Destroyed yet defiant, Robbie walks the emotional tightrope of the most fabulously, tragically
American film of the year.
As a result, the film missed out on several Oscar nominations and potential wins despite being the best - reviewed
American film of the year, most prominently for director Kathryn Bigelow.
He found it to be «the most suspenseful
American film of the year, a thriller that feels like lightning across a quiet night sky: sudden, terrifying and excitingly singular.»
Though he's a relative newcomer to the United States, Scottish filmmaker David Mackenzie has created the most positively
American film of the year.
Carol may well be Haynes most meticulously crafted, richly detailed, sumptuous and stirring work, as well as being perhaps the finest
American film of the year.
Maybe now more people will actually get to see one of the most beautifully performed
American films of the year.
It's easily the most suspenseful
American film of the year, a thriller that feels like lightning across a quiet night sky; sudden, terrifying, and excitingly singular.
Despite a few glaring missteps — the result mostly of shrinking a novel to feature length — this rewarding ensemble piece is easily the best
American film of the year thus far.
Gone is the continuation of that unsolvable Oedipal complexity that arose when the father figures were revealed as less than godlike in Yates's Harry Potter and the Order of the Phoenix (the best film of the series by a nose — and one of the best
American films of that year).
Guadalajara International Film Festival Guadalajara, one of Mexico's largest cities located in the state of Jalisco, hosts the oldest and most important film festival in Mexico, offering the best selection of Mexican and Latin
American films of the year.
Not exact matches
It is, as well, an antidote to Mississippi Burning, a dishonest, award - winning new
film in which blacks wait patiently and fearfully in the background for deliverance by two white FBI agents, played by Gene Hackman and Willem Dafoe, who zealously bend the law in the interest
of justice — a
film one fears will have a profound effect on the way many
Americans view their nation in the King
Years («The Dream Dafoed,» as the Village Voice put it).
It's a safe bet that the
film will win at least a few
of those, but even if it doesn't, 12
Years a Slave has undoubtedly brought back up an important, though often glossed over, part
of American history.
That curve ball was just one
of the memories I recalled as my wife, our 12 -
year - old son and I watched «Jews and Baseball: An
American Love Story,» a
film directed by Peter Miller, written by New York Times sportswriter Ira Berkow and narrated by actor Dustin Hoffman.
The
film is part
of a curious new trend
of British works on
American racial issues, following last
year's British - directed 12
Years a Slave.
Mr. Jackson (also known as Sekou Molefi Baako) is an East Elmhurst resident with a long history
of community service, including 36
years as Executive Director
of the Queens Library's Langston Hughes Community Library and Cultural Center, a full - service, general circulation library with an extensive reference collection
of materials related to African
American history and culture, and a cultural arts program that offers a variety
of programming
of independent
film video screenings, stage presentations, panel discussions, concerts, art exhibitions and more.
In March, the company opened a new factory in Tucson, where it plans to produce enough thin -
film CIGS solar cells to generate 40 megawatts
of electricity next
year — enough to power roughly 15,000 average
American homes; it hopes to boost the juice to 100 megawatts by 2010 in response to what it predicts will be a growing market.
In their analysis, the researchers found the number
of times a movie 25
years or older is referenced by other movies best predicts inclusion in this registry
of American films deemed «culturally, historically or aesthetically significant.»
Later that
year, Hildebrand presented that
film at the annual meeting
of the
American Society
of Ichthyologists and Herpetologists, revealing the news to the scientific community for the first time.
Not the
American science fiction writer whose novels spawned hit
films such as Blade Runner and Total Recall — he died more than 20
years ago — but a state -
of - the - art robot named after the author.
One
year later, the
American physicist Robert Williams Wood recognized the possibility
of improving the sensitivity
of infrared photographic
film using kryptocyanine emulsion, the chemical cousin
of dicyanine.
Years later, with dreams
of starring in
films, he attempted to pitch an act to Hollywood executives, but he was rejected on the spot because they felt the act itself was far too ridiculous to sell to the
American public.
There's something in your look here that reminds me very much
of Natalie Wood, playing the 15
year old abducted - by - Native -
Americans in the 195s
film «The Searchers».
Once a
year, the elite
of the
American film industry get together to celebrate excellence in cinematic achievements.
Victoria Beckham first wore this violet Giral strapless dress from her Fall 2009 collection during
filming for «
American Idol» back in August
of last
year.
Hannah and Her Sisters is a 1986
American comedy - drama
film which tells the intertwined stories
of an extended family over two
years that begins and ends The Rules is a way
of dating that really works!
American Idol runner up Katharine McPhee
films a Scorpion scene with ex Elyes Gabel amid confirmation she's dating music producer David Foster Katharine McPhee and Elyes Gabel have split after almost two
years of dating, a source confirms to Us Weekly — details
Wes Bentley was a relative newcomer to
film when he starred in Sam Mendes»
American Beauty (1999), but his haunting portrayal
of the battered, enigmatic Ricky Fitts made him one
of the most talked about young actors
of the
year.
