Sentences with phrase «age film not»

Not exact matches

The path she takes meanders alongside a stream and over train tracks, not far from where hundreds of people converge during the company's summer «bike - in movie» events, gathering on the lawn to enjoy films paired with fine beers — like New Belgium's flagship Fat Tire Amber Ale, the organic wheat offering Mothership Wit and La Folie, a sour ale aged in the large French oak barrels that loom behind the bottling site.

(R - rated films on cable's various movie channels are easily available to children of any age who know how to program their VCRs, or whose parents don't care what they watch on cable.)

So when Nestlé states in its report, «we also do not market complementary foods for children under six months of age», it is important to remember that it took many people monitoring and exposing Nestlé's contempt for the Resolutions, working for binding regulations and taking to the streets to force this change (the demonstration at Nestlés UK HQ was filmed by Swiss Television).

In one especially remarkable case highlighted in the film, a man named Tony Cicoria was not a particularly musical person until he was struck by lightning at the age of 42.

If I am not mistaken, many of the women (the wives) in that movie are over 35 or in their early 40's (I looked up their ages at the time of filming that movie).

Not bad for a 16 - year - old beauty vlogger who's been in the game since the age of 10 with poorly lit beauty tutorials filmed from her bedroom.

Last week my best friend and I went to see Age of Adaline, which, although wasn't mind blowingly amazing, was still a film worth seeing if you love Blake Lively, and like movies with a good message and beautiful cinematography.

The film wasn't great, but I had a really lovely night, and would recommend some of the other outdoor movies the British Film Institute are screening this summer, especially if, like me, you grew up watching the film Grease with the iconic Drive - Thru movie date scene... something it's otherwise very hard to recreate, living in the UK in this day and age.

Why wasn't your feature film bought I made the mistake of asking a group of middle - aged relatives over the holidays what they thought of the current generation.

Submarine is not just for the artsy Wes Anderson crowd, who love quirky characters and whimsical cinematography, the film appeals to everyone with it's genuine take on a coming of age story.

Caroll is well aware that there aren't many of the original cast of puppeteers for Sesame Street who are still alive, but at the age of 80 when this doc was being filmed he was not ready to retire.

Most of the conflict comes from Jules» marriage, and that just shouldn't be the central premise of a film in this day and age, especially when it's tacked on at the end.

A scary and remarkable movie, that is not have the cliche of the stereotype of teens films and call the attention of audience from others ages.

«The Angry Birds Movie» is not really a good film by any means, but for taking an app and turning it into feature film and trying to satisfy all ages, I think they did they best they could with what they were given.

This wouldn't feel so tone deaf and backwards if the film did a better job of making Thomas feel like a living, breathing human being rather than some misguided, coming - of - age hipster creep.

Keeping in perspective when it was made the film is not bad, Muni a fine actor when not in costume, say in Chain Gang, brings the hambone out as Zola ages and many of the rest of the cast are stiff and overly grand.

The film is by no means terribly long, at least when you compare it to its 1969 musical counterpart, so it's not like storytelling drags its feet for ages, but make no mistake, the fact of the matter is that plotting's structure is something of a mess that meanders along repetitiously and, well, is to be expected, because, really, where does this story have to go?

As Lord Voldemort, the evil wizard who could not be named for ages but has been for a while, Mr. Fiennes has been part of the mix since the fourth film («The Goblet of Fire»).

Considering the age of the child protagonist and his appeal to young viewers, it's too bad film editors couldn't have punched out of few of the profanities in favor of a more family friendly bout.

While it's not a perfect film by any means — a lack of catchy musical numbers and a questionable shift of focus in the film's latter half knock Megamind down a few pegs — the lively cast and interesting flip on the superhero concept make it a fun time at the movies for viewers of all ages.

You can't really make this 2D arcade classic much better than it already is, and it is a great title, but it shows it's age, and the fact that it is re-released more than any Star Wars film doesn't help.

The Interpreter also pauses for lovely speeches about the peaceful mission of the UN (not wholly unwelcome in this UN-deflating day and age, but nevertheless hindrances to the film's momentum).

Whilst this film doesn't feel as kinetic as the original it provides us with a nice viewon ageing and what is does (or doesn't) do for us.

Don't get me wrong, I like to punk out on more than a few occasions, but it's interesting to look back at a time in which the talent was getting commercial promotion, because in this day and age, you have to go either underground or, well, bona fide prog - rock to find real quality music, though not necessarily quality film.

Yet McEwan has also used the film's final scenes to expand out the novella's relatively understated, though still well - earned conclusion to include not just one, but two flash - forwards that hinge on weak coincidences and still worse old - age makeup.

