Sentences with phrase «american color field painting»

Inspired by the emotional restraint of American Color Field painting, he developed a meticulous method in which he distributes tiny droplets of paint across his surfaces to create a vibratory effect.

Perhaps no great theory or philosophy or ideas, but certainly a committed lover and participant of American color field painting.

In his paintings he reflected abstract - minimalist trends in 20th century art as were manifest, say, in the Russian avant - garde, American color field painting or Minimal Art.

Not exact matches

She pictures and explains the development, facts, goals, and meaning of American Color Field and its artists, including their very characteristic painting technique.

Color Field painting clearly pointed toward a new direction in American painting, away from abstract expressionism.

The use of rich fields of colors that moved his art beyond Avery's influence, his oil paintings announced further development that led him to the co-founding group The Ten, with Ilya Bolotowsky, Ben - Zion, Adolph Gottlieb, Lou Harris, Ralph Rosenborg, Louis Schanker, and Joseph Solman, aiming to liberate American painting from literal content and established equality.

Just to cover the historical end of the spectrum, there are two big museum shows: Color as Field Field: American Painting, 1950 - 1975 at the Smithsonian, the first full show dedicated to the color field movement (OK, so the show's not in New York, but it's full of New Yorkers); and Color Chart: Reinventing Color from 1950 to Today at Color as Field Field: American Painting, 1950 - 1975 at the Smithsonian, the first full show dedicated to the color field movement (OK, so the show's not in New York, but it's full of New Yorkers); and Color Chart: Reinventing Color from 1950 to Today at Field Field: American Painting, 1950 - 1975 at the Smithsonian, the first full show dedicated to the color field movement (OK, so the show's not in New York, but it's full of New Yorkers); and Color Chart: Reinventing Color from 1950 to Today at Field: American Painting, 1950 - 1975 at the Smithsonian, the first full show dedicated to the color field movement (OK, so the show's not in New York, but it's full of New Yorkers); and Color Chart: Reinventing Color from 1950 to Today at color field movement (OK, so the show's not in New York, but it's full of New Yorkers); and Color Chart: Reinventing Color from 1950 to Today at field movement (OK, so the show's not in New York, but it's full of New Yorkers); and Color Chart: Reinventing Color from 1950 to Today at Color Chart: Reinventing Color from 1950 to Today at Color from 1950 to Today at MoMA.

Taking issue with Harold Rosenberg (another important champion of Abstract Expressionism), who wrote of the virtues of action painting in his article «American Action Painters» published in the December 1952 issue of ARTnews, [3] Greenberg observed another tendency toward all - over color or Color Field in the works of several of the so - called «first generation» Abstract Expressioncolor or Color Field in the works of several of the so - called «first generation» Abstract ExpressionColor Field in the works of several of the so - called «first generation» Abstract Expressionists.

Connections between European structural - constructive painting and American tendencies — Minimal Art, Color Field Painting, Hard Edge, Op Art — can plainly be seen in the Collection in works by Adolf Fleischmann, Hartmut Böhm, Andreas Brandt, Ulrich Erben, Gottfried Honegger, Karl Gerstner, Hermann Glöckner, Manfred Mohr and Anton Stapainting and American tendencies — Minimal Art, Color Field Painting, Hard Edge, Op Art — can plainly be seen in the Collection in works by Adolf Fleischmann, Hartmut Böhm, Andreas Brandt, Ulrich Erben, Gottfried Honegger, Karl Gerstner, Hermann Glöckner, Manfred Mohr and Anton StaPainting, Hard Edge, Op Art — can plainly be seen in the Collection in works by Adolf Fleischmann, Hartmut Böhm, Andreas Brandt, Ulrich Erben, Gottfried Honegger, Karl Gerstner, Hermann Glöckner, Manfred Mohr and Anton Stankowski.

Ellsworth Kelly is an American artist associated with hard - edge and color - field painting, and his works were significant precursors to Minimalism.

Gene Davis (August 22, 1920 - April 6, 1985) was an American Color Field painter known especially for his paintings of vertical stripes of cColor Field painter known especially for his paintings of vertical stripes of colorcolor.

Mark Rothko (1903 - 1970) was an American Abstract Expressionist painter known primarily for his paintings of glowing pulsating fields of unbroken color.

This documentary explores a critical decade in American life, when an explosion of artistic energy produced Pop art, Minimalism, Color - field painting, and hard - edged abstraction.

Also marking its debut at Art Basel in Miami Beach, Offer Waterman will feature pivotal works by acclaimed British modernist William Turnbull (b. 1922, d. 2012), including nine color field paintings and four related sculptures from Turnbull's mid-career period (1959 — 1972), during which he was greatly influenced by his American contemporaries.

