Sentences with phrase «american independent curator»

Larry Ossei - Mensah is a Ghanaian - American independent curator and cultural critic who uses contemporary art and culture as a vehicle to redefine how we see ourselves and the world around us.

Larry Ossei - Mensah is a Ghanaian - American independent curator and cultural critic.

The show was curated by Kathryn Fuller, a former educator herself of high school - level English, and Larry Ossei - Mensah, a Ghanaian - American independent curator and cultural critic.

Not exact matches

Campus, who also directed the 1974 African American drama «The Education of Sonny Carson,» will be on hand to discuss it with Elvis Mitchell, curator of Film Independent at LACMA.

JUROR: Laura Roulet, independent curator and writer specializing in contemporary and Latin American art.

Laura Roulet is an independent curator and writer, specializing in contemporary and Latin American art.

The 2018 grantees were selected through a competitive application process by an independent panel that comprised Naomi Beckwith, a curator at the Museum of Contemporary Art Chicago; artist and activist Andrea Bowers; Ciara Ennis, director and curator at Pitzer College Art Galleries; Christopher Y. Lew, an associate curator at the Whitney Museum of American Art; and multimedia artist Bruce Yonemoto.

Performa Curatorial Advisory Board Marina Abramovic, Artist and Teacher Massimiliano Gioni, Curator, New Museum for Contemporary Art Yuko Hasegawa, Curator Jens Hoffmann, Deputy Director, The Jewish Museum Chrissie Iles, Curator, Whitney Museum of American Art Joan Jonas, Artist Lois Keidan, Director, Live Art Development Agency, UK William Kentridge, Artist Joseph V. Melillo, Executive Director, Brooklyn Academy of Music Paul D. Miller, Musician Meredith Monk, Artist Hans Ulrich Obrist, Independent Curator Yoko Ono, Artist Lisa Phillips, Henry Luce III Dir., New Museum Contemporary Art Catherine Wood, Curator, Tate Modern Octavio Zaya, Independent Curator

«Pose and Sculpture,» curated by Daniel Baumann, Casey Kaplan, New York, NY, June 30 — August 4, 2006 «Two or Three or Something: Maria Lassnig, Liz Larner,» Kunsthaus Graz, February 4 — May 7, 2006 «Whitney Biennial 2006: Day for Night,» Whitney Museum of American Art, New York, NY, March 2 - May 28, 2006 «Gone Formalism,» Institute of Contemporary Art at the University of Pennsylvania, Pittsburg, January 21 — March 26, 2006 2005 «Extreme Abstraction,» curated by Louis Grachos and Claire Schneider, Albright Knox Art Gallery, Buffalo, NY, July 15 — October 2, 2005, catalogue «The The,» curated by Stuart Shave, Modern Art, London, July 8 — August 7, 2005 «The Meeting,» curated by Kathryn Andrews, Center for the Arts of Eagle Rock, Los Angeles, CA, May 27 — July 2, 2005 2004 «Showdown,» curated by Kimberli Meyer and Fritz Haeg, Schindler House, Los Angeles, October 22 — 23, 2004 «Full House,» curated by David Pagel, East Gallery, Claremont Graduate University, Claremont, CA, August 16 - September 10, 2004 «100 Artist See God,» curated by John Baldessari and Meg Cranston, The Jewish Museum San Francisco, March 7 — June 27, 2004; Laguna Art Museum, Laguna Beach, CA, July 25 — October 3, 2004; Institute of Contemporary Art, London, England, November 19, 2004 — January 9, 2005; Contemporary Art Center of Virginia, Virginia Beach, Virginia, June 9 — September 4, 2005, catalogue «The Thought that Counts,» curated by Jason Meadows, Sister Gallery, Los Angeles, CA 2003 «Inaugural Exhibition,» Regen Projects, Los Angeles, CA, January 25 - March 8 «Within Hours We Would Be in the Middle of Nowhere,» 303 Gallery, New York, NY, July 19 — August 29, 2003 neugerriemschneider, Berlin, Germany «Popstraction,» curated by Paola Antonelli, curator of Architecture and Design at MOMA and independent curator and writer, Eungie Joo, Deitch Projects, New York, NY, catalogue «Imagination: Perception in Art,» curated by Peter Pakesch and Martin Prinzhorn, Kunsthaus Graz, Graz, Austria, October 25, 2003 — January 18, 2004, catalogue Tanya Bonakdar Gallery, New York, NY, November 20, 2003 — January 10, 2004 2002

