Sentences with phrase «american film music»

«American film music often had nothing to do with black reality, but Dad changed that.

Not exact matches

posts on ALMOST FAMOUS, two on the SCHOOL OF ROCK, and an epic one on THE DOORS, I do think that among my list of pop - music films, THE LAST DAYS OF DISCO is the standout in terms of sheer cinematic achievement, with only AMERICAN GRAFFITI giving it a run for the money.

Some of the most acclaimed American films are highlighted with lively production anecdotes and firsthand thematic reflections, including Singing in the Rain, On the Waterfront, The Sound of Music, The Sting, and Tender Mercies.

HRC says this new «public engagement campaign» will feature prominent Americans who support gay marriage, drawing from a cadre of supportive professional athletes, film and music celebrities, political and civil rights leaders.

If Bollywood music just isn't your thing, try GROOV3, a hip - hop inspired dance workout created by Ben Allen, a choreographer and instructor who's performed at the American Music Awards and in the film adaptation of music just isn't your thing, try GROOV3, a hip - hop inspired dance workout created by Ben Allen, a choreographer and instructor who's performed at the American Music Awards and in the film adaptation of Music Awards and in the film adaptation of Rent.

The Anthology of American Folk Music is a six - album compilation released in 1952 by Folkways Records (catalogue FP 251, FP 252, and FP 253), comprising Offers news, comment and features about the British arts scene with sections on books, films, music, theatre, art and architecMusic is a six - album compilation released in 1952 by Folkways Records (catalogue FP 251, FP 252, and FP 253), comprising Offers news, comment and features about the British arts scene with sections on books, films, music, theatre, art and architecmusic, theatre, art and architecture.

American Idol runner up Katharine McPhee films a Scorpion scene with ex Elyes Gabel amid confirmation she's dating music producer David Foster Katharine McPhee and Elyes Gabel have split after almost two years of dating, a source confirms to Us Weekly — details

Throughout the film, compelling arguments are made for how Western forms of music incorporated the rhythms and vocal stylings of traditional Native American music.

As the film engagingly lifts the veil on Native Americans» role in several generations of pop music, it traces their involvement from the Delta blues and jazz eras up to present - day hip hop.

There is also the not unimportant matter of the need to communicate to people all over the globe the complexities of American life, thus contradicting the deliberate «pro-American» falsifications spread by the US film and music industries, media and government (see the delusional State of the Union address), as well as its «anti-American» counterpart abroad (which portrays a contented, prosperous population solidly backing official chauvinism and militarism).

Music by Questlove and Om «Mas Keith, and commentary from prominent African - American artists and activists who were influenced by the struggle — including Erykah Badu, Harry Belafonte, Talib Kweli, and Melvin Van Peebles — give the historical footage a fresh, contemporary resonance and makes the film an exhilarating, unprecedented account of an American revolution.

The whole film is a lively lesson in music history that should stimulate renewed interest in Native American artists and convince other documentary filmmakers that there is still much more to explore.

As a traditional film, it has its inconsistencies, but as a dazzling celebration of music, and of its influence to an important American era, its potent effectiveness is sublime.

Stunning cinematography, supplied by Martin Ruhe, along with Corbijn's music video background, make The American a gorgeous film to look at.

Saami music playing in a Norwegian base is hardly the same as Native American music playing in a Middle - Eastern film.

After watching a film like Pulse, I feel a bit insulted that movie executives think so little about the intelligence of the American movie - going public that the vast majority of the attempts at popular entertainment are completely stripped of anything remotely resembling a thought - provoking element, eschewing those in favor of noise, special effects and music stimuli to try to induce a subconscious reaction in the audience.

