Sentences with phrase «american body politic»

This shockingly funny story pricks every nerve of the American body politic.

These questions have been exercising the minds of the American body politic, and the Journal of the American Medical Association reports that a «working group on disability in US presidents has been set up to answer them.

Watson, the porn historian, sees a continuum between Daniels» early (and continuing) work as a stripper, her porn career and her current role in the American body politic.

Not exact matches

The Secular City helped accelerate the secularization of American elite culture, which created not only new openings in the public square for more - traditional religious bodies but also new fault lines in our politics» fault lines that are as visible as this morning's headlines and op - ed pages.

That clause has a long history of interpretation that I shall not review here, but it certainly does not mean and has never meant the American state has no interest in or concern for religion, or churches either, for that matter, and it certainly does not me and politics have nothing to do with each other.8 To the extent the «wall of separation» image leads to those conclusions it distorts the entire history of the American understanding of religion and leads to such absurd conclusions as that religious congregations should have no tax exemption and legislative bodies should not be opened with prayer.

... a serious rift in American culture and the body politic clearly exists.

Jibade - Khalil Huffman (b. 1981) will present a new body of work at Anat Ebgi that focuses on the black male figure in art history, film and literature, while Jamal Cyrus (b. 1973) will explore the cultural politics of Black American music and the civil rights movement of the 1960s and 1970s at Inman Gallery.

Arthur Jafa and «The Body Politic» (with Steve McQueen, David Hammons, and Mika Rottenberg) make the body in question a part of black history and culture, while Lonnie Holley finds power in scraps of the American SoBody Politic» (with Steve McQueen, David Hammons, and Mika Rottenberg) make the body in question a part of black history and culture, while Lonnie Holley finds power in scraps of the American Sobody in question a part of black history and culture, while Lonnie Holley finds power in scraps of the American South.

One can see this in two bodies of work: cultural representation is the primary issue in The African American Flag Project, where «African American» flags were the subject of the paintings; and the Made in USA series of paintings touch on the politics of consumption through self - referential text and image.

Terry Rodgers's (American, b. 1947) visually complex, hyper - realistic paintings address themes of longing and loneliness in terms of contemporary body politics.

In an installation consisting of a text, floor piece and wall panels, he uses patterned fabric as the metaphorical and literal centre of a discussion about HIV and the relationship of gay men to the North American body - politic.

Also a co-founder of the arts and politics publication UNBAG, American Artist first wrote a text for Issue 2: End titled «Black gooey Universe» which seeks what that might be, perhaps «a planar body that longs for the solitude and vastness of the command - line, yet nuanced and sharp, to usurp and destroy a contemporary hegemonic interface.»

Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.

2008 Selective Knowledge, Institute for Contemporary Art and Thought, Athens, Greece Zones of Conflict, Pratt Gallery, New York, NY Ours: Democracy in the Age of Branding, Sheila C. Johnson Design Center, organized by Parsons School of Design and the Vera List Center for Art and Politics, New York, NY Crossroads: Interfaces between rock and contemporary art, Domus Artium Museum / Center of Contemporary Art of Salamanca, Spain 2008 California Biennial, Orange County Museum of Art, Newport Beach, CA Index: Conceptualism in California from the Permanent Collection, Museum of Contemporary Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum of Modern and Contemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, Aspen Art Museum.

Schneemann, Carolee (b. 1939) American Feminist artist who employs performance art, installations, paintings and video to represent her artistic values about the body, cultural taboos and gender politics.

Drawing from their shared limbo - land experience of African - American vs American - African, both women investigate urgent questions of race, identity politics, and the objectification of the black female body.

Select group exhibitions featuring the work of Rollins and K.O.S. include Black and Blue, Pulitzer Foundation, St. Louis, MO (2017); Fast Forward: Painting from the 1980s, Whitney Museum of American Art, New York (2017); Nightfall, Musée d'Art et d'Histoire, Geneva, Switzerland (2016 - 2017); Beyond the Veil: Works from the Permanent Collection, Bronx Museum, New York (2016); An Inclusive World, Queens Museum, New York (2015); Drawing Biennial 2015, Drawing Room, London (2015); Body Language, The Studio Museum in Harlem, New York (2013); This Will Have Been: Art, Love & Politics in the 1980s, Museum of Contemporary Art Chicago, IL (2012); Wide Open School, Hayward Gallery, London (2012); and the Whitney Biennial, New York (2006).

In his new body of work Simmons continues to excavate politics, music, race and class within American and British culture.