Sentences with phrase «american design center»

As an added feature the ARK Genesis Coupe's paint scheme was designed and completed in collaboration with artists from Hyundai's North American Design Center.

«It's all about making an impact,» said Chris Chapman, chief designer, Hyundai North American Design Center.

The Toyota RSC concept was initiated and developed by CALTY, Toyota's North American design center in Newport Beach, Calif..

The chief designer of Kia's American design center, Thomas Kearns, also told us the car could eventually go into production.

Not exact matches

The American Association of Birth Centers defines a birth center as «a home - like facility existing within a health care system with a program of care designed in the wellness model of pregnancy and birth.»

According to the American Association of Birth Centers, a birth center is, «a home - like facility existing within a healthcare system with a program of care designed in the wellness model of pregnancy and birth.»

In addition to DOT Commissioner Trottenberg and officials, also in attendance at today's Task Force meeting were: Luke DiPalma and Buckley Yung of the Metropolitan Transportation Authority (MTA); Anthony Iuliano of the New York City Department of Buildings; Howard Pollack of the NYC Department of Design & Construction (DDC); Deputy Inspector Thomas Conforti, Detective Kevin O'Donnell and Officer Joseph McCall of the NYPD 109th Precinct; Gene Kelty, Charles Apelian and Marilyn Bitterman of Community Board 7; Dian Song Yu of the Downtown Flushing Business Improvement District; Ikhwan Rim, President of the Union Street Business Association; Chris Kui of Asian Americans for Equality; Michael Meyers and Howard Hsu of the F&T Group; Glen Johnson of Tishman Speyer; Rick Sondik of the Rockefeller Group; Daryl Finn of Skyview Center / Related Management; representatives for State Senator Toby Stavisky, Assemblymember Ron Kim and Councilmember Peter Koo.

The design and findings of the current study parallel a similar study by Dr. Sennett and James L. Carey, MD, MPH, director of the Penn Center for Cartilage Repair and Osteochondritis Dissecans Treatment, on ACL injuries in NFL running backs and wide receivers, which was published in the American Journal of Sports Medicine in 2006.

Some of us aren't fortunate enough to have the benefit of institutions like the Reginald F. Lewis Museum of Maryland African American History and Culture (Baltimore, MD) or the Schomburg Center for Research in Black Culture (New York, NY) in our hometowns, but many similar institutions offer a variety of school programs designed to educate young people — not only about the legacy of chattel slavery in America, but also the legacy of resistance and activism against injustice that it nurtured.

Learn Everything About Voting: Citizens, Not Spectators, a program from the Center for Civic Education, is designed to promote voting among young Americans.

Over a decade, this mandate would transform New American Schools from a privately funded R&D center that would support only effective whole - school reform models into a savvy service provider for research teams that needed to market and fund their designs.

That's why, over three years ago, we at the Thomas B. Fordham Institute, along with our friends at the Center for American Progress, began a multi-year initiative designed to draw attention to the elephant in the ed - reform living room: governance.

Members of that original group included the late Albert Shanker, president of the American Federation of Teachers, Sy Fliefel, director of alternative education for NYC's Community School District 4, Ted Kolderie, Center for Policy Design and Education Evolving, Elaine Salinas, current President & CPO MIGIZI Communications, Joe Nathan, Director Center for School Change, and Ember Reichgott Junge, former Minnesota State Senator, and author of Minnesota's 1991 first - in - the nation charter school law and the memoir Zero Chance of Passage.

The Center for American Progress released a report on designing accountability systems under ESSA.

I am an assistant professor at American University where I focus on civic media — especially through our game design lab and MA, communication studies PhD, and our Center for Media and Social Impact.

Center for American Progress released a report on designing systems to support school quality and student success under ESSA.

Ann designed and oversaw ASD's multi-year research project on Second Order Change, partnering with CITC (Cook Inlet Tribal Council), the Devereux Center for Resilient Children, NCBI (National Coalition Building Institute), and AIR (American Institutes for Research), highlighting student academic and school community benefits resulting from a focus on SEL development.

Inclusive Design: Building Teacher Evaluation Systems That Support All Teachers and Context — Lynn Holdheide, Center on Great Teachers & Leaders, American Institutes for Research

First, I listened to students in a Hartford high school address an adult and student audience about their projects, such as starting and running a successful business, designing a mural to encompass major elements of African Americans history in this country, making music the center of their lives by creating and performing in a band, and making a documentary about a previously unrecognized medical researcher in order to give fellow students a sense of their own possibilities to achieve and change the world.

The Center for American Progress models three school identification system designs to help states measure and rate school performance.

