Sentences with phrase «american hip hop culture»

The show references, among other African leaders, Mugabe's independence / inaugural speech in 1980, the execution of Samuel Doe by Charles Taylor's orders and is interspersed with images derivative of popular American Hip Hop culture.

African American Hip Hop culture meets Victorian excess in a series of watercolor - and - photo collages by Nigerian - born Marcia Kure.

Not exact matches

He places rap squarely at the center of a hip - hop culture that reinforces patterns of ignorance and misogyny, and links it to larger cultural forces that debase the popular images of African - American men.

«The African culture the world knows best is the African - American culture,» he said, citing the worldwide dominance of hip - hop.

FRESH OFF THE BOAT (single camera) PICKED UP TO SERIES STUDIO: 20th Century Fox TV TEAM: Nahnatchka Khan (w, ep), Jake Kasdan (ep), Melvin Mar (ep), Eddie Huang (p) LOGLINE: It's the»90s, and hip - hop - loving Eddie is growing up in suburban Orlando, raised by an immigrant father who is obsessed with all things American — he owns and operates an All - American Steakhouse chain — and an immigrant mother who often is bewildered by white culture.

His 2007 Washington Post column on the pernicious effects of hip - hop culture on African Americans was based on his own experience, and the book is both personal and universal as it chronicles Williams» youthful struggle between the worlds of street cred and college credits.

And there's Kateb, known to the Americans as Dodge, an Iraqi interpreter whose love of American culture - from hip - hop to the dog - eared copy of Huck Finn he carries - is matched only by his disdain for what Americans are doing to his country.

Until that moment I'd spent much of my teenage years divided, existing in the strange liminal terrain between the parochial white, working class north of England, and ghettoised African American Hip - Hop culture.

The three main forms of music here are bachata, salsa and merengue, while in recent years American - influenced reggae, hip hop and rap have become very popular in Dominican culture, too.

Compared with other branches of American e-sports, dominated by white and Asian players, the FGC has a reputation that's always been more colorful: It's composed primarily of black players like Kelly, Asian players like his longtime Marvel rivals Justin Wong and Duc Do, and Latino gamers, and its brash self - presentation is influenced by the street culture that gave rise to hip - hop.

2002 Interplay, The Moore Space, Miami, FL Mass Appeal, The Art Object and Hip Hop Culture, Galerie 101 Ottawa, Montreal; Arts Interculturels, Montreal; The Khyber Center For The Arts, Halifax, Canada; Owens Art Gallery, Sackville, New Brunswick, Canada Monitor 2, Gagosian Gallery, New York, NY Bystander, Andrea Rosen Gallery, New York, NY 10 Seconds 2 Love, Mullerdechiara Gallery, Berlin, Germany Whitney Biennial, Whitney Museum of American Art, New York, NY New Additions To The Altoids Curiously Strong Collection, New Museum of Contemporary Art, New York, NY Officina America, Galleria D'Arte Moderna Villa Delle Rose Museo Morandi, Bologna, Italy

Blue jeans, which have been worn from miners, frontiersmen, blues men, rock and roll musicians, and members of contemporary hip - hop culture, have been claimed by the artist as homonym (genes) and metaphor, symbolizing a fusion of American culture and African ancestry.

Through Oct. 4, 2014 FAHAMOU PECOU at Lyons Wier Gallery New York Atlanta - based Fahamou Pecou's work «offers a critical glimpse into the insecurities being played out in hip - hop music, visual culture and American popular culture at large.»

Mashing together American hip - hop culture and the European heraldic tradition, Rashaad Newsome produces collages, installations, performances, videos, and songs that send - up and celebrate African - American culture.

But even before all that fame, this artist was famous in the contemporary arts circles for his bold, robust representation of the African - American culture, putting persons from hip hop culture in Renaissance poses against colorful, patterned backgrounds.

Their influences include hip hop culture, American street movies, and Sao Paulo protest art.

The influence of the American pop culture, especially hip - hop, and break - dance was crucial, as well as their working - class neighborhood.

«Black science» is an ideal description for Rashid Johnson's absorbing photography, sculptures, conceptual, and video works that investigate the worlds of science fiction, divination, black American history, and hip - hop culture, as well as personal memories.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Ruby has cited a diverse range of sources and influences including aberrant psychologies, urban gangs and graffiti, hip - hop culture, craft, masculinity, violence, public art and civic monuments, prisons, globalization, American domination and decline, waste and consumption.

Luis Gispert's sculptures and photographs depict a «hip - hop baroque» aesthetic and a subject matter that touches upon themes of American youth culture, class and values, and status - driven subcultures.

The artist draws from a range of Japanese and African - American cultural trends in her «a3» (Afro - Asiatic Allegory) series: ukiyo - e, hip hop culture, blackface performance tradition, and ganguro.

In 2018, years after hip hop has been brought into the mainstream, gone worldwide, and defined American popular culture for over 20 years; accurately depicting the history of hip hop is more important than ever.

Incorporating the black youth culture that was gaining prominence in modern society in the 1990s, Ofili drew together taboo - breaking influences from hip - hop, contemporary jazz and comic book artwork, to the often political art of his American predecessors Jean - Michel Basquiat and David Hammons.

Pruitt's portraits of contemporary African American women incorporate science fiction, hip - hop, 1960s black power, comic book culture and a romantic allegiance to realism.

Included in the landmark «30 Americans» of work by contemporary black artists that toured from the Rubell Family Collection to the Corcoran, Iona Rozeal Brown has made a name for herself by making paintings that find an unexpected confluence between the iconography of Japanese ukiyo - e and kabuki and African American culture, from hip - hop to Afrocentrism.

Among the black community, the slur nigger is sometimes rendered as nigga, a pronunciation emphasizing the unique intra-racial dialect of black people, a self - referential pronoun in African - American Vernacular English usage popularized by the rap and hip - hop music cultures.