Sentences with phrase «american color field»

The American Color Field painters were their starting point: Morris Louis, Kenneth Noland and Helen Frankenthaler, as well as Lichtenstein.

He was one of the best - known American Color field painters, although in the 1950s he was thought of as an abstract expressionist and in the early 1960s he was thought of as a minimalist painter.

UNBALANCED is the gallery's first solo - exhibition of works by Kenneth Noland and will focus on the American Color Field painter's iconic shaped canvases from the mid-to-late 1970s.

For the past twenty five years, Sam Gilliam has been internationally recognized as the foremost contemporary African American Color Field painter.

Paul Reed was an American Color Field painter and artist whose pieces were part of the show that launched the Washington Color School.

Friedel Dzubas was a German - born American Color Field painter, born in 1915 in Berlin.

Inspired by the emotional restraint of American Color Field painting, he developed a meticulous method in which he distributes tiny droplets of paint across his surfaces to create a vibratory effect.

It was also a moment in which he began to consider and truly digest the work of important abstractionists from all over, from the boxy squares of the Russian suprematist Kazimir Malevich (which he had admired at the Stedelijk Museum in Amsterdam) to the effusive drips of Jackson Pollock to the mosaic - like canvases produced by the African American color field painter Sam Gilliam.

Perhaps no great theory or philosophy or ideas, but certainly a committed lover and participant of American color field painting.

Morris Louis (1912 - 1962) was one of the earliest American Color Field painters, and, along with other Washington, D.C. painters, formed the movement known as the Washington Color School.

Sam Gilliam (American, b. 1938) An American color field painter, Gilliam is represented in the exhibition by Eiler Blues (1978), a wall - size oil painting with embedded objects on stitched and unstretched awning canvas.

His early work features broad, calm rectangles in the manner of the American Color Field painters, but Hoyland's distinctive contribution has been to break with the modernist insistence on a flat surface and to put perspective back into abstract painting: his mature work is characterised by depth and texture, in which strange objects float in the foreground or middle distance, against an often mysterious background, in a way that is oddly reminiscent of Miro.

When asked about the subject matter of her luscious, fluid paintings, the American Color Field painter Helen Frankenthaler (1928 — 2011) once remarked, «If I am forced to associate, I think of my pictures as explosive landscapes, worlds, and distances held on a flat surface.»

Gene Davis (August 22, 1920 - April 6, 1985) was an American Color Field painter known especially for his paintings of vertical stripes of color.

In his paintings he reflected abstract - minimalist trends in 20th century art as were manifest, say, in the Russian avant - garde, American color field painting or Minimal Art.

1 In the 1960's, Hoyland became acquainted with American color field painters Kenneth Noland and Jules Olitski as well as the critic Clement Greenberg but, ultimately, found inspiration in the works of Hans Hofmann and Nicholas de Staël.

She pictures and explains the development, facts, goals, and meaning of American Color Field and its artists, including their very characteristic painting technique.

Not exact matches

She is not alone in her belief that qualified minority candidates are flooded with job offers; yet Achieving Faculty Diversity: Debunking the Myths, written by Daryl Smith of Claremont Graduate University for the Association of American Colleges and Universities, found that only 11 % of the candidates of color (not all in S&E fields) received multiple offers.

The so - called leaf rust, or roya, is a yellow and orange - colored fungus that has swept coffee fields from Mexico to Peru over the past two years, threatening to stunt production and drive up the price of Latin American roasts.

For those readers not familiar with American slang the «preppy» look is defined by stripes and colors, equestrian clothing, plaid shirts, field jackets, and nautical - themed accessories.

Caitlyn Jenner leaves American costume designer Patricia Field's store wearing a brightly colored sequin skirt, a different outfit from the one she was seen wearing earlier in the morning when arriving at the boutique in New York City on June 30, 2015

Because chronologically the images become real visual quotes; they illustrate very clearly the start, developments and ending - including all moves and changes - of this american artist in Color Field.

Sporting breeds (421): Brittanys 15, Pointers 18, Pointers (German Shorthaired) 25, Pointers (German Wirehaired) 3, Retrievers (Chesapeake Bay) 25, Retrievers (Curly - Coated) 8, Retrievers (Flat - Coated) 25, Retrievers (Golden) 39, Retrievers (Labrador) 26, Retrievers (Nova Scotia Duck Tolling) 15, Setters (English) 19, Setters (Gordon) 10, Setters (Irish) 26, Spaniels (American Water) 1, Spaniels (Clumber) 9, Spaniels (Cocker) Black 17, Spaniels (Cocker) ASCOB 9, Spaniels (Cocker) Parti - Color 10, Spaniels (English Cocker) 12, Spaniels (English Springer) 14, Spaniels (Field) 7, Spaniels (Irish Water) 5, Spaniels (Sussex) 5, Spaniels (Welsh Springer) 10, Spinone Italiano 21, Vizslas 28, Weimaraners 15, Wirehaired Pointing Griffons 4.

Color Field painting clearly pointed toward a new direction in American painting, away from abstract expressionism.

The use of rich fields of colors that moved his art beyond Avery's influence, his oil paintings announced further development that led him to the co-founding group The Ten, with Ilya Bolotowsky, Ben - Zion, Adolph Gottlieb, Lou Harris, Ralph Rosenborg, Louis Schanker, and Joseph Solman, aiming to liberate American painting from literal content and established equality.

