Sentences with phrase «american cartoon feature»
Today, computer animation is king, even at Walt Disney Pictures, the birthplace of the American cartoon feature nearly seventy years ago and the studio heralded as the undisputed champion of the medium many years since.
http://www.dvdizzy.com/ Not exact matches
Related Reviews: Hanna - Barbera Animation in Warner Archive Collection: The Halloween Tree • Yogi's Great Escape Featuring «The Flintstone Kids»: Saturday Morning Cartoons: 1980s New: Pete's Dragon • Madagascar 3: Europe's Most Wanted • A League of Their Own • An American Christmas Carol • All in the Family: The Complete Series Hanna - Barbera: Yogi Bear's All - Star Comedy Christmas Caper • The 13 Ghosts of Scooby Doo • The Jetsons: Season 2, Volume 1 • Smurfs: Season One, Volume One Peanuts: 1970's Collection, Vol.
Extras: New audio commentary featuring jazz and film critic Gary Giddins, music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano; new introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.»
by Roland Laird with Taneshia Nash Laird Illustrated by Elihu «Adofo» Bay Foreword by Charles Johnson Sterling Publishing Paperback, $ 14.95 240 pages, illustrated ISBN: 978 -1-4027-6226-0 Book Review by Kam Williams «One of the invaluable features of Still I Rise, the first cartoon history of black America, is the wealth of information it provides about the marginalized — and often suppressed — political, economic and cultural contributions black people have made on this continent since the 17th C... Using pictures, it transports us back through time, enabling us to see how dependent American colonists were on the agricultural sophistication of African slaves and indentured servants; how blacks fought and died for freedom during the Revolutionary and Civil Wars; and how, in ways both small and large, black genius shaped the evolution of democracy, the arts and sciences, and the English language in America, despite staggering racial and social obstacles.
Moreover, from 1935 to around 1950, American moviegoers expected a double feature (as well as a cartoon, a newsreel, and trailers) every time they went to the movies; by the mid-30s this was the fare at 85 percent of the movie houses.
It features combines Sugiura's signature brand of absurd action and exquisite drawing, veering constantly from lowbrow cartoon spoof to nuanced meditation on American cultural influence.»
A selection of books and catalogues featuring Crumb's work includes Cult Fiction (2007) published by Hayward Gallery, London; The Best American Comics, 2006 (Houghton Mifflin, Boston); An Anthology of Graphic Fiction, Cartoons and True Stories, 2006 (Yale University Press, New Haven, CT); R. Crumb's Heroes of Blues, Jazz & Country, 2006 (Harry N. Abrams, Inc., New York); Masters of American Comics, 2005 (Hammer Museum and The Museum of Contemporary Art, Los Angeles); and Yeah, But is it Art?
Griffin has been featured in several important U.S. exhibitions including Splat, Boom, Pow: The Influence of Cartoons in Contemporary Art, 1970 - 2000, at the Contemporary Arts Museum Houston and the ICA Boston in 2003, and traveling to the Wexner Center for the Arts, Columbus, Ohio in January, 2004; the 2002 Corcoran Biennial at the Corcoran Gallery of Art, Washington, D.C; the Freestyle exhibition at the Studio Museum in Harlem and the Santa Monica Museum of Art in 2001; and the 2000 Whitney Biennial at the Whitney Museum of American Art in New York.