Sentences with phrase «american box art»

Some versions of the American box art even had «A MYSTERY NOVEL» emblazoned on the cover.

In the foreign release, he is scowling all the time, much like Kirby on most of his American box art.

It's a well known fact that American and European box art for games have differed quite significantly over the years, with American box art having a more masculine edge to them, with action being the focus of the art, whereas European art tends to reflect a more creative aspect, focusing on a more obscure and contemplative angle of the design.

After a handful of revisions, the North American box art is now its final form.

On a side note, the North American box art seems to have gotten an upgrade.

Now Konami is using this piece for the European and North American box art of The Definitive Experience, releasing next month.

The North American box art as localized for Southeast Asian and Middle Eastern regions.

Not exact matches

In The Heart of the Matter, a 2013 report sponsored by the American Academy of Arts and Sciences, a reader is confronted with language like this: «Among other benefits [studying the humanities] strengthens clarity of written and oral expression, critical and analytic reasoning, and the creativity to think outside the box.»

Last month, Nintendo revealed the North American Wind Waker Wii U box art and bundle images, and now they've revealed the European ones as well.

The American version only shows the American release dates and box art.

The Japanese Box Art differs slightly from its North American counterpart.

The Nintendo press site has added an official image of the North American Poochy & Yoshi's Woolly World box art.

Bybee's American Bulldog logo and all American Bulldog banners and art work (including French bulldogs) designed by Darren Humphrey at Shadow Box Studio, Canada.

Last week saw the unveiling of the game's dramatic and illustrative box art and announcement of the North American Kollector's Edition, which comes in special packaging and features an exclusive removable print designed by renowned comic book artist Alex Ross.

Dragon Ball Xenoverse Trailer 2, Extended Version Dragon Ball: Xenoverse Trailer (PS4 / PS3 / Xbox One / 360) Dragon Ball Xenoverse: Goku's Training, More Battle of Gods Screenshots Dragon Ball Xenoverse: Beerus, Whis, Majin in Spectacular HD Dragon Ball Xenoverse: Online vs Local Multiplayer Comparison Dragon Ball Xenoverse: Tenkaichi Budokai Preliminary and Main Event Dragon Ball Xenoverse: February 17 American Release, Day 1 Edition, Box Art

We also posted the box arts for the Japanese, North American, and European regions as a comparison in that post.

As it turns out, the Japanese box art, which differs a bit from the North American and European versions, also shows Sasori, Hidan, Konan, and Shikamaru!

box art says it comes with a card, it's already been confirmed American versions WILL also come with a free card - look at the bottom right of the NA box, it says free amiibo card included.

Forza Motorsport 6 was originally announced earlier in 2015 at the North American International Auto Show, debuting alongside the new Ford GT supercar which will feature on the game's box art.

Viz Media, the North American licensor of Naruto, has released an updated box art of Naruto Storm Revolution and it shows a few manga spoilers!

Box art and game title names aside though, I'll be referring to the game by its American name Tomba!

The box art below is the European version, but as far as we know, the North American version is pretty much the same.

Box Art / Covers for the powered up Gameboy colour version of the original Super Mario Bros, this section includes North American and European Box Art.

There are several versions of the book on offer; The Classic Edition, The Collectors Edition — featuring a limited edition cover and slipcase, The Box Art Collection which includes a box art collection of over 750 of the games published for the N64 and the Custom Zelda Edition Pack which includes a limited edition and signed Zelda Nintendo 64 custom painted by American artist, James HarvaBox Art Collection which includes a box art collection of over 750 of the games published for the N64 and the Custom Zelda Edition Pack which includes a limited edition and signed Zelda Nintendo 64 custom painted by American artist, James HarvaArt Collection which includes a box art collection of over 750 of the games published for the N64 and the Custom Zelda Edition Pack which includes a limited edition and signed Zelda Nintendo 64 custom painted by American artist, James Harvabox art collection of over 750 of the games published for the N64 and the Custom Zelda Edition Pack which includes a limited edition and signed Zelda Nintendo 64 custom painted by American artist, James Harvaart collection of over 750 of the games published for the N64 and the Custom Zelda Edition Pack which includes a limited edition and signed Zelda Nintendo 64 custom painted by American artist, James Harvard.

