10 — 5 MARCO GRASSI The DI - Gold Experience n. 177, 2017 Oil on
aluminum dibond plus gold leaf and resin 59 -LSB-...]
RASHA KAHIL, In Your Home, 2008 - 2011, c - print mounted on
aluminum dibond, 60 × 90 cm.
Digital print on pet - g, digital print on
aluminum dibond, plexiglass.
His photographs are lambda c - prints front mounted on acrylic glass and backed with 2 mm
aluminum Dibond.
Neolithic Potential (fire worship, yellow horns), 2016, print on
aluminum dibond, plexiglass support structures.
Expansion Curves (fire worship, purple horns), 2016 Druck auf PETG, print on
aluminum dibond, plexiglass support structures.
Julian Charrière Nutmeg - First Light, 2016 large format color photograph, double - exposed through radioactive material, archival pigment print on Hahnemüle Photo Rag, mounted on
aluminum Dibond, Red Palmira veneered frame, Mirogard anti-reflective glass paper: 59 1/8 x 73 7/8 inches (150.2 x 187.7 cm) framed: 60 1/2 x 75 5/16 x 2 inches (153.7 x 191.3 x 5.1 cm) JCh - 237
KEY PRODUCT POINTS Giclà © e reproduction on
an Aluminum Dibond panel to evoke the feeling of a rusted seafood sign.
Not exact matches
STAN DOUGLAS, «Cache,» From the Midcentury Studios series, 1948, 2010 (digital fiber print mounted on
Dibond aluminum).
Images: Leslie Shows, Untitled (detail), 2011, Acrylic, Plexiglas, metal filings, crushed glass on
aluminum, 48 × 82 inches, Courtesy the artist Seana Reilly, TippingPoint (detail), 2011, Graphite on
Dibond, 36 × 48 inches, Courtesy the artist Elonda Billera, After Will Have Been Before (III), 2009, Bronzed Pillsbury Biscuits, 9 × 6 × 5 inches, Courtesy the artist, Photo: Janice Gomez
32 Chromogenic prints; 2 Chromogenic prints mounted on
Dibond aluminum in artist's frame; 2 Chromogenic prints, Plexiglas, and wood; 5 Inkjet prints on paper; 7 Inkjet prints on paper, clips; 8 tables and 43 sheets of paper.
Tugendhat House from the L.M.V.D.R., Ludwig Mies van der Rohe Series Color c - print mounted on
aluminum -
dibond 23 x 27 1/2 inches 14 x 21 1/2 inches (image size) Edition of 40 Signed in pen and numbered in pencil by Thomas Ruff on a Label attached to the verso Pristine condition unframed, never framed, hinged or matted Literature Matthias Winzen, Thomas Ruff Photography 1979 to the Present, DAP, Cologne, 2001, p. 242, another impression reproduced in color.
Metallic Lambda print on 3 mm white
Dibond, painted wood, and
aluminum cans; edition 3/7; 53 1/2 × 36 3/4 inches (135.9 × 93.4 cm).
Ink, watercolor, acrylic and pencil on
Dibond aluminum with steel frame, 24.13 x 28.86 x 1.5 inches (61.3 x 73.3 x 4 cm).
photo (ivy), 2007 (detail) screen printing, plastic, color 280 x 400 cm queen sized bed, 2009
dibond aluminum, wood, paint, paper 208 x 168 x 50 cm image © designboom queen sized bed, 2009 (detail)
dibond aluminum, wood, paint, paper 208 x 168 x 50 cm image © designboom
There is a lot that can be done with a flat, bounded surface, even if each artist's surface of choice might vary, materially, along a continuum that extends from the time - worn painterly convention of canvas through to industrially - sourced
Dibond aluminum panels.
Installation view of «Africans in America», from left to right: Odili Donald Odita, Highway, 2015, Acrylic latex on laminated panel 245 x 122 cm © Odili Donald Odita; Julie Mehretu, Epigraph, Damascus, 2016, 6 panels; Photogravure, sugar lift aquatint, spit bite aquatint, openbite Hahnemühle Bütten 350 gr.Paper each 217 x 87 cm; Frame total size 248 x 574 cm, Edition of 16, © Julie Mehretu; Stan Douglas, Capoeira, 1974, 2012, Digital C - print mounted on
Dibond aluminum, Image: 142.2 x 213.4 cm, Framed: 149.9 x 221 x 6.4 cm, Edition of 5
Stan Douglas, Hastings Park, 16 July 1955, 2008, Digital C - print mounted on
Dibond aluminum, 59 1/2 x 88 3/4 inches, 151.1 x 225.4 cm, DOUST0358, Courtesy the artist and David Zwirner, New York