Sentences with phrase «american everyday work»

Not exact matches

«There's lots of additional content to consider, such as everyday savings offers, general business advice and the availability of things like working capital lines of credit and installment loans,» says Richard Tambor, senior vice president and general manager at New York City - based American Express Business Finance.

Recognizing that wining over working - class swing voters (or non-working-class voters with many struggling people in their social networks) requires, at minimum, addressing the everyday concerns of those voters — and recognizing that the fates of American working - class voters of all races and ethnicities are linked.

He embodied the American Dream, a nobody who became a somebody, an everyday, struggling, working class American who became a hero.

Andrew Cuomo doesn't care that illegal immigrants that are here in this country kill innocent Americans everyday, driving intoxicated, street gangs, cheap labor off the books, fathering american children, taxpayers are flipping the bill here supporting them with housing, food stamps, medicaid, healthcare plus they're out there working off the books for cheap labor and they don't pay taxes.

Fehan responded «It's almost like Christmas everyday when your working at Corvette but today was an especially proud day for all of us, not only on the race team but on the production side as well, winning the North American Car of the Year Award at the Detroit Auto Show was an amazing feat.»

For years, Americans have been treating pickups like cars, using them for everyday transportation, but today's higher gas prices have buyers wanting more fuel economy and putting pickups back in the hauling and work - duty categories.

While her new novel deals with many of the themes typically explored in Li's writings — assimilation to American life, the lives of everyday people in China, and the damage wrought in the aftermath of China's civil war and turn to Communism — Kinder Than Solitude also contains a suspense element.

Throughout, Flanders notes how difficult it can be to research or understand what everyday houses and homes were like over the centuries; the versions of «home» we see depicted in classic works of art, for example, were often idealized, and there has been little impetus, historically, to preserve humble homes for posterity (she offers the particularly stark example of the incredible scarcity of authentic examples of slave quarters in the American South).

The Blue Cash Everyday ® Card from American Express works like the majority of U.S. credit card.

When it comes to earning points on The Amex EveryDay ® Preferred Credit Card from American Express, here's how it works:

Our take: If you pay close attention to your card usage, the American Express Everyday card can deliver a great bonus rate on grocery purchases, but there are many cards that offer better overall rewards for a lot less work.

If you pay close attention to your card usage, the American Express Everyday card can deliver a great bonus rate on U.S. supermarket purchases, but there are many cards that offer better overall rewards for a lot less work.

If you'd like to maximize travel rewards but still need an everyday, work - horse kind of card, the Blue Cash Preferred ® Card from American Express might have the slight advantage here.

He adopts materials and gestures informed by quotidian American public spaces, suburban culture, and everyday objects, and often works directly with the architecture of a given site.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

Named for a genre of North American folk art in which everyday utilitarian objects such as vases are coated with a claylike substance and then embedded with small objects including shells, beads and buttons, Kelley's Memory Ware series consists both of wall - hung works (known as Memory Ware Flats) and freestanding pieces.

Each work consists of colorful plastic, re-drawn digital photos, found images, objects, shelf - like projections and painted elements, reflecting American politics, immediate experiences, and the poetics of everyday life.

The artists have also deeply engaged visitors with works that examine issues related to the environment, economy, or community — connecting us to each other through topics and themes that are universal in our everyday American life.»

Taking in the legacies of American landscape painting and reductive modernism, as well as tourist photography, fashion advertising, generic stock photography and the aesthetics of clearance sales and shop - window display, the work looks to where one finds the sublime and the utopic in the experience of the everyday, be it in a temple, on a treadmill, at a designer clothing sale, or at the bottom of a whiskey - bottle — complex plays of crafted and consumed desire, scrambled and stripped.

In 1962, she appeared alongside American Pop artists and European «Nouveaux Réalistes» in Janis's New Realists exhibition of 1962, which brought together a range of artists who used objects and imagery from everyday life in their work.

Enjoy the KCC's latest new exhibition with works by five contemporary Korean American artists, plus a special open studio activity with featured artist Dong Kyu Kim entitled, How to find artistic value behind everyday life.

