Sentences with phrase «american art biennale»

Perlman has shown his sculptures in solo and group exhibitions since the late 1960s, including the seminal Andre Emmerich Gallery, New York, Metropolitan Museum of Art, New York, Herbert F. Johnson Museum, Cornell, and the 1973 Whitney Museum of American Art Biennale.

Not exact matches

Comprised of a range of works on paper as well as two large - scale sculptures previously shown at last year's Venice Biennale, Moran explores the intersection of American history with that of cultural production — namely jazz and art.

She has been included in numerous group exhibitions at venues such as Tate Modern, London; 53rd Venice Biennale, Venice; CCS Bard, Annendale on Hudson, New York; Whitney Museum of American Art, New York; Foundation Beyeler, Basel; and the Museum of Modern Art, New York.

2015 Custom Lives: Rasquache Renaissance, MACLA, San Jose, CA 100 + Degrees in the Shade, A Survey of South Florida, Miami, FL Young Americans, Vienna's Franz Josefs Kai 3 Gallery, Wein, Austria Biennale Internationale Design Saint - Étienne, Musée d'Art et d'Industrie, Saint - Étienne, France America is Hard to See, Whitney Museum of American Art, New York, NY

Her work has been exhibited in more than 170 group shows, most notably in New York City at The Whitney Biennale, The New Museum, Edward Thorp Gallery, Pamela Auchincloss Gallery, and throughout the US at Nielsen Gallery (Boston), Santa Barbara Museum of Art, Detroit Institute of Arts, Museum of Contemporary Art (Chicago), Aldrich Museum of Contemporary Art (Ridgefield, CT), the Butler Institute of American Art (Youngstown, OH), and the American Academy of Arts and Letters (NY).

Her work has been presented at international group exhibitions including the Istanbul Biennial (1995); the Gwangju Biennale (1995); the Lyon Biennial (1993); the 8thBiennale of Sidney (1990); Documenta 8, Kassel, Germany (1987); the Whitney Biennial, Whitney Museum of American Art, New York (1983); and Documenta 6, Kassel, Germany (1977).

Her work has been exhibited at the Museum of Modern Art, New York; the Museum of Contemporary Art, Chicago; the Walker Art Center, Minneapolis; Whitney Museum of American Art, New York; Los Angeles Museum of Contemporary Art, Los Angeles; Jeu de Paume, Paris; and Haus der Kunst; Munich amongst others, as well as important international exhibitions such as the Hugo Boss Prize at the Guggenheim Museum, New York, Documenta XI in Kassel, Germany, and the 56th Venice Biennale, Venice, Italy.

Traveled to Kunsthalle Recklinghausen, Recklinghausen, Germany (October — December) and Stedelijk Museum, Amsterdam, the Netherlands (December 1959 — January 1960) Documenta II: Kunst nach 1945, Internationale Ausstellung, Museum Fridericianum, Kassel, West Germany (July 11 — October 11) Premio dell «Ariete: Selezione Biennale di Pittura Internazionale, Gallerie dell «Ariete, Milan (May 8 — 31) Arte nuova: Expositione Internazionale di pittura e scultura, Circolo degli Artisti, Palazzo Granieri, Turin (May 5 — June 15) 26th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington D.C. (January 17 — March 8) New York and Paris: Painting in the Fifties, Museum of Fine Arts, Houston (January 16 — February 8) Accrochage d'Ouverture, Galerie Smith, Brussels (January 7 — 26)

2007 GRUPS, organized by Dimitrios Antonitsis, Hydra School Project 2007, Hydra, Greece USA: AMERICAN VIDEO ART AT THE BEGINNING OF THE 3RD MILLENNIUM, Curated by Daniel Birnbaum, Gunnar B. Kvaran, Hans Ulrich Obrist, 2nd Moscow Biennale of Contemporary Art, Moscow, Russia The Lab, curated by Severin Dunser, Austria Into Position, Vienna, Austria NO. 1: DESTROY, SHE SAID, Julia Stoschek Collection, Dusseldorf, GermART AT THE BEGINNING OF THE 3RD MILLENNIUM, Curated by Daniel Birnbaum, Gunnar B. Kvaran, Hans Ulrich Obrist, 2nd Moscow Biennale of Contemporary Art, Moscow, Russia The Lab, curated by Severin Dunser, Austria Into Position, Vienna, Austria NO. 1: DESTROY, SHE SAID, Julia Stoschek Collection, Dusseldorf, GermArt, Moscow, Russia The Lab, curated by Severin Dunser, Austria Into Position, Vienna, Austria NO. 1: DESTROY, SHE SAID, Julia Stoschek Collection, Dusseldorf, Germany

She had work represented in the 1989 Whitney Biennial in NY, the 10 +10 Show of American and Soviet Painters originating at the Fort Worth Museum in 1989, the Art Museum of the Rhode Island School of Art and Design in 1988, and Paradise Lost / Paradise Regained at the American Pavillion of the Venice Biennale in 1984.

