Not exact matches
A new survey says graduates
of the nation's top b - school aren't entirely optimistic, but they have some pretty solid
ideas about how to get
Americans back to
work.
There is also no question that profit sharing has a long and distinguished political pedigree in
American history as the bipartisan
idea to lift incomes
of the
working middle class.
MAKING INNOVATION
WORK From inspiration to execution, how to take big
ideas to the front lines Hosted by Insigniam Stacey Boyd, Chief Executive Officer, Olivela; Founder and CEO, Schoola Debbie Dingell, Congresswoman, 12th District, State
of Michigan, United States House
of Representatives Varsha Rao, Chief Operating Officer, Clover Health Moderator: Lizzie O'Leary, Host,
American Public Media (APM)'s Marketplace
That how Brian Domitrovic, the only
American who understands completely how and why supply - side economics actually
works, characterizes our new monetary policy: The
idea is that if all the spending and regulation
of the last few years has only resulted in nil growth, stubborn unemployment,....
Republicans and conservatives, instead
of tilting at the defunding windmill, should be
working now to present the
American people with the policy
ideas that will emerge inevitably when ObamaCare's declines.
I really think it runs that deep, this
idea [
of] the
American myths — and whether it's true or not is not the point — this is the way that we shaped our identity, this rugged individualism, this rifle and shovel, that if you
work hard you can get your dreams, and we're not gonna be a monarchy.
This means we need to see that we are defending more than religious liberty: We are defending the very
idea that our government exists to protect the space in which various institutions
of civil society do the
work that enables
Americans to thrive, and we are defending the proposition that this
work involves moral formation and not just liberation from constraint.
For some Christians within the North
American evangelical tradition, the
work of racial reconciliation can be boiled down to the
idea that there is only one race, the human race.
Brumbaugh admits that as
of 1978 he could name only a few
American theorists
working with Whitehead's
ideas in education, physics, or the philosophy
of science.
The rationalization
of southern baptists is truly mind boggling — the
idea that each church is «autonomous» as justification for outright racism is pitiful in this day and age — if the Southern Baptist convention had come out strongly and adamantly against this kind
of behavior, I'd have at least a measure
of respect for them — but to shrug off a blatant act
of discrimination as the «
work of the devil» and ignore the deacon's cowardice in wanting to avoid «controversy» is laughable — if it weren't for people having the courage to fan the flames
of controversy, women and african
american would not have the right to vote today — more evidence
of the ignorance
of most bible thumpers, and Mississippi in particular
Across the pond, Englishmen like John Mayall, the Rolling Stones and Eric Clapton were «60s epigones
of African
American music who could somehow mechanically reproduce the sound
of the
American south, but who apparently had no real
idea of what they are playing in that their experience (even as
working class whites in an English class system) was entirely alien to the modes and mores
of the
American south.
Although his
work penetrated more deeply into the issue
of transcendence over against immanence, Altizer was joined in his quest by other scholars and particularly by the
American Jewish educator Richard L. Rubenstein, who maintained that «after Auschwitz,» the title
of his book on this subject, 27 it was no longer possible to entertain the
idea of a Judeo - Christian God presiding over the affairs
of humankind.
Along these same lines,
Americans often omit modifiers in order to avoid the hard
work of scrutinizing
ideas.
Rather, the man who had first
worked at the intersection
of ideas and power during his World War II service at the British Embassy in Washington was a Russo - English exponent
of classic
American New Deal liberalism: a liberal who believed that government had an obligation to secure the economic, social, and educational conditions under which people could truly exercise their liberty.
Coming down to our own century, pantheistic
ideas are reflected in the
work of Edward Caird, R. J. Campbell, and other members
of the British -
American school
of philosophy known as «absolute idealism.»
«[Norton's] the visionary and founder [
of Great
American Restaurants] and the guy who comes up with the great
ideas; we have an outstanding operations team that
works hard to consistently execute our high standards.»
American business model is to change management as often as possible for many reasons and one
of them being that the in coming management bring in fresh and up to date
ideas from his or her frequent movement, but it seams Stan prefers loyalties above success which i respect but all do sometimes having consistency
works well but but not in high competition sports business like football,
«We have a dynamic role model in the White House, a black woman who gets the
idea that she can go to
work, be a lawyer and still provide milk for her baby,» said Napiera Loveless, co-founder
of MamaTotoMatema, a Cincinnati - based organization committed to educating and encouraging leaders and health care professionals to adopt different approaches to promoting breastfeeding in African
American families.
The
idea of a personality quiz to help Cambridge Analytica mine user information came from a man
working for a firm that serves
American spy agencies and was co-founded by Peter Thiel, a Facebook board member and a Donald Trump supporter.
I hope he comes back to the Senate with a affirmation that
Americans want the independent minded McCain who will
work with whoever is carrying the
ideas of the day regardless
of party.
At some point, Republicans will have to come to the table
of American ideas and commit themselves to
working with Democrats to protect our climate and the health and safety
of future generations.
According to a 2008 poll
of U.S. residents conducted by Research!America, 94 %
of Americans think universities and companies should
work together to find new treatments, and 81 % think it's a good
idea for pharmaceutical companies to fund research conducted in universities.
