Sentences with phrase «american cultural influences»

Inspired by a childhood steeped in African American cultural influences, Rashid Johnson creates layered artworks that engage a conversation between personal biography and its relationship to larger cultural and historical narratives.

Inspired by a childhood steeped in African American cultural influences, Rashid Johnson creates layered artworks...

Inspired by a childhood steeped in African American cultural influences, Rashid Johnson creates layered artworks that engage a conversation between personal biography and the implied gravitas of larger cultural and historical narratives.

Beaufort's history includes European explorers, Native American cultural influences, British settlements, and Civil War battles.

Currently there are two books scheduled to kick off this new imprint which will be «focusing on manga straddling Japanese and American cultural influences»:

It features combines Sugiura's signature brand of absurd action and exquisite drawing, veering constantly from lowbrow cartoon spoof to nuanced meditation on American cultural influence.»

Not exact matches

To that end, African - American women are leaving an indelible imprint on America's economy, social consciousness and cultural landscape, and they're showing no signs of slowing as they become more and more aware of that influence.

The rich history of the American South meets the influence of metro Atlanta's global community, offering a variety of shopping, dining, and cultural experiences that draw upon the diverse tastes of those who call this city home.

By almost any of the conventional measures of cultural and economic influence, the clash over water security and heritage between a tiny North Dakota Native American tribe and a wealthy and well - connected Texas pipeline operator would appear hopelessly tilted one way.

Unless we feel the effects of environmental damage directly, as do so many of the poor, or unless we are enriched by cultural perspectives that are explicitly biocentric rather than anthropocentric, as are many influenced by African, Asian, and Native American traditions, we tend to disregard nature in our social analyses and in our concept of full community.

But leaving aside sources of influence, the crystallization of American political institutions is remarkably free of any cultural symbolization that would confine their benefits to those of Anglo - Saxon descent.

The evangelicals and fundamentalists, who were not seen as a major force within the mainstream of American cultural and religious life, existed mainly on the fringes of influence within the television industry.

It is doubtless correct that, under the influence of the peculiar American cultural climate, the churches here have developed a temper which is altogether lacking in Europe.

Perhaps a retrospective look from a greater historical perspective will show that the Niebuhr report reflects the end of a phenomenon of which William Rainey Harper's study marked the beginning: the influence on Protestant theological schooling of major themes in the «progressivist era» in American cultural history.

In the course of time American cultural experience, coupled with the influence of pietism, revivalism, and rationalism, resulted in the principle of religious liberty, which enabled Americans of diverse confessional backgrounds to live together in relative peace.

American Political Science Association (APSA): The Section on Human Rights was established to encourage scholarship and facilitate exchange of data and research findings on all components of human rights (e.g., civil, political, economic, social, cultural, environmental), their relationship, determinants and consequences of human rights policies, structure and influence of human rights organizations, development, implementation, impact on international conventions, and changes in the international human rights regime.

«We've effectively ruled out a number of variables, suggesting instead that underlying genetic or biological differences and / or complex cultural influences may impact survival in Asian American cancer patients.»

It includes an overview of African Americans» burden of cardiovascular disease; how traditional risk factors and adverse health behaviors affect the disparities between African Americans and whites; a discussion of the genetic and biological factors that might contribute to cardiovascular disease in African Americans; and medical treatments and the social, cultural and environmental factors that influence prevention and disease management in African Americans.

Those Americans have their full share of political, cultural, and moral influence and they're as serious as anyone about the education of their children.

Blair, who received an American Association of University Women Dissertation Fellowship, was interested in how cultural logics influence individuals» understandings of their relationship experiences.

Specifically, Dr. Prime explores the ways in which African American students» science experiences are influenced by the socio - cultural position which African Americans occupy in American society and the implications of this for the preparation of STEM teachers for urban high schools.

Hip hop, as a cultural movement, had its origins in the New York City Bronx in the 1970s, mostly among African Americans, with some Jamaican and Latin American influences.

The Albuquerque area's agreeable climate, charming Spanish influence, strong economy and cultural attractions make it a haven for students, young professionals and other transplanted Americans from the East Coast.