His box and pin works have also been featured in his retrospectives at the Whitney Museum of American Art, New York (1972 and 2003) and the National Gallery of Greece (2005) as well as in Offerings from a Restless Soul at The Metropolitan Museum of Art, New York (2014).

At Culturgest, Lisbon, by Justin Jaeckle Ignasi Aballi at Museo Nacional Centro de Arte Reina Sofía, Madrid, by Keith Patrick Göteborg International Biennal for Contemporary Art, by Sara Arrhenius David Claerbout at Marabouparken, Stockholm, by Stefanie Hessler Charlotte Prodger at Spike Island, Bristol, by David Trigg Dorothy Cross at Frith Street Gallery, London, by Sean Ashton Juha Pekka Matias Laakkonen at Corvi - Mora, London, by Oliver Basciano Grazia Varisco at Cortesi Gallery, London, by Mark Rappolt Gianfranco Baruchello at Massimo de Carlo, London, by Paul Pieroni Ben Burgis and Ksenia Pedan at Union Pacific, London, by Tim Steer The Human Face of Cryptoeconomies at Furtherfield, London, by J.J. Charlesworth Don McCullin at Hauser & Wirth Somerset, by Helen Sumpter Jen DeNike at Anat Ebgi, Los Angeles, by Andrew Berardini Martin Kersels at Redling Fine Art, Los Angeles, by Jonathan Griffin Tavares Strachan at Anthony Meier Fine Arts, San Francsico, by Christian Viveros - Fauné Paul McCarthy at the Renaissance Society, Chicago, by Stephanie Cristello Alina Szapocznikow at Andrea Rosen Gallery, New York, by Karen Archey Tom Burr at Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigby

Dazzling the eyes and intriguing the mind, the Philadelphia Museum of Art presents two centuries» worth of American still - life paintings and sculptures, from John James Audubon's images of birds and mammals to Andy Warhol's Brillo boxes.

Pavia's work has been exhibited widely, including at Ashawagh Hall, Amagansett, NY; Butler Fine Arts, the Millennium Gallery, and Solar, in East Hampton, NY; the Sculpture Center, the American Academy, The Annex, 2nd Street Gallery, Phoenix Gallery, White Box Gallery, and Side Show Gallery in New York, NY; and the St. Agostino Museum, Pietrasanta, Italy.

A unique figure in American art, Joseph Cornell worked in his own, extraordinary medium — the shadow box.

Alternative Figures in American Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism and Fantasy in Early California Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of Art and Nora Eccles Harrison Museum of Art, UT 1993 Selections from the Permanent Collection - California: Art from the 1930s to the Present, San Francisco Museum of Modern Art 1989 Forty Years of California Assemblage San Jose Museum of Art, Fresno Art Museum and Joslyn Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern Art 1985 Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker Art Museum, University of Arizona Museum of Art, Huntsville Museum of Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California Painting and Sculpture: The Modern Era, San Francisco Museum of Modern Art and National Collection of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland Art Museum First Artists» Soap Box Derby, San Francisco Museum of Modern Art 1971 Continuing Surrealism, La Jolla Museum of Art 1969 An American Report on the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public Collections

His publications include Alex Katz (Phaidon, 2005), Out of the Box: The Reinvention of Art, 1965 - 1975 (Allworth Press, 2000), Alex Katz: Cutouts (Cantz Verlag, 1997), and The Fate of Gesture: Jackson Pollock and Post-War American Art (1996, Farrar, Straus, Giroux).

Arman, American, born France, 1928 — 2005, Alarm Clocks (Reveils), 1960, alarm clocks in painted wood box, Collection Museum of Contemporary Art Chicago, Gift of Debra and Robert N. Mayer from the Robert B. Mayer Memorial Loan Collection

His books include Give Me Tomorrow (1983), a collection of poems with illustrations by Alex Katz; John Singer Sargent (1983); The Fate of a Gesture: Jackson Pollock and Postwar American Art (1998); and Out of the Box: The Reinvention of Art 1965 - 1975 (2000).

