Sentences with phrase «american contemporary craft»

[20][21] In addition to displaying a large collection of American contemporary craft, several hundred paintings from the museum's permanent collection — hung salon style: one - atop - another and side - by - side — are featured in special installations in the Grand Salon.

Not exact matches

Perfect for gin veterans and newcomers alike, the small batch gin was recently awarded a bronze medal for contemporary gin at the 2015 American Craft Spirits Association 2015 Awards.

«We crafted this car with the goal of creating a contemporary interpretation of Mustang — an American automotive icon that symbolizes optimism and freedom for millions of people around the world,» said Jim Farley, executive vice president of Ford global marketing, sales and service and Lincoln.

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Genre: Crafts, Hobbies & Home, Animal Care & Pets, Literature & Fiction, Humor & Satire, Contemporary Fiction, Genre Fiction, United States, Nonfiction, Romance, Women's Fiction, Family Life, Romantic Comedy, American, General Humor, Satire, Humor Size: 18 pages Free eBook download for Kindle from 07 May 2018 onward PDT / PST

Offering the best in contemporary clothing, jewelry and crafts by American artists, Imagine Artwear carries several handbags from the «Opera» line.

2017 Talking Pictures: Camera Phone Conversations Between Artists, The Metropolitan Museum of Art, New York, NY Person of the Crowd: The Contemporary Art of Flânerie, The Barnes Foundation, Philadelphia, PA DRAW / Boston, MassArt, Boston, MA Southern Accent: Seeking the American South in Contemporary Art, Speed Art Museum, Louisville, KY Uptown, The Wallach Art Gallery at Columbia University, New York, NY Maker, Maker, Children's Museum of the Arts, New York, NY No burden as heavy, David Castillo Gallery, Miami Beach, FL Jacob Lawrence: Lines of Influence, SCAD Museum of Art, Savannah, GA The Legacy of Lynching: Confronting Racial Terror in America, Brooklyn Museum, New York, NY Victory over the Sun: The Poetics and Politics of Eclipse, Kentucky Museum of Art and Craft, Louisville, KY Detroit 67: Perspectives, Detroit Historical Society, Detroit, MI ProjectArt Presents: My Kid Could Do That, Kimpton Eventi Hotel, New York, NY

This year's grantees are the Craft and Folk Art Museum; Fulcrum Arts; the Hammer Museum; JOAN; LA Freewaves; LAXART; the Museum of Contemporary Art, Los Angeles; the Museum of Latin American Art; Self Help Graphics & Art; and the Underground Museum.

2010 Size Does Matter, FLAG Art Foundation, New York, USA Passion Fruits, Collectors Room, Berlin, Germany The Global Africa Project Exhibition, Museum of Arts and Design, New York, USA Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, USA Pattern ID, Akron Art Museum, Akron, Ohio, USA Wild Thing, Roberts & Tilton, Culver City, USA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, USA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, USA The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, USA The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, USA From Then to Now: Masterworks Contemporary African American Art, Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland, USA

Cho's work has been reviewed and featured in numerous publications, among them Textile Fibre Forum (Australia); Fiberarts; Surface Design Journal; American Craft; Monthly CRART (South Korea); Fiber Art Today (Schiffer Publishing, Ltd.); Masters: Art Quilts (Lark Book); Quilt National 2003: The Best of Contemporary Quilts (Lark Books); Contemporary Quilt: Quilt National 1997 (Lark Books); No: Nouvel Object (Design House, South Korea); Art & Craft (South Korea); Fiberarts Design Book IV, VI & VII (Lark Books); and Art Textiles of the World: USA (Telos Art Publishing, England), among others.

Shoppers will find an extensive selection of contemporary American craft, fine gifts, and jewelry, as well as books, stationery, and children's merchandise.

[iv] In 1962, these woven forms were featured in a solo exhibition at the Art Institute of Chicago, and the following year, the Museum of Contemporary Crafts (later the American Craft Museum and now the Museum of Arts and Design) used her phrase for the title of a traveling exhibition, that included work by Tawney, Dorian Zachai, Claire Zeisler, Sheila Hicks, and Alice Adams.