Those elements are also at work here, but not since «Up» has an animated film delved so deeply into the web of relationships woven on the way to old age, nor has Pixar ever looked so closely at a specific cultural tradition.

I feel that the film hasn't aged well, and though it's a great film to watch as a kid, later on you realize how stupid and pointless this film really is.

The film skews young, to be sure, and it isn't as memorable as the new Disney classics of the early 1990s, but there's still plenty here to hold the interest of viewers of all ages: delightful performances (particularly by Dench, plowing Angela Lansbury terrain), zinging comic dialogue and a soundtrack that's a wealth of sonorous riches.

When films are made about straight men in this predicament, they're often considered explorations of a «midlife crisis,» but Denis» film poses the questions: What if crises aren't limited to a certain age, and what if love itself is the crisis?

Coburn (1877 - 1961), who didn't appear in film until the age of 56, also had roles in «Gentlemen Prefer Blondes» and Howard Hawks» «Monkey Business».

It could be accused of being cliche but, it's about time that there was a coming of age teenage film for young people that doesn't have a straight couple as the focus.

Accepted, on the other hand, is the product of a committee of middle - aged men, who want the film to be edgy enough to make a good trailer, but not so outrageous that it will alienate its core audience.

Elizabeth: The Golden Age doesn't offer anything new, and it doesn't feel like it builds enough upon the previous film to be a worthwhile endeavour.

Besides Raleigh, there is a contentious, almost father - daughter relationship with her aging spymaster Walsingham, still ably played by Geoffrey Rush but with unfortunately not enough to do, and her reliance on her spiritual advisor Doctor Dee (David Threlfall), one of the few areas of the film that works completely in and of itself.

And, while I'm growing a bit weary of her, I enjoyed Leslie Mann as the mother of some of these girls, and she nails the modern day new - age philosophy of parenting «these type» of girls to a T. All in all this is a glossy and fun film that will satisfy, but doesn't leave a strong legacy like the kind the characters aspie to have, Regardless, I dug it and think you should check it out.

When I first saw it at age 6 or 7, there was a point late in the film where I was terrified of what might come next... The film had such an impact on me, that I didn't watch it again for quite a while.

As David, the son of Korean immigrants, navigates his nascent desire, the film rests not on eroticism per se, but on the connective tissue it weaves among sexual and other identities: Spa Night recombines elements of the emigrant saga and the coming - of - age story into a searching, fresh - faced portrait, highlighting in the process the genres» keen correspondences.

The performances by Ange Dargent and Théophile Baquet could not be better, and it's their authenticity and abandon that make this film a fine addition to the coming - of - age canon.

This must be the age of bliss for Harry being he loves absolutly every movie he sees... it's fairly obvious he's being paid off, after the Batman And Robin fiasco (back when the site was pure) studios realized how powerful this kinda site can be so they decided to give knowles a wad of cash to give their films a good review... Only reason Star Trek Nemesis didn't get a good review was because Moriarty and others bashed Rick Berman so much he didn't wan na give them Money he was so insulted... everyone do a favor and goto http://www.corona.bc.ca/films it's a real movie lovers site withreal reviews and NEWS... no shit about how they got the news or that they think the film reminds them of from their youth, just news..

Some films don't age well, and no doubt Brief Encounter had more of an emotional effect in the social climate of post-war Britain.

The film opens with a middle - aged woman Christine (Nicole Kidman) waking next to a man she does not recognize.

It leaps straight into the main point of the film and doesn't drag on for ages.

This film's premise and the age of the actors won't make it a popular pick with teens.

It is a film about self discovery, but not of coming of age.

Stanley Tucci, Addison Timlin turn in great performances, but this isn't the film for the age of #MeToo

We don't see many films filled with grand, cinematic vistas from foreign lands, and in that regard The Way Back fulfills a much ignored genre in this age of virtual - everything imagery.

By that point, the film was almost a decade old (I wasn't even born when it opened in June 1988), part of the Golden Age of Murphy's Hollywood career that included works such as 48 Hrs., Trading Places, and Beverly Hills Cop.

While the movie is not an outstanding piece of cinema, the talented cast have fun with the silly transformation plot and ensure quite a good time for viewers of most ages, in the tradition of the Disney films of its era.

In the post-Moonlight age (and with nominations this year for gay - themed films such as Call Me By Your Name, or those with mild gay content like Lady Bird), we thought it might be time to look back at 10 LGBTQ movies that despite deserving some Academy Awards love got no Oscar nomination (including one — believe it or not — from 2017!).

Granted, this coming - of - age tale is not aiming to be wholly original, but in the end the film only plays to half of its strengths.