Sentences with phrase «american women sculptors»

1996 African - American Art: 20th Century Masterworks, III, Michael Rosenfeld Gallery, New York, NY The Countee Cullen Art Collection from the Hampton University Museum, California African American Museum, Los Angeles, CA Three Generations of African American Women Sculptors: A Study in Paradox, Afro - American Historical and Cultural Museum, Philadelphia, PA; The Equitable Gallery, New York, NY; Museum of African American Life and Culture, Dallas, TX; California Afro - American Museum Foundation, Los Angeles, CA; Museum of the National Center of Afro - American Artists, Boston, MA; Telfair Museum of Art, Savannah, GA; Center for the Study of African American Life and Culture, Smithsonian Institution, Washington, DC Woman's Work: A Century of Achievement in American Art, The Columbus Museum, Columbus, GA The Figure in American Sculpture: A Question of Modernity, National Academy of Design, New York, NY
1996 Three Generations of African American Women Sculptors: A Study in Paradox, African American Historical and Cultural Museum, Philadelphia, PA; The Equitable Gallery, New York, NY Explorations in the City of Light: African - American Artists in Paris, 1915 - 1965, The Studio Museum, Harlem, NY; Chicago Cultural Center, Chicago, IL; New Orleans Museum of Art, New Orleans, LA Bearing Witness: Contemporary African American Women Artists, Spelman College Museum of Fine Art, Atlanta, GA; Tuskegee University Art Gallery, Tuskegee, AL
1997 Three Generations of African American Women Sculptors: A Study in Paradox, California African - American Museum, Los Angeles, CA; Telfair Museum of Art, Savannah, GA Explorations in the City of Light: African - American Artists in Paris, 1915 - 1965, Modern Art Museum of Fort Worth, Fort Worth, TX; Milwaukee Art Museum, Milwaukee, WI Bearing Witness: Contemporary African American Women Artists, Fort Wayne Museum of Art, Fort Wayne, IN; St. Paul Museum, St. Paul, MN