Jafa's notable solo, group, gallery and museum exhibitions include Artists Space, New York, NY (1999); Okwui Enwezor's traveling exhibition Mirror's EdgeBildMuseet — University of Umea in Sweden / Vancouver Art Gallery, Canada / Castello di Rivoli, Turin, Italy / Tramway, Glasgow, Scotland (1999); 2000 Biennial, Whitney Museum of American Art, New York, NY; Black Box, CCAC Institute, Oakland, CA (2000); Media City Seoul, Korea (2000); Bitstreams, Whitney Museum of American Art, New York, NY (2001); Social Formal, Westaelischer Kunstvein, Münster, Germany (2002); My Black Death, ARTPACE, San Antonio, (2002); The Institute of Contemporary Art, Philadelphia, PA (2016); The Hammer Museum of Art, Los Angeles, CA (2016); Gavin Brown's enterprise, New York, NY (2016).

The 1960's proved to be the decade that produced work of prime significance in Warhol's career, with brand name American products, such as Campbell's Soup Cans, 1962, and Brillo Box (Soap Pads), 1964, which solidified Warhol's place as one of the pioneering figures of emerging Pop art.

Most recently, he has had solo exhibitions at Hauser & Wirth, New York, London, and Zurich (2011 and 2012), Peder Lund, Oslo (2012), The Box, Los Angeles (2012), the Hammer Museum, Los Angeles (2011), and the Whitney Museum of American Art, New York (2008).

Nuevas incorporaciones - Museu d'Art Contemporani de Barcelona - MACBA, Barcelona Days Lumberyard Studios - ACME Fine Art & Design, Boston, MA Great Impressions II - Dean Jensen Gallery, Milwaukee, WI Pollock's Mural and Modern Masterworks from the University of Iowa Museum of Art - Figge Art Museum, Davenport, IA Shaping Reality: Geometric Abstraction after 1960 - The Minneapolis Institute of Arts, Minneapolis, MN Layered / Boxed - Nohra Haime Gallery, New York City, NY International: 20th Century and Contemporary Masters - Hillsboro Fine Art, Dublin Pop to Present - Cantor Arts Center at Stanford University, Stanford, CA Grafik; Multiple & Plastik Der 60iger Und 70iger Jahre - Galerie Baal, Bielefeld Collected Visions - Bronx Museum of the Arts (BxMA), New York City, NY Modern Masters - Museum of Contemporary Art San Diego - MCASD Downtown, San Diego, CA 1968 - 69: 40 Years Later - Armand Bartos Fine Art, New York City, NY Action / Abstraction: Pollock, de Kooning, and American Art, 1940 — 1976 - Albright - Knox Art Gallery, Buffalo, NY The Third Mind: American Artists Contemplate Asia: 1860 - 1989 - Solomon R. Guggenheim Museum, New York City, NY Vivre l'art - collection Venet - Espace de l'art concret, Mouans Sartoux Gallery Selections - Hollis Taggart Galleries, New York City, NY Gallery Mixed Show - Bernard Jacobson Gallery, London, United Kingdom Made in America - Manny Silverman Gallery, Los Angeles, CA Synchronies: Undercurrents in Postwar European and American Abstraction — Hackett Freedman Gallery, San Francisco, CA (closed, 2009)

The acquisition of Global Loft (Spread) was made possible by a gift from an anonymous donor for the purchase of American art made after 1945 in memory of Robert Shapazian (1943 ¬ — 2010), whose estate gave The Huntington Andy Warhol's painting Small Crushed Campbell's Soup Can (Beef Noodle), 1962, and Brillo Box, 1964, as well as a group of Brillo boxes by Pontus Hultén in 2010.

FedEx Large Box; 2008; installation view at the Whitney Museum of American Art's 2008 Whitney Biennial: Signs of the Time (New York City, NY).

His writings on art include monographs on Andy Warhol and John Singer Sargent, as well as The Fate of a Gesture: Jackson Pollock and Postwar American Art and Out of the Box: The Reinvention of Art 1965 — 19art include monographs on Andy Warhol and John Singer Sargent, as well as The Fate of a Gesture: Jackson Pollock and Postwar American Art and Out of the Box: The Reinvention of Art 1965 — 19Art and Out of the Box: The Reinvention of Art 1965 — 19Art 1965 — 1975.

