But he doesn't express his knowledge in specific homages or references the way
an American cinephile normally would.
Not exact matches
Cinephiles will be pleased to know that Roberto Rosellini's recently discovered «The Machine That Kills Bad People,» which premiered at Cannes last year, will make its
American landing in Brooklyn.
In 1955, Nick Ray's most famous film was adored by
American teenagers and by French intellectual
cinephiles and cineastes.
Arthur Penn may not be a household name among young
cinephiles, but his iconic 1967 film «Bonnie and Clyde» was a brash boundary - pusher that opened the New
American Cinema of the 1970s to extreme sex, violence, and a European sensibility.
It is a
cinephile's delight and a believer's conundrum, an austere
American art film with a bracing B - movie soul, and a story in which the cruelest of cosmic punchlines may finally be no different from the most beautiful accession of grace.
From Kim Ji - woon making a fun throwback to 80's action with The Last Stand, to long time
cinephile favorite Park chan - Wook making the best film of the year (so far) with Stoker, modern
American filmmakers could learn a thing or two from their foreign colleagues.
Of the thirteen titles and personalities that need no introduction, it's the likes of Hong Sang - soo (Locarno) and the Venice preemed, and not yet picked up items from Skolimowski, Bellocchio & Sokurov (all potential Golden Lion winners) that are still sight unseen for several North
American based
cinephiles.
While
cinephiles and critics have plenty of promising art films to sample, the realities of a narrowing audience for specialty fare mean only a handful of the films on the Croisette will land a North
American theatrical release.
But that had a lot to do with its arrival at a time when it seemed to validate ideas I and other
cinephiles had about French and
American film culture.
Set in the medium's native city of Lyon and captained by
cinephiles Thierry Frémaux and Bertrand Tavernier, the Lumière Festival, which hosted its 9th edition in 2017, unfolded like an ethereal, kaleidoscopic journey through cinema joining the living and the departed, the modern and the classical, the marginal and the mainstream via an eclectic lineup of new releases, revivals, and restorations, including
American westerns selected by Tavernier, from John Ford's My Darling Clementine (1946) to King Vidor's Man Without a Star (1955); Henri Decoin's Monelle (1948); Jacques Rivette's Le Pont du Nord (1981); John Cassavetes's A Child Is Waiting (1963); and Barbara Loden's Wanda (1970).
Culture hounds and
cinephiles should absolutely watch the Japanese anime franchise Ghost in the Shell before attempting (or not) the 2017
American film adaptation.
Now in its 11th year, Best Film Not Playing at a Theater Near You has become an invaluable resource for any
cinephile who wants to catch the newest talent in
American filmmaking on the big screen.