Sentences with phrase «american cultural landscape»

Such a keen eye for the symbols constituting the American cultural landscape prefigures his successive series such as his Nurses paintings, which draw inspiration from pulp fiction cover designs.

Robert Adams was born in 1937 and has been photographing the American cultural landscape for nearly forty years.

The film earned Julien a cult following and its focus on a Black, Queer experience within the American cultural landscape retains its urgency and relevance regarded as a touchstone for Cultural Studies and has been taught widely in North American and Australian universities, colleges and art schools for nearly 30 years.

Short aims to examine contemporary myth and rituals within the American cultural landscape through his interactive exhibition.

For over half a century, Foulkes» singular voice has been continuously seeking, exposing, and re-telling the beauty and bleakness of the American cultural landscape.

He often collaborates with artists such as Paul McCarthy, Raymond Pettibon and Tony Oursler, to make video works that reflect on the American cultural landscape.

For decades, we've been publishing a rich and diverse catalog of thoughtful, boundary - pushing literature that has often helped expand and define the American cultural landscape.

With a knack for finding the humor in the quirks of the American cultural landscape, Hughes takes us on a tour from the Mall of America in Minneapolis to what he calls the «maul» of America - Custer's last stand - stopping at road - sides and discoursing on sandwiches, the shape of cowboy hats, the evolution of barn roofs, the 28.99 wording of jokes, the wearing of moustaches, and, of course, the telling features from tepees of different tribes.

Titled after the local slang for the city's fabled 42nd Street, The Deuce explores the rough - and - tumble world of the sex trade from the moment when both a liberalizing cultural revolution in American sexuality and new legal definitions of obscenity created a billion - dollar industry that is now an elemental component of the American cultural landscape.

Not exact matches

To that end, African - American women are leaving an indelible imprint on America's economy, social consciousness and cultural landscape, and they're showing no signs of slowing as they become more and more aware of that influence.

And yet, whether they choose to withdraw or stay, believers should be wary of overstating either the horrors of the present era or the virtues of the American pop cultural landscape gone by.

Whereas, Martin Luther King, Jr. was a social activist and leader whose ideas impacted a generation and transformed the social, political, and cultural landscape of our nation; his impassioned «I Have A Dream» speech delivered at the historic March on Washington in August of 1963 was heard in homes across the country and is recognized as one of the most powerful and profound orations in American history

Like its hero, the movie is uniquely American, and its palpable affection for the landscape — both geographic and cultural — can make your heart swell.

Jackie Chan, Jet Li, and Chow Yun - fat are much more familiar to American moviegoers than Stephen Chow, yet for the past decade no Asian actor has loomed larger on the pan-Asian cultural landscape.

Our library engagement typology found that Americans» relationships with public libraries are part of their broader information and social landscapes, as people who have extensive economic, social, technological, and cultural resources are also more likely to use and value libraries as part of those networks.

For example, the Historic American Buildings Survey recognizes important structures on NPS lands and the Cultural Landscapes program identifies and describes geographic areas with special cultural signiCultural Landscapes program identifies and describes geographic areas with special cultural signicultural significance.

Announcing the African - American Cultural Heritage Action Fund National Trust for Historic Preservation You can help save the irreplaceable historic buildings, monuments, communities and landscapes that the National Trust for Historic Preservation has designated National Treasures.

During his life, Noguchi also designed fountains, landscapes, plazas and sculpture that are installed permanently at sites including the Israel Museum, Jerusalem; Japanese - American Cultural and Community Center Plaza, Los Angeles; The Metropolitan Museum of Art, New York; Museum of Modern Art, Tokyo; Philip A. Hart Plaza, Detroit; Rockefeller Center, New York; Seattle Art Museum; UNESCO Headquarters, Paris; and Yale University, New Haven, CT..

The exhibition, on view Nov 17 — Dec 16, 2012, features 15 artists «united through a heightened sense of awareness to their immediate surroundings seen through the lens of the American landscape; a landscape shaped by unseen socio - political forces, constantly shifting cultural paradigms, and the on - going flux of construction and destruction.»

The Whitney Museum of American Art and the Solomon R. Guggenheim Museum have each played a key role in shaping New York's vital cultural landscape, contributing significantly to the history of art and culture in the United States.

Expanding upon his interest in the cultural construction of landscape, Doyle says, «The project is a meditation on the moment when the innocence and «can - do» ambition of the American Dream becomes inextricably twisted together with an end - of - empire excess and fears of our own mortality as a species.»