Art and the Feminist Revolution, 1965 - 1980, Los Angeles Museum of Contemporary Art, Los Angeles, CA; National Museum of Women in the Arts, Washington D.C.; P.S. 1 Contemporary Art Center, New York, NY; Vancouver Art Gallery, Vancouver, British Columbia, Canada Landscape of Slavery: The Plantation in American Art, Gibbes Museum of Art, Charleston, SC; University of Virginia Art Museum, Charlottesville, VA Modern Times: Alumni Collect, Bowdoin College Museum of Art, Brunswick, ME Image and Identity in African American Art, Highlights from the Collection, Norton Museum of Art, West Palm Beach, FL Beyond the Mountaintop, Wadsworth Atheneum Museum of Art, Hartford, CT Blacks: In and Out of the Box, California African American Museum, Los Angeles, CA Southern California Art of the 1960s and 70s from LACMA's Collection, Los Angeles County Museum of Art, Los Angeles, CA West Coast Masters of Assemblage & Collage, Salt Lake Art Center, Salt Lake City, UT ART in Embassies Exhibition, United States Ambassador Maurice Parker Residence, Mbabane, SwazilArt and the Feminist Revolution, 1965 - 1980, Los Angeles Museum of Contemporary Art, Los Angeles, CA; National Museum of Women in the Arts, Washington D.C.; P.S. 1 Contemporary Art Center, New York, NY; Vancouver Art Gallery, Vancouver, British Columbia, Canada Landscape of Slavery: The Plantation in American Art, Gibbes Museum of Art, Charleston, SC; University of Virginia Art Museum, Charlottesville, VA Modern Times: Alumni Collect, Bowdoin College Museum of Art, Brunswick, ME Image and Identity in African American Art, Highlights from the Collection, Norton Museum of Art, West Palm Beach, FL Beyond the Mountaintop, Wadsworth Atheneum Museum of Art, Hartford, CT Blacks: In and Out of the Box, California African American Museum, Los Angeles, CA Southern California Art of the 1960s and 70s from LACMA's Collection, Los Angeles County Museum of Art, Los Angeles, CA West Coast Masters of Assemblage & Collage, Salt Lake Art Center, Salt Lake City, UT ART in Embassies Exhibition, United States Ambassador Maurice Parker Residence, Mbabane, SwazilArt, Los Angeles, CA; National Museum of Women in the Arts, Washington D.C.; P.S. 1 Contemporary Art Center, New York, NY; Vancouver Art Gallery, Vancouver, British Columbia, Canada Landscape of Slavery: The Plantation in American Art, Gibbes Museum of Art, Charleston, SC; University of Virginia Art Museum, Charlottesville, VA Modern Times: Alumni Collect, Bowdoin College Museum of Art, Brunswick, ME Image and Identity in African American Art, Highlights from the Collection, Norton Museum of Art, West Palm Beach, FL Beyond the Mountaintop, Wadsworth Atheneum Museum of Art, Hartford, CT Blacks: In and Out of the Box, California African American Museum, Los Angeles, CA Southern California Art of the 1960s and 70s from LACMA's Collection, Los Angeles County Museum of Art, Los Angeles, CA West Coast Masters of Assemblage & Collage, Salt Lake Art Center, Salt Lake City, UT ART in Embassies Exhibition, United States Ambassador Maurice Parker Residence, Mbabane, SwazilArt Center, New York, NY; Vancouver Art Gallery, Vancouver, British Columbia, Canada Landscape of Slavery: The Plantation in American Art, Gibbes Museum of Art, Charleston, SC; University of Virginia Art Museum, Charlottesville, VA Modern Times: Alumni Collect, Bowdoin College Museum of Art, Brunswick, ME Image and Identity in African American Art, Highlights from the Collection, Norton Museum of Art, West Palm Beach, FL Beyond the Mountaintop, Wadsworth Atheneum Museum of Art, Hartford, CT Blacks: In and Out of the Box, California African American Museum, Los Angeles, CA Southern California Art of the 1960s and 70s from LACMA's Collection, Los Angeles County Museum of Art, Los Angeles, CA West Coast Masters of Assemblage & Collage, Salt Lake Art Center, Salt Lake City, UT ART in Embassies Exhibition, United States Ambassador Maurice Parker Residence, Mbabane, SwazilArt Gallery, Vancouver, British Columbia, Canada Landscape of Slavery: The Plantation in American Art, Gibbes Museum of Art, Charleston, SC; University of Virginia Art Museum, Charlottesville, VA Modern Times: Alumni Collect, Bowdoin College Museum of Art, Brunswick, ME Image and Identity in African American Art, Highlights from the Collection, Norton Museum of Art, West Palm Beach, FL Beyond the Mountaintop, Wadsworth Atheneum Museum of Art, Hartford, CT Blacks: In and Out of the Box, California African American Museum, Los Angeles, CA Southern California Art of the 1960s and 70s from LACMA's Collection, Los Angeles County Museum of Art, Los Angeles, CA West Coast Masters of Assemblage & Collage, Salt Lake Art Center, Salt Lake City, UT ART in Embassies Exhibition, United States Ambassador Maurice Parker Residence, Mbabane, SwazilArt, Gibbes Museum of Art, Charleston, SC; University of Virginia Art Museum, Charlottesville, VA Modern Times: Alumni Collect, Bowdoin College Museum of Art, Brunswick, ME Image and Identity in African American Art, Highlights from the Collection, Norton Museum of Art, West Palm Beach, FL Beyond the Mountaintop, Wadsworth Atheneum Museum of Art, Hartford, CT Blacks: In and Out of the Box, California African American Museum, Los Angeles, CA Southern California Art of the 1960s and 70s from LACMA's Collection, Los Angeles County Museum of Art, Los Angeles, CA West Coast Masters of Assemblage & Collage, Salt Lake Art Center, Salt Lake City, UT ART in Embassies Exhibition, United States Ambassador Maurice Parker Residence, Mbabane, SwazilArt, Charleston, SC; University of Virginia Art Museum, Charlottesville, VA Modern Times: Alumni Collect, Bowdoin College Museum of Art, Brunswick, ME Image and Identity in African American Art, Highlights from the Collection, Norton Museum of Art, West Palm Beach, FL Beyond the Mountaintop, Wadsworth Atheneum Museum of Art, Hartford, CT Blacks: In and Out of the Box, California African American Museum, Los Angeles, CA Southern California Art of the 1960s and 70s from LACMA's Collection, Los Angeles County Museum of Art, Los Angeles, CA West Coast Masters of Assemblage & Collage, Salt Lake Art Center, Salt Lake City, UT ART in Embassies Exhibition, United States Ambassador Maurice Parker Residence, Mbabane, SwazilArt Museum, Charlottesville, VA Modern Times: Alumni Collect, Bowdoin College Museum of Art, Brunswick, ME Image and Identity in African American Art, Highlights from the Collection, Norton Museum of Art, West Palm Beach, FL Beyond the Mountaintop, Wadsworth Atheneum Museum of Art, Hartford, CT Blacks: In and Out of the Box, California African American Museum, Los Angeles, CA Southern California Art of the 1960s and 70s from LACMA's Collection, Los Angeles County Museum of Art, Los Angeles, CA West Coast Masters of Assemblage & Collage, Salt Lake Art Center, Salt Lake City, UT ART in Embassies Exhibition, United States Ambassador Maurice Parker Residence, Mbabane, SwazilArt, Brunswick, ME Image and Identity in African American Art, Highlights from the Collection, Norton Museum of Art, West Palm Beach, FL Beyond the Mountaintop, Wadsworth Atheneum Museum of Art, Hartford, CT Blacks: In and Out of the Box, California African American Museum, Los Angeles, CA Southern California Art of the 1960s and 70s from LACMA's Collection, Los Angeles County Museum of Art, Los Angeles, CA West Coast Masters of Assemblage & Collage, Salt Lake Art Center, Salt Lake City, UT ART in Embassies Exhibition, United States Ambassador Maurice Parker Residence, Mbabane, SwazilArt, Highlights from the Collection, Norton Museum of Art, West Palm Beach, FL Beyond the Mountaintop, Wadsworth Atheneum Museum of Art, Hartford, CT Blacks: In and Out of the Box, California African American Museum, Los Angeles, CA Southern California Art of the 1960s and 70s from LACMA's Collection, Los Angeles County Museum of Art, Los Angeles, CA West Coast Masters of Assemblage & Collage, Salt Lake Art Center, Salt Lake City, UT ART in Embassies Exhibition, United States Ambassador Maurice Parker Residence, Mbabane, SwazilArt, West Palm Beach, FL Beyond the Mountaintop, Wadsworth Atheneum Museum of Art, Hartford, CT Blacks: In and Out of the Box, California African American Museum, Los Angeles, CA Southern California Art of the 1960s and 70s from LACMA's Collection, Los Angeles County Museum of Art, Los Angeles, CA West Coast Masters of Assemblage & Collage, Salt Lake Art Center, Salt Lake City, UT ART in Embassies Exhibition, United States Ambassador Maurice Parker Residence, Mbabane, SwazilArt, Hartford, CT Blacks: In and Out of the Box, California African American Museum, Los Angeles, CA Southern California Art of the 1960s and 70s from LACMA's Collection, Los Angeles County Museum of Art, Los Angeles, CA West Coast Masters of Assemblage & Collage, Salt Lake Art Center, Salt Lake City, UT ART in Embassies Exhibition, United States Ambassador Maurice Parker Residence, Mbabane, SwazilArt of the 1960s and 70s from LACMA's Collection, Los Angeles County Museum of Art, Los Angeles, CA West Coast Masters of Assemblage & Collage, Salt Lake Art Center, Salt Lake City, UT ART in Embassies Exhibition, United States Ambassador Maurice Parker Residence, Mbabane, SwazilArt, Los Angeles, CA West Coast Masters of Assemblage & Collage, Salt Lake Art Center, Salt Lake City, UT ART in Embassies Exhibition, United States Ambassador Maurice Parker Residence, Mbabane, SwazilArt Center, Salt Lake City, UT ART in Embassies Exhibition, United States Ambassador Maurice Parker Residence, Mbabane, SwazilART in Embassies Exhibition, United States Ambassador Maurice Parker Residence, Mbabane, Swaziland

