She has contributed to several exhibitions, catalogues, and other publications including American Modern: Abbott, Evans, Bourke - White (2010); The Medium and Its Metaphors (2012); From Survey to Canal (2010); Subhankar Banerjee: Where I Live I Hope to Know (2011); Mary Lucier, The Plains of Sweet Regret (2008); and the Amon Carter's annual Masterworks of
American Photography series.
Not exact matches
For his conceptual
photography series «Unbranded: Reflections in Black by Corporate America 1968 - 2008,» the
American artist Hank Willis Thomas took advertisements featuring or directed at African -
Americans and simply removed all of the accompanying text.
The museum's
photography curator at the time, Hugh Edwards, purchased 30 photographs from this now - legendary
series for the permanent collection, and in 2000, the artist generously gifted a further 38 photographs — works that were openly personal and very different from his chronicling of the state of the country in The
Americans.
In 2009, she exhibited her
series «An
American Index of the Hidden and Unfamiliar,» a
photography series revealing scenes from restricted or rarely discovered sites across the United States.
2011 Video Exhibition Highlights Wadsworth Atheneum's History Wadsworth Atheneum Receives $ 21,000 From NEA to Support MATRIX Exhibition
Series Wadsworth Atheneum Commemorates Civil War's 150th Anniversary in New Collection Installation Claire Beckett / MATRIX 163 Opens Nov. 3 Robin Jaffee Frank Named Chief Curator and Krieble Curator of
American Painting and Sculpture Wadsworth Atheneum to Receive Significant NEH Funding Wadsworth Atheneum Presents
Photography by Patti Smith Shaun Gladwell / MATRIX 162 Opens June 2 Wadsworth Atheneum's Morgan Great Hall Opens to the Public
Epstein was awarded the prestigious Prix Pictet
Photography Prize for
American Power, a
series that examines the production and consumption of energy in the United States and its impact on society and the
American landscape.
Though known primarily as a sculptor, Rob Fischer also explores his interest in the
American landscape through
photography, here expressed in a
series of three snapshot taken out of a car window of a dingy mobile home.
The Eye of
Photography magazine is running an ongoing
series on Howard Greenberg's 25th Anniversary book An
American Gallery.
Highlights include Abbott's early studio portraiture from Paris and New York (1926 and onwards); photographs from her seminal project Changing New York (1935 − 39);
American landscapes, including her abandoned book project focusing on U.S. coastal highway Route 1; her final published
series, A Portrait of Maine (1968); and a large selection of her innovative scientific
photography.
The prints are from the
series A New
American Photography, into which Rickard undoubtedly put an enormous amount of time researching the most devastated regions of the United States and then scouring the Google Street View database to extract images, often featuring figures.
In this
series, Daisy Patton uses
American postmortem
photography as a substratum for her paintings.
Focusing on a triptych from the New Europe
series is the celebrated
American writer Carol Squiers, Senior Editor at
American Photo magazine and editor of The Critical Image: Essays on Contemporary
Photography.
The
Photography Department kicked off its fall lecture
series on September 10 with a lineup of prominent speakers who came together in Pratt Institute's Higgins Hall to discuss the cultural legacy of Garry Winogrand, the renowned
American photographer.
He studied
photography at the Art Center in Los Angeles, and at the end of the nineteen - forties he began documenting the
American society through a
series of black and white pictures.
While his teacher is noted for his black - and - white images, Epstein is a master of color
photography, capturing on film the
American experience as well as images from countries throughout the world — he has traveled extensively and realized
series on locales including Vietnam, India, Berlin, and his hometown of Holyoke, Massachusetts, among others.
The 2018 ZEISS
Photography Award judges also recognized nine further
series of works and shortlisted the following photographers: Toby Binder, German, for the
series «Themmuns — Youth in Northern Ireland» Sarah Blesener,
American, for the
series «Beckon Us From Home» Snezhana von Buedingen, Russian, for the
series «Permer Frost» Stephanie Gengotti, Italian, for the
series «Circus love, Les Pêcheurs de Rêves» Tadas Kazakevicius, Lithuanian, for the
series «Soon to be Gone» Mark Leaver, British, for the
series «TIGHT» Gowun Lee, South Korean, for the
series «I'm Here with You» Stefano Morelli, Italian, for the
series «Suspension» Kicia Randagia, Polish, for the
series «Scelte»
Support for this
series provided by the Department of Planning and Community Design in Tyler School of Art's Division of Architecture and Environmental Design, the Office of Institutional Diversity, Equity, Advocacy and Leadership, the General Education Program, Philadelphia Parks and Recreation, the Philadelphia Orchard Project, the Jewish Farm School, the Feinstein Center for
American Jewish History, the Pennsylvania Horticultural Society, TreePhilly, Village of Arts and Humanities, Asociación de Puertorriqueños en Marcha, the
Photography Program at Tyler School of Art, the New Kensington Community Development Corporation, The Humane League, Philadelphia Zoo, and Audubon Society.
