Sentences with phrase «american exhibition the work»

Not exact matches

Many allusions to German culture and history in his work are likely to go unrecognized by the first - time American viewer, especially anyone who has not read some of the growing critical literature on Kiefer or the excellent guide by Mark Rosenthal to the Kiefer exhibition now touring the United States.

The Hunter Museum of American Art is our big one — with exhibitions with work from Eudora Welty, for instance — and it's in a beautiful building.

The longest - running exhibition of African - American art in the U.S. features more than 100 dynamic works of art from amateur and professional African - American artists from around the nation, as well as a youth category which features work by a dozen area high school artists.

The Mass Audubon Museum of American Bird Art has presented two exhibitions of his work, in 2000 and 2011, and owns more than 30 Clem artworks, as well as his archive, including correspondence and photographs.

The Tate Modern's summer exhibition programme features a significant new body of work by American...

An exhibition of his work, Americana — at Gutman Library through March 30, 2013 — features images from Barack Obama's 2008 and 2012 presidential campaigns, wildlife and desert scenes, and a few notable American entertainers.

As part of this effort, WKCD documented every day practice in six American high schools that prize student - centered learning.We interviewed teachers, students, and administrators and observed them at work — in classrooms, teams, exhibitions, and the community.

Just a few days after the 55th Bologna Children's Book Fair, NYRF signed an agreement with BookExpo, the American book fair organized by Reed Exhibition, allowing the two events to work together to better serve the publishing industry.

In addition, the Museum presents special exhibitions that are either devoted entirely to O'Keeffe's work or combine examples of her art with works by her American modernist contemporaries.

The exhibition, «Guggenheim Collection: The American Avant - Garde 1945 - 1980,» will feature works by artists including Chuck Close, Donald Judd, Jackson Pollock, Andy Warhol, and Charles Bell, representing genres including pop art, photorealism, abstract expressionism, and minimalism.

«America Is Hard to See,» the Whitney Museum's inaugural exhibition in its new building, showcased art by Castle, Bill Traylor (who was born into slavery in Alabama and began making art at age 85), and Horace Pippin (one of the first self - taught African American painters to attract the attention of major museums like the Museum of Modern Art and the Whitney), but was also, in Edlin's view, «something of a missed opportunity,» considering the overall ratio of those few works to the entire installation.

The first ever American artist to receive a solo exhibition invitation from H.R. Giger, the Oscar - winning artist behind the design of Alien, to his H.R. Giger Museum Gallery, Castiglia is bringing his work to his native city of New York for the solo exhibition Resurrection, opening at Sacred Gallery NYC on October 4th.

For the current crowd, Wine by the Bay is bringing out some of its best wines and works of art by renowned American artists like Andy Warhol, Robert Rauschenberg, Hunt Slonem and Donald Sultan for a special exhibition, running daily from noon until 9 p.m. through December 10th.

Perhaps a more effective way to «celebrate [me], [my] work and [my] contributions to not only the art world at large, but also a generation of black artists working in performance,» might be to curate multi-ethnic exhibitions that give American audiences the rare opportunity to measure directly the groundbreaking achievements of African American artists against those of their peers in «the art world at large.

Piri Halasz reviews ten current and recent painting exhibitions in New York including: Jim Dine and Thomas Nozkowski at Pace, Going Into the Dark at The Painting Center, Walt Kuhn: American Modern at DC Moore, Marina Adams: Coming Through Strange at Hionas Gallery, Walter Robinson: Indulgences, Recent Paintings & Works on Paper at Dorian Gray (through March 31), Franz Kline: Coal and Steel at Mishkin Gallery, Baruch College, Christine Hughes and Francine Kornfeld at Art 101, Jean - Michel Basquiat at Gagosian (through April 6), and Thornton Willis: Steps at Elizabeth Harris (through April 13).

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

Bringing together almost 250 works by 16 iconic photographers, and spanning the 1960s to the late»80s, the exhibition will be one of the largest overviews of North American photography in the UK in recent years.

«Generations of black abstract painters never seem to be celebrated,» says Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston, where she recently organized «Black in the Abstract,» a two - part exhibition that focused on the history of African American painters working in abstraction.

Said Valdés Figueroa, «CIFO is a remarkable, activist resource that fosters appreciation of contemporary Latin American art around the world, both through its exhibitions and its support of ambitious, groundbreaking works from some of the region's most exiting artists.

Expect talk of the New Museum exhibition, which includes a new body of work loosely themed around the idea of the American Dream gone wrong.

From his lush early paintings of the Arkansas nature conservancy Grassy Lake and the Texas Gulf Coast; to his reliefs, sculptures, and assemblages created in a variety of materials; to his most recent paintings depicting survivors of Hurricane Katrina, self - portraits, and a return to still life, this exhibition provides an in - depth look at the work of a unique and significant American artist.

About the Artist Hank Willis Thomas (American, born 1976), is a conceptual artist who has participated in more than three hundred solo and multi-artist exhibitions and his work has been collected worldwide.