Embark the National Geographic Orion and explore the unique cultural heritage of the Bering Sea, where Russian, American, and Aleut influences intermingle on wild and remote isles.

[Feature] Film Society Lincoln Center - Lineup For 45th Dance On Camera Festival Announced (Dec 8, 2016)[Interview] The Resident Artist - #Spotlight: In Conversation with Mickela Mallozzi (Nov 23, 2016)[Interview] Rudy Maxa's World with The Careys - 12 November 2016, Hour 2 (Nov 12, 2016)[Award Nomination] Taste TV - 8th Annual Taste Awards Finalists & Honorees Announced (Nov 8, 2016)[Feature] Travel With Val - How To Dance with Mickela Mallozzi (Nov 4, 2016)[Feature] Skirting The Rules - I Succeeded in Hosting My Own Travel Show Without Any TV Experience (Nov 3, 2016)[Feature] UPROXX - How To Travel The World Solo, According to Seven of Our Favorite Globe Trotters (Nov 1, 2016)[Feature] Greenwich Academy - Scholarship Breakfast (Oct 28, 2016)[Mention] NIAF.org - NIAF 41st Anniversary Gala Review (Oct 21, 2016)[Interview] The Barretender Podcast - Mickela Mallozzi: Part 1 (Oct 16, 2016)[Interview] The Barretender Podcast - Mickela Mallozzi: Part 2 (Oct 16, 2016)[Feature] CT Post - «Bare Feet with Mickela Mallozzi»: TV Host Dives Into Dances of The World (Oct 2, 2016)[Feature] The Adventure Sum - Bloggers Giving Back: How To Use Your Influence For Social Good (Sept 29, 2016)[Feature] WhereTraveler.com - How To Travel Like A Local: 17 Essential Tips From Travel Pros (Sept 1, 2016)[Interview] Around The World Beauty - Mickela Mallozzi Experiencing The World One Dance At A Time (Aug 15, 2016)[Interview] The Italian - American Podcast - IAP 22 - Mickela Mallozzi on Hard Work and Making Our Ancestors Proud (Aug 7, 2016)[Interview] National Endowment for the Arts - Art Works Podcast «Mickela Mallozzi» (Aug 5, 2016)[Feature] American Express OPEN - Motivational Monday (Jul 19, 2016)[Feature] WhereTraveler - 7 Great Destinations For Cultural Dance Experiences (Jul 19, 2016)[Feature] Travel With Val - Mickela Mallozzi's «Bare Feet» Series Returns to TV (Jul 11, 2016)[Mention] The Italian American Podcast - Is Our Reverence For La Famiglia Genetic?

New Orleans is a fascinating blend of Spanish, French, Creole and American influences, representative of the cultural melting pot that the city has since become.

The city is a cultural mishmash of Inca, Spanish, and Gringo influences, which come together in some delightful and truly unique ways — there are buildings that have both ancient Incan stonework and Spanish construction, and restaurants that fuse Peruvian and American flavors.

The MAK Center presents at these two locations «an exhibition of over 150 works by 48 Latin American artists who investigate and challenge nearly one hundred years of cultural influence between Latin America and Disney.

Acutely aware of himself as a Vietnamese - American absorbing both Eastern and Western cultural influences, Tran is an artist who actively considers, explores, and expands painting concepts.

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

Depicting fantastic beasts and having themes of metamorphosis, identity, and magic as recurring, she blends various cultural influences such as Celtic literature, Renaissance painting, Central American folk art, medieval alchemy, and Jungian psychology.

His unique combination of global cultural influences come together in a multidisciplinary practice that intermingles elements of traditional Native American art with contemporary artistic references.

What is valuable to understand in this context, however, is the history of New Orleans; a city that has, historically, depended on the vital influence of its African American citizens in order to create its cultural identity.

African Root, American Fruit: Paintings by Ronald Jackson February 7 — April 30 Elegba Folklore Society's Cultural Center Ronald Jackson paints portraits and figurative works to comment on the identity of African American people and their influence on the landscape of American society.

This exhibition tells the story of the rise of Korean - American choreographer Dana Tai Soon Burgess to international prominence by tracing his cultural heritage and how it has influenced his acclaimed work.