Seph Rodney, Editor at Hyperallergic Roderick Schrock, Director at EyeBeam Arden Sherman, Curator and Director at Hunter East Harlem Gallery Nathalie Arglés, Executive Director at Residency Unlimited Katie Fuller, Independent Curator Max Durón, Photo Editor at ArtNews Ysabel Pinyol, Curatorial Director MANA Contemporary Joey Lico, Curator and Director at The Cultivist Elisabeth Larison, Program Director at APEX Art Larry Ossei - Mensah, Independent Curator Amara Antilla, Assistant Curator at the Guggenheim Anne Barlow, Director, Art in General Laura Welzenbach, Program Manager, Eyebeam Dexter Wimberly, Independent Curator Alex Jovanovich, Associate Editor, Artforum.com Benjamin Sutton, Writer, Hyperallergic Brian Droitcour, Associate Editor and Online Editor, Art in America Nat Trotman, Curator, Performance and Media, Solomon R. Guggenheim Museum, New York Helga Christoffersen, Assistant Curator, New Museum Sharon Matt Atkins, Vice Director, Exhibitions and Collections, Brooklyn Museum Christopher Y. Lew, Associate Curator, Whitney Museum of American Art Rujeko Hockley, Assistant Curator of Contemporary Art, Brooklyn Museum Joeonna Bellorado - Samuels, Director, Jack Shainman Gallery

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

Through careful deliberation by the selection committee that included Jesse Greenberg (artist), Naomi Hersson - Ringskog (executive director, No Longer Empty), David Humphrey (artist), Nicole Russo (owner and director, Chapter NY), Elisabeth Sherman (senior curatorial assistant, Whitney Museum of American Art), John Silvis (artist, independent curator and art advisor), Lumi Tan (associate curator, The Kitchen), and Nari Ward (artist), ten artist proposals were chosen to receive funding ranging from $ 750 - $ 1,500 to carry out their projects.

They were selected by a jury panel consisting of Ksenia Grishkova, director of Touchstone Gallery; Blair Murphy, independent curator; and Jack Rasmussen, director and curator at the American University Museum at the Katzen Arts Center.

Organized by Mari Carmen Ramírez, the Houston museum's curator of Latin American Art, and Héctor Olea, architect and independent curator and scholar, Inverted Utopias is the latest and perhaps most incisive revision of the history of Latin American avant - garde visual art.

Marina Abramovic, Artist and Teacher Massimiliano Gioni, Curator, New Museum of Contemporary Art Yuko Hasegawa, Curator Chrissie Iles, Curator, Whitney Museum of American Art Joan Jonas, Artist Lois Keidan, Director, Live Art Development Agency, UK William Kentridge, Artist Joseph V. Melillo, Executive Director, Brooklyn Academy of Music Paul D. Miller, Musician Meredith Monk, Artist Hans Ulrich Obrist, Independent Curator Yoko Ono, Artist Lisa Phillips, Toby Devan Lewis Director, New Museum of Contemporary Art Catherine Wood, Curator, Tate Modern Octavio Zaya, Independent Curator

Guerrero is currently Estrellita B. Brodsky Adjunct Curator of Latin American Art in Tate, London and was previously Associate Artistic Director and Curator at TEOR / éTica, an independent not - for - profit art space in San José, Costa Rica.

She has contributed to publications produced by The Whitney Museum of American Art, Independent Curators International, Art21.com, Flux Factory, and Art in General.

