Sentences with phrase «alongside images of works»

Not exact matches

«Having hosted and worked alongside America's Road Team many times at my Jet Express terminal and at industry events, I can confidently say that these are some of the finest drivers and representatives in our industry,» said ATA Chairman Kevin Burch, president of Jet Express Inc. «Throughout the last few days, these professionals have demonstrated the positive image and hardworking attitude that the trucking industry is known for and I'm proud that they will represent us for the next two years and beyond.»
The timeline works well alongside other Historic England online resources, for example the teaching notes, presentations and activities exploring life in Bronze Age Britain through the exciting story of the recent excavation at Must Farm in Cambridgeshire; and a whole range of images for the period featuring archaeological sites around the country, tools and remains and modern reconstructions of homes and settlements.
Immediately following the attacks of 9/11, nearly 100 trained search dogs and their handlers — enlisted from 18 U.S. states — were deployed by FEMA to join the rescue efforts at the World Trade Center in New York and at the Pentagon in Washington, D.C. Alongside firemen and other teams sorting through the debris, the dogs worked tirelessly around the clock to locate survivors in the rubble — images of which deeply intrigued Dutch photographer Charlotte Dumas as the events unfolded in the news media.
Alongside the confirmation of a Switch version of Skyrim, Nintendo has also released an image showing an impressive number of third - party studios confirmed to be working on games that will release for the Switch, seen below.
Expect the work of Coco Capitan, Charlie Engman, Johnny Dufort, Marton Perlaki and Zoe Ghertner amongst others, alongside seminal, specially commissioned editorial images from the magazine archives of British Vogue, AnOther, i - D, Interview, The Gentlewoman, Double and Self Service.
Selected works in series, such as The Maori churches of Northland, community alls and Freemasons lodges, are presented alongside affecting single images: a light suspended over a Toowoomba street, the blurred movement of a child in the dappled shadows of the undergrowth and the graffiti of an unknown poet discovered in the dunes.
Do you collate images and writing alongside this in the development of new work?
Featuring iconic images, such as Courbet's Origin of the World, alongside little - known works, The Art of the Erotic reveals the universal attraction of the erotic in the visual arts and may also offer surprises from the artists included.
Major moments for Breitz in 2017 included the Venice Biennale, for which she was one of two artists selected to represent South Africa (alongside Mohau Modisakeng); the inclusion of a new commission titled I'm Your Man (A Portrait of Leonard Cohen) in an exhibition titled Leonard Cohen: A Crack in Everything at the Musée d'art contemporain de Montréal; and the premiere of a major new video work, TLDR (this 13 - channel video installation is the sequel to Love Story), at the B3 Biennial of the Moving Image in Frankfurt.
Coming of age alongside Andreas Gursky, Candida Hoffer and Thomas Struth in what was to become known as the Düsseldorf School, Ruff's work explores the technologies of the camera and image production — from satellite cameras to digital lenses, from the analogue negative to the JPEG — to reflect on the picturing of our built environment, current affairs, pornography, disaster, the cosmos, exhibition making — and unlock what images tell us about modernity.
To this end, Leonard's 82 - image facsimile invention of a person who never existed — collectively titled The Fae Richards Archive — is displayed alongside Sherman's major Untitled Film Stills series of staged cinematic ephemera, and Simpson's video work Corridor, itself an acted comparison of domestic life in 19th and mid-20th century America.
Alongside the works of Jasper Johns and Robert Rauschenberg, whom he knew as younger artists, Rivers's appropriation and use of mass market images in his paintings starting in the mid-1950s presaged the Pop Art movement.
A three - part exhibition, the first gallery provides a glimpse of McGinness's studio practice, the second displays a selection of the objects McGinness chose from the museum's collection alongside his sketches and final image, and the last portion features early works the artist made while growing up in Virginia Beach.
Fascinating biographical and anecdotal information about each artist is provided alongside large reproductions of their most celebrated works, stunning details, and images of the artists themselves.
In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.
Each week, they have the option of presenting images of their work alongside visiting instructors to the school community.
