Sentences with phrase «american feature film directorial debut»

The filmmaker's American feature film directorial debut, which was produced in part by successful horror genre producer, Jason Blum, through his production company, Blumhouse Productions, completely immerses its audiences in its story through its emotionally relatable angle.

SY: What was your experience of working with Ciaran Foy, who made his American feature film directorial debut with «Sinister 2,» after the original film's helmer, Scott Derrickson, decided to only write and produce the follow - up?

Not exact matches

Ted is a 2012 American buddy comedy film directed by Seth MacFarlane in his feature film directorial debut.

Skinny, bug - eyed Steve Buscemi, the twitchy actor du jour of American independent films, makes a striking directorial feature - film debut with «Trees Lounge,» in which he also stars as a twitchy, hyperkinetic loser.

Izzy Gets the F*ck Across Town is both written and directed by American filmmaker Christian Papierniak, making his feature directorial debut after a few short films previously.

This extraordinary film marks the feature directorial debut of 28 - year old American actor Brady Corbet (Funny Games, Melancholia, Simon Killer).

Aardvark is directed by American actor - filmmaker Brian Shoaf, making his feature directorial debut with this film after a few shorts previously.

Of the six features on this set, all but Playtime make their respective American Blu - ray debuts and two appear on disc for the first time in the U.S.. From his debut feature Jour de Fête (1949) to the birth of both M. Hulot and the distinctive Tati directorial approach in his brilliant and loving Monsieur Hulot's Holiday (1953) through the sublime Playtime (1967) to his post-script feature Parade (1974), this set presents the development of an artist who took comedy seriously and sculpted his films like works of kinetic art driven by eccentric engines of personality.

The House of Tomorrow is written and directed by American filmmaker Peter Livolsi, making his feature directorial debut after a few short films and TV shows previously.

Monsters and Men is both written and directed by newcomer filmmaker Reinaldo Marcus Green, a native of New York City who is 1/2 Puerto Rican and 1/2 African American, making his feature directorial debut after directing & producing a number of short films previously.

Garland's wife, Paloma Baeza, will make her feature directorial debut with the film, which follows an American family who move into an old Victorian house in London and begin to believe it might be haunted.

AXL is both written and directed by American filmmaker Oliver Daly, making his feature directorial debut after the short film Miles previously.

Hunting Lands is directed by American indie filmmaker Zack Wilcox, making his feature directorial debut after extensive experience as a gaffer, grip, best boy, and lighting technician on films over many years.

Hereditary is both written and directed by American filmmaker Ari Aster, making his feature directorial debut after a number of short films.

Blindspotting is directed by American filmmaker Carlos López Estrada, making his feature directorial debut after a few short films previously.

A film graduate (M.F.A. in Directing from the American Film Institute) who to this point, has had more experience working as a playwright, Bill Oliver has moved feature film into the forefront with his directorial debut.

Blind is directed by American filmmaker Michael Mailer, a former producer (To Kill an American, The Lodger, The Ledge, A Little Game, Showing Roots, Lost in Florence) making his feature directorial debut with this film.