Sentences with phrase «american artistic communities»

Art and Black Los Angeles 1960 — 1980, this full - day symposium explores the relationship and parallels between the African American artistic communities in Los Angeles and New York through examining the social and cultural atmosphere of the 1970s in both cities, the significance of the Just Above Midtown artist space to the New York community, and the influences these artists have on their contemporaries.

Not exact matches

Even if we consider the three major religious groups as ethnic traditions rather than religious in the narrow sense, their brightest and most creative intellectuals and artists have been absorbed into the general American intellectual and artistic community so as to deprive the communal groups of their natural cultural leaders.

This group are already legends within the classical music community for their crystal - pure, otherworldly voices and their immense artistic range, with a songbook that ranges from medieval European devotional music to American shape - note hymns to works by contemporary American and English composers; and in the first half of this concert, they shared some of that range.

«The Quilts of Gee's Bend» celebrates the artistic legacy of four generations of African - American women from a small, historically all - black community in rural southern Alabama.

There is hardly an American artist of note of the late 19th or 20th century who has not been part of that vibrant artistic community.

His artistic diversification of subject matter, from the people of the small villages and farming communities going about their daily lives to the exquisite portraitures as well as his most recent works inspired by western historical themes and American landscapes, all reflect the sensitive dedication of this Master Artist.

She charted her own course as an African - American woman within Washington D.C.'s largely white and male mid-20th-century artistic community.

1985 37th Annual Purchase Exhibition - Hassam and Speicher Fund, American Academy and Institute of Arts and Letters, New York, NY Through a Master Printer: Robert Blackburn and The Printmaking Workshop, The Columbia Museum, Columbia, SC; The Arkansas Art Center, Little Rock, AR; Mississippi Museum of Art, Jackson, MI New Color Abstraction: Sam Gilliam, Al Loving, William T. Williams, Cleveland State University Art Gallery, Cleveland, OH Artists as Mentors: A Special Exhibition of Works by its Artistic Committee and Selected Emerging Artists, The Cinque Gallery, New York, NY Tribute — Robert Blackburn, Association of Community - Based Artists of Westchester, Mount Vernon, NY

This exhibition will include important paintings, sculpture, photography and works on paper by more than thirty artists, offering a rare opportunity to examine the significance of an artistic tradition that, outside of the African - American community, was too often ignored during much of the twentieth century.

Born and raised in New Orleans, Birch has made the persistence of the city's African - American culture his life's work, through both his individual artistic practice and his involvement with community organizations, including the Porch, which Birch helped found in the aftermath of Hurricane Katrina.

RELATED ARTS ACTIVITIES Co-Organizer, Onaman Collective (2014 — present) Project Creator / Lead Coordinator, Walking With Our Sisters Touring Exhibit (2012 on - going to 2020) Keynote Address, Indigenous Artists» Symposium: Activism & Education Through the Arts by Sâkêwêwak and the First Nations University of Canada Plains Red Gallery, Regina, SK (Feb 2016) Keynote Address, Education Through Reconciliation Through Education by First Nations, Métis, & Inuit Education Association of Ontario, Brampton, ON (May 2016) Collaboration with The House of Valentino, Milan, Italy (2015) Designer, 2015 Pan Am Parapan Am Game Medals Guest Lecturer, Shingwauk Ginoomagegamig, Algoma University, Sault Ste. Marie, ON (2014) Guest Lecturer, Museum of Contemporary Native Arts & Institute of American Indian Arts, Sante Fe, NM (2013) Lead Organizer, Community Art Collaborative Piece, Seventh Generation Midwives, Toronto, ON (2012) Jury Member, Ontario Arts Council, Aboriginal Arts Awards, Toronto, Ontario (2012) Jury Member, Ontario Arts Council, Visual Arts / Established Artist Program, Toronto, Ontario (2011) Guest Lecturer, Snelgrove Gallery, University of Saskatchewan, Arts Department, Saskatoon, Saskatchewan (2010) Guest Exhibit / Presenter, New Sun Symposium, Ottawa, Ontario (2010) Jury Member, Ontario Arts Council, Northern Arts Program, Toronto, Ontario (2009) Project Creator, Artistic Co-Director & Jury Member, Willisville Mountain Project, Willisville, Ontario (2008) Jury Member, Ontario Arts Council, Visual Arts Program, Toronto, Ontario (2008) Jury Member, Canada Council for the Arts, Aboriginal Peoples Collaborative Exchange Program, Ottawa, Ontario (2008) Jury Member, Ontario Arts Council, Chalmers Awards, Toronto, Ontario (2006)

Primarily focused on the sense of pluralism that has long been at the core of the African - American art community, the exhibition revealed a broad scope of individual artistic and intellectual concerns.

Here, he became part of the artistic community and socialised with many artists, including American minimalist Dan Flavin, renowned for his sculptural objects and installations.

His artistic practice was galvanized by the Watts Rebellion, a moment when he understood with stark clarity how his personal and professional goals as an artist diverged from his sense of responsibility to the African American community of his adopted city.

examines a pioneering group of African American artists whose work, connections, and friendships with other artists of varied ethnic backgrounds influenced the creative community and artistic practices that developed in Los Angeles during this historic period (1960 — 1980).

The Institute for American Art will produce a year's worth of programming centering on artistic production and community engagement.

Theaster Gates, artist and founder of the non-profit Rebuild Foundation, which acquires dilapidated buildings on the predominantly African - American South Side of Chicago and rehabilitates them to serve as community, artistic, archival, and residential complexes.

Later he established Taller Torres García, a progressive educational art community that could be considered in the tradition of Bauhaus, its fundamental aim was to develop a distinctive Latin American artistic language based on constructivist theories.

Peter Blume, a leading modern American painter, lived in Sherman, Connecticut amidst an international artistic community.

Committee members include: Lisa Cremin, chairwoman of the Community Foundation of Greater Atlanta; Andrea Barnwell, director of the Spelman College Museum of Fine Art; Sarah Schleuning, curator of Decorative Arts at the High Museum of Art; Alexandra Sachs, executive director of SCAD FASH (museum); Daniel Fuller, curator at the Atlanta Contemporary; Nickitas Demos, director for the Center for Collaborative and International Arts at Georgia State University; Rebecca Cochran, curator of the Weiland Collection; Shawnya Harris, curator of African American and African Diasporic Art at the Georgia Museum of Art; Madison Cario, director of the Ferst Center for the Arts at Georgia Tech; Victoria Camblin, editor and artistic director of ART PAPERS; and Milton Clipper, retired CEO of PBA / WABE.

A political organizer for the American Indian Movement during the 1970s, he was an active participant in the downtown New York City artistic community in the 1980s.

Exploring art's relationship to the concerns of African - American, Latinx, U.S., and global artistic communities, the artists» sources are as varied as the civil rights movement, recent events, and speculative fiction, a literary genre with futuristic or otherworldly elements and settings.

Paired together for the first time, David Park and Milton Avery both notably shirked the trend of pure abstraction so central to mid twentieth century art, though they came to this mode of expression in different artistic communities on the two different American coasts.

Weaving her own creative approaches to healing with the principals of Ericksonian Hypnotherapy, Play Therapy, Native American, Hawaiian, and other transcultural teaching, Dr. Mills teaches participants to create and utilize Storytelling, Artistic, StoryCrafts, and Living Metaphors to effect transformational change for children, adolescents, families and communities with whom they work.