«Leap Before You Look examines the college's critical role in shaping many major movements, and ideas in postwar art and education, including assemblage, contemporary dance and music, the New American Poetry, and the American studio craft movement — influences that can still be seen and felt today.»

Corning Museum of Glass, New York de Young Museum, San Francisco, California Metropolitan Museum of Art, New York Musée des Arts Décoratifs, Louvre, Paris Museum of Contemporary Art, Chicago Museum of Fine Arts, Boston, Massachusetts National Gallery of Australia, Canberra National Museum of Modern Art, Tokyo Singapore Art Museum Smithsonian American Art Museum, Washington DC Tower of David Museum of the History of Jerusalem, Jerusalem Victoria and Albert Museum, London White House Collection of American Crafts, Washington, DC Whitney Museum of American Art, New York

He participated in the recent Stop Asking: We Exist exhibition of African - American craft art at the Society for Contemporary Crafts in Pittsburgh and curated the popular and groundbreaking exhibition Uncommon Beauty in Common Objects: The Legacy of African American Craft Art that toured the United States in the mid-1990's organized by the National Afro - American Museum & Cultural Center in Wilberforcecraft art at the Society for Contemporary Crafts in Pittsburgh and curated the popular and groundbreaking exhibition Uncommon Beauty in Common Objects: The Legacy of African American Craft Art that toured the United States in the mid-1990's organized by the National Afro - American Museum & Cultural Center in WilberforceCraft Art that toured the United States in the mid-1990's organized by the National Afro - American Museum & Cultural Center in Wilberforce, OH.

A curator and scholar in contemporary art, craft and design her particular expertise lies in the work of African, Latino, Native and Asian American artists.

Traveled to: Renwick Gallery, National Collection of Fine Arts, Smithsonian Institute, Washington, D.C.; Cooper - Hewitt Museum, New York, 1979 - 1980 «Art from Corporate Collections,» Union Carbide Corporation Gallery, New York, May 9 - 30 «Selections from the Collection of Mr. and Mrs. Eugene Schwartz,» Knoedler Gallery, October 31 - November 28 «Color Abstractions: Selections from the Museum of Fine Arts, Boston,» Federal Reserve Bank Display Area, November 2 - January 31, 1980 1980 «L'Amerique aux Independents,» 91e Exposition, Societe des Artistes, Grand Palais, Paris, March 13 - April 13 «The Washington Color School Revisited: The Sixties,» Fendrick Gallery, Washington, D.C., September 9 - October 4 «Washington Color Painters,» Milwaukee Art Center, September 1 - December 1981 «Paintings from the United States from the Museums of Washington, D.C.,» Institute of Fine Arts, Mexico City, November 18, 1980 - January 4 1982 «A Private Vision: Contemporary Art from the Graham Gund Collection,» Museum of Fine Arts, Boston, February 7 - April 4 «Papermaking U.S.A.: History, Process, Art,» American Craft Museum, New York, May 20 - September 26 «Out of the South: An Exhibition of Work by Artists Born in the South,» Heath Gallery, Atlanta, Georgia, October 1982 1983 «Early Works by Contemporary Masters: Caro, Francis, Frankenthaler, Gottlieb, Held, Louis, Noland, Olitski,» Andre Emmerich Gallery, New York, September 6 - October 8 «Tapestries: Contemporary Masters,» Malcolm Brown Gallery, Shaker Heights, Ohio, October 21 - November 30; New York, February 25 - March 7 «American Post-War Purism,» Marilyn Pearl Gallery, New York, May 31 «Recent Paintings by Kenneth Noland and Darby Bannard,» Douglas Drake Gallery, Kansas City, Missouri, June 1 - 30 «Arte Contemporaneo Norteamericans, Collection David Mirvish,» American Embassy in Madrid, January 1985 «Recent Acquisitions,» Museum of Modern Art, New York, February 16 - March 17 «Grand Compositions: Selections from the Collection of David Mirvish,» The Fort Worth Art Museum, Texas, May 1 «Contemporary Monotypes,» Edith C. Blum Art Institute, Bard College, Annandale - on - Hudson, May 8 - July 10 «Selections from the William J. Hokin Collection,» Museum of Contemporary Art, Chicago, April 20 - June 16 «American Abstract Painting,» Margo Leavin Gallery, Los Angeles, California, June 19 - August 24