Toward this end, the Center for American Progress has designed three school classification system models that capture a broader range of student performance than systems of the past.

In a recent report from the Center for American Progress, they revisit their argument that teachers should be actively involved in the design, scoring, and analysis of performance assessments.

Rather than Huayra commanding the waters of Lake Titicaca to rain down upon the parched earth, what we got Thursday at the mid-engine supercar's North American debut at Pasadena's Art Center College of Design was a good, close look at one of the most OCD roadburners this side of a Chip Foose streetrod.

The new Civic marks the first time that global development of both the sedan and coupe models is being led by a North American R&D team, with design led by a team from Honda's Los Angeles design studio and development centered in the company's Raymond, Ohio vehicle development center.

Designed by Mahindra's team at the MNATC (Mahindra North American Technology Center), expect this MPV to come with all the goodies like a multi-function steering wheel, touchscreen infotainment system, automatic climate control, rear AC vents and 3rd - row seating.

Standard on Limited and Sport models is the first North American application of the Sync - driven MyFord Touch interface with a Sony - designed center control panel.

In the Cabin area, the center console design is slightly tweaked and the American major has also done away with a number pad from the center console, to make it more compact and user friendly.

The newly renovated studio is located within GM's Advanced Design Center, which was responsible for the Chevrolet Volt concept revealed at the 2007 North American International Auto Show last January.

Designed by the company's North American Engineering and Planning Center in Chattanooga, Tennessee, the concept previews a potential addition to the Passat lineup.

Workers in the design studio at the GM Technical Center have been busily preparing a clay model for the Freedom van so it can be exhibited Jan. 12 - 20 at the North American International Auto Show in Detroit, said a source who has seen the vehicle.

The 2014 Porsche 911 Targa with a design impersonating the classic version, has made its world debut at the North American International Auto Show that opened today at the COBO Center in Detroit.

Pairing a potent hybrid powertrain with essential sports car fundamentals, the FT - HS concept was a joint undertaking of Calty, Toyota's North American - based, research and design center located in Newport Beach, Calif., and Toyota's California - based Advanced Product Strategy Group.

ICFF takes over the Jacob K. Javits Center May 20 - 23, 2018 as the North American platform for Luxury International Design showcasing the latest in exclusive luxury interiors, contemporary design and high - end furnDesign showcasing the latest in exclusive luxury interiors, contemporary design and high - end furndesign and high - end furniture.

2010 Public Lecture at Vermont Studio Center 2010 Chautauqua Institution 2009 Chautauqua Institution 2009 Bank Street School of Education 2009 Anderson Ranch 2008 Massachusetts College of Art M.F.A. / Painting 2007 N.Y. Studio School 2006 SUNY New Paltz 2005 Amherst College 2005 Syracuse University 2004 Cleveland Institute of Art 2003 Kansas City Art Institute 2002 Milwaukee Institute of Art and Design 2002 American University M.F.A. / Painting 2001 School of Visual Arts M.F.A. / Painting 2000 Tabor Academy 2000 University of Tennessee at Chattanooga 2000 University of Oregon at Eugene M.F.A. / Painting 2000 University of Washington at Seattle M.F.A. / Painting 1998 Swarthmore College 1998 University of the South / Sewanee, TN 1997 Brooklyn College M.F.A. / Painting 1996 Rhode Island School of Design 1996 Hunter College M.F.A / Painting.

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

During his life, Noguchi also designed fountains, landscapes, plazas and sculpture that are installed permanently at sites including the Israel Museum, Jerusalem; Japanese - American Cultural and Community Center Plaza, Los Angeles; The Metropolitan Museum of Art, New York; Museum of Modern Art, Tokyo; Philip A. Hart Plaza, Detroit; Rockefeller Center, New York; Seattle Art Museum; UNESCO Headquarters, Paris; and Yale University, New Haven, CT..

[46] The Centennial Complex, which also houses the American Heritage Center, was designed by Antoine Predock and opened in 1993.

