Sentences with phrase «american bicentennial»

Two Bicentennial Series masterworks to be exhibited in 2018 Andrews» Bicentennial Series was a six year project, begun in 1970 in anticipation of the American bicentennial of 1976.

Afraid that the American Bicentennial would omit the voices of contemporary African Americans, Andrews decided to create his own vision of America, producing one major, monumental work per year leading up to the 1976 Bicentennial.

This page is dedicated to one of his earliest and longest, The Bicentennial Series, which was a six year cycle, begun in 1970 in anticipation of the American bicentennial of 1976.

He plans the series as a preemptive response to what he rightly assumes will be the exclusion of African American history and identity in the upcoming celebrations for the 1976 American Bicentennial.

In 1976 the Los Angeles County Museum of Art opened Two Centuries of Black American Art as its major exhibition for the American bicentennial year.

Painted on the eve of the American bicentennial, George Washington Carver Crossing the Delaware: Page from an American History Textbook shares with Benny Andrews's Bicentennial Series an urgent desire to explore and critique the representations of black people that were embedded in US national history.

«Nine Female Inmates of the Cincinnati Workhouse Participating in a Patriotic Tableau,» a painting John Wesley made in 1976 to commemorate the American Bicentennial, has been reimagined and adapted by Mr. Wesley, now 85, to conform to the 25 - by -75-foot format of the billboard.

Not exact matches

The test of vigilance which faces the American public comes in the year of our bicentennial when most of all we should, in the words of Tom Paine, «refresh our patriotism by reference to first principles.»

As America embarks upon its bicentennial celebration, it should be remembered that there are millions of citizens who have been excluded from the American dream.

Thus Ferdinand Mount, in an otherwise astute essay on America's bicentennial, comments on the shock effect of Watergate: What Europeans are bewildered by is the American's affectation of pained surprise on receiving a specific proof of the corruption he knows to be endemic to his political system.

Yet from constitutional centennial to bicentennial, successive generations of American Jews had been taught to believe that the fondness for «Old Testament» metaphors in American public discourse displayed the fundamental continuity between ancient Jewish and modern American values — when, in fact, these metaphors expressed a flourishing Christian triumphalism.

For American Catholics, 1989 is a year crowded with anniversaries, including the centennial of the founding of the Catholic University of America and the bicentennial of both the establishment of Georgetown University (and, by extension, of Jesuit education) and the erection of the American hierarchy.

Some evidence of these changes is given by W. Richie Hogg in «The Role of American Protestantism in World Missions,» in American Missions in Bicentennial Perspective, ed.

One could travel in this bicentennial year to a thousand American communities, and in each of them see instances of human tragedy directly based upon failures of justice and the breakdown of moral ideas — this in the face of operative legal systems.

In the case of the national bicentennial four years ago, Americans did not lack resources; there were libraries full of national histories which aimed at covering the whole sweep as well as monographs which touched on nuances, cornices and curlicues of American existence.

Film credits include THE CABIN IN THE WOODS, AN AMERICAN CRIME, THE SISTERHOOD OF THE TRAVELING PANTS, LITTLE MANHATTAN, KATE & LEOPOLD, THE MUSE, BICENTENNIAL MAN, SCENT OF A WOMAN, A PERFECT WORLD, PHILADELPHIA, THE CLIENT, MY LIFE, RED CORNER, PRESUMED INNOCENT, and MY FELLOW AMERICANS.

Its emergence at the end of two troubling eras (Watergate and the Vietnam War) and on the eve of the country's Bicentennial celebrations signaled that it was commenting upon the confused state of American society.

Hawthorne: Bicentennial Exhibition at the Phillips Library Highly interactive site about a great American writer.

concludes his account of Alexander Winton — unsung pioneer of the American motor car industry / Smiths Instruments — Kevin Desmond traces the history of the company that for / VSCC of Australia Diamond Jubilee of the Australian Grand Prix — a report by Bernie Jacobson / Australian Bicentennial Rally — Six pages of photographs and reports on this largest ever gathering of pre-war cars in Australia / French Champagne Rally Malcolm tells how he enjoyed himself on the Route du Champagne / Casting a new block for a bus — Who says you can't cast a new engine block using the old one as a pattern?

