Sentences with phrase «american artistic production»

What ideas about Central American artistic production did it project then?

Throughout the 20th century, Harlem has been regarded as the symbolic mecca for Black American artistic production, culture and activism.

Of these, the treatment of the American galleries is the most polemical, emphasizing the close ties between American artistic production and nation building.

Even so, his work is meaningfully, and indeed crucially, connected to important activities, movements, and genres of American artistic production — sculptural assemblage using found objects, appropriation of existing text and image, institutional critique, the politics of representation, performance — and, moreover, to the colonial history and political struggles of the country.

Not exact matches

Sergio Leone, the Italian filmmaker whose artistic sensibilities created new interpretations of the American western with his landmark productions of «The Good, The Bad and The Ugly,» «A Fistful of Dollars» and «For A Few Dollars More,» and whose films brought international stardom to Clint Eastwood, crafts an unparalleled saga about two friends and the complex urban underworld in which they live.

Over the course of this 23 - year run the exhibition sometimes focused solely on Atlanta - based artists, sometimes on artists from the state of Georgia, and, in several iterations, on an area of artistic production that included the whole of the American South.

Dating from the 1970s to 2005, the 11 quilts included in the Souls Grown Deep Foundation gift / purchase triple the High's existing holdings of works by these celebrated women artists and demonstrate the incredible legacy of their artistic production, which parallels many of the experiments with color, flatness and abstraction associated with postwar American painting.

At the American Academy in Rome — where Guston lived and worked during three important junctures in his career — the studio as a purpose - built architectural space remains a vital locus for fertile artistic exploration and production.

Taken as a whole, the exhibition is a clean, a strong, and a varied one and of vast artistic, educational interest and importance, and, if I mistake not, will have as a result, and despite the unquestionably skeptical and even hostile attitude towards the merits of the new foreign movements, or an indisposition to accept them as being worthy of the title of art movements in general — the most marked effect upon the cause of art in America, and upon the coming production of American painters and sculptors, than anything that has occurred since the first exhibition of the so - called Munich band of young American painters in the old American art galleries in 1878, and of the work of Monet and his contemporaries and followers held here in 1883.

surcontexto is a contemporary art platform based in Montevideo, Uruguay, dedicated to generating projects that prioritize the production of knowledge and experience of curatorial and artistic practices today with its focus on South and Latin American art and culture.

The Institute for American Art will produce a year's worth of programming centering on artistic production and community engagement.

Relational Undercurrents: Contemporary Art of the Caribbean Archipelago at the Museum of Latin American Art, curated by Dr. Tatiana Flores, offers a reading of twenty - first century artistic production of the Caribbean that employs the archipelago as an analytical framework.

Making History: Twentieth Century African American Art offers a fascinating glimpse at artistic production and patronage associated with the renowned Barnett Aden Gallery, operating in Washington, D.C., from 1943 to 1969.

(Porto Alegre, Brazil) The curatorial platform of the 10th Mercosul Biennial, entitled «Mensagens de Uma Nova América», will focus on portraying the artistic production of Latin American countries, resuming the idea presented in its first edition of rewriting art history in Latin America.

The works demonstrate the incredible legacy of these women's artistic production, which parallels many of the experiments with color, flatness and abstraction associated with postwar American painting.

With a core of historical material donated by C.R. Smith and Mari and James A. Michener, now supplemented by purchases, commissions, and generous gifts by donors such as Jeanne and Michael Klein and the Blanton family, the collection is rich in masterworks that show modern and contemporary art production at its most ambitious; experimental works that provide clues to artistic transitions; strong representative works that capture the essence of an artist's style; and uncommon works that enrich our understanding of the history as well as the current state of American art.

In the American post-war age of mass production and reproduction, the hard drinking, asocial, and irascible Pollock and his artistic output marks high culture's fetishizing of the unique and the original over the multiple.

Describing the exhibition, FRONT Artistic Director Jens Hoffmann said, «Over the course of the year leading up to the opening, FRONT will work to examine the local, regional and global influences that have shaped a 21st century American city located outside the traditional centers of cultural power and production in the United States.»

The mission of the Latin American Art Department and the International Center for the Arts of the Americas (ICAA) is to collect, exhibit, research, and educate audiences on the diverse artistic production of Latin Americans and Latinos, which includes artists from Mexico, Central and South America, and the Caribbean, as well as from the United States.

Surveying 25 years of his artistic production, the American Federation of the Arts organized a retrospective of the artist's work in 2000.