Group exhibitions include Out of Line, The High Line, NYC; The World is a Mirror of My Freedom, McColl Center, Charlotte, NC (2017); Wound: Mending Time & Attention, The Cooper Union, NYC; A Dark Matter..., Tarble Arts Center, Eastern Illinois University, Charleston, IL, March Madness, Fort Gansevoort, NYC (2016); superHUMAN, Central Utah Art Center, Ephraim, UT; Greater New York: Five - Year Review, MoMA PS1, Long Island City, NY; Mixed Signals: Artists Consider Masculinity in Sports, Independent Curators International, traveling exhibition; Hard Targets: Masculinity and American Sports, Los Angeles County Museum of Art, Los Angeles, CA; The S - Files, Museo del Barrio, NYC; and Emergency Room, P.S. 1 Contemporary Art Center, Long Island City, NY.

At the gallery's 293 Tenth Avenue location, «Robert Motherwell: Early Paintings» examines the lesser - known, experimental abstractions of the artist's pre - «Elegy» years.1 Around the corner at Kasmin's 515 West Twenty - seventh Street venue, «Caro & Olitski: 1965 — 1968, Painted Sculptures and the Bennington Sprays» looks to the personal friendship and creative dialogue between sculptor and painter.2 And finally, up the block at the gallery's 297 Tenth Avenue address, in «The Enormity of the Possible,» the independent curator Priscilla Vail Caldwell brings the first generation of American modernists together with some of the later Abstract Expressionists — Milton Avery, Oscar Bluemner, Charles Burchfield, Stuart Davis, John Marin, Elie Nadelman, and Helen Torr, among others, with Lee Krasner, Jackson Pollock, and Mark Rothko.3

Her Paris: Women Artists in the Age of Impressionism is organized by the American Federation of Arts and curated by independent curator Laurence Madeline.

Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «Young Fluxus» for Artists» Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.

Art for a New Understanding: Native Voices, 1950s to Now is organized by Crystal Bridges, and curated by independent curator Candice Hopkins (Tlingit, citizen of Carcross / Tagish First Nation), Crystal Bridges Curator of American Art, Mindy Besaw, and Manuela Well - Off - Man, Chief Curator at the IAIA Museum of Contemporary Native Arts in Santa Fe, New curator Candice Hopkins (Tlingit, citizen of Carcross / Tagish First Nation), Crystal Bridges Curator of American Art, Mindy Besaw, and Manuela Well - Off - Man, Chief Curator at the IAIA Museum of Contemporary Native Arts in Santa Fe, New Curator of American Art, Mindy Besaw, and Manuela Well - Off - Man, Chief Curator at the IAIA Museum of Contemporary Native Arts in Santa Fe, New Curator at the IAIA Museum of Contemporary Native Arts in Santa Fe, New Mexico.

«High Times, Hard Times: New York Painting 1967 — 1975», organized by Independent Curators International, New York, NY, USA [Traveled to: Weatherspoon Art Museum, Greensboro, NC, USA; Katzen Arts Center, American University, Washington, D.C., USA; National Academy Museum, New York, NY, USA, Museo Tamayo Arte Contemporáneo, Mexico City, Mexico; Neue Galerie Graz, Graz, Austria; ZKM Museum of Contemporary Art, Karlsruhe, Germany]

Situated in Bangkok's Siam Square and established in 2006 by American architect David Mayer, owner of the renowned architecture and interior design company of the same name, and Thailand artist and curator Maitree Siriboon, Whitespace Gallery is one of best known independent art galleries from Thailand.

CREDENTIALS: Independent curator; writer of essays and books including Painting Abstraction: New Elements in Abstract Painting and Stephen Shore: American Surfaces.

The catalogue [96 pages, hardcover, fully - illustrated] features an essay by Debra Bricker Balken, an independent curator and noted writer who works on subjects relating to American modernism and contemporary art.

This exhibition is organized by Crystal Bridges Museum of American Art, and was curated by Lauren Haynes, Curator, Contemporary Art, Crystal Bridges; and Chad Alligood, independent cCurator, Contemporary Art, Crystal Bridges; and Chad Alligood, independent curatorcurator.

About California Countercultures Thinking Through the Arts and Design at Berkeley: California Countercultures is a UC Berkeley course cotaught by Natasha Boas, independent curator and critic of contemporary art and theory, and Michael Cohen, associate teaching professor in the African American studies department.