2011 No Government No cry, a project by Kendell Geers, CIAP Actuele Kunst, Hasselt, Belgium The Right to Protest, Museum on the Seam, Jerusalem, Israel Mexico: Expected / Unexpected, Museum of Latin American Art, California, USA; and Museum of Contemporary Art San Diego, California, USA All that Glisters, Stephen Friedman Gallery, London, England Terrible Beauty - Art, Crisis, Change & The Office of Non-Compliance, Dublin Contemporary, Dublin, Ireland (catalogue) The Luminous Interval, The Daskalopoulos Collection, The Guggenheim, Bilbao, Spain (catalogue) Celluloid Brushes, Film Posters by artists, Etablissement d'en Face, Brussels, Belgium It won't happen again, Galleria Continua, Beijing, China Eat me, Goodman Gallery, Cape Town, South Africa Anonymously Yours, Maison Gregoire, Brussels, Belgium Mémoires du Futur, La Collection Olbricht, La Maison Rouge, Paris, France Spheres 4, Galleria Continua Le Moulin, Paris, France Super-Organism, CAF Art Museum Biennale, Beijing, China How to Philosophize with a Hammer, White Box, New York, USA Big Brother, L'Artiste Face aux Tyrans, The Palais des Arts et du Festival, Dinard, France Glasstress, Eventi collaterali di La Biennale di Venezia, Venice, Italy Sympathy for the Devil, VanhaerentsArtCollection, Brussels, Belgium