Ultimately, good intentions aside, the only point that You Don't Mess With the Zohan really proves is Newton's Law
of Gravity; cowriter Judd Apatow has been THE dominant voice in
American film comedy for the last three
years (and I'm even counting the underrated Drillbit Taylor), but this movie proves that even HE had to come down some time!
The third
of John Woo's
American - made feature
films, Face / Off stars John Travolta as Sean Archer, an FBI agent obsessed with capturing Castor Troy (Nicolas Cage), a criminal genius who
years before killed Archer's son while trying to assassinate the agent.
This was the
film that Terrence Malick made in 1978 before heading off for his 20 -
year sabbatical: an inspired
American pastoral, perhaps inspired by Henry James's The Wings
of the Dove.
Her first
American film was Island in the Sun (1956) for Fox, and then Owens was loaned out to Warner Bros. to play opposite Marlon Brando in the drama Sayonara (1957), one
of the most critically acclaimed movies
of the
year.
An invaluable
film that documents the flat - out lies and public deceits that the Bush regime (military, White House, and CIA) has used to subvert the fundamentals
of the
American institution
of democracy and over 700
years of English law in its monomaniacal pursuit
of «the bad guys.»
Currently the subject
of a retrospective at the National
Film Theatre and riding high on the strength
of The Tree
of Life, his fifth
film in 37
years and winner
of the Palme d'Or at Cannes, Terrence Malick is an
American visionary and cinematic poet.
It was a later sound
film, 1930's Little Caesar, that brought him to the attention
of American audiences; portraying gangster boss Rico Bandello, he established a prototype for a number
of gangster roles he played in the ensuing
years.
Like two
of the
year's other standout
American films, Kelly Reichardt's «Old Joy» and Ryan Fleck's «Half Nelson,» it's a movie
of ideas in which the ideas flow effortlessly out
of the material instead
of being plastered on top with a heavy cement roller (as in «Crash,» «Babel» and «Little Children»).
Set at the end
of the 19th century, the
film stars Kodi Smit - McPhee as Jay Cavendish, a 16 -
year - old boy on a journey across the
American frontier in search
of the woman he loves (Caren Pistorius).
Only three
of the six studios were able to capitalize on growing foreign appetites for
American films, however, with Paramount leading the pack with a 60 % increase in foreign receipts compared to the previous
year.
The following
year, Garofalo appeared in no less than five
films, with a supporting part in the ensemble piece 200 Cigarettes, a starring role as an unconventional action heroine called the Bowler in Mystery Men (which also featured Stiller), and prominent turns in Kevin Smith's eagerly awaited Dogma, Hampton Fancher's psychological thriller The Minus Man, and the satirical comedy Can't Stop Dancing, in which she acted alongside fellow comedienne Margaret Cho.In 2001, Garofolo took on the role
of Catherine Connolly in The Laramie Project, HBO's docudrama chronicling the aftermath
of the death
of Matthew Shepard, and filmmaker David Wain's comedy Wet Hot
American Summer.
Based on a real - life story
of a tobacco - company research scientist (Russell Crowe) and the ramifications
of his decision to disclose industry secrets to the
American public on an episode
of 60 Minutes, it was a moody, intense affair that many critics touted as one
of the
year's best
films; it netted 7 Oscar nominations in the process.Mann was back in the Academy Award hunt two
year's later with Ali, a biopic
of the beloved boxer Muhammad Ali that focused on both his athletic accomplishments and his political battles.
Better known in the last few
years for directing episodes
of such shows as The Wire, Treme, and the
American version
of The Killing, Agnieszka Holland returns to her native Poland for another
film of hers concerning the plight
of people during the Second World War.
Just watch Scorsese's 100
years of American Cinema and you'll behold the true glory
of a great
film geek.
American actor Cliff DeYoung began a stop - and - start
film career with Pilgrimage in 1972; most
of his work for the next several
years was on stage and in television.
For
years John Ford's «The Grapes
of Wrath» was called not only his best
film but, by some, the greatest
American film.
Tags 12
years a slave
american hustle bafta barkhad abdi best actor best actress best adapted screenplay best director best
film best original screenplay best supporting actor best supporting actress british academy
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Some
of these
films won't get
American distribution until next
year - one in particular, maybe not at all - but I can't leave them off my 2017 list, so much did they add to my moviegoing experience.
Kurt Loder named this
film «
American Cannibal» the best Documentary
of the
year.
The 31
year - old star
of «Mad Men» (which wrapped its third season this week, though me and my fellow Brits haven't even got started) has essayed the best female character in
American film or TV in two
years, gives great interview and, -LSB-...]
Last
year's Jackie was a psychologically devastating look at the widowed Jackie Kennedy boasting one
of the absolute best performances
of the
year by Natalie Portman, whereas in comparison LBJ is a
film that will be thrown on in
American History classes only for teenagers to fall asleep.
The prominent
American film critic spent almost 40
years at Time Magazine, as well as a library
of books and created many documentaries about
film.
The
American remake
of the French Canadian
film Starbuck features Vince Vaughn as affable underachiever David Wozniak, whose mundane life is turned upside down when he finds out that he fathered 533 children through sperm donations he made twenty
years earlier.