Jun 30, 2016 — In June 1976 Americans were gearing up to celebrate the Bicentennial and pick a new President, singing along to the number one song on the radio, Silly Love Songs and paying just 59 cents for a gallon of gas.

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1965 1965 Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York (December 8, 1965 — January 30, 1966) A Contemporary Collection of Painting and Sculpture selected from the Collection of Eleanor Ward, Lyman Allyn Museum, New London, Connecticut (May 16 — September 16) Women Artists of America, 1707 — 1964, Newark Museum, Newark, New Jersey (April 2 — May 16) Critics» Choice: Art Since World War II — 1965 — Kane Memorial Exhibition in Honor of the Bicentennial of Brown University, Providence Art Club, Brown University, Providence, Rhode Island (March 31 — April 24) Art: USA - The Johnson Collection, Whitney Museum, New York (March 23 - April 18, 1965).

1958 1958 Pittsburgh Bicentennial International Exhibition of Contemporary Painting and Sculpture, Museum of Art, Carnegie Institute, Pittsburgh (December 5, 1958 — February 8, 1959) A propos du baroque: Jean Degottex, Marcelle Ferron, Sam Francis, Simon Hantaï, Shirley Jaffe, Marcelle Loubchansky, Joan Mitchell, Judit Reigl, Jean - Paul Riopelle, Galerie Kléber, Paris (November — December) Some Contemporary Works of Art, Cleveland Museum of Art, Ohio (November 11 - December 31) American Symbolic Realists: Fifteen American Artists, Palazzo Collicola, Festival dei Due Mondi, Spoleto, Italy (June 8 — 29) 18th Annual Exhibition of the Society for Contemporary Art, Art Institute of Chicago (May 8 — June 8) The Museum and Its Friends: Twentieth - Century American Art from Collections of the Friends of the Whitney Museum, Whitney Museum of American Art, New York (April 30 — June 15) American Artists of Younger Reputation, New York Art Foundation, Rome (opened April 14) The Evocative Eye, Signa Gallery, East Hampton, New York (July 5 - 24) The International Art of a New Era: Informel and Gutai, Osaka Festival, Osaka, Japan (September 2 — 7) Action Painting, Dallas Museum of Contemporary Arts (March 5 — April 13) Abstract Impressionism, The Art Galleries, Portland Building, University of Nottingham, England (February 19 — March 19).

America 1976 traveling exhibition United States Department of the Interior Bicentennial Washington, D.C. American Prints: 1913 - 1963 travelling exhibition The Museum of Modern Art New York, NY New England Works on Paper Museum of Fine Arts Boston, MA 30 Years of American Printmaking The Brooklyn Museum Brooklyn, NY The Figurative Tradition: Nine Artists and Their Prints Williams College Museum of Art Williamstown, MA

Furthermore, it is important to keep in mind that Warhol produced these hammer and sickle (and the American Indian) paintings in 1976, the year of the Bicentennial.

In early 1977, New Orleans Museum of Art curator Bill Fagaly arranged an exhibition of five Louisiana artists in commemoration of the American Revolution Bicentennial.

In 1975, the High Museum of Art in Atlanta presented four subseries from «The Bicentennial Series;» the exhibition traveled to the Herbert F. Johnson Museum in Ithaca, NY and the National Center of Afro - American Artists in Boston.

Here's an absolutely canonical figure of postwar American modernism — the artist that curator Walter Hopps picked out for the Smithsonian's 1976 Bicentennial exhibition — and here's a show that seems to be trying, after all the many beautiful museum shows of Rauschenberg's objects, to capture another and crucial side of the artist.

Fearing that black Americans would be invisible from all Bicentennial narratives and celebrations, Benny Andrews devoted himself to sharing his «feelings and impressions of this place — America.»

And in 1976, aligned with the bicentennial, LACMA held a large historical exhibition, Two Centuries of Black American Art.

The curator of twentieth - century painting and sculpture at the National Collection, Walter Hopps, had suggested that Rauschenberg be chosen as the living American artist to honor the country's bicentennial.

«200 Years Städel», the bicentennial celebrations of Frankfurt's Städel Museum, culminated with a solo exhibition of works by the internationally renowned American artist John Baldessari.