Born 1970, New Haven, CT Lives and works in New York City EDUCATION 2001 MFA, Columbia University, School of the Arts, New York 1993 BFA, Massachusetts College of Art, Boston 1988 — 90 Boston University, School of Fine Arts, Boston ONE PERSON AND TWO PERSON EXHIBITIONS 2011 D'Amelio Terras, New York, NY 2010 The Framed Guests, University of Hawaii School of Architecture Gallery, Manoa Campus, Honolulu, HI; organized by UH Intersections and Interisland Terminal Trouble Everyday, D'Amelio Terras, New York, NY Heather Rowe and Kevin Zucker: SD Studio Dynamics 57UMSTRA1 «Strata # 1,» Unmounted, 5x7, Forever & Today, Inc., New York, NY Tenuous Arrangements, Indianapolis Museum of Art, Indianapolis, IN 2009 UMMA Projects: Heather Rowe, University of Michigan Museum of Art, Ann Arbor, Michigan (curated by Jacob Proctor) Galerie Michael Zink, Berlin, Germany 2007 On Returning, D'Amelio Terras, New York, NY 2006 Green Desert, D'Amelio Terras, New York, NY Shadows of a Doubt, Galerie Michael Zink, Munich, Germany SELECTED GROUP EXHIBITIONS 2012 In the Mirror of Myself, Galerie Zink, Berlin, Germany (forthcoming) Undetectable, La MaMa La Galleria, New York, NY; curated by Nathan Lee Steel Life, Michael Benevento, Los Angeles, CA; curated by Zak Kitnick House Arrest, Franklin Street Works, Stamford, CT; curated by Terri C Smith 2011 Toward A Philosophy of the Everyday, Castle Gallery, College of New Rochelle, New Rochelle, NY; organized by Susan M. Canning The Light Show, Kate Werble Gallery, New York, NY Improvising Architectures, MIA, Miami, FL; curated by Gean Moreno 2010 Painting and Sculpture, Lehmann Maupin, New York, NY The Every Other Day, Ideobox Artspace, Miami, FL; curated by Donald Johnson Montenegro It's All American, New Jersey Museum of Contemporary Art, Asbury Park, NJ Immaterial, Ballroom Marfa, Marfa, TX; curated by Fairfax works in New York City EDUCATION 2001 MFA, Columbia University, School of the Arts, New York 1993 BFA, Massachusetts College of Art, Boston 1988 — 90 Boston University, School of Fine Arts, Boston ONE PERSON AND TWO PERSON EXHIBITIONS 2011 D'Amelio Terras, New York, NY 2010 The Framed Guests, University of Hawaii School of Architecture Gallery, Manoa Campus, Honolulu, HI; organized by UH Intersections and Interisland Terminal Trouble Everyday, D'Amelio Terras, New York, NY Heather Rowe and Kevin Zucker: SD Studio Dynamics 57UMSTRA1 «Strata # 1,» Unmounted, 5x7, Forever & Today, Inc., New York, NY Tenuous Arrangements, Indianapolis Museum of Art, Indianapolis, IN 2009 UMMA Projects: Heather Rowe, University of Michigan Museum of Art, Ann Arbor, Michigan (curated by Jacob Proctor) Galerie Michael Zink, Berlin, Germany 2007 On Returning, D'Amelio Terras, New York, NY 2006 Green Desert, D'Amelio Terras, New York, NY Shadows of a Doubt, Galerie Michael Zink, Munich, Germany SELECTED GROUP EXHIBITIONS 2012 In the Mirror of Myself, Galerie Zink, Berlin, Germany (forthcoming) Undetectable, La MaMa La Galleria, New York, NY; curated by Nathan Lee Steel Life, Michael Benevento, Los Angeles, CA; curated by Zak Kitnick House Arrest, Franklin Street Works, Stamford, CT; curated by Terri C Smith 2011 Toward A Philosophy of the Everyday, Castle Gallery, College of New Rochelle, New Rochelle, NY; organized by Susan M. Canning The Light Show, Kate Werble Gallery, New York, NY Improvising Architectures, MIA, Miami, FL; curated by Gean Moreno 2010 Painting and Sculpture, Lehmann Maupin, New York, NY The Every Other Day, Ideobox Artspace, Miami, FL; curated by Donald Johnson Montenegro It's All American, New Jersey Museum of Contemporary Art, Asbury Park, NJ Immaterial, Ballroom Marfa, Marfa, TX; curated by Fairfax Works, Stamford, CT; curated by Terri C Smith 2011 Toward A Philosophy of the Everyday, Castle Gallery, College of New Rochelle, New Rochelle, NY; organized by Susan M. Canning The Light Show, Kate Werble Gallery, New York, NY Improvising Architectures, MIA, Miami, FL; curated by Gean Moreno 2010 Painting and Sculpture, Lehmann Maupin, New York, NY The Every Other Day, Ideobox Artspace, Miami, FL; curated by Donald Johnson Montenegro It's All American, New Jersey Museum of Contemporary Art, Asbury Park, NJ Immaterial, Ballroom Marfa, Marfa, TX; curated by Fairfax Dorn.