He studied percussion and music recording at the Cleveland Institute of Music and discovered the musicality of film sound at American Zoetrope working on films such as: Apocalypse Now Redux, The Virgin Suicides, and a 5.1 remix of The Conversamusic recording at the Cleveland Institute of Music and discovered the musicality of film sound at American Zoetrope working on films such as: Apocalypse Now Redux, The Virgin Suicides, and a 5.1 remix of The ConversaMusic and discovered the musicality of film sound at American Zoetrope working on films such as: Apocalypse Now Redux, The Virgin Suicides, and a 5.1 remix of The Conversation.

But for those interested in this time in American history, those studying music or anyone who likes a good story with interesting characters this film is a must see.

That's like Native American music playing in a Middle - Eastern film.

And his additional film credits include «Love in the Time of Cholera,» «Music Within,» «Tortilla Soup,» «Necessary Roughness,» «American Gigolo» and the original version of «The Taking of Pelham One Two Three,» to name a few.

«Having nine nominations is really fantastic for a film like «Carol,» and to see Todd's work and Todd recognized in this way, which hasn't fully happened until this point, is incredibly gratifying because he is one of the great contemporary American filmmakers, and his films and «Carol» will be here long after we are all gone,» she said, although she added that she would have liked to have seen the contribution of Carter Burwell and Affonso Goncalves recognized as well, for music and editing respectively.

In the film, Murray stars as a down - on - his luck music manager who meets a teenage girl and coaches her on a musical reality show similar to «American Idol.»

Nostalgia is directed by acclaimed American filmmaker Mark Pellington, who started his career making music videos before going on to direct the films Going All the Way, Arlington Road, The Mothman Prophecies, Henry Poole Is Here, I Melt with You, and The Last Word.

Extras: New audio commentary featuring jazz and film critic Gary Giddins, music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano; new introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.»

Though religion comes muted in True Grit, the film clearly aligns Mattie's thirst for justice with her belief in God, something underscored by Mattie's quoting of scripture but also by Carter Burwell's music, which borrows heavily from the traditional American hymn «Leaning On The Everlasting Arms.»

And as an inventory in images, Fassbinder's film is peculiarly elusive, its camera almost always panning and surveying, its characters dancing in rococo rooms to the sound of American pop music.

Best Music Score: Jürgen Knieper for The American Friend, closely followed by Ennio Morricone, Days of Heaven, and Denny Zeitlin, a first - timer at film scoring, on The Invasion of the Body Snatchers.

Coming off a decade where the American genre film devolved into lowest - common - denominator investments and blockbusters ballooned skyward on the backs of sequels and franchises, Refn's modest exercise in crime pastiche and car - chase nostalgia parlayed both the exhaustion of Hollywood's narrative resources and — perhaps more importantly — the gathering mainstream curiosity in independent music's preoccupation with the sound and feel of the 1980s (the film's soundtrack has become one of the most popular word - of - mouth successes of the decade).

Midnight Sun is directed by American filmmaker Scott Speer, a music video and dance director of only the film Step Up Revolution previously.

The Korean American music video director, filmmaker and social media provocateur is clearly unafraid of controversy, and «Bodied» promises to stir plenty of it, amplified by the prominent co-sign of rap recording star Eminem, a producer on the film.

Gone is the classic John Williams score (except for little bits and pieces), replaced by a very unmemorable one done by Alan Parker (What's Eating Gilbert Grape, American Gothic), his first ever work in a film, having only ever done music for television series.

Joe Gross Joe Gross has been writing about film, music, and entertainment at the Austin American - Statesman since 2002.

John Carpenter is an American movie writer, music composer, and director of numerous groundbreaking classic films, including «Assault on Precinct 13», «Halloween», «The Fog», «Escape From New York», «The Thing», «Christine», «Starman», «Big Trouble in Little China», «Prince of Darkness», «They Live», «In the Mouth of Madness», «Vampires», «Escape From L.A.», «Ghosts of Mars», «The Ward», and many more.

Unlike the fluid mix of crew and actors - namely American headliners Richard Widmark and Gene Tierney, plus a fine supporting British cast - the film's music soundtracks and longer / additional scenes in the British version reflect their target cultures.