In addition, Hollein has organized a number of major exhibitions in modern and contemporary art, larger survey shows, and special projects such as the American pavilion at the Seventh Venice Architecture Biennale (2000) and the Austrian pavilion at the Venice Art Biennale (200art, larger survey shows, and special projects such as the American pavilion at the Seventh Venice Architecture Biennale (2000) and the Austrian pavilion at the Venice Art Biennale (200Art Biennale (2005).

Her contributions are undergoing a major reappraisal: At the 2011 Venice Biennale, she was awarded the Golden Lion for lifetime achievement, and this November she will have her first major American museum show, at the Museum of Modern Art, in New York.

3:45 — 4:45 pm Madness of the Present: Abstraction's Radical Possibilities: A conversation between Adam Pendleton and Adrienne Edwards Focusing on Adam Pendleton's art of the past two years, from his installation for the Belgian Pavilion at the 2015 Venice Biennale to his recent suite of paintings entitled Untitled (A Victim of American Democracy), Pendleton and curator Adrienne Edwards explore abstraction as a platform for revolutionary possibilities in art and politics.

Group exhibitions include: The Encyclopedic Palace, 55th Venice Biennale, curated by Massimiliano Gioni, Venice (1 June - 24 November 2013); The American Academy in Rome (2014); everything / nothing, presented at GALLERYSKE, Bangalore (2012); Phantoms of Asia: Contemporary Awakens the Past, curated by Mami Kataoka and Allison Harding (2012); Shadow Lines - Biennale Jogja XI 2011 - Equator # 1: Indonesia meets India, Indonesia (2011); Orientations: trajectories in Indian Art, curated by Deepak Ananth, Foundation «De 11 Lijnen», Belgium (2010); Chalo!

2008 Mediations Biennale, Poznan, Poland The Constructed Image, Redux Contemporary Art Center, Charleston, SC TRANSactions: Contemporary Latin American and Latino Art, Memorial Art Gallery, University of Rochester, Rochester, NY; High Museum of Art, Atlanta, GA; Weatherspoon Art Museum, University of North Carolina, Greensboro, NC

Group exhibitions include What People Do For Money, MANIFESTA 11, Zurich, Switzerland (2016); 9th Berlin Biennial, Berlin, Germany (2016); Billboard, Whitney Museum of American Art, New York, United States (2016); The Elephant Test, Lothringer13 Städtische Kunsthalle München, Munich, Germany (2014); Altars of Madness, Casino Luxembourg Forum d'art Contemporain, Luxembourg (2013); The Eye is a Lonely Hunter: Images of Humankind, Heidelberger Kunstverein, Heidelberg, Germany (2011); N'importe quoi, Musée d'Art Contemporain de Lyon, Lyon, France (2009); Disturbance, Johannesburg Art Gallery, Johannesburg, South Africa (2008); Trials and Terrors, Museum of Contemporary Art, Chicago, United States (2005); Elysian Fields, Purple Institute, Musée National d'Art Moderne, Centre Pompidou, Paris, France (2000); and dAPERTutto, 48th International Exhibition of Contemporary Art, La Biennale di Venezia, Italy (1999).

His work was in international exhibitions including the 13th Biennale de Lyon, Lyon, France (2015) and the Whitney Biennial, Whitney Museum of American Art, New York (2014).

His recent group exhibitions and screenings include: «The As - if - Principle» for Magazin4 Bregenzer Kunstverein, in Bregenz, Austria; and «Whitney Biennale 2014» with Miljohn Ruperto, at the Whitney Museum for American Art in New York, USA.

Marrakech Biennale Making Africa — A Continent of Contemporary Design, Guggenheim Bilbao Jakob Kolding, TEAM, Los Angeles Cally Spooner, Stedelijk Museum, Amsterdam Terry Richardson, Galerie Perrotin, Hong Kong Mark Wallinger, Hauser & Wirth, London Laura Poitras, Whitney Museum of American Art, New York François Curlet, Air de Paris, Paris Ian Cheng, Migros Museum, Zürich Nairy Baghramian, Museo Tamayo, Mexico City

It is a great pleasure for the Astrup Fearnley Museum of Modern Art to announce that a significant proportion of the American section of the museum's collection this autumn will be exhibited in Sao Paulo, in cooperation with the Sao Paulo Biennale.