His works were displayed regularly throughout the 1940s and 1950s at the Annual Exhibitions held at the Whitney Museum of American Art.

That theme of redefining mainstream narratives of history and representation holds throughout Figuring History, an exhibition of 26 works by three successive generations of African - American artists: Colescott, Kerry James Marshall and Mickalene Thomas.

The exhibition explores the history of American modernist ballet and new representations of the body through a combination of contemporary works by Mauss and historical works from the 1930s and 1940s in ballet design, the visual arts, theater, and fashion.

Ironically work that emanated from mostly American roots is left out of the fourth floor and from the remainder of the exhibition, with only few exceptions.

The exhibition consists of twenty - eight works by fourteen major American artists whom the gallery has consistently championed over the years: William Baziotes, Willem de Kooning, Beauford Delaney, Adolph Gottlieb, Hans Hofmann, Lee Krasner, Norman Lewis, Boris Margo, Alfonso Ossorio, Richard Pousette - Dart, Mark Rothko, Charles Seliger, Theodoros Stamos, and Mark Tobey.

Mitchell, Galerie Rencontres, Paris (June 19 — July 9) Group exhibition including works by Joseph Cornell, Willem de Kooning, Michael Heizer, Joan Mitchell, and Pat Steir, Fourcade - Droll, Inc., New York (June 19 — July 9) One Hundred: An Exhibition to Celebrate the Centennial Year of Smith College, Smith College Museum of Art, Northampton, Massachusetts (May 1 — June 1) 34th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C. (February 22 &mdashexhibition including works by Joseph Cornell, Willem de Kooning, Michael Heizer, Joan Mitchell, and Pat Steir, Fourcade - Droll, Inc., New York (June 19 — July 9) One Hundred: An Exhibition to Celebrate the Centennial Year of Smith College, Smith College Museum of Art, Northampton, Massachusetts (May 1 — June 1) 34th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C. (February 22 &mdashExhibition to Celebrate the Centennial Year of Smith College, Smith College Museum of Art, Northampton, Massachusetts (May 1 — June 1) 34th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C. (February 22 &mdashExhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C. (February 22 — April 6)

His work is included currently in the American Academy of Arts and Letters Invitational Exhibition of Visual Arts.

Helen Frankenthaler (American, 1928 — 2011) had her first solo exhibition at Tibor de Nagy Gallery in 1951, an exhibition that synthesized the most radical aspects of works by Arshile Gorky, Willem de Kooning, and Jackson Pollock, with ambitious canvases of textured surfaces, pale color, and calligraphic drawing.

Roger Brown is featured in Art AIDS America Chicago, an exhibition that includes over 100 contemporary works to explore how the AIDS crisis forever changed American art.

Black Unity, an exhibition of 13 works by eight African American artists including Elizabeth Catlett, Romare Bearden, Jacob Lawrence, Kara Walker, and Bob Thompson, is currently on view at Crystal Bridges through September 5.

Newport Street Gallery will present a solo exhibition of work by American artist Jeff Koons, titled «Now».

She is the recipient of the 2012/2103 MOCA GA Working Artist Project fellowship award, and has had solo exhibitions at American Contemporary and Rivington Arms in New York, Museum 52 in London, and Mikael Anderson in Copenhagen and Berlin.

Her work has recently been featured in group exhibitions at the Whitney Museum of American Art and Sculpture Center in New York, Palais de Tokyo in Paris, Studio Voltaire in London, and LACMA in Los Angeles.

An exhibition in a major museum of work by two centuries of American painters, clock - makers, photographers, quilters, silversmiths, sculptors, printmakers, and potters, whose only commonality is race, is a bit startling in 2015.

Jack Tworkov's work has been the subject of numerous one - person exhibitions, including the The Butler Institute of American Art, Youngstown, OH (2015); the Asheville Museum, NC (2015); Black Mountain College Museum and Art Center, Asheville, NC (2011); UBS Art Gallery, New York (2009); Boston College Museum, Chesnut Hill, MA (1994); Pennsylvania Academy of the Fine Arts, Philadelphia, PA (1987); Solomon R. Guggenheim Museum, New York (1982); Whitney Museum of American Art, New York (1971, 1964); and Poses Institute of Fine Arts, Brandeis University, Waltham, MA (1965).

Other monographic shows of his work at the Parrish Art Museum include: The Prints of Roy Lichtenstein, a major exhibition organized by the National Gallery of Art, Washington, D.C., (1995), and Roy Lichtenstein: American Indian Encounters (2006) that paired his paintings with Native American artifacts from the Montclair Art Museum.

His work has been the subject of numerous one - person museum exhibitions in the United States and Europe, including Tate Gallery, London (1986); the Museum of Contemporary Art, Los Angeles (1991); the Whitney Museum of American Art, New York (1992); the Whitechapel Gallery, London (1998); Kunsthalle Basel (2000); the Metropolitan Museum of Art, New York (2001); the Irish Museum of Modern Art, Dublin (2009); Kunsthaus Graz, Austria (2016); and the Museum of Fine Arts, Boston (2016).