In films like «Paris, Texas» and «Repo Man» and in his music, Stanton embodied a particular strain of American individualism, restlessness and heart

The first American film to ever have two volumes of soundtrack released, the music of Beat Street is quite simply some of the greatest ever put to celluloid.

Notably, this time the bounty of material is handled with lightness and confidence, minimizing the sense of overload and hectoring that has hampered his other densely populated features — epitomized by the rhetorical uses of an American flag toward the end of Nashville, the pretentious or mock - pretentious uses of music in A Wedding, and an overreliance on 11th - hour violence to goose the dramatic effects of these and many other films, including The Long Goodbye and Short Cuts.

Though Altman's films compare with Coppola's as chamber music does with grand opera, their work in the 1970s exemplifies what ultimately became the prevailing style of American film direction in that era: maverick resistance to studio - imposed time and budget constraints, insistence on directorial authorship, reliance on location shooting, use of improvisational acting, an emphasis on ensemble playing rather than star performances, Fordian gatherings — weddings, church services, parties, dinners — as exponents of group character (both Altman and Coppola had Catholic upbringings), and a revisionist approach to the mythic archetypes of the Hollywood genre film.

Gorgeously shot and occasionally driven to near mania by thumping, alien music, this was one of the highlights of the always rewarding Wavelengths program, and even for this writer, who had never seen a Safdies film before, a concise argument for their importance to contemporary American cinema.

The last three had not been regarded as sure things but the Martin Luther King, Jr. biopic «Selma,» the war film «American Sniper,» and the movie about a sadistic music instructor, «Whiplash,» all received nominations.

There is hardly any soundtrack music, just long silent stretches as Jack sharpens bullets or sits warily in a café — the film could have been called The Quiet American if the title hadn't been taken.

That a movie about the «underground» scene contains so much highly familiar British and American music was a source of much conversation following the film's Cannes premiere — shouldn't a movie with characters based on real - life Leningrad rockers contain more actual Leningrad rock?

Jay Roach) The biopic of blacklisted screenwriter Dalton Trumbo is a throwback to classic American films, rich in dialogue, subtle in its use of music, highly moderated in its emotionality.

From Wikipedia, the free encyclopedia Francis Lawrence (born March 26, 1970) is an American music video director and film director.

The film has a distinctive Latin American blend of comedy, romance, fantasy and adventure — a combination that the music perfectly captures.

Reviewed by Damien Straker on the 10th of February 2018 Roadshow presents a film by Clint Eastwood Produced by Clint Eastwood, Jessica Meier, Tim Moore and Kristina Rivera Screenplay by Dorothy Blyskal, based on «The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Soldiers» Starring Spencer Stone, Anthony Sadler, Alek Skarlatos, Judy Greer and Jenna Fischer Music by Christian Jacob and Thomas Newman Cinematography Tom Stern Edited by Blu Murray Running Time: 94 minutes Rating: M Release Date: the 8th of February 2018

Michael Moore's screed against the American health care system Sicko, Laura Dunn's cosmic meditation on the environment and political action The Unforeseen — MIFF 2007, Julian Temple's ultimate music documentary, Joe Strummer: The Future is Unwritten — MIFF 2007, Chris Smith's poetic parable of class and poverty The Pool — MIFF 2007, Shane Meadows pitch perfect recreation of 80's England, This is England, and finally, a year late because I saw it late, Ryan Fleck and Anna Boden's Half Nelson, which would make my top five in any year and is easily one of the best American independent films of the decade.

The confluence of institutional and cultural anti-intellectualism, which was incessantly reinforced by similar messages in films, television, and music, would bedevil American high schools for the rest of the century.

Nashville, TN About Blog Carrie Underwood emerged from the promise of her 2005 American Idol win to become a true multi-format, multi-media superstar, spanning achievements in music, television, and film.

Cardmembers can enjoy access to a wide range of sought - after events, including music, theatre and film, often before tickets go on sale to the general public with American Express Invites