In a
photography series inspired by both the paintings of Edward Hopper and the general mise en scène of David Lynch, photographer Francoise Gaujour explores the concept of the
American Dream, and its relevance today.
AWARDS AND FELLOWSHIPS 2007 Oregon Arts Commission and the National Endowment for the Arts,
American Masters Initiative, a $ 60,000.00 challenge grant in support of the Northwest
Photography Series
2008 You Complete Me, Western Bridge, Seattle, USA TRANSactions: Contemporary Latin
American and Latino Art, Sheldon Memorial Art Gallery, Lincoln, USA (travelled to Weatherspoon Art Museum, Greensboro; The High Museum of Art, Atlanta) HeartQuake, Museum on the Seam, Jerusalem, Israel That Was Then... This Is Now, P.S. 1 Contemporary Art Center, Long Island, USA Die lucky Bush, MuHKA Museum voor Hedendaagse Kunst Antwerpen, Belgium MATRIX / REDUX, Berkeley Art Museum and Pacific Film Archive BAM / PFA, Berkeley, USA Risky Business Art, Kunstpanorama, Lucerne, Switzerland Aurum: L'or dans l'art contemporain, Centre PasquArt, Biel Worlds on Video, Palazzo Strozzi, Florence Africa On: Beecroft, Jaar, Kentridge, Galleria Lia Rumma, Milan Arte ≠ Vida: Actions by Artists of the Americas, 1960 — 2000, El Museodel Barrio, New York Pictures in
Series, Fisher Landau Center for Art, Long Island City, New York Framing and Being Unframed: The Uses of Documentary
Photography, Ezraand Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, USA
Recent projects include Mapping: Memory and Motion in Contemporary Art; Vanishing Boundaries, a joint US / Lithuania
photography exhibition; Taken for Looks, a food - inspired exhibition; Breaking Bread, a Cuba / Russia / US exhibition, and an ongoing
series for the
American Center for Physics.
Using appropriation more pointedly, works from Martha Rosler's powerful Bringing the War Home: House Beautiful
series (1967 - 72) juxtapose images from lifestyle magazines with found Vietnam War
photography to wrench a distant, all - too - real dystopia into the living rooms of middle - class
Americans.
In 2010 she was tapped for the Museum of Modern Art's influential «New
Photography»
series; her work is now in the collections of the Whitney Museum of
American Art and SFMOMA, and she's a regular contributor to publications like W and Vogue.
Opening: «Sandro Miller: Homage: Malkovich and the Masters» at Yancey Richardson Gallery An
American photographer who's known for his expressive portraits of Cubans, dynamic depiction of dancers in motion and longtime photographic collaboration with John Malkovich, Sandro Miller presents his celebrated
series of pictures of the actor in the roles of legendary figures from the history of
photography.
The museum began assembling a collection of
photography in the 1980s, and its holdings are marked above all by the Düsseldorf school of Bernd and Hilla Becher, with photographs by the Bechers, Andreas Gursky, Thomas Struth, Thomas Ruff, Candida Höfer, and Thomas Demand, but also by works by
American artists such as Jeff Wall and Ed Ruscha and a
series by Gilbert and George.
A marked departure from the artist's previous work in landscape
photography — including her studies of
American cities and of lake ice - houses, which strongly defined a sense of specific place — the new
series denies any recognition of location.
Some recent books she has commissioned include, The Open Road:
Photography and the
American Road Trip; The Photographer's Playbook: 307 Assignments and Ideas; the
Photography Workshop
Series books; and This Equals That, a children's book by Jason Fulford and Tamara Shopsin.
A
series of three sculptures, entitled The Origins of Grey (Gems, Gems II, and Minerals), are, borrowing a term from
photography, de-saturated reproductions of the ecstatically colorful displays of gemstones and minerals at the
American Museum of Natural History's Morgan Memorial Hall of Gems.
American multimedia artist Lisa Oppenheim, known for her evocative camera-less
photography via the photogram and experimental films, is exhibiting a new
series of works taking inspiration from natural woodgrains entitled Landscape Portraits at Tanya Bonakdar Gallery in New York.
