Sentences with phrase «american conceptual art»

Key participants in American conceptual art include: the avant - garde composer John Cage (1912 — 1992) who created the controversial musical composition» 4 - 33», whose three movements contain not a single sound or note of music; the sculptor Sol LeWitt (b. 1928) noted for his influential essay «Paragraphs on Conceptual Art» (1967); the artists Allan Kaprow (1927 - 2006), John Baldessari (b. 1931), Edward Kienholz (1927 - 94) and Joseph Kosuth (b. 1945).

Over the last three years he has brought to the Museum major collections of European and American Conceptual art of the late 1960s and early 1970s.

A leading figure in American conceptual art since the 1960s, Dennis Oppenhiem's Reading Position for Second Degree Burn, 1970, uses the artist's body as the canvas.

Paweł Polit researched Sol LeWitt and Joseph Kosuth as part of his PhD on post-modern American conceptual art in the late 1960s and early 70s, making use of publications not readily available in Poland.

As a towering figure of 20th - century American conceptual art and as one of the most influential teachers of a generation of artists, Baldessari's new works ultimately questions the very nature of the artist's place within the canon of art history itself.

Luis Camnitzer, a major figure in Latin American conceptual art, began exhibiting in the early 1960s in the United States, Europe and Latin America.

As a towering figure of 20th century American conceptual art and as one of the most influential teachers of a generation of artists, Baldessari's new works ultimately questions the very nature of the artist's place within the canon of art history itself.

The more than 35 projects on view are drawn from a privately held collection of European and American conceptual art from its great years.

Berlin - based artist Jonathan Monk is at the forefront of a generation of artists who have appropriated American conceptual art of the 1960s and 1970s to create contemporary projects that deal with reception and re-presentation.

«Untitled — Concept for Projection», 1972 Drawing in blue ink on graphic paper with a green grid 26,5 x 21,5 cm / 10.4 x 8.5 inches signed and dated (RB» 72) on the front bottom left Robert Barry who lives in New Jersey, is one of American Conceptual Art's most significant protagonists.

Influenced by Minimalism, American Conceptual Art, and Brazil's Neo-concrete movement, Dávila's artistic practice questions the inherent qualities of modern architecture and art throughout history.

Not exact matches

Factual statements about nature reduce art to mere illustration and assimilate it to conceptual habits of thinking — precisely what Dillenberger rightly criticizes in American Protestantism.

MoMA lately added to its conceptual - art holdings works from the Daled Collection of American and European Conceptual Art and the Seth Siegelaub Collection, including pieces by Acconci and Danconceptual - art holdings works from the Daled Collection of American and European Conceptual Art and the Seth Siegelaub Collection, including pieces by Acconci and Daniel Burart holdings works from the Daled Collection of American and European Conceptual Art and the Seth Siegelaub Collection, including pieces by Acconci and DanConceptual Art and the Seth Siegelaub Collection, including pieces by Acconci and Daniel BurArt and the Seth Siegelaub Collection, including pieces by Acconci and Daniel Buren.

With a title that plays on Robert Rauschenberg's infamous 1961 portrait of Iris Clert — a telegram that simply states, «This is a portrait of Iris Clert if I say so,» — this groundbreaking exhibition examines the rise and evolution of symbolic, abstract, and conceptual portraiture in modern and contemporary American Art.

Susan Daniel - McElroy - Art Now Cornwall Tate St Ives 2007 The pristine surfaces of these architectonic paintings bear the hallmarks of American post - Abstraction and conceptual practice as they nod in the direction of Barnett Newman and >> >>

In 1976, at the height of minimal art and conceptual art, the American painter R.B. Kitaj, then based in Britain, organised an exhibition titled The Human Clay at the Hayward Gallery in London.

The European Zero movement was represented, alongside manifestations of Nouveau Réalisme, Pop Art and Op Art and American Minimal and Conceptual Art.

It can be said that every artistic movement and principle artist of the past century are included in this wonderful journey through American art history; from American Impressionism through 21st century conceptual and expressionistic directions.

Key figures from the subsequent American art movements of the 60s and 70s, from Pop art and Minimalism to Conceptual art and performance, include Cy Twombly, Jasper Johns, Andy Warhol, Richard Serra, Bruce Nauman, David Hammons and Adrian Piper.

The New York Times profiled CCA Alumnus and American conceptual artist Hank Willis Thomas on the occasion of his first solo show in Britain, «The Beautiful Game» on view at Ben Brown Fine Arts through November 24.

The seeds of Pop Art and Conceptual Art have been carefully sown in part one and the thoughtful viewer's logical conclusion about what is to come in The American Century part two would be the new academy, cool art, the new salon of Post-Dada, Minimalism, Conceptualism, Pop, Video and Postmodern kitsArt and Conceptual Art have been carefully sown in part one and the thoughtful viewer's logical conclusion about what is to come in The American Century part two would be the new academy, cool art, the new salon of Post-Dada, Minimalism, Conceptualism, Pop, Video and Postmodern kitsArt have been carefully sown in part one and the thoughtful viewer's logical conclusion about what is to come in The American Century part two would be the new academy, cool art, the new salon of Post-Dada, Minimalism, Conceptualism, Pop, Video and Postmodern kitsart, the new salon of Post-Dada, Minimalism, Conceptualism, Pop, Video and Postmodern kitsch.