Ackland Art Museum, Chapel Hill, North Carolina Addison Gallery of American Art, Andover, Massachusetts Albright — Knox Art Gallery, Buffalo, New York Allen Memorial Art Museum at Oberlin College, Oberlin, Ohio The Art Institute of Chicago Berardo Museum - Collection of Modern and Contemporary Art, Lisbon, Portugal Birmingham Museum of Art, Alabama Blanton Museum of Art at the University of Texas, Austin, Texas Boca Raton Museum of Art, Boca Raton, Florida Brooklyn Museum, Brooklyn, New York Butler Institute of American Art, Youngstown, Ohio Carnegie Museum of Art, Pittsburgh Fondation Cartier pour l'Art Contemporain, Paris, France Castellani Art Museum, Niagara University, Lewiston, New York Cleveland Museum of Art, Ohio Colby College Museum of Art, Waterville, Maine Cranbrook Art Museum, Bloomfield Hills, Michigan Crystal Bridges Museum of American Art Currier Museum of Art, Manchester, New Hampshire Dallas Museum of Art, Texas The Dayton Art Institute, Dayton, Ohio Denver Art Museum, Colorado Des Moines Art Center, Des Moines, Iowa Detroit Institute of Arts, Detroit, Michigan The Empire State Plaza Art Collection, Albany Fonds National d'Art Contemporain, Puteaux, France Fonds Régional d'Art Contemporain - Haute - Normandie, Sotteville - lès - Rouen, France Fonds Régional d'Art Contemporain - Provence - Alpes - Côte d'Azur, Marseille, France Foundation de 11 Lijnen, Oudenburg, Belgium Georgia Museum of Art, University of Georgia, Athens J. Paul Getty Trust, Los Angeles, California Haggerty Museum of Art at Marquette University, Milwaukee, Wisconsin Hammer Museum, University of California, Los Angeles Harvard Art Museums, Fogg Museum, Cambridge, Massachusetts Hirshhorn Museum and Sculpture Garden, Washington, DC Hofstra University Museum, Hempstead, New York Hood Museum of Art, Dartmouth College, Hanover, New Hampshire Indianapolis Museum of Art, Indiana Iwaki City Art Museum, Japan Kemper Museum of Contemporary Art, Kansas City, Missouri The Art Museum at the University of Kentucky, Lexington, Kentucky LAAC - Lieu d'Art et Action Contemporaine de Dunkerque, Dunkerque, France Linda Pace Foundation, San Antonio, Texas Los Angeles County Museum of Art, Los Angeles, California LVMH Moet Hennessy Louis Vuitton Foundation, Paris, France Fondation Maeght, Saint - Paul, France The McNay Art Museum, San Antonio, Texas Magasin 3 Stockholm Konsthall, Sweden The Metropolitan Museum of Art, New York Milwaukee Art Museum, Milwaukee, Wisconsin Minnesota Museum of American Art, Saint Paul, Minnesota Modern Art Museum of Fort Worth, Fort Worth, Texas Musée de l'Hospice Saint - Roch, Issoudun, France Musée des Beaux - Arts de Caen, Caen, France Musée des Beaux - Arts de Montréal, Canada Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France Museum of Contemporary Art, Jacksonville, Florida Museum of Fine Arts, Boston, Massachusetts The Museum of Fine Arts, Houston, Texas The Museum of Modern Art, New York National Gallery of Art, Washington, DC National Gallery of Australia, Canberra National Gallery of Victoria, Melbourne, Australia National Museum of Women in the Arts, Washington, DC Osaka City Art Museum of Modern Art, Japan Peggy Guggenheim Collection, Venice, Italy Philadelphia Museum of Art, Philadelphia, Pennsylvania The Phillips Collection, Washington, DC Rhode Island School of Design Museum of Art, Providence Saint Louis Art Museum, Missouri Samsung Museum, Seoul, South Korea San Francisco Museum of Modern Art, San Francisco, California Seattle Art Museum, Seattle, Washington Shizuoka Prefectural Museum of Art, Shizuoka — shi, Japan Smart Museum of Art at the University of Chicago, Illinois Smith College Museum of Art, Northampton, Massachusetts Smithsonian American Art Museum, Washington, DC The Solomon R. Guggenheim Museum, New York The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York Stanford University, Anderson Collection, Palo Alto, California The Tate Gallery, London, England Ulrich Museum of Art, Wichita State University, Wichita, Kansas Ulster Museum, Belfast, Northern Ireland University of California, Berkeley Art Museum, Berkeley University of Iowa Museum of Art, Iowa City (work is currently on loan to Figge Art Musem) University of Michigan Museum of Art, Ann Arbor Vancouver Art Gallery, Vancouver, British Columbia, Canada Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York University of Virginia Art Museum, Charlottesville Walker Art Center, Minneapolis, Minnesota Weatherspoon Art Museum, University of North Carolina at Greensboro Whitney Museum of American Art, New York Williams College Museum of Art, Williamstown, Massachusetts Worcester Art Museum, Worcester, Massachusetts Yale University Art Gallery, New Haven, Connecticut

