Sentences with phrase «american pop art movement»

Chiefly associated with the American Pop art movement of the 1960s, the painter, sculptor, printmaker and graphic artist Jim Dine first came to attention as a pioneer of Happenings and a member of Neo-Dada (1959 - 60).

James Rosenquist, a key figure in the American pop art movement, is a painter, printmaker and sculptor.

Artists presented include pioneers who helped launch and shape the American Pop Art movement, which emerged in the early 1960s: Robert Rauschenberg, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, Andy Warhol, Tom Wesselmann and more.

• Andy Warhol (1928 - 87) Leader of the American Pop Art movement, best - known for his celebrity silkscreen portraits, but also produced several avant - garde sculptures of boxes of Brillo soap pads, Heinz ketchup and Campbell's tomato juice.

The American Pop Art movement had its share of reluctant participants.

From the collection of the CU Art Museum in Boulder, pioneers of the American Pop Art movement such as Andy Warhol, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, and James Rosenquist will be featured, while the rest of the exhibition will highlight regional contemporary artists and their perspectives on Pop Art today.

The American Pop Art movement which emerged in the late 1950s originated in a desire to return to hard - edged composition and representational art.

Initially having profound respect for the Abstract expressionists, Tom Wesselmann instead became a seminal figure of the American Pop art movement.

James Rosenquist (b. 1933) is known for his leadership in the American Pop Art movement.

Not exact matches

Warhol and Lichtenstein describe life and creation of art in Pop Art, the most practical and pragmatic American art movemeart in Pop Art, the most practical and pragmatic American art movemeArt, the most practical and pragmatic American art movemeart movement.

The European Zero movement was represented, alongside manifestations of Nouveau Réalisme, Pop Art and Op Art and American Minimal and Conceptual Art.

Key figures from the subsequent American art movements of the 60s and 70s, from Pop art and Minimalism to Conceptual art and performance, include Cy Twombly, Jasper Johns, Andy Warhol, Richard Serra, Bruce Nauman, David Hammons and Adrian Piper.

James Rosenquist is a major American contemporary artist, and one of the most important originators of the POP art movement.

[4] During the 1920s, American artists Patrick Henry Bruce, Gerald Murphy, Charles Demuth and Stuart Davis created paintings that contained pop culture imagery (mundane objects culled from American commercial products and advertising design), almost «prefiguring» the pop art movement.

Although both British and American pop art began during the 1950s, Marcel Duchamp and others in Europe like Francis Picabia and Man Ray predate the movement; in addition there were some earlier American proto - pop origins which utilized «as found» cultural objects.

The Whitney offers a singular view of American art, assimilating an entire century into three postwar movements — Abstract Expressionism, Pop Art, and Minimaliart, assimilating an entire century into three postwar movements — Abstract Expressionism, Pop Art, and MinimaliArt, and Minimalism.

Pop Art was the dominant movement in early 1960s American aArt was the dominant movement in early 1960s American artart.

The Wichita Art Museum's exhibition, «The Great American Pop Store: Multiples of the Sixties» (April 11 - June 6, 1999), will explore the concurrent movement of Pop Art.

The establishment asserted that the New York school of Abstract Expressionism was the rightful successor to European art movements such as Cubism and Surrealism, and the progenitor of the distinctly American movements of Pop and Minimalism.

Interpreted literally, it can be considered the antithesis of Pop Art, perhaps more so than any parallel American movements: it was organic, industrial, bio-chemical, in flux, phenomenological, presentational, non-representational, almost devoid of colour and implicitly anti-consumerist (after all, it coincided with the end of the miracolo italiano and the rise of worker / student insurrections).

Some of the innovations and associations formed at Black Mountain proved to have a long - lasting influence on the postwar American scene, high culture and, eventually, on Pop art, the last of the great modern movements.

During the 1950s in Britain, there was early pop art movement lead by Eduardo Paolozzi and Richard Hamilton but it quickly spread to american culture in work of Robert Rauschenberg and Jasper Johns.

Furthermore, the influence of American movies and media had a large impact on the Germans of our generation and it was the movement of Abstract Expressionism, Pop Art and minimalism that influenced the generation of artists we collect.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Canonized as an American development, Pop is among the most expansive phenomenon of postwar art, at once the most recognized «movement» of the second half of the twentieth century and strikingly nomadic spreading not only through Britain and the United Sates but also Japan, Latin America, and eastern as well as western Europe.

Robert Rauschenberg (born 1925) was instrumental in kick - starting the Pop Art movement and changing the direction of American art with his radical merging of materials and techniquArt movement and changing the direction of American art with his radical merging of materials and techniquart with his radical merging of materials and techniques.

Cárdenas's sculptures are recognizable within the context of concurrent post-war movements such as Nouveau Réalisme in France, Pop Art in the United States, and the Nul Group in the Netherlands, while also drawing from his Latin American heritage.

In brief, there was little knowledge about this American movement (interestingly enough, there was more information on Pop Art and Minimalism), and the whole perspective of looking at Abstract Expressionism was in the light of European postwar abstraction — Paris School, Lyrical Abstraction, New Realism, and L'informel — building on the tradition, vocabulary, and ideals of these trends that were naturally more accessible and familiar to many Europeans.