Haynes» influential and understated masterpiece is the starting point for a series of new commissions in moving image, sculpture, print, writing and performance from Claire Makhlouf Carter, Chris Paul Daniels, Yoshua Okon, 2014 Turner Prize nominee James Richards and Camilla Wills, which you find here alongside existing work by Michael Dean, Sunil Gupta, Laura Morrison and Jala Wahid.
Alongside the work of Atkins's contemporaries, from Benedict Drew to Laure Prouvost, Us Dead Talk Love represents a new viscerality in digital filmmaking — not only in its abject subject matter, but also in the queasily direct sensory response provoked by its disjunctive montage of sound, image and word.
A three - part exhibition, the first gallery provides a glimpse of McGinness» studio practice, the second displays a selection of the objects McGinness chose from the museum's collection alongside his sketches and final image, and the last portion features early works the artist made while growing up in Virginia Beach.
Work by architects and artists spanning more than seven decades is exhibited alongside materials from Kiesler's Endless House design and images of its presentation in MoMA's 1960 Visionary Architecture exhibition.
In the gallery below is images of original works from the exhibition, alongside a few choice quotes from the reviews that greeted it.
Comprising programmes from the ICA Artists» Moving Image Network alongside several additional live events, the festival brings together a cross-section of work that engages with the language of contemporary visual culture to draw out critical and discursive reflections on its wider social influences.
Alongside the meticulously composed, large - scale, color images of interiors for which Höfer is known, the exhibition presents photographs from the artist's remarkable new body of work.
The Paris - based artist's series of works with polythene (a chemical and organic compound used for everyday plastic packaging and containers) is set alongside the US - born Cruces» meshen image - objects and vacuum - sealed still lifes.
Working in collaboration with print maker Nicola Griffiths, a group of sixty Year Four pupils experimented with mono, block and silk - screen printing techniques alongside a variety of mark making implements to create intensely vivid rainforest images.
Iconic historical images will be presented alongside works by contemporary photographers that illuminate the legacy of the movement.
In the main gallery, alongside a soft sculpture of a stand of velvet ropes, Holstad will exhibit new «eraserhead» works (1996 - ongoing), so - called for method the artist has developed by taking clippings from newspapers and erasing and redrawing elements of the image.
Merging visual image and verbal description, the work combines conceptual diagrams, as well as instances of representational imagery, such as a handgun, glass of wine, butterfly, ice cream sundae, and a couple French kissing, alongside snippets of handwritten, descriptive text.
In «Fast Forward: Painting from the 1980s,» Julia Wachtel's repetitious, hand - panted and screen - printed images hang alongside the works of more well - known painters from the era like Jean - Michel Basquiat, David Salle, and Eric Fischl.
- whose studio featured her work alongside some of Jeffrey Heyne's Muybridge inspired images currently on display at NKGallery in the South End.
Later, she began exhibiting her copies alongside the actual objects upon which they had been based, as in one of her most iconic three - dimensional works, To Fix the Image in Memory (1977 — 82), for which Celmins made bronze casts of eleven stones she found in New Mexico and painted them so as to be indistinguishable from the originals.
Exhibiting such works alongside Fontana's pieces and objects by Manzoni (which include Artist's Shit and the Lines first exhibited at Azimut), reinforce the exploration of image, artwork and object undertaken by Azimut / h's founders.
Alongside his celebrated abstractions, early black - and - white paintings and the photorealist depictions of candles, skulls and clouds that have become indisputable icons of modern painting, Panorama includes nearly 30 new paintings made over the past ten years, extensive comparative works, studio photographs, archival images and a substantial interview with the artist conducted by Nicholas Serota.
All profits from sales of this image will go to the charity, alongside work from Texan photographer Shelia Rogers.
Alongside images and documentation from Thompson's various bodies of work, this book features new essays by Joao Ribas, Yve - Alain Bois, Ann Lauterbach and Simon Baier.
These prints will be shown alongside several unique works by Roth exploring the same theme including, Reihenbild (Covered Piccadilly x9), 1968 - 70, which is formed of nine unique screenprints mounted as one large image.