«Pose and Sculpture,» curated by Daniel Baumann, Casey Kaplan, New York, NY, June 30 — August 4, 2006 «Two or Three or Something: Maria Lassnig, Liz Larner,» Kunsthaus Graz, February 4 — May 7, 2006 «Whitney Biennial 2006: Day for Night,» Whitney Museum of American Art, New York, NY, March 2 - May 28, 2006 «Gone Formalism,» Institute of Contemporary Art at the University of Pennsylvania, Pittsburg, January 21 — March 26, 2006 2005 «Extreme Abstraction,» curated by Louis Grachos and Claire Schneider, Albright Knox Art Gallery, Buffalo, NY, July 15 — October 2, 2005, catalogue «The The,» curated by Stuart Shave, Modern Art, London, July 8 — August 7, 2005 «The Meeting,» curated by Kathryn Andrews, Center for the Arts of Eagle Rock, Los Angeles, CA, May 27 — July 2, 2005 2004 «Showdown,» curated by Kimberli Meyer and Fritz Haeg, Schindler House, Los Angeles, October 22 — 23, 2004 «Full House,» curated by David Pagel, East Gallery, Claremont Graduate University, Claremont, CA, August 16 - September 10, 2004 «100 Artist See God,» curated by John Baldessari and Meg Cranston, The Jewish Museum San Francisco, March 7 — June 27, 2004; Laguna Art Museum, Laguna Beach, CA, July 25 — October 3, 2004; Institute of Contemporary Art, London, England, November 19, 2004 — January 9, 2005; Contemporary Art Center of Virginia, Virginia Beach, Virginia, June 9 — September 4, 2005, catalogue «The Thought that Counts,» curated by Jason Meadows, Sister Gallery, Los Angeles, CA 2003 «Inaugural Exhibition,» Regen Projects, Los Angeles, CA, January 25 - March 8 «Within Hours We Would Be in the Middle of Nowhere,» 303 Gallery, New York, NY, July 19 — August 29, 2003 neugerriemschneider, Berlin, Germany «Popstraction,» curated by Paola Antonelli, curator of Architecture and Design at MOMA and independent curator and writer, Eungie Joo, Deitch Projects, New York, NY, catalogue «Imagination: Perception in Art,» curated by Peter Pakesch and Martin Prinzhorn, Kunsthaus Graz, Graz, Austria, October 25, 2003 — January 18, 2004, catalogue Tanya Bonakdar Gallery, New York, NY, November 20, 2003 — January 10, 2004 2002

Located on the school's River Park campus, the former textile warehouse turned arts center was designed by American architect Tom Kundig, owner of the Seattle - based firm Olson Kundig Architects.

Notable traveling group exhibitions include Art, Activism and Civil Rights in the 1960s, traveling to the Blanton Museum of Art, Austin (2015); Hood Museum of Art, Hannover, New Hampshire (2015); and the Brooklyn Museum, New York (2014); For All the World to See: Visual Culture and the Struggle for Civil Rights, traveling to the Center for Art, Design, and Visual Culture, University of Maryland Baltimore County (2010); the International Center of Photography, New York (2010); and the National Museum of American History, Smithsonian Institution, Washington, D.C. (2011).

Part of Harvard University's Hutchins Center for African & African American Research, the gallery is designed by architect David Adjaye.

Summer 2009 Anderson Ranch Spring 2006 Milwaukee Institute of Art and Design Brink Scholar Summer 2004 - present Bank Street Masters Program School of the Arts Faculty Fall 2003 American University M.F.A. Program Scholar in Residence Spring 2002 American University M.F.A. Program Scholar in Residence 2002 — present The Cooper Union Part Time Faculty Spring 2001 American University M.F.A. Program Scholar in Residence 1995 — 2007 New York Studio Program A.I.C.A.D Studio Faculty 1994 — present Parsons School of Design M.F.A. Program Part Time Faculty 1992 — present Vermont Studio Center Residency Critic 1992 - present Chautauqua School of Art Summer Program Faculty 1985 — 1995 New York Studio School of Drawing, Painting, and Sculpture Faculty

Publications have been exhibited at The Geffen Contemporary at MOCA, Los Angeles; Walker Art Center, Minneapolis; MoMA PS1, New York; Mixed Greens Gallery, New York; Thomas J. Watson Library at The Metropolitan Museum of Art; Desert Island, New York; Printed Matter, Inc., New York; The Whitney Museum of American Art, New York; Queens College, Belfast, Ireland; the Royal Academy of Art, Stockholm, Sweden; Otis College of Design, California; and the Zuckerman Museum of Art, Atlanta.

