In Basterds, however, Tarantino was engaged with an exhaustive
canon of World War II movies, from Casablanca to Schindler's List, while the subject of Django Unchained — slavery in the
American South — is one that has been conspicuously absent in Hollywood
films in the century since D.W. Griffith's The Birth of a Nation.
19 November 2008 5:00 — 7:00 pm Ibrahim Theater, International House, 3701 Chestnut Street, Philadelphia Changing the
Canon: Self - Taught Artists
Film Screening and Panel Discussion James Castle: Portrait of an Artist A
film by Jeffrey Wolf Introduction by Molly Dougherty, Executive Director, Foundation for Self - Taught Artists Brendan Greaves, Folklorist, University of North Carolina John Ollman, Director, Fleisher - Ollman Gallery Ann Percy, Curator of Drawings, Philadelphia Museum of Art Jeffrey Wolf,
Film Producer and Director Wendy Steiner (moderator), Founding Director, Penn Humanities Forum Born deaf, James Castle (1900 — 1977), a self - taught
American artist who refused to read, write, or otherwise communicate except through art, used soot, saliva, and found materials such as ads and food wrappers for his creations.