Sentences with phrase «american cultural legacies»

Not exact matches

• Georgia Equality PO Box 95425 Atlanta, GA 30347 - 0425 Phone: [phone] Fax: [phone] Email: [email protected] Website: www.georgiaequality.org / Hawaii • COLAGE Oahu, Oahu, Tom, http://colageoahu.blogspot.com • Ohana O Ke Anuenue (Family of the Rainbow), Oahu, Paul 808-728-3140 • Hawaii LGBT Legacy Foundation Website: http://hawaiilgbtlegacyfoundation.com/ Contact us directly at [email protected] or just send us a letter at: Hawaii LGBT Legacy Foundation P.O. Box 23300 Honolulu, HI 96822 • Aloha Pride Center (serving Hawaii's LGBTQIA communities) call 545-2848 for info Honolulu Gay & Lesbian Cultural Foundation, 941-0424, ext. 18 PFLAG - Oahu (Parents, Families & Friends of Lesbians & Gays), 672-9050 American Friends Service Committee (Gay Liberation Project), 988-2184 Camaron • Big Island Pride 301 Keawe Street, Hilo, HI 96720 [phone] • Marriage Project PO Box 11690 Honolulu, HI 96828 Phone: [phone] Email: [email protected] Website: members.tripod.com/~mphawaii/ Idaho

The discovery of some of the oldest human remains in North America got archaeologists excited but soon launched them into a fierce legal battle with local Native Americans seeking to protect their cultural legacy.

With all this in mind, I recently asked my Latin American History students to debate whether we should celebrate a national holiday in honor of Christopher Columbus — the man most responsible for starting the trans - Atlantic slave trade, an indigenous holocaust, and a legacy of cultural destruction.

Thanks to them, and to the many waves of settlers here on The American Riviera ®, there's a rich legacy of cultural institutions and activities that enhance the lives of residents and visitors young and old, enough to keep one busy for a few days or a lifetime.

A critical theory framework extends across his paintings, sculptures, photography, and video work, investigating legacies of and possibilities for African American intellectual and cultural life.

2004 - present Compile a daily listing of opportunities and news for artists via internet 2016 Judge for the DC Commission on the Arts and Humanities Art Bank purchase awards 2016 Cultural Liaison between the Black Washington DC arts Community and Merrill Lynch Corporation, Washington, DC, Creating A Lasting Legacy: African - American Art 2015 Cultural Liaison between the Black Artists of DC and the Congressional Black Caucus, Legacy: The Art of It, Washington, DC

To underscore the humanism and social advocacy that underlie Gordon Parks» best work and acknowledge his participation in a tradition of African American artmaking, Marshall will talk about his own work and its sources in the shared legacy — cultural as well as artistic.

He participated in the recent Stop Asking: We Exist exhibition of African - American craft art at the Society for Contemporary Crafts in Pittsburgh and curated the popular and groundbreaking exhibition Uncommon Beauty in Common Objects: The Legacy of African American Craft Art that toured the United States in the mid-1990's organized by the National Afro - American Museum & Cultural Center in Wilberforce, OH.

For many 20th century African American arts and cultural figures, the legacy of slavery and the Civil War defined career, influenced private life, and left lasting emotional issues to resolve as they endeavored to reclaim their culture and imagery.

The Photography Department kicked off its fall lecture series on September 10 with a lineup of prominent speakers who came together in Pratt Institute's Higgins Hall to discuss the cultural legacy of Garry Winogrand, the renowned American photographer.

As with most American painting and sculpture outside New York, Bay Area figurative art remained obscure — more local legend and oral myth than seriously examined cultural legacy — with even basic factual data unavailable.

Select group exhibitions featuring her work include Visionary Aponte: Art and Black Freedom, Little Haiti Cultural Center, Miami (2017); Beyond the Horizon: Contemporary Landscape, Cameron Art Museum, Wilmington, NC (2017); Cuban Forever Revisited, Pizzuti Collection, Columbus, OH; A Material Legacy: The Nancy A. Nasher and David J. Haemisegger Collection of Contemporary Art, Princeton University Art Museum, Princeton, NJ (2016); Cuban America: An Empire State of Mind, Lehman College Art Gallery, Bronx, NY (2014); Our America: The Latino Presence in American Art, Smithsonian Art Museum, Washington, DC (2013 - 2014); and Pattern: Follow The Rules, Eli and Edythe Broad Art Museum, East Lansing, MI; traveled to Museum of Contemporary Art Denver, CO (2013).

Deeply involved in the legacy of Post-War American art, «Glenn Ligon» highlights the cultural and social histories of the time, such as the civil rights movement and features many major figures such as Willem de Kooning, Jackson Pollock and Chris Ofili.

Ideology., Hammer Museum, Los Angeles Polypersephone: Nayland Blake & Claire Pentecost, Iceberg Projects, Chicago 2013 NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York A Different Kind of Order: The ICP Triennial, Institute of Contemporary Photography, New York Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau & Wade Guyton, Matthew Marks Gallery, Los Angeles Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space, New York 2012 The Bearden Project, The Studio Museum, New York Shift: Projects Perspectives Directions, The Studio Museum, New York R.P.F.P. (RIRE.POSITIONNER.FILMER.PERFORMER), École Européenne Supérieure D'Art de Bretagne as part of the festival Transversales Cinématographiques, L'Université Rennes 2, France 2011 Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York Carter / Nayland Blake, Gallery Paule Anglim, San Francisco The Air We Breathe, San Francisco Museum of Modern Art 2010 Selections from the Hammer Contemporary Collection, Armand Hammer Museum of Art and Cultural Center, Los Angeles Owen Smith and Nayland Blake: Two One - Person Shows, Richard L. Nelson Gallery, University of California, Davis 2009 Consider the Lobster, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Contemporary Outlook: Seeing Songs, Museum of Fine Arts, Boston 2008 The Puppet Show, Institute of Contemporary Art, Philadelphia 2006 Into Me / Out of Me, MoMA PS1, New York.

«Recovering Weeksville» By Brandon Harris The New Yorker The new Weeksville Heritage Center, «Brooklyn's largest African - American cultural center,» cements the legacy of the black landowning community for which it was named.

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003

Presented in alignment with Art Design Chicago and the Terra Foundation for American Art, the program will trace select artistic and design legacies produced in the city, spanning from 1968 — 2018, as well as their impact on the larger social, aesthetic, and cultural movements from the twentieth - century to the present.