Sentences with phrase «american lyrical abstraction»

American Lyrical Abstraction was first recognized as an art movement in the 1960s and 70s.

American Lyrical Abstraction (1960s, 1970s) A movement which became known as Lyrical Abstraction emerged in America during the 1960s and 1970s, in response to the growth of Minimalism and Conceptual art.

His paintings are related to American Lyrical Abstraction and to Art informel as well.

It is also related to American Lyrical Abstraction painting of the 1960s and 1970s, The Hairy Who movement in Chicago, the Bay Area Figurative School of the 1950s and 1960s, the continuation of Abstract Expressionism, New Image Painting and precedents in Pop Painting.

His abstract production set the influential ground for American Lyrical Abstraction of the 1970s.

These individual styles included: Hard - Edge Painting, Colour Stain Painting, Washington Colour Movement, American Lyrical Abstraction, and Shaped Canvas.

Melinda Zox is the daughter of renowned American lyrical abstraction painter Larry Zox (1936 - 2006), who played an essential role in the Color Field movement of the 1960s and 1970s.

European Abstraction Lyrique born in Paris, the French art critic Jean José Marchand being credited with coining its name in 1947, considered as a component of (Tachisme) when the name of this movement was coined in 1951 by Pierre Guéguen and Charles Estienne the author of L'Art à Paris 1945 — 1966, and American Lyrical Abstraction a movement described by Larry Aldrich (the founder of the Aldrich Contemporary Art Museum, Ridgefield Connecticut) in 1969.

American Lyrical Abstraction's European counterpart Neo-expressionism came to dominate the 1980s, and also developed as a response to American Pop Art and Minimalism and borrows heavily from American Abstract Expressionism.

Not exact matches

With a career spanning over six decades, this film presents Mason as a shy yet innovative figure in American art, a pioneer in the field of lyrical abstraction, and a master of the so - called «poetry of color».

I've written before about the suppression of Lyrical Abstraction but even I am appalled by the arrogant disrespect that The Whitney Museum displays towards American artists and to the American art public.

Lyrical abstraction also represented a competition between the School of Paris and the new New York School of Abstract Expressionism painting represented above all since 1946 by Jackson Pollock, then Willem de Kooning or Mark Rothko, which were also promoted by the American authorities from the early 1950s.

Lyrical Abstraction was the title of a circulating exhibition which commenced at the Aldrich Contemporary Art Museum, Ridgefield, Connecticut from April 5 through June 7, 1970, [18] and ended at the Whitney Museum of American Art, New York, May 25 through July 6, 1971.

Marilyn Kirsch (born 1950 in Lowell, Massachusetts) is an American artist, known for abstract and non-objective paintings often described as Lyrical Abstraction.

Lyrical Abstraction, an exhibition in the Whitney Museum of American Art, May 25 — July 6, 1971 was described by John I. H. Baur, curator of the Whitney Museum of American Art: [17]

Sam Gilliam (born 1933) is an American artist associated with Color Field painting, Lyrical Abstraction, and Abstract Expressionism.

When in 1971, Mr. Aldrich donated this collection to The Whitney Museum of American Art, [2] John Baur, the museum director, mounted a second Lyrical Abstraction exhibition and Willis's painting Wall became part of the Whitney Museum's permanent collection.

His early paintings, his figurative still - lifes, particularly - not the late, softly fluid, lyrical abstractions that would profoundly influence the course of American art - are often so densely built up, so airtight with paint, that they've more or less had the life choked out of them; in the course of trying to keep them alive, they have in fact become dead things.

Avery developed a lyrical mode of painting, verging on abstraction, that was independent of the prevailing styles in American painting during his lifetime.

She was invited to participate in the influential 1970 — 1971 Lyrical Abstraction exhibition, which traveled the country and culminated at the Whitney Museum of American Art.

Pat Lipsky is an American painter associated with Color Field Painting and Lyrical Abstraction.

Robert Natkin was an American born abstract painter whose work is associated with Abstract expressionism, Color field painting, and Lyrical Abstraction...

Lynda Benglis is an American sculptor and visual artist, considered as a pioneer of a form of abstraction in which each work is the result of materials in action, creating sculptures that eschew minimalist reserve in favor of bold colors, sensual lines, and lyrical references to the human body.