In 1937, the Delphic Gallery, New York held her first solo exhibition and subsequent group exhibitions followed including «Contemporary Decorative Art», The Toledo Museum of Art, (1939), «Miscellaneous Textiles», Addison Gallery of American Art, Andover, MA (1948) and «Wall Hangings and Rugs», The Museum of Contemporary Crafts, New York (1957).

In awards news: this year's BP Portrait Award has announced its shortlist, with artists Miriam Escofet, Felicia Forte, Ania Hobson and Zhu Tongyao in the running — the winner will be announced in June; LA's Mike Kelley Foundation has named recipients for its 2018 Artist Project Grants — the Craft & Folk Art Museum, Fulcrum Arts, Hammer Museum, JOAN, LA Freewaves, LAXART, the Museum of Contemporary Art, Los Angeles, Museum of Latin American Art, Self Help Graphics & Art and the Underground Museum will receive a total of USD$ 400,000 in support; ArtCenter / South Florida have announced a new USD$ 500,000 visual art awards called the Ellies, with first recipients anounced in October; and the official selection for the 71st Cannes film festival, which runs 8 — 19 May, is here, with Jean - Luc Godard, Spike Lee and Jia Zhangke in competition — only three out of 18 films competing for the Palme d'Or have female directors.

Article by Caitlin Eyre in Berlin / / Jul. 26, 2016 The representation of memory through nature is a central theme in the delicately crafted and carefully considered works of contemporary American - born Israeli artist Dana Yoeli.

Among his many accolades are recognition for Outstanding Achievement in Glass from UrbanGlass, Lifetime Achievement Awards from both the Glass Art Society and the Art Alliance for Contemporary Glass; the Libenský Award from Pilchuck Glass School, and election to the College of Fellows of the American Craft Council.

SAAM contains the world's largest collection of New Deal art; a collection of contemporary craft, American impressionist paintings, and masterpieces from the Gilded Age; photography, modern folk art, works by African American and Latino artists, images of western expansion, and realist art from the first half of the twentieth century.

2012 LA Raw: Abject Expressionism in Los Angeles, 1945 - 1980: From Rico Lebrun to Paul McCarthy, Pasadena Museum of California Art, Pasadena, CA African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Breaking in Two: Provocative Visions of Motherhood, Santa Monica Art Center, Santa Monica, CA Against the Grain: Wood in Contemporary Art, Craft and Design, Museum of Arts and Design, New York, NY; Mint Museum of Art, Charlotte, NC; Museum of Art in Fort Lauderdale, FL Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Regarding Warhol: Fifty Artists, Fifty Years, The Metropolitan Museum of Art New York, NY From Nothing to SOMEthing: Assemblage, Collage and Sculpture, Tobey C. Moss Gallery, Los Angeles, CA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Full Spectrum: Prints from the Brandywine Workshop, Philadelphia Museum of Art, Philadelphia, PA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center at the University of Maryland, College Park, MD African American Visions: Selections from the Samella Lewis Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA Baila Con Duende: Group Art Exhibition, Watts Towers Art Center, Watts, CA We the People, Robert Rauschenberg Project Space, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY

The artists were selected by Atkinson; Suzanne Ramljak, curator of exhibitions at the American Federation of Arts and editor at Metalsmith; and Anna Walker, the Windgate Foundation Curatorial Fellow for Contemporary Craft at the Museum of Fine Arts, Houston.

The winners will be determined by second panel of jurors, including Miranda Lash, curator of contemporary art at the Speed Art Museum in Louisville; Dominique Nahas, independent curator and critic in Brooklyn; and Monica Moses, editor in chief of American Craft in Minneapolis.

