Sentences with phrase «american idea of freedom»

Not exact matches

Metaxas explains that the US is not bound by ethnic identity or geography, but by a radical idea based on liberty and freedom for all, and that Americans must reconnect with this idea or risk losing the foundation of what made the US exceptional in the first place.
We as Americans welcome new ideas for building a better future so long as those ideas are respectful of the diversity of ways peaceful individuals choose to live (i.e., tolerance of diversity and freedom).
It also comes as no great revelation that those same leaders overwhelmingly agree that the constituting elements of democratic capitalism» political freedom, democracy, free markets, and the free flow of ideas» are good not just for Americans but for the world.
Here we can not go into the analyses of each of these trends or the adequacy of Ferré's interpretation of the recent trends in American theology, except to say that theologians of different persuasions, with the possible exception of the so - called liberals, while recognizing the usefulness of the history of religions, nevertheless agree with Professor Hendrik Kraemer in stating that only theology «is able to produce that attitude of freedom of the spirit and of impartial understanding, combined with a criticism and evaluation transcending all imprisonment in preconceived ideas and principles as ultimate standards of reference.»
Cardinal Camillo Ruini, the pope's vicar for Rome, it is said, is one of those who hold this view: what is needed, he is thought to believe, is (in the words of John Allen Jr of the American National Catholic Reporter) «good relations with Islam, but also a more robust capacity to challenge and critique Islamic leaders, especially on issues of «reciprocity» — the idea that if Muslim immigrants benefit from religious freedom in the West, Christians should get the same treatment in Islamic states.»
His boss (Alfredo Castro) is meanwhile fighting for the «Yes» side, but that's almost the least of his problems, as the previously apathetic Rene attempts to use American ad techniques to sell the idea of freedom to the people.
Newspeak plays a central role in the latest Center for American Progress (CAP) broadside against the idea of low - income parents choosing private schools for their children (because, you know, freedom is slavery).
And in a wonderful and timely bit of irony, the College Board's forthcoming renovation of the SAT tests — markedly more influential than the AP (and perhaps the Common Core itself) in shaping what kids have to learn in school if they want to go to a good college — includes enough attention to the seminal documents of American history and the ideas they embody to give pause to Chinese authorities who really don't want their kids learning about democracy and freedom while preparing to seek entry to a U.S. university.
Peter Timothy Anderson, Washington Latin PCS Golnar Abedin, Creative Minds PCS Maquita Alexander, YuYing PCS Dahlia Aguilar, Mundo Verde PCS Patricia Brantley, Friendship PCS Erika Bryant, Elsie Whitlow Stokes Community Freedom PCS Lauren Catalano, Somerset Prep PCS Marco Clark, Richard Wright PCS Diane Cottman, Latin American Montessori Bilingual Public Charter School Hilary Darilek, E.L. Haynes PCS N'Deye Diagne, Washington Math Science Technology PCHS Karen Dresden, Capital City PCS Wendy Edwards, Early Childhood Academy PCS Jane Ehrenfeld, Center for Inspired Teaching Nicole Hanrahan, LAYC Career Academy LaTonya Henderson, Cedar Tree Academy Stacy Kane, Washington Leadership Academy PCS Allison Kokkoros, Carlos Rosario PCS Emily Lawson, DC Prep Anne Zummo Malone, AppleTree Early Learning PCS Jack McCarthy, AppleTree Institute Christie McKay, Briya PCS Catherine Meloy, The Goodwill Excel Center Myrna Peralta, CentroNia Richard Pohlman, Thurgood Marshall Academy PCHS Jennifer L. Ross, National Collegiate Prep PCHS Justin Rydstrom, IDEA PCS Kristin Scotchmer, Mundo Verde PCS Mary Shaffner, District of Columbia International School Emily Silberstein, Cesar Chavez PCS Susan Schaeffler, KIPP DC Olivia Smith, Bridges PCS Andrew Touchette, Youthbuild PCS Natasha Warsaw, Sustainable Futures Heather D. Wathington, Maya Angelou PCS Keith Whitescarver, Breakthrough Montessori Deborah Dantzler Williams, Inspired Teaching Demonstration School Russ Williams, Center City PCS Tracy Wright, Paul PCS Shantelle Wright, Achievement Prep PCS
Read my chapter in the newly published Freedom and School Choice in American Education, edited by Greg Forster and C. Bradley Thompson, Palgrave MacMillan for an idea of what we could do instead.
''... There is what I call the American idea... This idea demands, as the proximate organization thereof, a democracy, that is, a government of all the people, by all the people, for all the people; of course, a government after the principles of eternal justice, the unchanging law of God; for shortness» sake, I will call it the idea of Freedom...»
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When British artists saw the first London exhibitions of American abstract painters such as Jackson Pollock and Mark Rothko in the late Fifties, they were astonished by the improvisatory freedom of their works, in which paint appeared to have been hurled on to the canvas without any preconceived ideas, and by the sheer size of the paintings.
He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.
«I come at this with the simple idea that our democracy was formed to be self - governing,» she said, adding that American citizens have «a right of freedom to make their own decisions — and I think that was interfered with by Russians and also others.»
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