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA

GROUP EXHIBITIONS Whitney Museum of American Art, New York, 200 Years of American Sculpture: Bicentennial Exhibition, 1976.

To coincide with the presidential election, Michael Rosenfeld Gallery presents «Benny Andrews: The Bicentennial Series» — the gallery's second solo exhibition featuring the work of Benny Andrews (American, 1930 - 2006).

Solo Exhibition, Locus Gallery, St. Louis, MO 1989 Group Exhibition, «The New York Connection,» St. Louis Community College at Florissant Valley, St. Louis, MO Solo Exhibition, Joy Horwich Gallery, Chicago, IL 1988 Solo Exhibition, Joy Horwich Gallery, Chicago, IL Group Exhibition Invitational, «To Be Touched,» St. Louis Community College at Florissant Valley, St. Louis, MO 1987 Solo Exhibition, Locus Gallery, St. Louis, MO FY «88 Missouri Visual Arts Biennial, First Street Forum, St. Louis, MO 1986 Group Exhibition, Jayne Baum Gallery, New York, NY Group Exhibition, Communication Art Gallery, University of Wisconsin, Kenosha, WI 1985 Solo Exhibition, Locus Gallery, St. Louis, MO St. Louis Arts Festival, St. Louis, MO 1984 Two Dimensions Exhibition, University of Texas, El Paso, TX Contemporary Art Acquisitions: 1980 - 83, The Equitable Gallery, New York, NY 1983 Solo Exhibition, Joy Horwich Gallery, Chicago, IL Exhibition, Saks Fifth Avenue, New York, NY Exhibition and Auction, Contemporary Museum of Art, Chicago, IL 1982 Solo Exhibition, Joy Horwich Gallery, Chicago, IL Five Choose Five, First Street Forum, in cooperation with the Arts Coordinating Council for the Area, St. Louis, MO 1981 42nd Annual Exhibition of Contemporary American Painting, the Society of the Four Arts, Second Prize, Palm Beach, FL Eleven Prize Winners, Joy Horwich Gallery, Chicago, IL 1980 Mid-America IV Traveling Exhibition, the St. Louis Art Museum, St. Louis, MO Nelson Gallery, Atkins Museum, Kansas City, MO Group Exhibition, the Krannert Art Museum, University of Illinois, Urbana, IL 15th Annual Art Exhibition, Cody County Art League, Cody, WY 22nd Annual Art Exhibition, Oklahoma Art Center, Oklahoma City, OK Solo Exhibition, Joy Horwich Gallery, Chicago, IL Chicago International 1980, Chicago Navy Pier, Chicago, IL 33rd Annual Midstates Art Exhibition, Evansville Museum of Arts and Sciences, Evansville, IN 1979 Group Exhibition, Wustum Museum of Fine Art, Racine Art Association, Racine, WI Group Exhibition, Chicago Court House, Chicago, IL 1978 University of Missouri Summer Research Fellowship Award, St. Louis, MO The Ford Foundation Summer Research Fellowship Award, St. Louis, MO 1977 Solo Exhibition, the Krannert Center for the Performing Arts, University of Illinois, Honorarium, Urbana, IL Extraordinary Talent, Part I, Chicago & Illinois Exhibition, Worthington Gallery, Chicago, IL Illinois Traveling Sculpture Exhibition III, sponsored by the Illinois Arts Council, Illinois Wesleyan University, Honorarium, Bloomington, IL 1976 Illinois Artists «76, Bicentennial Invitational, Illinois State University Center for the Visual Arts, Normal, IL, Nov. 1975 - Jan.

Circle (1973) is one of a cycle of very large multiple canvas works Andrews completed the early 70s dealing with both racism and sexism done at an intersectional moment in American history when the civil rights movement, the anti-war movement and the Women's Liberation movement reached a peak of visibility and even transformational effectiveness, as the nation approached its Bicentennial.

In 1975, the High Museum of Art in Atlanta presented four subseries from The Bicentennial Series; the exhibition traveled to the Herbert F. Johnson Museum, Cornell University, in Ithaca, NY and the National Center of Afro - American Artists in Boston.