Janet Koplos is co-author of Makers: A History of American Studio Craft (2010) and author of Contemporary Japanese Sculpture (1990) and other books.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

«Artadia New York Artist Residency,» International Studio & Curatorial Program, New York, NY, July 1 — September 30, 2010 «Gestures of Resistance,» Museum of Contemporary Craft, Portland, OR, June 18 — 19, 2010 «Hand + Made Contemporary: Just a Closer Walk With Thee, Toward a Legendary Black Clay Superhero,» Contemporary Arts Museum, Houston, TX, May 15 — July 25, 2010 «To Speculate Darkly: Theaster Gates and Dave, the Slave Potter,» Chipstone Foundation, Milwaukee Art Museum, Milwaukee WI, April 16 — August 1, 2010 «Pushing the Archive, Art History Archive and a Mover's Uniform,» performance at The Armory Show, New York, NY, 2010 «Cosmology of Yard,» installation and performance at «2010 Whitney Biennial,» Whitney Museum of American Art, New York, NY, February 25 — May 30, 2010; catalogue «Theaster Gates: Arts / Industry Residency, Pottery,» John Michael Kohler Arts Center, Chicago, IL, January 3 — March 27, 2010

«Just a Closer Look with Thee,» and «Toward a Legendary Black Clay Superhero,» (part of «Hand + Made: The Performative Impulse in Art and Craft»), Houston Museum of African American Culture, Houston, TX, July 17, 2010 «Gestures of Resistance,» Museum of Contemporary Craft, Portland, OR, June 18 — 19, 2010 «Pushing the Archive, Art History Archive and a Mover's Uniform,» The Armory Show, New York, NY, 2010

Contemporary American & European Glass: The Saxe Collection, American Craft Museum, New York.

She's been included in exhibitions at the Barbican Gallery in London; The California African American Museum, Los Angeles; The Craft and Folk Museum in LA; The New Museum of Contemporary Art, New York; The Museum of Contemporary Art, Atlanta; The Santa Monica Museum of Art; and The Contemporary Art Center, New Orleans.

HOUSTON CENTER FOR CONTEMPORARY CRAFT: Inaugural exhibit is Defining Craft I: Collecting From the New Millennium, from the American Craft Museum (New YCRAFT: Inaugural exhibit is Defining Craft I: Collecting From the New Millennium, from the American Craft Museum (New YCraft I: Collecting From the New Millennium, from the American Craft Museum (New YCraft Museum (New York).

The Houston Center for Contemporary Craft will make its debut into the Houston Museum District by hosting on Sept. 22 its inaugural exhibit from the collection of the American Craft Museum, Defining Craft.

Call for Entries, The Bascom: American Craft Today This prestigious juried exhibition is a mix of uniquely creative, one - of - a-kind pieces of contemporary crafts.

PUBLIC COLLECTIONS Albright - Knox Art Gallery, Buffalo, NY Cleveland Museum of Art, Cleveland, OH Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Museum of Contemporary Craft, Portland, OR Museum of Contemporary Art, San Diego, CA Portland Art Museum, Portland, OR Portland Institute of Contemporary Art (PICA), Portland, OR Reed College, Portland, OR Saatchi Gallery, London, England Whitney Museum of American Art, New York, NY

Spector has written extensively on topics in contemporary art and culture for American Craft, Artforum, Art on Paper, and New Art Examiner, among other publications, and he is currently art editor for the literary / arts magazine, december.

Lawrence Rinder, the respected Bay Area curator who directs the exhibitions program at the California College of Arts and Crafts, has been named curator of contemporary art at the Whitney Museum of American Art in New York.

Renwick Gallery, Smithsonian American Art Museum, Washington, D.C.; Racine Art Museum, Racine, Wisconsin; Mesa Contemporary Arts, Mesa, Arizona; The Museum of Arts and Design, New York, New York; John Michael Kohler Art Center, Sheboygan, Wisconsin; Kohler Company, Kohler, Wisconsin; Milwaukee Art Museum, Milwaukee, Wisconsin; Society for Contemporary Craft, Pittsburgh, Pennsylvania; Arkansas Arts Center, Little Rock, Arkansas; Carnegie Museum of Art, Pittsburgh, Pennsylvania; Indiana State Museum and Historic Sites, Indianapolis, Indiana; The Chipstone Foundation, Fox Point, Wisconsin; Museum of Wisconsin Art, West Bend, Wisconsin.