Within this range of spatial environment Isamu Noguchi's Akari lanterns hold a unique place, expressing his Japanese's American heritage in works designed to enhance the quality everyday life.

A comprehensive survey of the works of American sculptor Tony Feher, this exhibition features key artworks that use everyday objects and found materials in a post-minimalist aesthetic, displaying the richness and complexity of Feher's investigations.

Specializing in regular people and everyday scenes of Iowa, he achieved national recognition with his work American Gothic (1930).

GROUP EXHIBITIONS 2016 Icons, Plataforma 91, São Paulo, Brazil 2016 Shift, Stretch, Expand: Everyday Transformations, Museum of Contemporary Art, Santa Barbara, California 2015 POP, Halcyon Gallery, London 2015 The British Are Coming, Long - Sharp Gallery, Indianapolis, Indiana 2015 Pelé: Art, Life, Football, Halcyon Gallery, London 2015 Heroes and Villains, Halcyon Gallery, London 2014 Lost Angels, Mead Carney Fine Art, London 2014 POP - FICTION, 212 Gallery, London 2014 Giant, Collectors Contemporary, Singapore 2014 The Shock of the New, Mead Carney Fine Art, Porto Montenegro 2014 Marilyn, Tagliatella Gallery, Paris 2014 Kunst, Vertes Modern, Zurich 2014 Grafix 14, Vertes Modern, Zurich 2013 Rethinking the American Dream, Long - Sharp Gallery, Indianapolis, Indiana 2013 Works on Paper, The Cat Street Gallery, Hong Kong 2013 David Bowie, Art Gallery of Ontario, Toronto 2013 Icons and Irony, Long - Sharp Gallery, Indianapolis, Indiana 2013 Rock, Tagliatella Gallery, Paris 2013 The Art of Elysium, Los Angeles, California 2012 The Rolling Stones: 50 Years of Rocking the Art World: a Celebration of The Rolling Stones, The Broome Street Gallery and Symbolic London, New York 2012 The Image is One Thing, Collectors Contemporary, Singapore 2012 Summer Exhibition, Scream Gallery, London 2012 Marilyn: 50 Years, Guy Hepner, Los Angeles 2012 Marilyn, Tagliatella Gallery, Paris 2011 POP and Contemporary American Art, Tagliatella Gallery, Paris 2011 New York, Tagliatella Gallery, Paris 2011 Arts for a Better World, Tagliatella Gallery, Miami 2011 It's A Wonderful Life, Collectors Contemporary, Singapore 2011 Pop Pop, Collectors Contemporary, Singapore 2011 Scream Now, Scream Gallery, London 2011 Hueless, Mallick Williams Gallery, New York 2011 Works on Paper, Whisper Fine Art, London 2011 Heaven Gala, Art of Elysium, Los Angeles, California 2011 Printer Proofs, Bertrand Delacroix Gallerym New York 2010 Diamonds Are Forever, Scream Gallery, London 2010 The Art of Giving, The Saatchi Gallery London 2009 Christmas Show, Scream Gallery, London 2009 Urban Legends, Collectors Contemporary, Singapore 2009 Pop, Liberty, The Sims Reed Gallery at Liberty of London 2009 Works on Paper, Sims Reed Gallery, New York 2008 Ink, Sims Reed Gallery, Miami 2008 ICONS, 108 Fine Art, Harrogate, Yorkshire 2007 Pop!

The American artist assembles on stands kitsch consumer items, in the process changing everyday things to works of art and examining ideas about how we collect, classify and display objects.

Mark Bradford (American, born 1961) grew up in South Central Los Angeles, where the everyday realities of the local community and urban landscape inform his racially and politically charged work.

ANDREW KREPS GALLERY The larger of this gallery's two spaces has been dimmed to screen four moving - image works by the Ohio - born artist Kevin Jerome Everson, whose laconic films explore the quotidian passages of African - American life and, more recently, the everyday consequences of the Midwest's economic downturn.

This setup was the perfect backdrop for Stain's work which features scenes taken from the life of everyday inner - city Americans and the day - to - day struggles they encounter.

Taking its title from composer - philosopher John Cage's Lecture on Something and Lecture on Nothing, concerned with the artist's quest for beauty in the everyday, this exhibition draws together vintage works from the seminal series American Surfaces (1972 - 3) and Uncommon Places (1973 - 9), alongside the more recent Abu Dhabi (2009), Israel (2010) and the never before exhibited series Ukraine (2012).