Not exact matches

Lygia Clark and Hannah Wilke at Alison Jacques Gallery, The Armory Show Before another landmark Brazilian artist, Lygia Pape, gets her due at the Met Breuer in a few weeks, the work of Lygia Clark, known for her interactive, neo-concrete works like folding metal bichos, will be showcased in Alison Jacques Gallery's booth of women artists, including the late American sculptor and photographer Hannah Wilke.
Biomorphic Forms in Sculpture,» Kunsthaus Graz, September 27, 2008 — January 11, 2009 «AURUM Gold in Contemporary Art,» curated by Dolores Denaro, CentrePasquArt, Biel, Switzerland, September 13 — November 30, 2008 «Red Wind,» Blum & Poe, Los Angeles, CA, June 28 — August 23, 2008 «Collecting Collections: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, February 9 — May 19 2007 «Celebrating the Lucelia Artist Award, 2001 - 2006,» Smithsonian American Art Museum, Washington, D.C., September 21, 2007 — June 22, 2008 «Makers and Modelers: Works in Ceramic,» Gladstone Gallery, New York, NY, September 8 — October 13, 2007 «Blood Meridan,» curated by David Hunt, Galerie Michael Janssen, Berlin, Germany, April 27 — May 26, 2007 «From Close to Home: Recent Acquisitions of Los Angeles Art,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, April 1 — July 2 «eight sculptors from los angeles,» sabine knust, Münich, Germany, March 22 — April 17, 2007 «Multiple Vantage Points: Southern California Women Artists, 1980 - 2006,» curated by Dextra Frankel, Los Angeles Municipal Gallery at Barnsdall, Los Angeles, CA, February 25 — April 15, 2007 «Fast Forward: Contemporary Collections for the Dallas Museum of Art,» Dallas Museum of Art, Dallas, Texas, February 11 — May 20, 2007; cat.
From the Amon Carter website — «In conjunction with the special exhibitions A New American Sculpture, 1914 — 1945: Lachaise, Laurent, Nadelman, and Zorach and Commanding Space: Women Sculptors of Texas, James Surls will provide a public lecture in the Amon Carter's auditorium.
She pushed on, and in 1934 became the first African - American artist to be elected to the National Association of Women Painters and Sculptors.
That's how Torpedo Factory sculptor Mirella Monti Belshé greeted the news that she had been named a «wise woman» by the local chapter of the National Organization of Italian American Women.
Opening: «Hedda Sterne: Machines 1947 - 1951» at Van Doren Waxter One of the few women in the New York School of artists and poets, a group of post-war American artists that included the Abstract Expressionist painters Mark Rothko and Jackson Pollock, Hedda Sterne was a Romanian - born painter and sculptor who made work that ranged from surrealism to expressionism between the 1940s and her death at 100 years old in 2011.
1984 Dreams and Nightmares, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Crime and Punishment: Reflections of Violence in Contemporary Art, Triton Museum of Art, Santa Clara, CA American Women Artists: Part II: The Recent Generation, Sidney Janis Gallery, New York, NY About Face, Art Museum of South Texas, Corpus Christi, TX Pratt Invitational Alumni: A Multimedia Presentation of Outstanding Pratt Alumni, Pratt Institute and 469 Broome Street Gallery, New York, NY ID, Bette Stoler Gallery, New York, NY Modern Masks, Whitney Museum of American Art at Philip Morris, New York, NY Sculpture Exhibition, Gallery Moos Ltd., Toronto, Ontario, Canada Drawing: Works on Paper From the Past Five Years by Fifty Artists, Barbara Toll Fine Arts, New York, NY Sculptors» Drawings 1910 - 1980, Selections from the Permanent Collection, Whitney Museum of American Art, New York, NY
1957 The 25th Biennial Exhibition, Corcoran Gallery of Art, Washington, DC LXII American Exhibition: Painting & Sculpture, The Art Institute of Chicago, Chicago, IL Golden Years of American Drawing 1905 - 1956, The Brooklyn Museum, Brooklyn, NY; Sloshley Art Gallery, Brandeis University, Waltham, MA 46th Annual Exhibition of American Painting, Randolph - Macon Women's College, Lynchburg, VA Cinq Maitres de la Ligne, Henry Clews Memorial, Fondation d'Arte de la Napoule, Paris, France American Painting 1945 - 57, The Minneapolis Institute of Arts, Minneapolis, MN Pacific Northwest Painters & Sculptors, Ogunquit Museum of Art, Ogunquit, ME 20th Century Works of Art, Krannert Art Museum, University of Illinois, Champaign, IL The American Vision - Paintings of 3 Centuries, Wildenstein Gallery, New York, NY Art in Asia & The West: An Exhibition to Illustrate Varied Aspects of Asian Traditions & Their Importance for Art in the West, San Francisco Museum of Modern Art, San Francisco, CA Annual Exhibition of Contemporary American Painting, The Whitney Museum of American Art, New York, NY 8 American Artists for the United States Information Agency; Korea, Japan, Australia, Europe Carnegie Institute Collects, Cincinnati Art Museum, Cincinnati, OH Prints and Drawings: Mainly By Modern French Artists, Parke Bernet Galleries, INC., New York, NY Seattle World's Fair, Seattle, WA
In conjunction with the special exhibitions A New American Sculpture, 1914 — 1945: Lachaise, Laurent, Nadelman, and Zorach and Commanding Space: Women Sculptors of Texas, -LSB-...]
She has received many honors, among them an American Academy of Arts and Letters Award (2011); Anonymous Was A Woman Individual Artist Award (2010); Joan Mitchell Foundation Painters and Sculptors Grant (2010); Guggenheim Memorial Foundation Fellowship (2004); Artist Fellowship Grants from the New York Foundation for the Arts (1999, 1993, 1986); and a National Endowment for the Arts Fellowship (1986 - 87).
Among her numerous awards and grants are a Guggenheim Fellowship, the American Academy of Arts and Letters Award in Art, the Anonymous Was A Woman Individual Artist Award, and the Joan Mitchell Foundation Painters and Sculptors Grant.
Cady Noland, for example, who holds the record for the highest price ever paid for an artwork by a living woman ($ 6.6 m), is a reclusive figurative sculptor whose work explores the sordid underbelly of the American dream.
The sale will feature five works by five women artists: French sculptor Germaine Richier; self taught Italians, painter Dadamaino and Sicilan Carla Accardi; Japanese art star Yayoi Kusama and American sculptor Louise Nevelson.
Untitled (Astronaut Tereshkova, First Woman in Space), 2015, from American painter / sculptor Robert Longo, aged 52, who first came to the fore in the 1980s with a series depicting sharply - dressed men and women writhing in contorted emotion, has contributed a piece made up of two huge monochrome panels (each 238.8 x 121.9 cm), executed in the age - old medium of charcoal.
• Gertrude Vanderbilt Whitney (1875 - 1942) American sculptor born in New York, studied in Paris, noted for her Washington Heights War Memorial, New York (1921), and her sublime Women's Titanic Memorial (1931) at Fort McNair, Washington DC.
And in the years following the release of their magnum opus, Henderson began working on a biography of Edmonia Lewis, the first African American woman to receive national and international acclaim for her work as a sculptor.
Gurr was a member of the American Artists Congress, [10] Artists Equity Association, [67] Artists League of America, [91] Artists Union, [42] Audubon Artists, [10] Brooklyn Society of Artists, [81] National Association of Women Painters and Sculptors, [33] and New York Society of Women Artists.
José Mariano de Creeft (November 27, 1884 - September 11, 1982) was a Spanish - born American artist, sculptor, and teacher known for modern sculpture in stone, metal, and wood, particularly figural works of women.
Augusta Savage, American sculptor and educator who battled racism to secure a place for African American women in the art world.
Rather than organize the exhibition chronologically — the work ranges from French Romantic Pierre - Jean David d'Angers» dramatic 1837 gilded bronze rendering of the Greek general and statesman Philopoemen to American artist Kiki Smith's 2005 porcelain Alice - in - Wonderland - like «Woman with Arm Raised» — Chiego decided to frame it in themes embodying ways sculptors have dealt with the human form over the past 200 years.
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