2008 Walters Art Museum, Baltimore, MD - ʻPortraits Re / Examined: A Dawoud Bey Projectʼ 2007 • Howard Yezerski Gallery, Boston, Ma — ʻDawoud Bey: Pictures: 1975 - 2005ʼ • Addison Gallery of
American Art, Andover, MA — ʻClass Pictures» (Travels to Aperture Gallery, New York, NY; Contemporary Art Museum, Houston, TX; Weatherspoon Art Museum, Greensboro, NC; Indianapolis Museum of Art, IN; Contemporary Art Museum, Baltimore, MD; Milwaukee Art Museum, WI; Kresge Art Museum, East Lansing, MI) 2004 • Detroit Institute of Art, Detroit, MI - «Dawoud Bey: Detroit Portraits» • Gorney Bravin + Lee, NY - «Class Pictures» • Revolution, Ferndale, MI - «Dawoud Bey: The Watsonville
Series» 2003 • Smart Museum of Art, Chicago, IL - «Dawoud Bey: The Chicago Project» 2002 • Gorney Bravin + Lee, New York, NY - «Dawoud Bey» • Rhona Hoffman Gallery, Chicago, IL - «Dawoud Bey: New Photographic Work» 2001 • Rena Bransten Gallery, San Francisco, CA - «Dawoud Bey» 1999 • Rhona Hoffman Gallery at Gallery 312, Chicago, IL - «Dawoud Bey: Recent Work» • Parrish Art Museum, Southampton, NY - «Dawoud Bey: The Southampton Project» • Yale University Art Gallery, New Haven, CT - «Portraits of New Haven Teenagers» 1998 • Galerie Nordenhake, Stockholm, Sweden - «Dawoud Bey» • Queens Museum of Art, Queens, NY - «Dawoud Bey» 1997 • Rhona Hoffman Gallery, Chicago, IL - «Dawoud Bey: Recent Work» • The Light Factory, Charlotte, NC - «Dawoud Bey: Portraits» • Addison Gallery of
American Art, Andover, MA - «Dawoud Bey: Recent Photographic Portraits» • Wadsworth Atheneum, Hartford, CT - «Dawoud Bey: Hartford Portraits 1996» («Dawoud Bey / MATRIX 132,» «Dawoud Bey / Amistad Gallery,» «African
American Studio Portraits: Dawoud Bey Selects from the Amistad Foundation Collection») 1996 • David Beitzel Gallery, NYC — ʻDawoud Beyʼ • University of Massachusetts Amherst, Fine Arts Center - «Dawoud Bey» • High Museum of Art, Atlanta, GA - «Picturing the South: The Commission Project» • Wexner Center for the Arts, Columbus, OH - «Dawoud Bey: Residency Exhibition» • Rena Bransten Gallery, San Francisco, CA - «Dawoud Bey» 1995 • Walker Art Center, Minneapolis, MN - «Dawoud Bey: Portraits, 1975 - 1995» (Travels to Albright - Knox Gallery, Buffalo, NY; Chicago Cultural Center, Chicago, IL; Virginia Beach Center for the Arts, VA; El Paso Museum, TX; The Newark Museum, NJ, The Jersey City Museum, NJ; Robeson Center Gallery, Newark, NJ; Cleveland Center for Contemporary Art, OH; Contemporary Art Museum, St. Louis, MO; The Barbican Centre, London, England)(Catalog) • The Photographer's Gallery, London, England - «Dawoud Bey» 1994 • Cleveland Museum of Art, Cleveland, OH - ʻDawoud Bey Photographs: Portraitsʼ • Olin Art Gallery, Kenyon College, Gambier, OH - «Dawoud Bey» 1993 • The Museum of Contemporary
Photography, Chicago, IL - «Polaroid Portraits» • Stockton State College, Pamona, NJ - «Dawoud Bey: Photographs» • Drew University, Madison, NJ - «Photographs from the Streets» 1992 • Addison Gallery of
American Art, Andover, MA - ʻDawoud Bey: Photographic Portraitsʼ • The Rotunda Gallery, Brooklyn, NY - «Dawoud Bey: Photographs» 1991 • Fogg Art Museum, Harvard University, Cambridge, MA - ʻDawoud Beyʼ 1990 • Ledel Gallery, NYC - ʻRecent Photographsʼ (Catalog) 1988 • BACA Downtown Center for the Arts, Brooklyn, NY - ʻBrooklyn Street Portraitsʼ 1986 • Light Work, Syracuse, NY - ʻDawoud Beyʼ • The Midtown Y
Photography Gallery, NYC - ʻPhotographs by Dawoud Beyʼ • Blue Sky Gallery, Portland, OR - ʻDawoud Beyʼ 1984 • Hunter College, Center for Puerto Rican Studies, NYC - ʻPuerto Rico: A Chronicleʼ 1983 • Cinque Gallery, NYC - ʻDawoud Bey: Recent Photographsʼ 1979 • Studio Museum in Harlem, NYC - ʻHarlem, USAʼ
The sixth in a
series of cross-cultural symposia organized by Lucy Lippard, the four artists interviewed here — gay activist and self portrait artist Lyle Ashton Harris, Chicano photographer and tourist Robert Buitron, Cherokee writer, curator, and video creator Rayna Green,
photography critic and professor at University of California - Irvine Catherine Lord, and Chinese -
American video artist Valerie Soe — discuss the role of
photography and creation of culture.
A solo exhibition of work from Doug Rickard's A New
American Picture
series was displayed at the fourth edition of the International
Photography Festival in Jaffa Port, Israel from April 23 - May 7, 2016.