Sentences with phrase «american art moved»

When the Whitney Museum of American Art moved to new quarters in 1954, the complex of conjoined townhouses was sold to the National Recreation and Parks Association (NRPA), which occupied it until 1967.

The Whitney Museum of American Art moved from the Upper East Side to its current location on Gansevoort Street in the Meatpacking District in 2015, following a long history of elitist art - world figures leading the tide of gentrification.

Not exact matches

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Dissatisfied with a mere taste of the theatrical arts and eager to extend acting into a full - time passion, Eigenberg subsequently moved to New York and attended the American Academy of Dramatic Arts, working odd jobs on the side (construction et al.) to put himself through school.Scattered roles followed, including a guest appearance on The Cosby Show and a bit part in the awful 1989 generation - gap comedy Rude Awakening (co-starring Cheech Marin and Eric Roberts), but Sex and the City (which Eigenberg auditioned for out of innumerable hopefuls) represented the actor's first huge brarts and eager to extend acting into a full - time passion, Eigenberg subsequently moved to New York and attended the American Academy of Dramatic Arts, working odd jobs on the side (construction et al.) to put himself through school.Scattered roles followed, including a guest appearance on The Cosby Show and a bit part in the awful 1989 generation - gap comedy Rude Awakening (co-starring Cheech Marin and Eric Roberts), but Sex and the City (which Eigenberg auditioned for out of innumerable hopefuls) represented the actor's first huge brArts, working odd jobs on the side (construction et al.) to put himself through school.Scattered roles followed, including a guest appearance on The Cosby Show and a bit part in the awful 1989 generation - gap comedy Rude Awakening (co-starring Cheech Marin and Eric Roberts), but Sex and the City (which Eigenberg auditioned for out of innumerable hopefuls) represented the actor's first huge break.

«The Karate Kid» stars Jaden Smith as an American boy who moves with his mom to China, where he takes on a bully under the guidance of an unassuming martial - arts master (Jackie Chan).

The only branch of the world - renowned arts complex Lincoln Center to shine a light on the everlasting yet evolving importance of the moving image, this nonprofit organization was founded in 1969 to celebrate American and international film.

Porter talks with the director of Crystal Bridges Museum of American Art in Arkansas, who explained that the museum has not moved forward with virtual field trips because the technology doesn't always work so well, and «something was so lost in the dialogue on camera.»

Moved by a religious vision at age 57, Nashville janitor William Edmondson began carving tombstones and whimsical figures out of stone in 1931, eventually becoming the first African American artist to have a solo show at the Museum of Modern Art, in New York.

Kerley's lyrical prose portrait of Whitman captures the remarkable humanity and compassion of this quintessentially American poet, and Selznick's evocative art, inspired by period photographs, breathes visual life into this moving tribute.

While many boxing fans are moving to mixed martial arts, horse racing received a minor boost in 2015 when Secretariat's great - great - great - grandson, American Pharoah, won the Triple Crown.

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The Whitney Museum of American Art Starting May 1 The Whitney reopens for the first time this spring since moving to its new 220,000 - square - foot, Renzo Piano - designed building in the Meatpacking District.

One thing that I think could be woven in is «practical art» — like pottery dishes with coordinating decorative pieces and that are very decorative by themselves; Specific «rite of passage» art and the meaning behind it, as Melissa's ketubah art; and I the American quilt is an art form, as is weavings and wood carving and fabric constructions across many cultures... perhaps the «niche» TAA would best fit is a person whose basic needs have been accomplished (like clean water, food, shelter) and they are ready to move into becoming self - sufficient through their artistic trade.

Since moving to Mexico, Glassford has immersed himself in Latin American life, using found materials in his work and amassing a large collection of Mexican cultural objects that inform his art - making.

The use of rich fields of colors that moved his art beyond Avery's influence, his oil paintings announced further development that led him to the co-founding group The Ten, with Ilya Bolotowsky, Ben - Zion, Adolph Gottlieb, Lou Harris, Ralph Rosenborg, Louis Schanker, and Joseph Solman, aiming to liberate American painting from literal content and established equality.

Brant moved permanently to New York City in 1966 and her work was included several years later in the Whitney Museum of American Art's Painting Annual in 1972.