Essays exploring three significant periods of experimentation in portraiture during the past century: the 1910s - 20s; 1960s, and 1990 — present have been prepared, respectively, by each of the three curators of the exhibition: Jonathan Frederick Walz, director of curatorial affairs & curator of American art, the Columbus Museum, Columbus, Georgia; Kathleen Merrill Campagnolo, independent curator and scholar, and Anne Collins Goodyear, co-director of the Bowdoin College Museum of Art.

Other speakers will include Phyllis Tuchman, independent curator, scholar, and art critic: Helen Frankenthaler: From the Heart, July 14, 2 pm; and Avis Berman, writer, curator, and historian of American art, architecture, and culture: Helen Frankenthaler: Voices from the Archives, August 11, 2 pm.

OF THE AMERICAS: Contemporary Latin American Art Gallery talk with writer and independent curator José Antonio Navarrete and LUAG Director / Chief Curator Ricardocurator José Antonio Navarrete and LUAG Director / Chief Curator RicardoCurator Ricardo Viera.

2014 Ayelet Danielle Aldouby, Curator & Co-Founder, Artea Projects Harutyun Alpetyan, Independent Curator, Armenia Marco Antonini, Executive Director & Curator, NURTUREart Rocio Aranda - Alvarado, Curator, El Museo del Bario Karen Archey, Independent Curator & Critic, NYC and Berlin Nova Benway, Assistant Curator, The Drawing Center Boshko Boskovic, Program Director, Residency Unlimited Marie Burns, Program Manager, apexart Ethan Cohen, President & CEO, Ethan Cohen Fine Arts Irina Danilova, Independent Curator Eva Diaz, Critic & Assistant Professor of Contemporary Art, Pratt Institute Erin Donnelly, Independent Curator & Programs Manager, Smack Mellon Juliana Driever, Independent Curator, Writer, and Educator Shlomit Dror, Independent Curator Jason Duval, Artist & Independent Curator Alessandro Facente, NARS Special Projects Curator Jane Farver, Independent Curator Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Carter Foster, Steven and Ann Ames Curator of Drawing, Whitney Museum of American Art Anna Frost, Independent Curator, Berlin andCopenhagen Asya Geisberg, Owner & Director, Asya Geisberg Gallery Jessica Gildea, Programs Director, CUE Art Foundation Jan Hanvik, Executive Director, Clemete Soto Velez Cultrual Center Larissa Harris, Curator, Queens Museum Eric Heist, Founder & Director, Momenta Naomi Hersson - Ringskog, Executive Director, No Longer Empty Felicity Hogan, Artist, Independent Curator & Senior Program Officer, New York Foundation for the Arts (NYFA) Learning Jin Young Hwang, Co-Founder, K&H Art Advisory Inc Tzu - chieh Jian, Independent Curator & Critic, Taiwan Paddy Johnson, Founding Editor, Art Fag City Rhiannon Kubicka, Co - Owner / Co-Director, Blackston Gallery Omar Lopez - Chahoud, Independent Curator & Artistic Director, UNTITLED Stephen Maine, Artist, Critic & Independent Curator Julie McKim, Director, Kunsthalle Galapagos John Moore, Independent Curator & Critic Isabelle Normand, Independent Curator, Paris & Los Angeles Isin Önol, Independent Curator, Vienna Douglas Paulson, Residency Director, Flux Factory Vittoria Pavesi, Independent Curator, Italy Laurel Ptak, Director, Triangle Arts Association Sara Reisman, Director, Percent for Art, NYC Department of Cultural Affairs David A. Ross, Independent Curator & Chair, MFA Program in Art Practice, School of Visual Arts Cindy Rucker, Owner & Director, Cindy Rucker Gallery Sebastien Sanz Santamaria, Director of Operations, Residency Unlimited Krista Saunders, Curator & Co-Founder, Ground Floor Gallery Keith Schweitzer, Co - Founder / Director, The Lodge Gallery and Director of Public Art, Fourth Arts Block Bernard Schutze, Independent Curator & Critic, Montreal Felipe Scovino, Independent Curator Eric Shiner, Director, Andy Warhol Museum Carolyn Sickles, Director of StudioLab, Abrons Arts Center Sarah Suco Tores, Independent Curator Yulia Tikhonova, Independent Curator Jodi Waynberg, Executive Director, Artists Alliance Inc..