Just to cover the historical end of the spectrum, there are two big museum shows: Color as Field Field: American Painting, 1950 - 1975 at the Smithsonian, the first full show dedicated to the color field movement (OK, so the show's not in New York, but it's full of New Yorkers); and Color Chart: Reinventing Color from 1950 to Today at Color as Field Field: American Painting, 1950 - 1975 at the Smithsonian, the first full show dedicated to the color field movement (OK, so the show's not in New York, but it's full of New Yorkers); and Color Chart: Reinventing Color from 1950 to Today at Field Field: American Painting, 1950 - 1975 at the Smithsonian, the first full show dedicated to the color field movement (OK, so the show's not in New York, but it's full of New Yorkers); and Color Chart: Reinventing Color from 1950 to Today at Field: American Painting, 1950 - 1975 at the Smithsonian, the first full show dedicated to the color field movement (OK, so the show's not in New York, but it's full of New Yorkers); and Color Chart: Reinventing Color from 1950 to Today at color field movement (OK, so the show's not in New York, but it's full of New Yorkers); and Color Chart: Reinventing Color from 1950 to Today at field movement (OK, so the show's not in New York, but it's full of New Yorkers); and Color Chart: Reinventing Color from 1950 to Today at Color Chart: Reinventing Color from 1950 to Today at Color from 1950 to Today at MoMA.

Late 19th - century Americans like Augustus Vincent Tack and Albert Pinkham Ryder, along with early American Modernists like Georgia O'Keeffe, Marsden Hartley, Stuart Davis, Arthur Dove, and Milton Avery's landscapes also provided important precedents and were influences on the Abstract Expressionists, the Color Field painters, and the Lyrical Abstractionists.

Deeply anchored in tradition, Ross's radical and technologically advanced Mountain photographs are influenced by his fascination with Albert Bierstadt's and Frederic Church's iconic views of the American West, which he studied while at Yale University and which he has described as «my salvation from the certain death of a narrow aesthetic inheritance — namely Clement Greenberg's formalism and the Color Field tradition I was born into.»

Taking issue with Harold Rosenberg (another important champion of Abstract Expressionism), who wrote of the virtues of action painting in his article «American Action Painters» published in the December 1952 issue of ARTnews, [3] Greenberg observed another tendency toward all - over color or Color Field in the works of several of the so - called «first generation» Abstract Expressioncolor or Color Field in the works of several of the so - called «first generation» Abstract ExpressionColor Field in the works of several of the so - called «first generation» Abstract Expressionists.

With a career spanning over six decades, this film presents Mason as a shy yet innovative figure in American art, a pioneer in the field of lyrical abstraction, and a master of the so - called «poetry of color».

Connections between European structural - constructive painting and American tendencies — Minimal Art, Color Field Painting, Hard Edge, Op Art — can plainly be seen in the Collection in works by Adolf Fleischmann, Hartmut Böhm, Andreas Brandt, Ulrich Erben, Gottfried Honegger, Karl Gerstner, Hermann Glöckner, Manfred Mohr and Anton Stankowski.

Helen Frankenthaler's «Off White Square,» 1973, is part of the «Color as Field» exhibit at the Smithsonian American Art Museum in Washington, D.C. Courtesy American Federation of Arts hide caption

Lawrence Larry Zox, born in 1937, in Des Moines, Iowa, was an American painter known for his work in the color field movement of the 1960s.

Ellsworth Kelly is an American artist associated with hard - edge and color - field painting, and his works were significant precursors to Minimalism.

American artist Alex Katz is primarily known for his portraiture that synthesizes a kind of color field abstraction with realism; however, nature is a subject the artist has depicted consistently since the early 1950s.

Lawrence «Larry» Zox (May 31, 1937 — December 16, 2006) was an American painter and printmaker who is classified as an Abstract expressionist, Color Field painter and a Lyrical Abstractionist, although he did not readily use those categories for his work.

Widely recognized as an influential American post war painter, Morris Louis became an inspirational figure for other artists in the Color Field movement in the 1960s.

Melinda Zox is the daughter of renowned American lyrical abstraction painter Larry Zox (1936 - 2006), who played an essential role in the Color Field movement of the 1960s and 1970s.

Mark Rothko (1903 - 1970) was an American Abstract Expressionist painter known primarily for his paintings of glowing pulsating fields of unbroken color.

This documentary explores a critical decade in American life, when an explosion of artistic energy produced Pop art, Minimalism, Color - field painting, and hard - edged abstraction.

Also marking its debut at Art Basel in Miami Beach, Offer Waterman will feature pivotal works by acclaimed British modernist William Turnbull (b. 1922, d. 2012), including nine color field paintings and four related sculptures from Turnbull's mid-career period (1959 — 1972), during which he was greatly influenced by his American contemporaries.

While working in the U.S. a few years earlier, Piet Mondrian created arguably the first American color - field painting; Guggenheim opened her gallery Art of This Century in 1942; The New Yorker coined Abstract - Expressionism in 1946.

Ten Americans sheds new light on important figures in American Abstract Expressionist and Color Field painting who adapted aspects of Klee's art and ideology into their own artistic development.

She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting.

Positions of Color Field painting», at the Staatliche Kunsthalle Baden - Baden presents key works of the major representatives of Color Field painting, both American and European.

Sam Gilliam (born 1933) is an American artist associated with Color Field painting, Lyrical Abstraction, and Abstract Expressionism.

«Color as Field: American Painting, 1950 - 1975» is at the Smithsonian American Art Museum, Eighth and F Streets, NW, Washington, [phone], through May 26.

Irish - born American painter Sean Scully creates textured architectural compositions of stripes and fields of color.

This collection presents fifty large - scale artworks from the American master's color field period (1949 — 1970) alongside essays by Rothko's son, Christopher Rothko, and San Francisco Museum of Modern Art curator of painting and sculpture Janet Bishop.

Powerful impressionist painting of abstract color fields, titled «Moments Remembered» by Marie (Meinke) Sarni (American, b. 1931), circa 1970.