Amon Carter Museum, Forth Worth, TX Art, Design & Architecture Museum, University of California, Santa Barbara Arthur S. Goldberg Collection, Snell Library, Northeastern University, Boston, MA Art Institute of Chicago, IL Bates College Museum of Art, Lewiston, ME Boston Public Library, Boston, MA Bowdoin College Museum of Art, Brunswick, ME Brooklyn Museum, Brooklyn, MY City of Springfield Art Museum, Springfield, MO Currier Museum of Art, Manchester, NH Davison Art Center, Wesleyan University, Middletown, CT de Young Museum, San Francisco, CA deCordova Sculpture Park and Museum, Lincoln, MA Grey Art Gallery, New York University, NY Harvard Art Museums, Cambridge, MA Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Hood Museum of Art, Dartmouth College, Hanover, NH Houghton Library, Harvard University, Cambridge, MA Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ Los Angeles County Museum of Art, CA Mead Art Museum, Amherst College, Amherst, MA Metropolitan Museum of Art, New York, NY MIT List Visual Arts Center, Cambridge, MA Museum of Art, University of New Hampshire, Durham, NH Museum of Fine Arts, Boston, MA Museum of Modern Art, New York, NY National Gallery of Art, Washington, DC Nelson - Atkins Museum of Art, Kansas City, MO Neuberger Museum of Art, Purchase College, SUNY, NY New York Public Library, NY Norton Museum of Art, West Palm Beach, FL Pennsylvania Academy of the Fine Arts, Philadelphia, PA Picker Art Gallery, Colgate University, Hamilton, NY Portland Art Museum, Portland, OR Provincetown Art Association and Museum, MA RISD Museum, Rhode Island School of Design, Providence, RI San Diego Museum of Art, CA San Francisco Museum of Modern Art, CA Sheldon Museum of Art, University of Nebraska - Lincoln, NE Smith College Museum of Art, Northampton, MA Smithsonian American Art Museum, Washington, DC The Detroit Institute of Arts Museum, MI UC Berkeley Art Museum, CA University Museum of Contemporary Art at UMASS Amherst, MA University of Iowa Museum of Art, Iowa City, IA University of Michigan Museum of Art, Ann Arbor, MI University of Museum of Art, Bangor, ME University of New Mexico Art Museum, Albuquerque, NM University of South Florida Contemporary Art Museum, Tampa, FL Whitney Museum of American Art, New York, NY Yale University Art Gallery, New Haven, CT

E.S.P. TV has worked with various venues and institutions including: The Whitney Museum of American Art, New Museum, Museum of Arts and Design, Printed Matter, Millennium Film Workshop, New School, Recess, Camera Club (New York, NY); Interstate Projects, Spectacle Theater, Issue Project Room, Knockdown Center, Flux Factory, Roulette (Brooklyn, NY); Franklin Street Works (Stamford, CT), Liminal Space (Oakland, CA), Yerba Buena Center for the Arts (San Francisco, CA), Human Resources (Los Angeles, CA), Ballroom Marfa, Marfa Public Radio, (Marfa, TX), Museum of Human Achievement (Austin, TX), S1 (Portland, OR), Nightingale Cinema (Chicago, IL), MoCAD (Detroit MI), General Public (Berlin), STORE (Dresden), Studio XX (Montreal), Kling and Bang Gallery (Reykjavik) and Pallas Projects (Dublin).

In London, Adjaye Associates recently designed the Marian Goodman Gallery space (2014), while in the US, the firm delivered a museum for contemporary art in Denver (2007) and the Ethelbert Cooper Gallery of African & African American Art at Harvard's Hutchins Center (2014)-- for which Adjaye co-curated the inaugural exhibition.

He has also received a number of major museum commissions recently including the Botín Center in Spain, the forthcoming High Line - adjacent location of the Whitney Museum of American Art, a massive new building for the Harvard Art Museums, and The Academy Museum of Motion Pictures in Los Angeles, California, which will be adjacent to two buildings that he designed for LACMA.

Recently named a finalist to design the Obama Presidential Center in the South Side of Chicago, David's career - topping work includes the Smithsonian National Museum of African American History and Culture in Washington DC, the Nobel Peace Prize Center in Oslo, the Moscow School of Management, and the Aishti Foundation in Beirut, among others.

The gallery has also fostered ties with other prominent galleries, as well as major public institutions including MoMA, The Whitney Museum of American Art, San Francisco MoMA, The Walker Art Center, MoCA Los Angeles, Fogg Art Museum, Cooper - Hewitt National Design Museum and internationally The Serralves Museum, Porto, Portugal, as well as the Devi Art Foundation, New Delhi, to name a few.