In brief, there was little knowledge about this American movement (interestingly enough, there was more information on Pop Art and Minimalism), and the whole perspective of looking at Abstract Expressionism was in the light of European postwar abstraction — Paris School, Lyrical Abstraction, New Realism, and L'informel — building on the tradition, vocabulary, and ideals of these trends that were naturally more accessible and familiar to manyabstraction — Paris School, Lyrical Abstraction, New Realism, and L'informel — building on the tradition, vocabulary, and ideals of these trends that were naturally more accessible and familiar to manyAbstraction, New Realism, and L'informel — building on the tradition, vocabulary, and ideals of these trends that were naturally more accessible and familiar to many Europeans.

Dan Christensen was an American abstract painter best known for his unfettered use of color in various styles, including Color Field painting and Lyrical Abstraction...

His work was also shown in the seminal exhibition Véhémences confrontées (Opposing forces), which visually pitted European Lyrical Abstraction against American Abstract Expressionism and for which Mathieu assisted French critic Michel Tapié in organizing at Galerie Nina Dausset, Paris (1951).

Sam Francis (1923 - 1994) American painter, member of Tachisme & Lyrical Abstraction movements.

Focusing on lyrical, post-painterly abstraction, the exhibition presents work by Kenneth Noland, Morris Louis, Sam Gilliam, Ed Clark and Frank Bowling that re-defines abstract painting in American following Abstract Expressionism.

Alike the Musicalism, European lyrical abstraction artists, American abstract expressionists or the contemporaries of the artist — the graffuturists, he develops a poetry working with the material, the line and the color.

Despite these experiences, Tàpies was swiftly drawn to the lyrical abstraction known as art informel, especially after 1953, when he experienced the American equivalent, abstract expressionism, at the time of his first one - man show in New York.

The best known digital artists include the German pioneer Manfred Mohr (b. 1938); the American artist Ronald Davis (b. 1937) who is associated with the movement's geometric abstraction and lyrical abstraction; John Lansdown (1929 - 99), and Jean - Pierre Hebert whose specialty is algorithmic art and mixed media.

About Sam Gilliam Sam Gilliam (born 1933) is an American artist associated with Color Field painting, Lyrical Abstraction, and Abstract Expressionism.

Cleve Gray was an American Abstract expressionist painter also associated with Color Field painting and Lyrical Abstraction.

Orlando Museum of Art 2007 Generations of the Washington Color School Revisited, The George Washington University Luther W. Brady Art Gallery, Washington DC 2007 Washington Color School: Selections from the Artery Collection, International Arts & Artists» Hillyer Art Space 2007 Lyrical Color: Morris Louis, Gene Davis, Kenneth Noland and the Washington Color School, The Phillips Collection, Washington DC 2007 OPTIC NERVE: Perceptual Art of the 1960s, Columbus Museum of Art, Columbus, OH 2008 New American Abstraction 1950 - 1970, Gary Snyder Project Space, New York, NY 2008 Color Field Revisited, Gary Snyder Project Space, New York, NY 2008 New American Abstraction 1960 - 1975, Gary Snyder Project Space, New York, NY Selected Collections: Philadelphia Museum of Art, Philadelphia Wadsworth Atheneum, Hartford, Connecticut The Corcoran Gallery of Art, Washington, D.C. Whitney Museum of American Art, New York National Museum of American Art, Washington, D.C. San Francisco Museum of Modern Art, San Francisco Metropolitan Museum of Art Center, Inc., Coral Gables, Florida Federal Reserve Bank, Richmond, Virginia Walker Art Center, Minneapolis Virginia Museum of Fine Arts, Richmond Norton Simon Museum, Pasadena, California Oklahoma Art Center, Oklahoma City The Phillips Collection, Washington, D.C..

Dan Christensen was an American artist notable for his unfettered use of color in styles such as Color Field painting and Lyrical Abstraction.

The least strident sub-variant of the wider Art Informel style - itself one of the most important European modern art movements of the post-World War II period - Lyrical Abstraction (or «Abstraction Lyrique») was a French style of 20th century painting in the manner of American Abstract Expressionism.

Richard Diebenkorn, one of the premier American painters of the postwar era, whose deeply lyrical abstractions evoked the shimmering light and wide - open spaces of California, where he spent virtually his entire life, died yesterday at his home in Berkeley.

This American form of Lyrical Abstraction is exemplified in works by Helen Frankenthaler (b. 1928), and Jules Olitski (1922 - 2007), among others.