Recent and current solo exhibitions include: Straight Down to Below: Lawrence Weiner (part of Artist Rooms on Tour at Tate Modern and National Galleries of Scotland), Woodhorn Museum, Northumberland, Scotland, 25 October — 19 April 2015; All In Due Course, South London Gallery, London, England, 26 September — 23 November 2014; The Grace of A Gesture (curated by Thomas Kellein), Written Art Foundation in conjunction with the 55th Venice Biennale, Palazzo Bembo, Venice, Italy, 29 May — 4 November 2013; As Far As The Eye Can See, Whitney Museum of American Art, New York City, USA, 15 November — 10 February 2008.

In addition to curating the U.S. pavilion at the 2017 Venice Biennale (along with Christopher Bedford), Siegel has curated exhibitions and written several key books on Abstract Expressionism and post-war American art.

«Art and the Feminist Revolution,» Museum of Contemporary Art, Los Angeles in 2007; the 2004 Biennial, Whitney Museum of American Art, New York; and the 2008 Biennale of Sydney.

Simpson was the first African - American woman to show in the Venice Biennale (in 1993) and to have a solo exhibition in the Projects series of the Museum of Modern Art.

His work has been shown at Los Angeles County Museum of Art, Santa Monica Museum of Art, Museum of Fine Arts Boston, 2nd Moscow Biennale, Whitney Museum of American Art, the Istanbul Biennial, LA Louver, New Museum of Contemporary Art and The 51st Venice Biennale amongst others.

Bas has exhibited works in group exhibitions at significant venues including «The Collectors», Nordic Pavilion, 2009 Venice Biennale (curated by Elmgreen & Dragset); KaDE, Amersfoort, the Netherlands; 6th Busan Biennale, Korea; Aspen Art Museum, Colorado; Haifa Museum of Art, Israel; Deste Foundation Centre for Contemporary Art, Athens; Saatchi Gallery, London; the Whitney Biennial, Whitney Museum of American Art; The Moore Space, Miami; and Museum of Contemporary Art, North Miami.

Recent exhibitions include: SITE Santa Fe international Biennale, 2014; «Vertical Landscape», 8th Berlin Biennale, Berlin, 2014; LARA -LRB-(Latin American Roaming Art), MAC, Peru, 2014; «Chiral Garden», La Verriere Fondation D'Entrerprise Hermes, Brussels, BR; «Entanglement», Kunst Halle Sankt Gallen, Sankt Gallen, 2013; «The Exact Opposite of Distance», Motive Gallery, Brussels 2013; The Challenger's Report, Gasworks, London, 2012; The Molyneux Problem, BAK, Utrecht, 2011; Essays on Geopoetics, 8th Mercosur Biennal, Porto Alegre, 2011; 50 Metres Distance or More, Labor Gallery, Mexico City, 2011; El Vuelo de Levy, Motive Gallery, Amsterdam, 2010 and Montehermoso Art Centre, Vitoria - Gasteiz, 2009; The Malady of Writing, MACBA, Barcelona, 2009; Planet of Signs, Le Plateau, Paris, 2009; and Levity, The Drawing Center, New York, 2007.

She has taught and lectured extensively in Europe and America and is the recipient of numerous awards including Golden Lion, XLVII Venice Biennale, 1997, Honorary Doctorate of Arts, University of Plymouth UK, 2009, Cultural Leadership Award, American Federation of Arts, 2011, Lifetime Achievement Awards, Podgorica, Montenegro, 2012, among others.

Group exhibitions include: Greater New York, P.S. 1, Long Island City, New York (2000); Post-POP, Post-PUNK, Museum of Contemporary Art, Washington, D.C. (2000); Protest and Survive, Whitechapel Art Gallery, London (2000); The Americans New Art, Barbican Gallery, London (2001); Shanghai Biennale, Shanghai Art Museum (2002); Trade, White Columns, New York (2005); Seeing Double, Andy Warhol Museum, Pittsburgh (2005); The Inside Game, Portland Art Center (2006); and The Station, Art Basel Miami (2008).