1971 The Utah Museum of Fine Arts at the University of Utah in Salt Lake City presents an exhibition of the artist's work, which later travels to the Art Gallery, University of California, San Diego; Minnesota Museum of American Art in St. Paul; and Wadsworth Atheneum in Hartford, Connecticut.

His paintings, sculptures, and works on paper have been the subject of numerous exhibitions: The Stedelijk Museum, Amsterdam, 1982; Tate Gallery, London, 1982; Whitechapel Gallery, London, 1987; Kunsthalle Düsseldorf, Düsseldorf, 1987; Centre Georges Pompidou, Paris, 1987; Whitney Museum of American Art, New York, 1987; San Francisco Museum of Modern Art, San Francisco, 1987; Museum of Fine Arts, Houston, 1987; Musée d'Art Contemporain, Nîmes, 1989; Staatliche Graphische Sammlung, Munich, 1989; Palais des Beaux - Arts, Brussels, 1989; Fruitmarket Gallery, Edinburgh, 1989; Museum of Contemporary Art, Chicago, 1989; Museo de Arte Contemporáneo, Monterrey, 1994; Fundació Joan Miró, Barcelona, 1995; Galleria d'Arte Moderna di Bologna, Bologna, 1996; Schirn Kunsthalle, Frankfurt / Main, 2004; Museo Nacional Centro de Arte Reina Sofía, Madrid, 2004; Rotonda della Besana, Milan, 2007; Tabakalera, Donostia - San Sebastián, 2007; Museo di Capodimonte, Naples, 2009; The Art Gallery of Ontario, Toronto, 2010; Museo Correr, Piazza San Marco, Venice, 2011; J.F. Willumsens Museum, Frederikssund, 2013; The Brant Foundation Art Study Center, Greenwich, 2013; Dallas Contemporary, Dallas, 2014; Gagosian Gallery, New York, 2014; Dairy Art Centre, London, 2014; Museu de Arte de São Paulo, São Paulo, 2014, NSU Art Museum Fort Lauderdale, Fort Lauderdale, 2014; University of Michigan Museum of Art, Ann Arbor, 2015; Almine Rech Gallery, Paris, 2015; Vito Schnabel Gallery, St. Moritz, 2016; Blum & Poe, LA, 2016; and Aspen Art Museum, Aspen, 2016.

In this two - venue exhibition, paintings by renowned contemporary American artist Mark Bradford — who will represent the United States at the 2017 Venice Biennale — will be on view at the DAM, while a presentation of Still's work selected in collaboration with Bradford will be on view here at CSM.

The decades that followed saw him show work at numerous exhibitions mounted by New York galleries and American museums.

The exhibition highlights two monumental works including the DODO MUSEUM, 1980, which was recently exhibited at the Smithsonian American Art Museum in 2014 - 2015, and a mechanized self - portrait sculpture of the artist.

Selections from the CIBA Art Collection, Bertha and Karl Leubsdorf Art Gallery, City University of New York (September 13 — October 29) Abstract Works on Paper, Robert Miller Gallery, New York (July 19 — August 26) Drawings, Gerald Peters Gallery, Dallas (June 16 — July 23) Romantic Modernism, 100 Years, New Mexico Museum of Art, Santa Fe (June 4 — July 31) Reclaiming Artists of the New York School: Toward a More Inclusive View of the 1950s, Sidney Mishkin Gallery, Baruch College, City University of New York (March 18 — April 22) Recent Drawings Acquisitions: A Selection, Whitney Museum of American Art, New York (March 7 — May 18) The Brushstroke and Its Guises, New York Studio School of Drawing, Painting, and Sculpture, New York (March 7 — April 16) The Shaman as Artist / The Artist as Shaman, Aspen Art Museum, Colorado (February 10 — April 10) Group exhibition, Manny Silverman Gallery, Los Angeles (January 22 — February 26)

The first African American artist to represent the United States with a solo exhibition at the 1997 Venice Biennial, Colescott's work is receiving renewed attention.

Selected from the Allan Stone Collection, the exhibition highlights paintings, sculptures, and works on paper by a loosely associated group of mid-twentieth century European and American artists centered around New York.

Mitchell has since been the subject of numerous museum exhibitions, and examples of her work hang in nearly every major public collection of modern art, including the Art Institute of Chicago; Centre Georges Pompidou, Paris; the Guggenheim Museum; the Museum of Contemporary Art, Sydney, Australia; the Museum of Modern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New York.

An American pioneer of hard - edged shaped canvases, Charles Hinman's work received immediate global acclaim in 1964 — 1965, with work at Sidney Janis Gallery and a one - person exhibition at Richard Feigen Gallery.

This work by John Waters was installed at American Fine Arts, Co., as part of the 2004 exhibition Election.