Box C232 Folder 10: A conversation with Willard van Dyke; 1970, 1981 Transcript of interview with Willard van Dyke from 1970; materials from the Whitney Museum of American Art New American Filmmakers Series related to presentation of Willard van Dyke.

Research and Scholars Center Art Exhibition Catalogue Index Smithsonian American Art Museum MRC 970, PO Box 37012 Washington DC 20013 - 7012

Box C197 Folder 5: [Whitney Museum First Biennial Exhibition catalog]; 1932 Catalog from the First Biennial Exhibition of Contemporary American Painting, November 22, 1932, through January 5, 1933, Whitney Museum of American Art.

Jim Dine, Untitled, from the portfolio A Tool Box, 1966, screenprint and paperboard collage on paper, Smithsonian American Art Museum, Museum purchase, 1967.24.1

«The American art world often likes to put artists into boxes.

The Box, Neue Nationalgalerie, Berlin (2012); Paul McCarthy, Nine Dwarves, Kukje Gallery, Seoul (2012); Pig Island, Fondazione Nicola Trussardi, Milan (2010); White Snow, Hauser & Wirth, New York City (2009); Paul McCarthy — Air Pressure, De Uithof, Utrecht, Netherlands (2009); and Central Symmetrical Rotation Movement — Three Installations, Two Films, Whitney Museum of American Art, New York City (2008).

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

14, no. 6 (Summer 1961), contained in the Artist Tenants Association, scrapbook, 1959 — 1967, Archives of American Art, Box 2, Folder 21.