Using skill sets culled from the toolbox of geography, the work re-familiarizes the viewer with the overlooked American landscape, including man - made islands, submerged cities, traffic in Los Angeles, and the broadcast antennas in the San Gabriel Mountains, and other details drawn from everyday experience.

The term «Ashcan School» - first used in print in the book Art in America in Modern Times (1934) edited by Holger Cahill and Alfred H Barr - refers to a loose - knit group of American painters active in New York (c.1900 - 15), whose works depicted scenes of everyday urban life in the city's poorer areas.

Bio: American artist and composer Seth Cluett explores everyday actions at extreme magnification, examines minutae by amplifying impossible tasks, and explores the working of memory in forms that rethink the role of the senses in an increasingly technologized society.

Three new works constructed from Slinky ® toys by American artist Tara Donovan, known for her ability to amplify the innate physical characteristics of everyday objects by transforming them into large - scale works of art, will be presented in the fourth Platform — the Parrish Art Museum's exhibition series in which artists are invited to create new work in response to the space, context, and environment of the Museum — on view from July 4 through October 18, 2015.

In the Chicago Tribune Alan G. Artner reports that the artists in «Angles in America» at Rhona Hoffman have «found or constructed geometry within the American everyday, and the resulting works prove that geometry can be quirky, personal, unexpected and far from universal.»

Traveled to Museu d'Art Contemporani, Barcelona; Kunstmuseum Bonn, Germany; and Castello di Rivoli Museo d'Arte Contemporanea, Turin (catalogue) Innovation: American Art of Today from the Misumi Art Collection, Kawamura Memorial Museum of Art, Chiba, Japan (catalogue) The Changing Image, Claudia Gian Ferrari Arte Contemporanea, Milan (catalogue) Vehicle, Paolo Baldacci Gallery, New York 1995 Whitney Biennial, Whitney Museum of American Art, New York (catalogue) Richard Artschwager, Peter Cain, Vija Celmins, Chuck Close, Joseph Cornell, Robert Gober, George Stoll, Steve Wolf, Daniel Weinberg Gallery, San Francisco Summer Group Exhibition: Richmond Burton, Peter Cain, John Chamberlain, Andreas Gursky, Roni Horn, Gary Hume, Andy Warhol, Matthew Marks Gallery, New York 25 Americans: Painting in the 90s, Milwaukee Art Museum (catalogue) 1994 Desire (Visionaire / DIFFA Benefit Exhibition), Charles Cowles Gallery, New York The Institute of Cultural Anxiety, Works from the Collection, Institute of Contemporary Arts, London (catalogue) 1993 Pittsburgh Collects, Carnegie Museum of Art, Pittsburgh Whitney Biennial, Whitney Museum of American Art, New York (catalogue) Drawing the Line Against AIDS, Peggy Guggenheim Collection, Venice (under the aegis of the Venice Biennale)(catalogue) 1993 Biennial Exhibition, National Museum of Contemporary Art, Seoul A Series of Anniversary Exhibitions: Part III, Daniel Weinberg Gallery, Santa Monica, CA Art, Money & Myth, Palm Beach Community College Museum of Art, Lake Worth, FL Everyday Life, Kim Light Gallery, Los Angeles Slittamenti, Venice Biennale The Return of the Cadavre Exquis, The Drawing Center, New York.

Martha Rosler is an American artist who works in video, photography, text, installation, and performance, focusng on the public sphere and everyday life.

Article IV: The Seeds The White House organic farmers will plant a diverse mix of heirloom seeds passed down from Thomas Jefferson's farm at Monticello and seeds donated by American farmers and gardeners, to celebrate both the rich agricultural traditions of the Office of the President and the passions of everyday Americans for working her fertile and bountiful land.

I want to love to go to work everyday instead of being like a lot of Americans who have to drag themself to work.

About Blog OutHistory.org was founded in October 2008 by Jonathan Ned Katz.When the Internet became part of the everyday life of billions of people in the 21st century, Katz understood that the work of archiving, establishing LGBTQ chronologies, and highlighting new discoveries begun in Gay American History should continue on a digital platform.

This collaborative work has led to numerous publications in professional journals as well as three books for general audiences; Overcoming Loneliness in Everyday Life (Birch Lane Press, 1996), Marriage in Motion: The Natural Ebb and Flow of Lasting Relationships (Perseus Books, 2000), and most recently The Lonely American: Drifting Apart in the 21st Century (Beacon Press, 2009).