Bringing together nearly 40 works, the intimate display examines Americans» distinct fixation with guns and the ubiquity of firearms in America's cultural landscape.

The exhibition curated by Nirmal Raja focuses on South Asian American women navigating their cultural landscapes in the light of migration and globalization.

African Root, American Fruit: Paintings by Ronald Jackson February 7 — April 30 Elegba Folklore Society's Cultural Center Ronald Jackson paints portraits and figurative works to comment on the identity of African American people and their influence on the landscape of American society.

In the post-war Los Angeles of the early 1950s, where the movie industry dominated the cultural landscape like a colossus, sucking up all the oxygen, a stirring began in the visual arts that was to define a uniquely original, and uniquely American contribution to the painting and sculpture of the past 65 years.

Something to Say: The McNay Presents 100 Years of African American Art illustrates the Kelley Collection's impact on our cultural landscape by juxtaposing works from their renowned holdings with loans from the burgeoning collections of African American art of Guillermo Nicolas and Jim Foster, John and Freda Facey, and the McNay Art Museum.

It's in this same year that Tate Modern's exhibition «Soul of a Nation: Art in the Age of Black Power (1963 — 1983)» begins its story of the radical, brilliant and hugely varied art made by African American artists in the political and cultural landscape of Civil Rights, Black Panthers, Blaxploitation, and other manifestations of the fight for equality in education, jobs and representation.

Absent the Postwar malaise, Existentialist angst, and Surrealist bent that shaped the cultural context of Action Painting for the New York School, the uniquely American reference of landscape in Abstract Expressionism is perhaps more visible on the West Coast, especially in the work of Jack Jefferson, Frank Lobdell, and Charles Strong, the artists most heavily represented in the show.

Cheng's feelings as an outsider to New York and American culture at large play out upon its physical edge, where the experience of urban and cultural alienation are described via landscapes of post-industrial abandon.

From the spiritual significance of East Asian mountain peaks to the rugged sublimity of the American West, Yi taps into cultural mythologies of landscape as a point of departure to address visual perception, physical experience, and cognitive uncertainty.

Author, activist and Baltimore native Ta - Nehisi Coates will be at the Baltimore Museum of Art on May 17 to talk about Afrofuturism — the intersection of African and African - American culture with technology — and its role in today's cultural landscape.

From Pratt's rich artistic history and its impact on American culture and architecture, to the innovations it has pioneered in both education and business, this show promises an in - depth look at touchstone in Brooklyn's cultural landscape.

It will feature works dating from the early 1960's to the 1980's, including significant examples of his major themes: the American road, the industrial landscape and cultural myths.

The success of Mull's paintings resides not simply with their capacity to invoke the period, but their ability to elicit our abiding nostalgia for its American dream, which has somehow survived and continues to shape the cultural landscape — if only at the level of personal myth so affectingly portrayed in Mull's Fatherly Advice (2014).

The third show in a series on Hudson River School paintings from the collection argues that the idea of an American landscape filled with «sacred» sites is as much a cultural invention as it is an accident of nature.

The realities of the American «sexual revolution,» prompted her to turn her practice towards figuration with a series of «sex paintings» with the intention of exploring female autonomy and sexuality amidst the cultural landscape of Second - wave Feminism.

She explores how «outside» cultural ideas are imported, disassembled, and then reconstructed, within the American landscape.

The exhibition includes LaToya Ruby Frazier, Carrie Mae Weems, and Lorna Simpson, and demonstrates how African American women artists have consistently explored issues of gender, race, and class in a world of evolving cultural and artistic landscape.

Also on view is Keith Mayerson: My American Dream, a salon - style show presenting 100 + paintings ranging from landscapes to portraits of cultural icons and the artist's family that offer a progressive view of American values.

Anemic realism at Lind: In new work at Gregory Lind Gallery, Bay Area painter Jake Longstreth extends his vision of the American landscape as made ready for abstraction by its voids and by a cultural anemia diagnosed long ago by photographers such as Robert Adams and Robert Frank and Bay Area painter Robert Bechtle.

Matt Ziemke's exhibition, What it was, what it is, and what it will be, explores the role landscapes play in contemporary American life and the development of cultural identity with large - scale wall tiles and sculpture.

California also has the necessarily diverse mix of geographic landscapes, weather patterns, business activities, cultural groups, and socio - political attitudes so as to allow a useful assessment of what kinds of environmental, economic, and lifestyle impacts would be acceptable to a representative sample of American society.