It became increasingly important to me to foster these
ideas, so it was frustrating to learn that my dream
of combining
work in clinical medicine and bioethics was not supported by the German system
of academic medicine — in contrast to the Anglo -
American system and that in other advanced countries.
But, he says, the group backs the emergence
of ideas «so we can dissect them and
work together to get more
Americans covered.»
Actually, I was at FASEB (Federation
of American Societies for Experimental Biology),
working in the public affairs office, when I came up with the
idea for Newswise after a lunch conversation about computers with a friend.
The
work, which is being commercialized as a company called SQZ Biotech, was named one
of 10 World Changing
ideas by Scientific
American.
While a quarter
of survey respondents said they would be worried about their relationship being spoiled, one
American study recently suggested that the satisfaction
of couples who had fallen in love at
work was noticeably less than those meeting through an online dating site.1 For Irish employees looking for professional and personal stability, perhaps keeping romance and
work separate is the best
idea!
What fails about the exercise is the
idea that Behrani and his family are made to be the noble image
of the hard -
working immigrant, that last bastion
of the
American Dream, and the memory
of the values
of a community unencumbered by a sense
of entitlement.
The Farrellys pack in no shortage
of their trademark gross - out gags, but the
idea that
works the best is that
of Charlie's African -
American triplet sons (uh, don't ask).
Befitting its name, the laboratory's mission is to be open to a wide range
of creative
ideas and approaches for closing the educational achievement gap among
American students — and, importantly, to rely on rigorous research to determine what
works and doesn't.
«I am struck realizing how much difficulty we have had making [his]
ideas work,» Johnson said, citing the absence
of a comprehensive performance - based pay system in
American public education.
To pull yourself up by your proverbial bootstraps is a quintessentially
American idea, allied in the national imagination with the image
of the immigrant striver who improves his lot in life through sheer hard
work.
«Because
of this new public - private partnership, millions
of Americans will have a new interactive tool they can use to find out how families can get involved in education and share
ideas that
work,» Mr....
The outcome provided advocates with not only a high - profile laboratory for the
idea, but also fresh evidence that a political strategy aimed at fusing support from African -
American urban leaders to a coalition
of Republican groups can
work under certain circumstances.
The system will test an
idea that state officials have been
working on for the past year with the guidance
of an outside developer who envisions that such networks could revolutionize the
American education system.
«It's not good for people who perhaps have a lot
of experience, have a strict
idea of how a university
works, and are set in their ways, because strictly
American ways don't always
work there.»
If you want proof that the
American ideas and innovations
of education really
work, come to Finland.»
By taking Gray into his confidence, Darwin ensured that Gray became his
American gatekeeper, and Gray
worked skillfully to guarantee that Darwin's books were well published and widely disseminated, and that his
ideas received a fair hearing in intellectual circles - despite disapproving
of many
of their implications.
A Morningstar
working paper in the U.S. has sparked plenty
of online commentary about the controversial
idea that
Americans are «saving too much for retirement.»
Built on the
ideas of respect and understanding,
American Title Loans has been providing title loans to
working families for over 8 years.
For those who do not know Bioshock is a first person shooter that draws a lot
of ideas from Ayn Rands
works (a Russian -
American philosopher).
Expect talk
of the New Museum exhibition, which includes a new body
of work loosely themed around the
idea of the
American Dream gone wrong.
Collection, Museum
of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum
of Art, Oklahoma City, OK; Santa Barbara Museum
of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum
of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New
Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University
of Rochester, Rochester, NY 1980
Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection
of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum
of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978
Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to
American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College
of Art, Philadelphia, PA 1977
Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976
Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University
of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT
Agnes Pelton,» Incarnation,» 1929 In the LA Times blog, Christopher Knight reports that «the kernel
of a powerful
idea resides within «Illumination,» an exhibition
of abstract paintings by four women who
worked in the deserts
of the
American Southwest and whose careers pretty much spanned the 20th century.
The
American Abstract Artists Journal gives voice to the community
of abstract artists by creating a forum for both AAA members and non-members, and the wider community
of historians and critics to present new
work and the exchange
of ideas.
His recent
work includes the National Museum
of African
American History and Culture in Washington D.C. and the
Idea Stores in London's Tower Hamlets.
Spiritually inclined yet steeped in popular culture and the political events
of the day, he conducted reconnaissance far beyond the borders
of California, mining the
American psyche and broadcasting his
ideas through mail art, publications, photographs and multilayered art
works.
Kawiaka has
work in the New Britain Museum
of American Art collection, was nominated for a Cooper - Hewitt National Design Award, and is a winner
of the Washington Monument Grounds
Ideas Competition in 2011.
His
work has had a huge impact on an evolving and more encompassing
idea of American identity, and provides an important perspective on how we assert ourselves as individuals contributing to a community that embraces difference.»
Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School
of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The
Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition
of Work by Newly Elected Members and Recipients
of Honors and Awards,
American Academy
of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition
of Visual Arts,
American Academy
of Arts and Letters, New York, NY Battle
of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits
of Silence, Gallery Min Min, Tokyo 2007 Heralds
of Creative Anachronism, D'Amelio Terras, New York, NY The Price
of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to
Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY