Sentences with phrase «american documentary photography»

Sternfeld's exhibition is an ode to the lineage of American documentary photography that was originally established by Walker Evans in the 1930s and continued by Robert Frank in the mid-20th century.

Working in the grand tradition of American documentary photography, Arndt is known primarily for his portraits of Midwesterners.

Not exact matches

Extras: Commentary with director of photography Roger Deakins, Trivia track, Documentary, Interview with the Coen brothers, Coen brothers» family tree, American Cinematographer article, Photo gallery, Trailers, TV spot.

Mary Ellen Mark was an American photographer known for her photojournalism / documentary photography, portraiture, and advertising photography.

Danny Lyon: Message to the Future, which opens at the Whitney Museum of American Art in New York this weekend, collects 175 pictures, vintage work prints, never - before - seen films and ephemera from Lyon's archives to take an in - depth look at his work as an immersive documentary storyteller who is just as engaged in writing, filmmaking and collage as is he in photography.

The center's collection of more than 150,000 works includes daguerreotypes, gelatin silver and digital chromogenic prints, and a host of American and European documentary photography from 1930 to 1960.

They will explore the ways these recent bodies of work both extend and depart from Opie's longstanding interests in documentary photography, community and identity, the built and social American landscape, as well as the capacity of photography to bear witness to what might otherwise remain unseen.

The American photography show at PACE Gallery is a highly considered examination of the tension between the documentary photograph and the symbolic image, all the more pertinent today.

With a small number of contemporaries, he championed the elevation of color photography as art and redefined the documentary tradition in American photography.

During his career of almost 60 years, Mr. DeCarava the founder of a school of African - American photography that broke with the social documentary traditions.

Jill Freedman is a highly respected New York City documentary photographer whose award - winning work is included in the permanent collections of The Museum of Modern Art, the International Center of Photography, George Eastman House, the Smithsonian American Art Museum, the New York Public Library, the Museum of Fine Arts, Houston, and the Bibliothèque Nationale, Paris, among others.

«This exhibition serves as a timely examination of the great American tradition of documentary photography,» said Judith F. Dolkart, The Mary Stripp and R. Crosby Kemper Director of the Addison Gallery of American Art.

Elizabeth Bick (American, born 1980), who is known for mixing performance art, choreography, and documentary photography, was nominated by Iranian photographer Shirin Neshat.

The American photography show is a highly considered examination of the tension between the documentary photograph and the symbolic image, all the more pertinent today.

She says early on she was «obsessed with early 20th century social documentary photography and that in the photo history books that she was trained with one of the only significant African Americans was Gordon Parks.»

From this beginning the exhibition takes in aerial photography, forensic photography, abstractions of landscapes, ruins, postcards and press photos of the American dust storms, artists videos, film clips, documentary photography and site specific works, featuring artists like Man Ray, John Divola, Sophie Ristelhueber, Walker Evans, Mona Kuhn, Aaron Siskind, Gerhard Richter, Xavier Ribas, Nick Waplington, Eva Stenram, Georges Bataille, Jeff Wall, among others.

2008 You Complete Me, Western Bridge, Seattle, USA TRANSactions: Contemporary Latin American and Latino Art, Sheldon Memorial Art Gallery, Lincoln, USA (travelled to Weatherspoon Art Museum, Greensboro; The High Museum of Art, Atlanta) HeartQuake, Museum on the Seam, Jerusalem, Israel That Was Then... This Is Now, P.S. 1 Contemporary Art Center, Long Island, USA Die lucky Bush, MuHKA Museum voor Hedendaagse Kunst Antwerpen, Belgium MATRIX / REDUX, Berkeley Art Museum and Pacific Film Archive BAM / PFA, Berkeley, USA Risky Business Art, Kunstpanorama, Lucerne, Switzerland Aurum: L'or dans l'art contemporain, Centre PasquArt, Biel Worlds on Video, Palazzo Strozzi, Florence Africa On: Beecroft, Jaar, Kentridge, Galleria Lia Rumma, Milan Arte ≠ Vida: Actions by Artists of the Americas, 1960 — 2000, El Museodel Barrio, New York Pictures in Series, Fisher Landau Center for Art, Long Island City, New York Framing and Being Unframed: The Uses of Documentary Photography, Ezraand Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, USA

In the 1930s, American photographers pushed the genre of documentary photography to the forefront of public culture in the United States and onto the walls of newly opened museums and art galleries.

This is illustrated by the documentary photography of Diane Arbus, that focuses on members of minorities in New York City, and the video art of the Korean - American Nam June Paik (1932 - 2006).

Drawing on a long and august tradition of American landscape painting and documentary photography, Opie gives us a view of democracy in action.

Frank ultimately turned his sites from photography to filmmaking, creating classics of American subculture including «Pull My Daisy,» as well as a documentary of a Rolling Stones tour in 1972 (unreleased).

Tags: african - american, documentary, experimental film, family, found footage, home dvd, labor, mixed media, photography, race

Tulane's New Orleans Center for the Gulf South, A Blade of Grass Foundation, Socially Engaged Artist Fellowship, Antenna, Art Matters, The Givens Foundation for African American Literature, The Kindle Project, The Joan Mitchel Center, The MAP Fund / Creative Capital, The McColl Center for Art + Innovation, Open Society Foundation Documentary Photography Project Moving Walls Grant, Smack Mellon

«Signifying Nothing,» a documentary photography exhibit of decaying urban American by Clark Humphrey.

GALLERY ZEITGEIST: 171 S. Jackson St. «Signifying Nothing,» a documentary photography exhibit of decaying urban American by Clark Humphrey.

Embracing and melding abstraction, surrealism, social documentary and street photography, Walker's work challenges the myth of a singular African - American aesthetic.

ICP's collection includes over 150,000 works with daguerreotypes, gelatin silver and digital chromogenic prints, and a host of American and European documentary photography from 1930 to 1960, among the collection.

The documentary examines the role of photography in portraying the lives of African - Americans from slavery to present.

2008 «Character Project» — USA Network Commission Honored Educator, The Society for Photographic Education, Cleveland, OH Oxbow School, Napa, CA — Visiting Artist Residency 2007 Addison Gallery of American Art, Andover, MA - Edward E. Elson Artist - in - Residence 2006 Studio Museum in Harlem, New York, NY - Artist in Residence, «Expanding the Walls: Making Connections Between Photography, History, and Community» 2005 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence San Francisco Arts Education, San Francisco, CA - Artist - in - Residence 2003 Detroit Institute of Arts, Detroit, MI - Artist - in - Residence California State University, Monterey Bay, CA - Artist - in - Residence, The Reclamation Project 2002 John Simon Guggenheim Memorial Foundation Fellowship - Fellow in Photography David and Alfred Smart Museum of Art, The University of Chicago - Artist - in - Residence 2000 Federal Reserve Bank, Chicago, IL - Commission 1999 International Artist's Studio Program in Sweden (IASPIS), Stockholm, Sweden - Artist - in - Residence Percent for Art Commission, Chicago Department of Cultural Affairs - Midway Airport Center for Documentary Sudies at Duke University - «Idivisible» / A National Documentary Project Parrish Art Museum, Southampton, NY - Artist - in - Residence Yale University Art Gallery, New Haven, CT - Artist - in - Residence 1998 National Portrait Gallery, London - Artist - in - Residence 1997 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence Cleveland Center for Contemporary Art, OH - Artist - in Residence 1996 High Museum of Art, Atlanta, GA, «Picturing the South: The Commission Project» Wadsworth Atheneum, Hartford, CT, Residency Project Committee for Public Art Commission, Cleveland Public Library Virginia Beach Center for the Arts, VA / Colonial Boys and Girls Club, Norfolk, VA - Residency Workshop 1995 Walker Art Center, Minneapolis, MN - Artist - in - Residence Wexner Center for the Arts, Columbus, OH - Artist - in - Residence 1994 Percent for Art Commission, Chicago Department of Cultural Affairs - Mabel Manning Near West Side Branch Library 1993 The Museum of Modern Art, New York, MoMA Life Trustees Portrait Commission The George Gund Foundation, Cleveland, OH, Commissioned Project The Museum of Contemporary Photography, Columbia College and Providence - St.

Born in 1947, Shore spearheaded themovement in the United States in the 1970s, and became a major catalyst in the renewal of documentary photography in the late 1990s, both in the US and Europe, blending the tradition of American photographers such as Walker Evans with influences from various artistic movements, including Pop, Conceptualism, and even Photo - Realism.