At the height of his career, Pollock painted in a barn in Springs, New York, but he was born in Cody, Wyoming in 1912 and grew up in Arizona and Chico, California, experiencing Native American cultural symbols, which may have influenced his work as glyphs and motifs, what Jung called archetypes, emerged during his Jungian analysis.

For many 20th century African American arts and cultural figures, the legacy of slavery and the Civil War defined career, influenced private life, and left lasting emotional issues to resolve as they endeavored to reclaim their culture and imagery.

1987 Painting, Jan Turner Gallery, Los Angeles, CA Prints and Drawings by 17 Bay Area Masters, Natsoulas / Novelozo Gallery, Davis, CA American Painting: Abstract Expressionism and After, San Francisco Museum of Modern Art, San Francisco, CA Selections from the Collection, University Art Museum, University of California at Berkeley, Berkeley, CA A Painterly Vision: California 1960s Paintings and Works on Paper, Stephen Wirtz Gallery, San Francisco, CA Bay Area Influences: Four Artists: Palo Alto Cultural Center, Palo Alto, CA

-- first performed in 1991 at the gallery American Fine Arts, in New York — is focused on class distinction and legitimation vis - à - vis cultural consumption, and is deeply influenced by Pierre Bourdieu's work.

The present exhibitionconsiders Teng's influence as both a cultural interpreter and an artistic practitioner on the development of Tobey's distinctive artistic practice and — through Tobey — on the discourse on abstraction in midcentury American art.

Liliana Porter's work will be included in the exhibit How to Read El Pato Pascual: Disney's Latin America and Latin America's Disney, a Pacific Standard Time exhibition of over 150 works by 48 Latin American artists who investigate and challenge nearly 100 years of cultural influence between Latin America and Disney, on view Sep 9 - Jan 14.

Gilliam's style was further shaped by the cultural and social experiences of African Americans in the 1960s; his bold and unconventional works reflect the influence of jazz icons such as Miles Davis and John Coltrane.

Art and Black Los Angeles 1960 — 1980, this full - day symposium explores the relationship and parallels between the African American artistic communities in Los Angeles and New York through examining the social and cultural atmosphere of the 1970s in both cities, the significance of the Just Above Midtown artist space to the New York community, and the influences these artists have on their contemporaries.

Bringing his cultural heritage to the United States, Nakayama incorporates Japanese and American influences within traditional sign painting techniques.

Essays by Frye Director Jo - Anne Birnie Danzker and scholar David Clarke consider Teng's influence as both a cultural interpreter and an artistic practice and — through Tobey — on the discourse on abstraction in midcentury American art.

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003

His cultural circle also included the choreographer Merce Cunningham (1919 - 2009) and the composer John Cage (1912 - 92)- later to become influential in the Neo-Dada and Fluxus movements - as well as the Belgian sculptor Georges Vantongerloo (1886 - 1965), the great Romanian modernist Constantin Brancusi (1876 - 1957)(whose simplification of natural forms had a lasting influence on Kelly), and the American inventor of mobiles and stabiles Alexander Calder (1898 - 1976).

2001 Empathy, Pori Art Museum, Pori, Finland Mies in America, Whitney Museum of American Art, New York, USA What «s New: Recent Acquisitions in Photography, Whitney Museum of American Art, New York, USA InSITE 2000 - 2001, Installation Gallery, San Diego, USA and Centro Cultural Tijuana, CECUT, Tijuana, Mexico Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, USA In Between: Art and Architecture, MAK Center for Art and Architecture, Schindler House, West Hollywood, USA Hieronymus Bosch, Museum Boijmans Van Beuningen, Rotterdam, Netherlands Políticas de la differencia: Arte Iberoamericano fin de siglo, Centro Pernabucano, Recife, Brazil

1974 Less is More: The Influence of the Bauhaus on American Art, Lowe Art Museum, University of Miami, Coral Gables, FL, traveling to the New York Cultural Center, New York, NY

She «is critical of African American cultural history and the representation of black bodies, and her portraits are satirical manifestations of identities shaped by political, social, economic, and cultural influences.»