Sentences with phrase «american black male identity»

Breath / Breadth: Contemporary American Black Male Identity, explores wide - ranging visual expressions, defying the impulse to hone in on singular, cohesive definitions because it is precisely the impulse to categorize that encourages racial profiling.

Todd Gray in Breath / Breadth: Contemporary American Black Male Identity at Maier Museum of Art, Randolph College, Virginia September 3 to December 11, 2015.

2015 Interventions in Printmaking: Three Generations of African American Women, Allentown Art Museum of The Lehigh Valley, Pennsylvania, USA SELF: Portraits of Artists in Their Absence, National Academy Museum of Art, New York, USA Piece by Piece: Building a Collection, Selections from the Christy & Bill Gautreaux Collection, Kemper Museum of Contemporary Art, Kansas, USA Status Quo, The School, Jack Shainman Gallery, New York, USA Breath / Breadth: Contemporary American Black Male Identity, Maier Museum of Art at Randolph College, Lynchburg, USA To Be Young, Gifted, and Black, Goodman Gallery, Cape Town, South Africa

Not exact matches

There have since been 25 dinners that have explored themes like Baltimore, Race, and Identity (in honor of Freddy Gray); the 2016 shootings in Orlando and the need for sanctuary spaces; Black Female Subjectivity; Black Male Subjectivity; and Racial Subjugation in Latin American History.

Fahamu Pecou is an American contemporary artist and scholar who explores black male identity in art, performance and popular culture

At the Crossroads: Black Males + Race, Place, & Identity with Instructor Derrick Lanois, VCU Department of African American Studies Monday, January 20, 6 p.m. Elegba Folklore Society's Cultural Center

Question Bridge: Black Males A 5 - channel video installation by Artist Hank Willis Thomas January 27 — May 1, 2016 Opening Reception: January 27 The UMCA is pleased to present Question Bridge: Black Males, a five - channel video installation that aims to represent and redefine black male identity in America, and powerfully exposes the incredible diversity of thought, character, and identity within the black American male demographic, disrupting traditional generalizatBlack Males A 5 - channel video installation by Artist Hank Willis Thomas January 27 — May 1, 2016 Opening Reception: January 27 The UMCA is pleased to present Question Bridge: Black Males, a five - channel video installation that aims to represent and redefine black male identity in America, and powerfully exposes the incredible diversity of thought, character, and identity within the black American male demographic, disrupting traditional generalizatBlack Males, a five - channel video installation that aims to represent and redefine black male identity in America, and powerfully exposes the incredible diversity of thought, character, and identity within the black American male demographic, disrupting traditional generalizatblack male identity in America, and powerfully exposes the incredible diversity of thought, character, and identity within the black American male demographic, disrupting traditional generalizatblack American male demographic, disrupting traditional generalizations.

Harris, who grew up in New York City and Dar es Salaam, Tanzania, came to prominence in 1994 when Whitney Museum of American Art curator Thelma Golden included his large - format Polaroid pictures of friends, family members and himself in poses and guises challenging racial and gender identity in her seminal exhibition «Black Male: Representations of Masculinity in Contemporary American Art.»

Fahamu Pecou is an American artist and scholar who explores black male identity in art, performance and popular culture.

There have since been 25 dinners that have explored themes like Baltimore, Race, and Identity, the 2016 shootings in Orlando and the need for sanctuary spaces; Black Female Subjectivity, Black Male Subjectivity and Racial Subjugation in Latin American History.

Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.

His work explores African American male identity, masculinity, notions about the father figure, and the photographic archive, by providing a frame of reference that articulates the identities of Black men.