Kelly Reichardt's body of work, River of Grass (1994), Old Joy (2006), Wendy and Lucy (2008), Meek's Cutoff (2010); and Night Moves (2013) has established her as a major
American cineaste.
Not exact matches
In Double Play, filmmaker and
cineaste Gabe Klinger brings together James Benning and Richard Linklater, a pairing that might cause a double take, until you learn all that they do share: later - in - life turns toward filmmaking, a love of (and history with) baseball, an openness to temporal experiment and formal rebirth, and a curiosity about defining
American - ness that is itself particularly
American.
In 1955, Nick Ray's most famous film was adored by
American teenagers and by French intellectual cinephiles and
cineastes.
But
cineastes will find Dirigible fascinating for its director, that old chronicler of can - do, aw - shucks
American optimism Frank Capra.
And then look at
Cineaste and
American Film and the specialist fan magazines (you may not read Fangoria, but if you did you would be amazed at the erudition its writers bring to the horror and special - effects genre).
Carried over from the earlier DVD edition are two commentary tracks (one by co-writer Jean Gruault, Truffaut collaborator Suzanne Schiffman, editor Claudine Bouche, and Truffaut scholar Annette Insdorf, the other featuring actress Jeanne Moreau and Truffaut biographer Serge Toubiana), excerpts from the 1985 documentary The Key to Jules and Jim about the author Henri - Pierre Roche, an episode of
Cineaste de notre temps from 1965 dedicated to Truffaut, and a segment from the series L'Invitie du Dimanche from 1969 with Truffaut, Moreau, and filmmaker Jean Renoir, footage of Truffaut interviewed by Richard Roud at the 1977 New York Film Festival, excerpts from Truffaut's presentation at a 1979
American Film Institute «Dialogue on Film,» a 1980 archival audio interview with Truffaut conducted by Claude - Jean Philippe, video interviews with cinematographer Raoul Coutard and co-writer Jean Gruault, and a video conversation between scholars Robert Stam and Dudley Andrew.
Turn to leftist
American film magazines like Jump Cut and
Cineaste, and you'll find articles about third - world filmmakers,
American independent documentarists, and old - style Hollywood lefties like Dalton Trumbo and Budd Schulberg.
In the»50s, critic -
cineaste Jean - Luc Godard put «Angel Face» on his Cahiers du Cinema list of the Ten Best
American Sound Films, along with another classic film noir: Orson Welles» «The Lady from Shanghai.»