Recent exhibitions Everything and More at The Whitney Museum of American Art (2015); Interiors at Castello di Rivoli (2015); and past shows include Visitors, Governor's Island, New York (2015); Cloud Cover, CCS Bard College, Hessel Museum, Annandale - on - Hudson, New York (2015); The Importance of Being a (Moving) Image, National Gallery, Prague (2015); The Great Acceleration, Taipei Biennial, Taipei (2014); Phantom Limbs, Pilar Corrias, London (2014); A Minute Ago, High Art, Paris (2014); Chance Motives, Sculpture Center, New York (2013); Geographies of Contamination, David Roberts Art Foundation, London (2013).

After the western art capitol moved from Paris to New York because of the wars, critics like Greenberg posed American abstraction against Socialist Realism, and the standpoint of Social Realism became confused.

After spending time in California and gaining notice for his increasingly abstract paintings, he moved to the hub of the American art world: New York.

American painter Mark Bradford has moved away from paint itself and uses materials such as liquefied paper in his work, material that «has something to do with the social fabric of the times we live in, and not just to do with the history of art.»

A longtime resident of Paris — she moved there in 1949 — the American - born Jaffe has never fit into any of the narrative views of postwar American art.

The show will proceed chronologically: from early prints that portray the populist and revolutionary roots of graphic arts in Mexico, to Rufino Tamayo's role in the invention of the Mixografia printing technique, and finally to the collaborations done with contemporary Latin American artists following Mixografia's move to Los Angeles in the 1980s.

Whilst she experienced her first formative influences in her American homeland — born in Chicago in 1925 and living mostly in New York until her move to France in the 1950s — European art became increasingly important to her.

The Whitney Museum of American Art is moving downtown.

And was this around the same time that Pat Hearn and Colin de Land, the charismatic founder of American Fine Arts, moved to the neighborhood?

Bourgeois married American art historian Robert Goldwater, and in 1938, moved to New York where she studied for two years at the Art Students Leagart historian Robert Goldwater, and in 1938, moved to New York where she studied for two years at the Art Students LeagArt Students League.

There are very few things in today's art that can hold a candle to the formidable and moving sculpture of this great American artist — except perhaps his drawings.

One of the most iconic figures that emerged from the post-World War II American art, Frank Stella is a painter and a printmaker whose influential work is considered to be crucial to the generations of artists that moved beyond Abstract Expressionism.

In 2005, Hollis Taggart Galleries moved from 73rd Street to Madison Avenue, and would reside for the next decade in sight of the landmark Marcel Breuer building that then housed the Whitney Museum of American Art.

It was there that the gallery's program began to move more toward Abstract Expressionism and American Post War art, a direction that has continued into the present day.

Exquisite Corpse: Moving Image in Latin American and Asian Art embodies the exquisite corpse model as a curatorial framework between three institutions — Asia Society Museum, Mana Contemporary, and Smack Mellon — using video and new media work by contemporary artists who represent perspectives from across Latin America and Asia as the variable contributions.

New Directions in the Art of the Moving Image at the Smithsonian American Art Museum

, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss, Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for Contemporary Art, Gateshead, United Kingdom Springtide, Institute of Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.

Gibson, now 43, moved from abstract painting to multi-disciplinary works intermingling traditional Native American elements with contemporary art.

2006 Estrecho Dudoso, TEOR / éTica, San José, Costa Rica, curated by Virginia Pérez Ratton and Tamara Díaz Bringas (Catalog) Festival des Cinémas Différents de Paris, (screening), Centre Culturel La Clef, Paris, France Estudio Abierto, Palacio de Correos, Buenos Aires, Argentina 10 Defining Experiments: cifo 2006 Grant Program Recipients, Cisneros Fontanals Art Foundation (cifo), Miami, Florida (Catalog) Manifesta 6 School, Nicosia, Cyprus, curated by Mai Abu ElDehab, Anton Vidokle and Florian Waldvogel (Cancelled) Prevailing Climate, (screening), Sara Meltzer Gallery, New York, curated by Rachel Gugelberger and Jeffrey Walkowiak 3 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy, curated by Antonio Arévalo (Catalog) Whitney Museum of American Art Independent Study Program Exhibition, Chelsea Museum, New York El Museo's 4th Bienal: The (S) Files, Museo de Arte de Puerto Rico, San Juan, Puerto Rico (Catalog) 4ème Festival international du Cinéma iranien en Exil, (Screening), Paris, France When Artists Say We, Artists Space, New York, organized by Andrea Geyer and Christian Rattemeyer Bzzzz, Fundacion Cu4rto Nivel Arte Contemporaneo, Bogota, Colombia, curated by Jaime Cerón Russia: Significant Other, Institute for Contemporary Art at the Anna Akhmatova Museum, St Petersburg, Russia, curated by Olga Kopenkina Surveillance, Jersey City Museum, Jersey City, NJ, curated by Rocio Aranda Moving Time, Gallery Korea, Korean Cultural Service, New York, curated by Hwang Yu Jin, Jeeyun Kim, Inhee Iris Moon Featured Artist Projects, Center for Book Arts, New York