While working in the U.S. a few years earlier, Piet Mondrian created arguably the first American color - field painting; Guggenheim opened her gallery Art of This Century in 1942; The New Yorker coined Abstract - Expressionism in 1946.

Ten Americans sheds new light on important figures in American Abstract Expressionist and Color Field painting who adapted aspects of Klee's art and ideology into their own artistic development.

She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting.

Positions of Color Field painting», at the Staatliche Kunsthalle Baden - Baden presents key works of the major representatives of Color Field painting, both American and European.

Sam Gilliam (born 1933) is an American artist associated with Color Field painting, Lyrical Abstraction, and Abstract Expressionism.

«Color as Field: American Painting, 1950 - 1975» is at the Smithsonian American Art Museum, Eighth and F Streets, NW, Washington, [phone], through May 26.

This collection presents fifty large - scale artworks from the American master's color field period (1949 — 1970) alongside essays by Rothko's son, Christopher Rothko, and San Francisco Museum of Modern Art curator of painting and sculpture Janet Bishop.

Powerful impressionist painting of abstract color fields, titled «Moments Remembered» by Marie (Meinke) Sarni (American, b. 1931), circa 1970.

WASHINGTON — Starting in the late 1950s the great American art critic Clement Greenberg only had eyes for Color Field painting.

Powerful abstract expressionist painting of color fields, titled «Shifting Memories» by Marie (Meinke) Sarni (American, b. 1931), circa 1980.

Helen Frankenthaler was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting.

«Yet the absence of recognizable imagery in his work aligns Mr. Bhavsar more with American traditions of abstract art, and in particular color field painting; one is reminded variously of the work of the American painters Mark Rothko, Barnett Newman and Jules Olitski.»

Works such as Yodel Me Back to Orville Overhaul (1998) extends the vocabulary that Wirsum began in the 1970s, which combined motifs from graphic illustration and comics with hard - edged geometric patterns and designs that spoke to the flat horizontality of Color Field Painting as well as the intricate patterns and rhythms of Latin American and Oceanic folk art.

The Letter Paintings, by incorporating the names of mainly male and female African - American musicians, undermined prevailing aesthetic categories by conflating many contemporary movements including Conceptual Art, Color Field, Pattern and Decoration, diary entry and social commentary.

When asked about the subject matter of her luscious, fluid paintings, the American Color Field painter Helen Frankenthaler (1928 — 2011) once remarked, «If I am forced to associate, I think of my pictures as explosive landscapes, worlds, and distances held on a flat surface.»

Known for his vivid «stain» paintings, Morris Louis was an American Abstract Expressionist and color field painter.

Mitchell - Innes & Nash (booth C09) will present a selection of horizontal Stripe abstractions from the 1960's by a seminal Post War American artist and one of the central figures of Color Field painting — Kenneth Noland (probably better known for his circular, target - like paintings).

For this exhibition, she created Earth Paintings, a series of nature inspired abstract works, including Wind and Crepe Myrtle Concerto (1973) which art historian Sharon Patton considers «one of the most Minimalist Color - Field paintings ever produced by an African - American artisPaintings, a series of nature inspired abstract works, including Wind and Crepe Myrtle Concerto (1973) which art historian Sharon Patton considers «one of the most Minimalist Color - Field paintings ever produced by an African - American artispaintings ever produced by an African - American artist.»

2008 Text / Messages: Books by Artists - Walker Art Center, Minneapolis, MN Inspired by Literature: Art and Fine Books - Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ PEGGY GUGGENHEIM E LA NUOVA PITTURA AMERICANA - Peggy Guggenheim Collection, Venice Collector's Eye - Gana Art Gallery, Seoul Blake to Kahlo to Warhol: Masterworks from the Harry Ransom Center - El Paso Museum of Art (EPMA), El Paso, TX 1945 - 1949 Repartir à zéro, comme si la peinture n'avait jamais existé - Musée des Beaux - Arts de Lyon, Lyon Action / Abstraction - Saint Louis Art Museum, Saint Louis, MO Contemporary Masters: Print Selections - Amy Simon Fine Art, Westport, CT REFLECTIONS ON LIGHT - 30 years Galerie Bernd - Galerie Klüser, Munich Tilted Balance - Collectors Contemporary, Singapore From Abstract Expressionism to Pop Art: Johns, Rauschenberg and the Aesthetic of Indifference — Sonoma Valley Museum of Art, Sonoma Nuances of Printmaking - Koehnline Museum of Art, Des Plaines (IL) The sight of music - Mississippi Museum of Art MMA, Jackson, MS Abstraction: Summer 2008 - Thomas McCormick Gallery, Chicago, IL Philadelphia Collects: Works on Paper - Delaware Center for Contemporary Arts - DCCA, Wilmington, DE Ganz schön ART - ig - LECKERBISSEN III - Fischerplatz Galerie, Ulm Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA Modern and Contemporary Prints - Osborne Samuel, London, United Kingdom Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976 - The Jewish Museum of New York, New York City, NY Blood on Paper - the Art of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Out!