And now, the Museu d'Art Contemporani de Barcelona (MACBA) has mounted a 30 - year retrospective of the American conceptual artist Andrea Fraser, whose work illustrates the cozy relationship between contemporary art, governments, corporations and wealthy individuals — and might be too incendiary for some American museums.

Curated by Adrienne Edwards (Walker Art Center, Minneapolis; recently appointed Whitney Museum of American Art, New York) and entitled «ASSEMBLY,» the time - based program will feature processions, ritualistic and conceptual performance alongside sound installations, banners and flags.

Questioning the process of art production, American artists like Jenny Holzer have built on the traditions of conceptual and installation art of the late 1960s.

This February, the Institute of Contemporary Art, Miami, presents a comprehensive survey of work by John Miller, marking the first American museum exhibition dedicated to the influential conceptual artist.

He managed to invent pop art, conceptual art and minimalism all in one go when he started to make an American flag out of waxy paint layered over newspaper collage in 1954 and has been meditating with the same serious irony about objects and their meanings ever since.

More generally, the chapters of «America Is Hard to See» pay homage to a number of those seminal exhibitions through which the Whitney has historically recognised and advocated for emerging American art: «Anti-Illusion: Procedure / Materials» (1969), for instance, with its defiant presentation of the post-minimalism of Richard Tuttle and others, or «New Image Painting» (1979), which celebrated a revival of figurative painting in an artistic climate dominated by conceptual work.

She has contributed to, and been written about, in several anthologies of literary criticism including: The Racial Imaginary: Writers on Race in the Life of the Mind (Fence Books, 2015); The BreakBeat Poets: New American Poetry in the Age of Hip - Hop (Haymarket Books, 2015); What I Say: Innovative Poetry by Black Writers in America (University of Alabama Press, 2015); The & Now Awards 3: The Best Innovative Writing (Northwestern University Press, 2015); I'll Drown My Book: Conceptual Writing By Women (Les Figues Pess, 2012); eco language reader (Portable Press at Yo - Yo Labs and Nightboat Books, 2010); American Women Poets in the 21st Century (Wesleyan University Press, 2002); and An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art (University of Michigan Press, 2002).

The organizer, the American painter and art dealer William Copley, conceived of it as an intermedia and intergenerational publication, presenting works by an impressive array of artists, both well - known and emerging, including the Dada and Surrealist luminaries Marcel Duchamp, Man Ray, and Meret Oppenheim; Pop artists Richard Hamilton and Roy Lichtenstein; composers Terry Riley and La Monte Young; and an up - and - coming generation of conceptual and post-studio artists represented by Joseph Kosuth and Bruce Nauman, among others.

Howard Fried is an American conceptual artist who became known in the 1970s for his pioneering work in video, performance and installation art.

Robert Theodore McCall (December 23, 1919 — February 26, 2010) was an American conceptual artist, known particularly for his works of space art.

Following on from their well received first exhibition with Ai Weiwei Blenheim Art Foundation have just announced their second exhibition which will be a new exhibition by American artist and founding figure of Conceptual Art, Lawrence Weiner.

The Institute of Contemporary Art, Miami, presents a comprehensive survey of work by John Miller, marking the first American museum exhibition dedicated to the influential conceptual artist.

James Croak is an American sculptor working in conceptual figuration and an art critic for Hamptons Art Hart critic for Hamptons Art HArt Hub.

Ferrer participated in important exhibitions of the new wave of conceptual, postminimal, process - oriented and «antiform» art in 1969 including Op Losse Schroeven (Square Pegs in Round Holes) at the Stedelijk Museum, Amsterdam; and Anti-Illusion: Procedures / Materialsat the Whitney Museum of American Aart in 1969 including Op Losse Schroeven (Square Pegs in Round Holes) at the Stedelijk Museum, Amsterdam; and Anti-Illusion: Procedures / Materialsat the Whitney Museum of American ArtArt.

Where her peers in Conceptual art were toying with philosophical elements in their work, Ms. Piper actually earned a Ph.D. in philosophy at Harvard and is reputed to be the first female African - American philosophy professor in the United States to receive tenure.