Originally from Wichita, Kansas, Tom Otterness moved to New York where he studied at the Art Students League in 1970 and at the Independent Study Program of the Whitney Museum of American Art in 1973.

Interest has steadily grown in the career of the American painter Lee Lozano (1930 — 99) over the last decade, specifically in her move toward conceptual art that culminated in her boycott of women for nearly the last 30 years of her life.

While these highly complex and laborious constructions (she often called them «three - dimensional paintings») moved her well beyond the vocabulary of the improvisatory, so - called «action painting» usually associated with American abstract expressionism, they also had virtually nothing to do with the pop art and minimalism which were then the rage of the 1960s New York art scene.

Nate Lowman moves within the American art world, and consumer and media society more generally, continuously rearranging the visual signifiers he encounters.

Christa Maiwald moved to New York in 1973, where she established herself as a video artist with solo exhibitions at the Whitney Museum of American Art, Anthology Film Archives, Holly Solomon Gallery, and Franklin Furnace, among others, and was included in the 1979 Whitney Biennial.

Though thwarted in his attempt to build a football stadium or lure the Olympics there, he spearheaded several successes, including the creation of the High Line, the extension of the 7 train, the construction of the new Signature Theater and the move downtown of the Whitney Museum of American Art.

She married the American art historian Robert Goldwater in Paris in 1938 and moved with him that year to New York City

is how Adam Weinberg, Director of New York's Whitney Museum of American Art, wrapped up the over-excited press call for the Jeff Koons retrospective, the museum's swansong exhibition in its Upper East Side building before moving downtown to the Meatpacking district, into a Renzo Piano steel and glass building to open next spring.

Moving American art into the great outdoors, Heizer's huge trench, Double Negative, was a 15 - meter wide gash in the Sierra Nevada desert which required 240,000 tons of rock to be removed.

He only recently moved to the United States, in 2016, to head the Fine Arts Museums, consisting of the de Young Museum in Golden Gate Park, which specializes in American art; and the Legion of Honor near the foot of the Golden Gate Bridge, which focuses on European art.

2016Biennale of Moving Image 2016, Centre d'Art Contemporain Genève, Genève, Switzerland (upcoming) Dreamlands: Immersive Cinema and Art, 1905 - 2016, Whitney Museum of American Art, New York (upcoming) Development, curated by Liam Gillick, Okayama Art Summit, Japan Nam June Paik Award, Folkwang Museum, Essen, Germany Art Basel Parcours, Naturhistorisches Museum, Basel, Switzerland Perfect Lives, Kunstverein Göttingen, Göttingen, Germany Nothing Conceptual: la Meme Era, La Barra de Paquito, San Juan, Puerto Rico What People Do For Money: Some Joint Ventures, Manifesta 11, Zurich, Switzerland Seven on Seven, New Museum, New York Overseas BF, curated by Signe Rose, Glovebox, Auckland Onion By The Ocean, organized by Essye Klempner and Elisa Soliven Underdonk, Brooklyn, New York default, Honor Fraser Gallery, Los Angeles, California

A subsequent move to the Tibor de Nagy Gallery was more simpatico; the paintings sold briskly and were soon being exhibited at both the Whitney Museum of American Art and The Museum of Modern Art.

In 1929, he moved to New York City, where he attracted the attention of Gertrude Vanderbilt Whitney, art patron, collector, and founder of the Whitney Museum of American Aart patron, collector, and founder of the Whitney Museum of American ArtArt.

After spending several years emulating artists in the Armory Show, Davis started moving toward a signature style with his 1919 Self - Portrait, in the collection of the Amon Carter Museum of American Art.