There will also be a special programme alongside
the Altered Images exhibition to enable groups and individuals with disabilities to access the artworks through a variety of multi-sensory devices.
24 May 2010
Altered Images Exhibition to open at IMMA on 17 June 2010 An innovate exhibition, designed to stimulate engagement with the visual arts by people with disabilities, opens to the public at the Irish Museum of Modern Art on Thursday 17 June 2010.
Not exact matches
How are the status and meaning of an artwork — whether an Ancient Greek statue, a digital photograph, or a painting by an itinerant portraitist —
altered through the creation of facsimiles, through
exhibition, or through the conversion of the object into
image or code?
The
exhibition entitled Written
Images: Contemporary Calligraphy from the Middle East, curated by Karin von Roques, takes an important step to
altering perceptions.
Recent group shows include; 2017 FIAC — Paris Moving
Image Istanbul, Gaia Gallery, Istanbul; Contemporary Istanbul 2017, Gaia Gallery, Istanbul; Moving
Image, Gaia Gallery, New York; The State Museum of Oriental Art Bilge Collection
Exhibition, Moscow; Contemporary Istanbul 2017, Gaia Gallery, Istanbul; ODTU / METU Sanat 2017, Gaia Gallery, Istanbul; Moving
Image, Gaia Gallery, Istanbul; Contemporary Istanbul 2016, Gaia Gallery, Istanbul;
Alter - Hero, Gaia Gallery, Istanbul; Loop Barcelona Video Fest.
This new body of work, created especially for the
exhibition, features a series of found photographs
altered with his trademark blocks of rich colour, accompanied by banal snippets of text that appear like captions beneath the
images.
Sign language tours are available by arrangement and an accessible website for the project can be found at www.alteredimages.ie Padraig Naughton, Director, Arts and Disability Ireland commented in the accompanying catalogue: «What makes
Altered Images an advance on what has gone before in an Irish context is the curation of a whole
exhibition that has a multi-sensory approach to access thus having an inclusive appeal that will reach the widest audience possible.
Traveled to: Musée de l'Elysée, Lausanne; Victoria and Albert Museum, London; Hamburger Kunsthalle; Museo de Arte Contemporáneo de Caracas, Venezuela, 1988 — 1989 Three Decades; The Oliver Hoffmann Collection, Museum of Contemporary Art, Chicago, December 17, 1988 — February 5, 1989 (Catalogue) Identity: Representations of the Self, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, December 14, 1988 — February 10, 1989 (Catalogue) Gianfranco Gorgoni:
Altered Images, The Penson Gallery, New York, November 15 — December 10, 1988 (Catalogue) Drawing on the East End: 1940 — 1988, The Parrish Art Museum, Southampton, New York, September 18 — November 13, 1988 (Catalogue) The Instant Likeness: Polaroid Portraits, National Portrait Gallery, Washington, D.C., August 27 — December 4, 1988 Aldo Crommelynck, Master Prints with American Artists, Whitney Museum of American Art at the Equitable Center, New York, August 3 — November 7, 1988 (Catalogue) Fifty - Second National Midyear
Exhibition, The Butler Institute of American Art, Youngstown, Ohio, June 26 — August 21, 1988 (Catalogue) Life Like, Lorence Monk Gallery, New York, June 4 — 25, 1988 1988, The World of Art Today, Milwaukee Art Museum, May 6 — August 28, 1988 (Catalogue) Self As Subject, Katonah Gallery, New York, January 24 — March 6, 1988
A solo
exhibition of recent work titled «
Altered Images» The work in this
exhibition fits into the figurative tradition but is influenced by contemporary ideas related to Post Modernism.
He
altered the electronics to distort the broadcast
image and placed the sets in the
exhibition space to control the viewer's perception.
Sign language tours are available by arrangement and an accessible website for the project can be found at (External)(External) www.alteredimages.ie Padraig Naughton, Director, Arts and Disability Ireland has commented on the
exhibition in the accompanying catalogue; «What makes
Altered Images an advance on what has gone before in an Irish context is the curation of a whole
exhibition that has a multi-sensory approach to access thus having an inclusive appeal that will reach the widest audience possible.
Padraig Naughton, Director, Arts and Disability Ireland has commented on the
exhibition in the accompanying catalogue; «What makes
Altered Images an advance on what has gone before in an Irish context is the curation of a whole
exhibition that has a multi-sensory approach to access thus having an inclusive appeal that will reach the widest audience possible.
Altered Images comprises works from the collections of South Tipperary County Council, Mayo County Council and the Irish Museum of Modern Art, all of which have been selected and curated with a view to creating an
exhibition which is accessible, interactive and inclusive for all, but especially for those with disabilities.
While in my reflections I have concentrated predominantly on my access requirements as a visually impaired person,
Altered Images intends to provide access solutions that are cross-impairment while simultaneously creating an
exhibition of equal interest and accessibility to a non-disabled audience.
Also featured in this
exhibition is a selection of Tomaselli's New York Times collages, an ongoing series the artist began in 2005 in which he scans the front pages of the newspaper, prints them onto watercolor paper, and
alters the central
images.