Alongside the «Big Girl» paintings will be two paintings on Kabuki theater backdrops from 1987; a 16 square foot painting, E o OEN (1988), recalling the name of Andy Warhol's estate in Montauk, Long Island where Schnabel lived and worked and painted the painting; El Espontaneo, a 22 square foot painting from 1990; and a recent Untitled «Goat Painting» (2012), where Schnabel painted on a transposed image of a stuffed goat with a rabbit on its head over 19th century Dufour wallpaper depicting George Washington accepting Cornwallis's surrender.
Other highlights include Edgar Arceneaux's nine - channel video installation «The Alchemy of Comedy... Stupid» (2006), featuring a performance by comedian David Alan Grier; Tammy Rae Carland's «I'm Dying Up Here» (2011), a series of large - scale color photographs of female stand - up comedians captured mid-act, emphasizing the vulnerability of performance; Stanya Kahn's absurdist, pathos - filled video «Lookin Good, Feelin» Good» (2012), shown alongside a selection of her humorous line drawings; and an installation of Sara Greenberger Rafferty's visceral photographic works, for which she manipulates images from the history of late 20th century comedy.
Images emerge alongside a long forgotten refrain from a childhood rhyme, «one for sorrow, two for joy...» waking more, the radio tunes to another news flash... reports of momentous and confusing times, thoughts grasped then lost as opposing forces pull back the tides... «three for a girl, four for a boy» work begins and life has other plans, they feed in, inevitably, «five for silver, six for gold» the paintings become respite and a place of healing «seven for a secret never to be told.»
Over 50 of the region's most prolific artists are profiled, alongside images of a selection of their work — some of which previously unseen — including that by Rachel Whiteread, Julian Opie, Sarah Lucas, Damien Hirst and Steve McQueen.
Haynes» influential and understated masterpiece is the starting point for a series of new commissions in moving image, sculpture, print, writing and performance from Claire Makhlouf Carter, Chris Paul Daniels, Yoshua Okon, 2014 Turner Prize nominee James Richards and Camilla Wills, which will be displayed alongside existing works by Michael Dean, Sunil Gupta, Laura Morrison and Jala Wahid.
A pioneer of photomontage, whose images of women presaged the ideas of Simone de Beauvoir and Second Wave Feminism half a century later, Hoch was a pivotal figure in Dada, the anti-art movement that outraged conventional opinion in the final years of World War One, working alongside iconic male artists such as George Grosz, John Heartfield and Raoul Hausmann.
The photographs are always shown alongside an image of the converted object, and for later works, much of the equipment used in the conversion along with supporting documentation.
This playful environment blends artistic skill building alongside professional artist educators, outdoor garden and park recreational time, weekly water activities, and field trip excursions to internationally acclaimed cultural hubs like Pioneer Works, Queens Museum, Brooklyn Botanic Garden, Museum of the Moving Image, The High Line, Theaterworks, and The Lowline.
His recent exploration of the still image presents works that coalesce photography, oil painting and digital imaging and are presented alongside a choreographed passage of filmic vignettes, «motion painting» and soundscapes.
Alongside other people's photos and stock images, she uses this database of hers to create new works of art using her knowledge of Photoshop and her experience in retouching.
On view at Kunstsammlung Nordrhein - Westfalen's K20 gallery in Düsseldorf, the show presents a collection new images alongside earlier works exploring photographic abstracting, including a print of Rhein II, (1999), the most expensive photograph ever sold.
These recent pieces, moreover, are arranged alongside older work through an artistic practice that uses assemblage and composing — a composing of images, forms, sensations, and references that is entirely representative of Tritz's approach in general.
Reproduced in stunning colorplates the paintings are shown alongside revealing images of the works in various stages of development, which provide an exciting insight into Hockney's painterly process.
Showcasing appropriated images of young girls alongside pornography from niche fetish websites in her daring mixed - media works, Darja Bajagic's solo exhibition offers «Cold Comfort,» as the show's title so aptly indicates.
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