Within twelve years after her first class at American, she began creating Color Field paintings, inspired by the work of the New York School and Abstract Expressionism.

Pat Lipsky is an American painter associated with Color Field Painting and Lyrical Abstraction.

They had less to do with American abstract expressionism or color field painting than with the British pop art of the period, for example that of Hoyland's good friend, Patrick Caulfield.

Robert Natkin was an American born abstract painter whose work is associated with Abstract expressionism, Color field painting, and Lyrical Abstraction...

Termed Color Field painting by the art critic and champion of American abstract painting, Clement Greenberg, it was defined and differentiated from Abstract Expressionism by an intense approach to color theory and a revolutionary application of pColor Field painting by the art critic and champion of American abstract painting, Clement Greenberg, it was defined and differentiated from Abstract Expressionism by an intense approach to color theory and a revolutionary application of pcolor theory and a revolutionary application of paint.

Dan Christensen was an American abstract painter best known for his unfettered use of color in various styles, including Color Field painting and Lyrical Abstracticolor in various styles, including Color Field painting and Lyrical AbstractiColor Field painting and Lyrical Abstraction...

Dan Christensen, Serpens, 1968 Acrylic on canvas, 112 x 173.5 inches Courtesy of Spanierman Modern, NY May 15 — August 30, 2009 For more than forty years, American artist Dan Christensen — long associated with the Color Field movement — experimented with colors, shapes, and forms in his large - scale paintings.

His early work features broad, calm rectangles in the manner of the American Color Field painters, but Hoyland's distinctive contribution has been to break with the modernist insistence on a flat surface and to put perspective back into abstract painting: his mature work is characterised by depth and texture, in which strange objects float in the foreground or middle distance, against an often mysterious background, in a way that is oddly reminiscent of Miro.

This series echo the «Color Field Painting» of the 1950s American painters as well as the minimal gesture of Minimalism; an aesthetic that Rouillard consciously absorbed to regenerate them through vernacular objects.

Sam Gilliam (American, b. 1938) An American color field painter, Gilliam is represented in the exhibition by Eiler Blues (1978), a wall - size oil painting with embedded objects on stitched and unstretched awning canvas.

Biography: Vivian Springford American, b. 1914 Vivian Springford, an artist best known for her «Black Paintings» of the 1950s - early 60s, and later, her vivid stained color field paintings, is having a seconPaintings» of the 1950s - early 60s, and later, her vivid stained color field paintings, is having a seconpaintings, is having a second coming.

An overdue, if far from perfect, reconsideration of Color Field painting reintroduces the joyful pictorial derring - do of an art movement partly done in by the single - minded advocacy of its biggest fan, the great American art critic Clement Greenberg.

While this term is often associated with American painting, specifically Abstract Expressionism and Color Field painting, Declaring Space addresses this concept from an international viewpoint, blurring national labels for a set of spatial themes that were evoked in abstract art in the latter half of the twentieth century, where the boundaries of traditional pictorial space were crossed and a new realm of abstract theater was engaged.

Inspired by Du Bois» sociological studies on the advancements of Black Americans from the time of Emancipation to 1900, the exhibition will feature a series of response paintings in which the statistical data gathered and made visual by Du Bois has been reduced to abstract color fields and geometric motifs.

Kenneth Noland, who painted some of the great emblems of the postwar American abstract style called Color Field painting, died Tuesday at his home in Port Clyde, Me.

He's celebrated as one of the leading lights among the artists associated with the Washington Color School (a grouping that took its name from a 1965 exhibition of painting at the Washington Gallery of Modern Art, in DC, and included artists such as Kenneth Noland and Gene Davis) and as a pioneer of American colour field painting.

Avery's early work incorporated elements of Impressionism, but his smooth planes of color and combination of figuration and abstraction would make him an archetype of American Modernism, prefiguring aspects of Color Field painting by ycolor and combination of figuration and abstraction would make him an archetype of American Modernism, prefiguring aspects of Color Field painting by yColor Field painting by years.