominous crisis in art criticism.
As a writer, he has contributed to
Afterall Journal, Caderno Videobrasil, We Who Feel Differently (an editorial project by artist Carlos Motta), and L'Internationale Online.
Charles Esche has been the Director of Van Abbemuseum, Eindhoven since 2004 and the Editorial Director of
Afterall Journal and Books based at Central St. Martins College of Art and Design, London, since 1998 when he first helped launch the publication.
Beshty's writing has appeared in Texte zur Kunst,
Afterall Journal, Artforum, Aperture, Art Review, Parkett, Dot Dot Dot, and The Exhibitionist, in addition to numerous catalogs and anthologies.
The monograph includes contributions by Rachel Maclean, William Davies (author of The Happiness Industry: how the government and big business sold us well - being), Melissa Gronlund (writer and co-editor of
Afterall Journal), and exhibition curators Bren O'Callaghan and Sarah Perks.
An editor of
Afterall journal and frequent contributor to Mousse Magazine, Frieze and Artforum, Roelstraete's writing has appeared in numerous catalogues and art publications.
Not exact matches
A former editor of
Afterall and co-founder of the
journal F.R. DAVID, Roelstraete has published extensively in catalogues and
journals, including Artforum, e-flux
journal, frieze, Mousse Magazine, and Texte zur Kunst.
In 1998 he co-founded
Afterall Publishing in London (and remains a director), known for its sharp focus on contemporary arts in relation to a wider artistic, theoretical and social context through its
journal, critical readers and its One Work series.
In addition, Gillick has contributed to various art magazines and
journals including
Afterall, Artforum, Art Monthly, e-flux,
Journal, Frieze, October, and Parkett.
Bill has written for such
journals as
Afterall, P.E.A.R., and Log
Journal.
Holte has contributed to print and online periodicals such as
Afterall, Artforum International, Art
Journal, East of Borneo, and Pin - Up.
A former editor of
Afterall and co-founder of the
journal FR David, Roelstraete has published extensively on contemporary art and related philosophical issues in numerous catalogues and
journals including Artforum, e-flux
journal, Frieze, Metropolis M, Mousse Magazine, and Texte zur Kunst.
He has written for
Afterall, Manifesta
Journal, E-flux
Journal, Art in America, ArtNexus, and Art
Journal.
His writing has been featured in
journals and magazines including
Afterall, Artforum, Art in America, Flash Art, Mousse, Parse, and Untitled, and he has contributed essays to monographs including Zak Kyes: Working With... (Sternberg Press, 2012) and Andrea Büttner (MK Gallery, 2013).
His curatorial projects have received grant awards from The Andy Warhol Foundation for the Visual Arts, The Elizabeth Firestone Graham Foundation, Lambent Foundation, and The Nathan Cummings Foundation, as well as endorsements and articles in
Afterall, Artforum, Art in America, Afterimage, and The Wall Street
Journal.
Crosher recently served as visiting faculty at the University of California, Los Angeles and Art Center College of Design in Pasadena, CA as well as associate editor at the
journal Afterall.
Crosher served as a Visitng Professor at UCLA and Art Center, as well as Associate Editor at the
journal Afterall after receiving her MFA from CalArts.
Gaitán's writing has been published in several
journals, including
Afterall, The Exhibitionist and Fillip.
Meanwhile, her work graces the cover of the January / February issue of Frieze magazine and also appears on the cover of the Spring / Summer edition of
Afterall, a London - based
journal of art, context, and enquiry.
Arriola has written books and catalogs and has worked for magazines such as Art Forum, Mousse, Manifesta
Journal,
Afterall, and The Exhibitionist among others.
Roelstraete is an editor ofÂ
Afterall and a contributing editor to A Prior Magazine, and has published extensively on contemporary art and philosophical issues in numerous catalogues and
journals including Artforum, Frieze, and Mousse Magazine.
He has also curated or coordinated exhibitions at venues including REDCAT, Los Angeles, the 2006 Busan Biennale, and the Korean Pavilion at the 2001 Venice Biennale, and his writings have appeared in
journals such as Artforum,
Afterall, The Exhibitionist, and Parkett, and museum and biennale publications by the Auckland Triennial, the Gwangju Biennale, and Kunsthaus Bregenz.
His writing has featured in
journals and magazines including
Afterall, Artforum, Art in America, Flash Art, Mousse, Parse and Untitled, and he has contributed essays to monographs including Zak Kyes: Working With... (Sternberg Press, 2012), Andrea Büttner (MK Gallery, 2013) and Tell It To My Heart - Collected by Julie Ault, Volume 2 (Hatje Cantz, 2016).
Arriola has contributed to publications such as Poliéster, ArtNexus, Parachute, Exit, Spike,
Afterall and Manifesta
Journal.
He is reviews editor for Art and the Public Sphere
Journal and is the series co-editor of
Afterall's Exhibition Histories Series.
He frequently publishes in
journals and magazines such as South as a State of Mind, Mousse Magazine, Artforum, The Exhibitionist, Metropolis M, The
Journal for Art and Public Space,
Afterall Online, as well as monographs and exhibition catalogues.
A regular contributor since 1988 to numerous international
journals, including The Brooklyn Rail, Art Review, Parkett, and Modern Painters, he is the author of Mary Heilmann: Save the Last Dance for Me (
Afterall Books, 2007).
His writings have appeared in many exhibition catalogs and
Afterall, Mousse Magazine, Frieze Magazine, the
Journal of Visual Culture, the journal RETHINKING MARXISM, Shifter Magazine, and Cahill is a regular contributor to Artfor
Journal of Visual Culture, the
journal RETHINKING MARXISM, Shifter Magazine, and Cahill is a regular contributor to Artfor
journal RETHINKING MARXISM, Shifter Magazine, and Cahill is a regular contributor to Artforum.com.
Julian Myers - Szupinska is an art historian whose writing has appeared in Documents, October,
Afterall, Frieze, Fillip, Art
Journal, Artforum, Tate Papers, and elsewhere.
She has written on contemporary art and culture in
journals such as The Exhibitionist, e-flux
journal, Ibraaz,
Afterall and has contributed to numerous publications.