Celebrate the exhibition of five American female artists from around the country, all of whom are working at the edge of contemporary craft and sculpture.

Among many other venues, Yoon has exhibited his work at the Smithsonian American Art Museum, Washington, DC, where he is also represented in the permanent collection; Contemporary Arts Museum, Houston; Brattleboro Museum, Vermont; Hunter College, New York; Fleisher Art Memorial, Philadelphia; and Chungju International Craft Biennale in Korea.

Zone 2, April 27: Holocaust Museum Houston, Asia Society Texas Center, Weather Museum, Czech Center Museum Houston, Lawndale Art Center, Houston Center for Contemporary Craft, Houston Museum of African American Culture, Buffalo Soldiers National Museum

«Drawn from its own archive and that of the American Craft Council, the Museum of Arts and Design (MAD) presents Eye for Design, an exhibition that explores the unique graphic identity created by the Museum (then the Museum of Contemporary Crafts) in the 1960s and 1970s through its imaginatively designed exhibition catalogues and related ephemera.

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA

Jeffrey Gibson (b. 1972), who is half Choctaw and half Cherokee, creates sculptures and paintings that intermingle traditional Native American craft with contemporary art and culture.

His work is represented in collections including: Ariana Museum, Geneva, Switzerland; Carnegie Museum of Art, Pittsburgh; The Mint Museum of Craft and Design, North Carolina; Los Angeles County Art Museum, California; Victoria and Albert Museum, London; Museum of Contemporary Ceramic Art, Shigaraki, Japan; Museum of Art and Design, New York; Seattle Art Museum; and Renwick Gallery, Smithsonian American Art Museum, Washington, D.C.

Jim Rose combines timeless American traditions in beautifully hand crafted contemporary steel furniture and sculpture.

In addition to the display of ancient ceramics in collections of the Louvre in Paris, the Pinakothek in Munich and the Hermitage in St Petersburg, fine art pottery and sculptures are displayed regularly in galleries and museums around the world, such as: the Stedelijk Museum in Amsterdam, Brohan Museum (Germany), the Kyoto National Museum of Modern Art, the Victoria and Albert Museum (London), the National Gallery (Melbourne), the Musee des Arts Decoratifs de Montreal; as well as the the Museum of Fine Arts Boston, the Cleveland Museum of Art, the American Museum of Ceramic Art (Los Angeles), the JB Speed Art Museum (Louisville), The Museum of Modern Art New York, the Whitney Museum of American Art (New York), Museum of Contemporary Crafts (New York), Metropolitan Museum of Art New York, Nancy Margolis Gallery (NYC), the Schein - Joseph International Museum of Ceramic Art (New York), the Philadelphia Museum of Art, the Mingei International Museum (San Diego), and the Smithsonian Institution (Washington DC).

In due course, the ACC founded its own publication - the «American Craft» magazine - and developed the Museum of Art and Design (then called the Museum of Contemporary Crafts).

HOUSTON CENTER FOR CONTEMPORARY CRAFT: Inaugural exhibit is Defining Craft I: Collecting From the New Millennium, selected from the collection of the American Craft Museum (New YCRAFT: Inaugural exhibit is Defining Craft I: Collecting From the New Millennium, selected from the collection of the American Craft Museum (New YCraft I: Collecting From the New Millennium, selected from the collection of the American Craft Museum (New YCraft Museum (New York).

Past exhibitions curated by Mr. Labaco at the High include Recent Acquisitions in Contemporary American Craft (2009 - 2010), Anthony Ames, Architect: Residential Landscapes (2009), A Graceful Industry: Bentwood Furniture (2008), and Toshiko Takaezu: Master Ceramist (2007).