In addition to participating in an international array of group exhibitions including the Venice Biennale (1997, 1980, 1976), the Whitney Museum of American Art Biennial (1995, 1977), and Documenta, Kassel, Germany (1972), Martin has been the recipient of multiple honors including the Lifetime Achievement Award on behalf of the Women's Caucus for Art of the College Art Association (2005); the Governor's Award for Excellence and Achievement in the Arts given by Governor Gary Johnson, Santa Fe, New Mexico (1998); the National Medal of Arts awarded by President Clinton and the National Endowment for the Arts (1998); the Distinguished Artist Award for Lifetime Achievement by the College Art Association (1998); the Golden Lion for Contribution to Contemporary Art at the Venice Biennale (1997); the Oskar Kokoschka Prize awarded by the Austrian government (1992); the Alexej von Jawlensky Prize awarded by the city of Wiesbaden, Germany (1991); and election to the American Academy and Institute of Arts and Letters, New York (1989).

Selected group exhibitions include: Whitechapel Gallery, London; Centro Artes Visuales Helga de Alvear, Cáceres (both 2011); Socrates Sculpture Park, Long Island City, New York; Denison Museum, Granville, Ohio (both 2010); Brooklyn Academy of Music, New York; Macro Future, Depart Foundation, Rome; Foundation CaixaForum, Madrid (all 2009); 2nd Moscow Biennale (2007); Weatherspoon Art Museum, Greensboro, North Carolina; Walker's Point Center for the Arts, Milwaukee; Cercle (all 2006); SculptureCenter, New York (2005); Queens Museum of Art, New York (2003); Whitney Museum of American Art at Altria, New York, Arnolfini, Bristol (both 2002), Public Art Fund, Brooklyn, New York (2001).

Museum of Modern Art, New York, NY, Young and Restless American Fine Arts, New York, NY, 100 Photographs Philadelphia Museum of Art, Philadelphia, PA, Up Close and Personal, Kunsthalle Nurenburg and Sadie Coles HQ, London, UK, Some Kind of Heaven (curated by Sadie Coles) 7e Semaine Internationale de Video (Biennale de Saint - Cervats), Geneva, Switzerland, Video Divertmento (curated by Susan Hapgood, San Casciano and Dei Bagni) Taka Ishii Gallery, Tokyo, Japan, Doug Aitken, Alex Bag, Naotaka Hiro

Inscribed on the stretcher» «GIFT» 1962», «Top» with an arrow, and «KENNETH NOLAND»; and on the back of the canvas» «Clement's Gift» 1962 Kenneth Noland» Acrylic on canvas, 72 x 72 (183 x 183) Presented by the artist through the American Federation of Arts 1966 Prov: Clement Greenberg, New York (gift from the artist); the artist Exh: XXXII Biennale, Venice, June - October 1964 (USA 17, repr.)

His work has been exhibited internationally, including at the 52nd Venice Biennale, and is in collections of the Museum of Modern Art (MoMA, New York), the Whitney Museum of American Art, The Solomon R. Guggenheim Museum, the Museum of Contemporary Art (MOCA, Los Angeles), the Los Angeles County Museum of Art, and Museo de Arte Contemporáneo de Castilla y León (MUSAC).

2016 Impermanencia, Bienal de Cuenca, Cuenca, Ecuador Busan Biennale, Busan, Korea Decade by Decade: Art Acquired in Its Time, Weatherspoon Museum of Art, University of North Carolina, Greensboro, NC Modern Heroics, Newark Museum, Newark, NJ Half the World: Abstract Sculpture by Women, 1947 - 2016, Curated by Paul Schimmel and Jenni Sorkin, Hauser, Wirth & Schimmel, Los Angeles, CA 30 Americans, Cincinnati Art Museum, Cincinnati, OH

Their work has been included in the traveling exhibition Uncertain States of America: American Art in the 3rd Millennium curated by Hans Ulrich Obrist, Daniel Birnbaum, and Gunnar B. Kvaran and the Second Moscow Biennale of Contemporary Art.

1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)

Recent exhibitions include Walk the Line at Parasol Unit, London, England (solo); The Fourth Moscow Biennale of Contemporary Art, Moscow, Russia; Whitney Biennial, Whitney Museum of American Art, New York, NY; Brooklyn Museum, Brooklyn, NY, among others.

From an enigmatic piece by a young breakout star of this year's Venice Biennale to a classic work by an American art icon, these are gems to tickle the canniest collectors.

Exhibitions include The American Effect at the Whitney Museum of American Art in New York (2003), 7th Gwangju Biennale in Gwangju, Korea and «¡ CUBA!

