Sentences with phrase «american open hand»

At a recent fundraiser for Bronx Assemblyman Mark Gjonaj, a statue of Mother Teresa was donated by the Albanian American Open Hand Association.

Not exact matches

Republicans are faced with a choice — be on the right side of history and stand with the American people who support a free and open internet, or hold hands with the special interests who want to control the internet for their own profit.»

I'm African American 6» feet tall slim build very hands on... very good kisser... love being very oral (if u know what i mean) laid back open minded... very high sex drive

As luck would have it, the flower falls into the hands of Mary Smith (voiced by Ruby Barnhill in the English - dubbed version opening in North American theaters), who is no witch at all but rather a rosy - cheeked young girl with an unruly mop of red hair and an appealing blend of spunk and sweetness.

American Reunion, on the other hand, lost half of its opening weekend profits for a $ 10.7 million second weekend.

-- Emily Tetherow (played by Michelle Williams) Go West, young ma'am «Oregon Territory, 1845» reads a rough - hewn hand - drawn title card that opens Meek's Cutoff (2010), the fourth feature by 52 - year - old, Miami - born filmmaker Kelly Reichardt (her sixth, Certain Women, hits select North American theaters later this year).

«Oregon Territory, 1845» reads a rough - hewn hand - drawn title card that opens Meek's Cutoff (2010), the fourth feature by 52 - year - old, Miami - born filmmaker Kelly Reichardt (her sixth, Certain Women, hits select North American theaters later this year).

... * Ed Lachman colors of Manhattan streets, 1977 — Wonderstruck... * On Molly Bloom not being Irish: preposterous dialog between Molly (Jessica Chastain) and Downey (Chris O'Dowd), Molly's Game... * Dunkirk: pale hand of a man drowning on boat... * «They're no longer persons, only body parts» — In the Fade... * Thelma: the baby under the divan... * The opening of Wind River: young Native American woman running barefoot against moon glaze on snow... * Mother and non-reincarnated deer, Three Billboards Outside Ebbing, Missouri... * In Film Stars Don't Die in Liverpool, father (Kenneth Cranham) remembering Gloria Grahame from In a Lonely Place: «Gorgeous mouth.

Though blind and deaf, she had been educated through sign language, and Darwin had read in Smithsonian Contributions to Knowledge, the new museum's Lazzaroni - inspired journal for touting American science, that when astonished, she raised both her hands with her fingers extended and pressed her open palms toward the person causing her amazement.

Since March 31, the American Red Cross has helped people affected by tornadoes, floods and wildfires by serving more than 2.2 million meals and snacks, opening more than 230 shelters and providing 20,000 overnight stays, providing more than 48,000 mental health and health consultations, and handing out more than 1.1 million relief items like toothbrushes and shampoo, tarps, coolers, rakes and other cleanup supplies.»

On the other hand, the chicken snake (Spilotes pulatus) is the largest and most intimidating of the American rat snakes, often exceeding eight feet in length and possessing a disposition that will make one think twice about casually opening its cage.

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

St. Louis Public Radio covers a selection of new African American art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. 31.

The museum's PR team will have another battle on their hands come the November opening of a show by Jimmie Durham, an artist whose self - identification as Native American has also been controversial this year.

The Whitney Biennial, hands down the biggest event in the American art world, is now open for business.

The article focuses on an array of categories, including quilts made by Jewish immigrants from Russia, crafted by men, and made for children on view at a range of institutions from the Los Angeles County Museum of Art and the Virginia Quilt Museum to the Daughters of the American Revolution Museum, but fails to note that a traveling show featuring 30 textiles made by African American quilters, «From Heart to Hand: African - American Quilts from the Montgomery Museum of Fine Arts, opens at the Montclair Art Museum Sept. 21.

She had a hand in the Robert Rauschenberg retrospective at the Tate Modern opening this month, which includes a sampling of the American artist's performance - based works.

After Memling's Portrait of Man with a Coin of the Emperor Nero, 2013, Kehinde Wiley, American, b. 1977, oil on wood panel in artist - designed hand - fabricated frame with 22k gold - leaf gilding; with doors open: 24 1/2 x 29 x 5 in., Phoenix Art Museum; Museum purchase with funds provided by The Marshall Bequest, Contemporary Forum, Dr. Eric Jungermann, Ann and Michael Wall, Mr. and Mrs. James G. Bazlen, BMO Private Bank, Dr. and Mrs. Marshall Block, Iris Cashdan - Fishman, Mr. and Mrs. Richard N. Goldsmith, Clark Olson and Nick Butler, Norman McLash, Mr. and Mrs. Charles G. Watts and others, 2013.526, © Kehinde Wiley, Photo: Max Yawney, courtesy of Roberts & Tilton, Culver City, California.

So this isn't something that they kind of took lightly, this is something that gave them some mixed emotions and some pause as to what they were doing, but on the other hand they saw it as an opportunity to help try to bring in American legal traditions and respect for the rule of law, and they feel like it's a good way to kind of if not bring about change in Cuba, but to kind of push Cuba towards accepting at least some of these changes to liberalize the country and open it up for following generations.

Republicans now have a clear choice — be on the right side of history and stand with the American people who support a free and open internet, or hold hands with the special interests who want to control the internet for their own profit.