May 2, 2018 — Middle Eastern and Mediterranean Landscapes by Renowned Hartford Artist at Wadsworth Atheneum March 22, 2018 — Herbert Ferber Retrospective On View Now at Wadsworth Atheneum Dec. 15, 2017 — Edward Gorey's Illustrations and Art Collection Unite in Unprecedented Exhibition at Wadsworth Atheneum Sept. 28, 2017 — MATRIX 178 Premiers Sam Messer's Newly - Completed Animation «Denis the Pirate» at Wadsworth Atheneum Museum of Art Sept. 19, 2017 — More Than 100 Objects Illuminate Groundbreaking Art Collection of Financier J. Pierpont Morgan Aug. 29, 2017 — Scandinavian Landscapes at Wadsworth Atheneum May 31, 2017 — Mika Tajima Contemplates Technology and Contemporary Life in MATRIX 177 May 18, 2017 — Highlights, Rediscoveries of American Design Trends On View in Exhibition at Wadsworth Atheneum Museum of Art April 18, 2017 — MoMA Paintings by Warhol, Lichtenstein Featured in Pop Art Exhibition at Wadsworth Atheneum Museum of Art Feb. 2, 2017 — Brazilian Conceptual Artist Valeska Soares Featured in Wadsworth Atheneum's 176th MATRIX Exhibition Jan. 20, 2017 — Wadsworth Atheneum Appoints Brandy S. Culp as Richard Koopman Curator of American Decorative Arts Jan. 6, 2017 — UPDATED — Japanese Masterpieces Reunited for First Time in More Than a Century at Wadsworth Atheneum

This panel explores the politics and legacy of African American artists, both of Charles Gaines's generation and after, who use strategies of conceptual art to investigate identity, representation, and American culture.

2005 African Queen, The Studio Museum in Harlem, New York, NY Double Consciousness: Black Conceptual Art Since 1970, Contemporary Arts Museum, Houston, TX Earth and Memory: African and African American Photography, Elizabeth Stone Harper Gallery, Presbyterian College, Clinton, SC Identità & Nomadismo, Palazzo delle Papesse, Centro Arte Contemporanea, Siena, Italy (catalogue) Male Desire Two, Mary Ryan Gallery, New York, NY

Having exhibited at the South London Gallery in the group shows Independence in 2003 and Nothing is Forever in 2010, acclaimed American artist and reluctant pioneer of conceptual art Lawrence Weiner returned to the gallery with a solo exhibition ALL IN DUE COURSE.

A chance viewing of an exhibition in New York introduced him to the work of the American Conceptual sculptor Tom Friedman, who showed Montoya that there was room in art for many of his ideas.

As A.i.A. senior editor William S. Smith pointed out in his essay on Michael Heizer (whose 1970 installation Actual Size: Munich Rotary is on view at the Whitney Museum of American Art through April 10) our April issue, «Land art was photogenic out of necessity... images produced in tandem with the construction of giant earthworks could greatly expand the works» aesthetic and conceptual range.&raqArt through April 10) our April issue, «Land art was photogenic out of necessity... images produced in tandem with the construction of giant earthworks could greatly expand the works» aesthetic and conceptual range.&raqart was photogenic out of necessity... images produced in tandem with the construction of giant earthworks could greatly expand the works» aesthetic and conceptual range.»

However, «Cowboys» can be seen not only as a cynical representation of reality, but also, in the critical tradition of Conceptual art, as a piercing inquiry into the ethos of the American vernacular, and even as the existential gesture of a figurative and realist artist.

Walter De Maria (1935 — 2013) was an American artist associated with minimal, conceptual, installation, and Land art.

Interest has steadily grown in the career of the American painter Lee Lozano (1930 — 99) over the last decade, specifically in her move toward conceptual art that culminated in her boycott of women for nearly the last 30 years of her life.

The conceptual works of American artist Felix Gonzalez - Torres challenge the emphasis on materiality in traditional definitions of art.

Works by the American Abstract Artist group (Stuart Davis, Ilya Bolotowsky, Esphyr Slobodkina, Balcomb Greene, Milton Avery) give twentieth - century abstraction its place in the collection, as do later examples of Surrealism (Kay Sage, George Tooker), Abstract Expressionism (Lee Krasner, Giorgio Cavallon, Morris Graves, Robert Motherwell, Sam Francis, Cleve Gray), Pop and Op art (Andy Warhol, Larry Rivers, Robert Indiana, Tom Wesselman, Jim Dine), Conceptual (Christo, Sol LeWitt), and Photo - Realism (Robert Cottingham).

Dan Fischer, Olaf Breuning, and the African Americans in «30 Seconds off an Inch» point instead to conceptual arts in the plural.

Related through a common conceptual approach, the works encompassing this exhibition will demonstrate the enduring relevance of abstraction in American visual art.

Ward's work, presented for deFINE ART 2015 in the SCAD Museum of Art's Walter O. Evans Center for African American Studies, features conceptual pieces that mix and meld found iconic objects with popular idioms and forART 2015 in the SCAD Museum of Art's Walter O. Evans Center for African American Studies, features conceptual pieces that mix and meld found iconic objects with popular idioms and forArt's Walter O. Evans Center for African American Studies, features conceptual pieces that mix and meld found iconic objects with popular idioms and forms.