He has participated in a number of group exhibitions worldwide, including the Istanbul Biennial (2011); Liverpool Biennial (2010); SITE Santa Fe, New Mexico (2010 and 2004); Venice Biennale (2007 and 1999); Whitney Biennial, Whitney Museum of American Art, New York (2004, 1997, 1993, and 1991); and documenta XI, Kassel, Germany (2002).

For more than 40 years, Holzer has presented her astringent ideas, arguments, and sorrows in public places and international exhibitions, including 7 World Trade Center, the Venice Biennale, the Guggenheim Museums in New York and Bilbao, the Whitney Museum of American Art, and the Louvre Abu Dhabi.

His works have been presented in numerous exhibitions around the world, most recently, for instance, at the Armand Hammer Museum of Art in Los Angeles (2017), the Whitney Museum of American Art in New York (2014, 2003, 1993), and the Venice Biennale (2015, 2005, 2003, 2001, 1999).

1959 Six Young Americans, Andrew Dickson White Museum of Art, Cornell University, Ithaca, NY Documenta II, Kassel, Germany Ten Painters and Sculptors, The Fifth Säo Paulo Biennale, Brazil Turin Art Festival, Torino, Italy

2006 Estrecho Dudoso, TEOR / éTica, San José, Costa Rica, curated by Virginia Pérez Ratton and Tamara Díaz Bringas (Catalog) Festival des Cinémas Différents de Paris, (screening), Centre Culturel La Clef, Paris, France Estudio Abierto, Palacio de Correos, Buenos Aires, Argentina 10 Defining Experiments: cifo 2006 Grant Program Recipients, Cisneros Fontanals Art Foundation (cifo), Miami, Florida (Catalog) Manifesta 6 School, Nicosia, Cyprus, curated by Mai Abu ElDehab, Anton Vidokle and Florian Waldvogel (Cancelled) Prevailing Climate, (screening), Sara Meltzer Gallery, New York, curated by Rachel Gugelberger and Jeffrey Walkowiak 3 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy, curated by Antonio Arévalo (Catalog) Whitney Museum of American Art Independent Study Program Exhibition, Chelsea Museum, New York El Museo's 4th Bienal: The (S) Files, Museo de Arte de Puerto Rico, San Juan, Puerto Rico (Catalog) 4ème Festival international du Cinéma iranien en Exil, (Screening), Paris, France When Artists Say We, Artists Space, New York, organized by Andrea Geyer and Christian Rattemeyer Bzzzz, Fundacion Cu4rto Nivel Arte Contemporaneo, Bogota, Colombia, curated by Jaime Cerón Russia: Significant Other, Institute for Contemporary Art at the Anna Akhmatova Museum, St Petersburg, Russia, curated by Olga Kopenkina Surveillance, Jersey City Museum, Jersey City, NJ, curated by Rocio Aranda Moving Time, Gallery Korea, Korean Cultural Service, New York, curated by Hwang Yu Jin, Jeeyun Kim, Inhee Iris Moon Featured Artist Projects, Center for Book Arts, New York

He is the recipient of prestigious awards such as the International Prize at the Venice Biennale in 1999 for the installation «Electric Earth» and the 2013 Smithsonian Magazine American Ingenuity Award: Visual Arts.

This is a triumphant Biennale for American art.

Solo exhibitions include the Israel Museum, Jerusalem (1984); Institute of Contemporary Art, Boston (1985); Tel Aviv Museum (1988); Haifa Museum, Haifa (2003); Tel Aviv Museum (2008); The American University Museum at the Katzen Arts Center, Washington, DC (2013); MACRO Testaccio, Rome (2014) and Mönchenhaus — Museum of Modern Art, Goslar (2015) and the Israeli Pavilion at the 56th Venice Biennale (2015).

Select groups exhibitions and biennials featuring his work include Inherent Structure, Wexner Center for the Arts, Columbus, OH (2018); Surface Area, Studio Museum in Harlem, New York (2016); Nexo / Nexus: Latin American Connections in the Midwest, DePaul Art Museum, Chicago (2016); 6th Prague Biennale (2013); El Museo Bienal The [S] Files, El Museo del Barrio, New York (2011) and Queens International 2012: Three Points Make a Triangle, Queens Museum, New York (2012), among others.

Taaffe has been participating in international exhibitions for several decades, including the Carnegie International, Pittsburgh (1991), the Biennale of Sydney, Australia (1996), and the Biennial Exhibitions, Whitney Museum of American Art, New York (1987, 1995, 1991), with individual survey exhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, Dublin (2011).