He also applauds Mr. Karpman, describing him as «an avid, astute and passionate collector of advanced post-war international contemporary art: Mr. Karpman has broad - ranging interests in the art of recent times that encompass a divergent melange of international and Canadian artists of consequence, such as Anish Kapoor, Joseph Beuys and the Fluxus movement, the challenging, ground - breaking work of Feminist legend, Carolee Sncheemann, American Joan Jonas, the minimalist art of Richard Serra, pop artist Robert Rauschenberg and generations of Canadian artists.

Another important influence was American Pop - Art, as exemplified by the movement's use of mass - produced commercial objects and iconography.

He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his woArt's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his woart history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his woArt in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.

Biography: Andy Warhol was an American artist and a leading figure in the pop art movement, responsible for creating many of its most memorable images.

Not only were the great collections that changed hands in the 19th and 20th centuries lost by the Corcoran to institutions in other cities and later to the National Gallery and the Smithsonian, but seminal movements in American art, such as the emergence in the 1950s and»60s of abstract expressionism, pop art and even the Washington Color School (which started in its own back yard!)

Pop for the People: Roy Lichtenstein in L.A. explored how the artist, a vanguard of the Pop Art movement buoyed by a renaissance in printmaking, made fine art accessible to the American public in ways that had not been achieved befoArt movement buoyed by a renaissance in printmaking, made fine art accessible to the American public in ways that had not been achieved befoart accessible to the American public in ways that had not been achieved before.

Henrique Faria Fine Art from New York aims to create a dialogue between Latin American midcentury modernist artists like the Brazilian painters Willys de Castro and Judith Lauand; historic conceptual artists like the Argentine asemic writer Mirtha Dermisache; Marisol, a forgotten star of the Pop Art movement; and new works by younger artists from the gallery's stable.

Andy Warhol was an American artist and a leading figure in the pop art movement, responsible for creating many of its most memorable images.

Robert Rauschenberg, American painter and graphic artist whose early works anticipated the Pop art movement.

A prominent figure within the pop art movement, most noted for figurative art which included sculpture, paintings, and print is American artist and Brooklyn native Alex Katz, born on July 24th, 1927.

Robert Indiana, born Robert Clark, is an American artist associated with the pop art movement.

By the 1960s and 1970s, his well - known images of the Twentieth Century Fox logo, gas stations, and other icons of American culture — as well as his association with the renowned Ferus Gallery group — had established him a leader in the West Coast Pop art movement.

Larry Rivers, original name Yitzroch Loiza Grossberg, (born August 17, 1923, New York, New York, U.S. — died August 14, 2002, Southampton, New York), American painter whose works frequently combined the vigorous, painterly brushstrokes of Abstract Expressionism with the commercial images of the Pop art movement.

Pop Art offered a clear contrast to abstract expressionism, then the dominant movement in American art and artists like Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, Andy Warhol and others of their generation challenged a whole range of assumptions about what fine art should Art offered a clear contrast to abstract expressionism, then the dominant movement in American art and artists like Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, Andy Warhol and others of their generation challenged a whole range of assumptions about what fine art should art and artists like Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, Andy Warhol and others of their generation challenged a whole range of assumptions about what fine art should art should be.

Jasper Johns, (born May 15, 1930, Augusta, Georgia, U.S.), American painter and graphic artist who is generally associated with the Pop art movement.

While Robert Rauschenberg's mixed media Combines initially drew attention, it was his juxtaposed combinations of popular American cultural images that inked the artist into art history as a leader of the Pop Art movemeart history as a leader of the Pop Art movemeArt movement.

Citing influences from both Abstract Expressionism and Pop art, Scull's Angel reflects a conscious synthesis of these two critical American art movements.

This exhibition challenges many of the widely accepted, homogeneous views of postwar American art history that began to surface in the early 1960s, coinciding with the expansion of the Vietnam War, the Civil Rights movement, and the rise of Minimalism and Pop Aart history that began to surface in the early 1960s, coinciding with the expansion of the Vietnam War, the Civil Rights movement, and the rise of Minimalism and Pop ArtArt.

Whether it's Andy Warhol, Roy Lichtenstein, or Robert Rauschenberg, no other conceptual movement in modern twentieth - century art history has been such a crucial influence on our ideas of aesthetics, design, and the American way of life as Pop Aart history has been such a crucial influence on our ideas of aesthetics, design, and the American way of life as Pop ArtArt.

The American artist Roy Lichtenstein, best known for his outsize comic - strip - style paintings and prints, was a founder of the Pop Art movement and, with Andy Warhol, one of its principal practitioners.

During his early career of the early 1960s, Richter was introduced to American and British Pop art, a style which was just becoming known in Europe, and also to the Dadaist Fluxus movement and its Happenings, founded by the Lithuanian - born American art theorist George Maciunas (1931 - 78).

Through the 1950s and 1960s, pop art has offered a stark contrast to abstract expressionism, then the dominant movement in American art.