Catherine Haggarty, Painter, Co-director, Ortega y Gasset Eric Sutphin, Critic and curator Ian Cofre, Independent curator and writer Chrissie Iles, Anne and Joel Ehrenkranz curator at the Whitney Museum of American Art Alexis Wilkinson, Curatorial fellow at Abrons Art Center Daniel Wallace, Gallery Director, American Medium Helen Toomer, Co-Founder and Artistic Director of Stoneleaf Retreat and Stoneleaf Residency Elizabeth K. Garvey, Co-founder and Director of Garvey Simon Sara Blazej, Curator, 77 Mulberry Art Project Matthew Deleget Founder and Director, Minus Space Arden Sherman, Curator and Director, Hunter East Harlem Gallery Iliya Fridman, Founder and Director, Fridman Gallery Sara Softness, Assistant Curator, Brooklyn Museum Jocelyn Miller, Writer and Curator, MoMA PS1 Harry Burke, Assistant Curator and Web Editor, Artists Space Andre Escarameia, Principal and Curator, Rooster Gallery Sarah Demeuse, Independent Curator and Writer Jack Barrett, Curator and Owner, 315 Gallery Josephine Graf, Writer and Curator Jillian Steinhauer, Senior editor, Hyperallergic Rachel Wetzler, Writer and a PhD student in Art History at CUNY Graduate Center Adam Abdalla, Creator and Presient, Cultural curator Ian Cofre, Independent curator and writer Chrissie Iles, Anne and Joel Ehrenkranz curator at the Whitney Museum of American Art Alexis Wilkinson, Curatorial fellow at Abrons Art Center Daniel Wallace, Gallery Director, American Medium Helen Toomer, Co-Founder and Artistic Director of Stoneleaf Retreat and Stoneleaf Residency Elizabeth K. Garvey, Co-founder and Director of Garvey Simon Sara Blazej, Curator, 77 Mulberry Art Project Matthew Deleget Founder and Director, Minus Space Arden Sherman, Curator and Director, Hunter East Harlem Gallery Iliya Fridman, Founder and Director, Fridman Gallery Sara Softness, Assistant Curator, Brooklyn Museum Jocelyn Miller, Writer and Curator, MoMA PS1 Harry Burke, Assistant Curator and Web Editor, Artists Space Andre Escarameia, Principal and Curator, Rooster Gallery Sarah Demeuse, Independent Curator and Writer Jack Barrett, Curator and Owner, 315 Gallery Josephine Graf, Writer and Curator Jillian Steinhauer, Senior editor, Hyperallergic Rachel Wetzler, Writer and a PhD student in Art History at CUNY Graduate Center Adam Abdalla, Creator and Presient, Cultural curator and writer Chrissie Iles, Anne and Joel Ehrenkranz curator at the Whitney Museum of American Art Alexis Wilkinson, Curatorial fellow at Abrons Art Center Daniel Wallace, Gallery Director, American Medium Helen Toomer, Co-Founder and Artistic Director of Stoneleaf Retreat and Stoneleaf Residency Elizabeth K. Garvey, Co-founder and Director of Garvey Simon Sara Blazej, Curator, 77 Mulberry Art Project Matthew Deleget Founder and Director, Minus Space Arden Sherman, Curator and Director, Hunter East Harlem Gallery Iliya Fridman, Founder and Director, Fridman Gallery Sara Softness, Assistant Curator, Brooklyn Museum Jocelyn Miller, Writer and Curator, MoMA PS1 Harry Burke, Assistant Curator and Web Editor, Artists Space Andre Escarameia, Principal and Curator, Rooster Gallery Sarah Demeuse, Independent Curator and Writer Jack Barrett, Curator and Owner, 315 Gallery Josephine Graf, Writer and Curator Jillian Steinhauer, Senior editor, Hyperallergic Rachel Wetzler, Writer and a PhD student in Art History at CUNY Graduate Center Adam Abdalla, Creator and Presient, Cultural curator at the Whitney Museum of American Art Alexis Wilkinson, Curatorial fellow at Abrons Art Center Daniel Wallace, Gallery Director, American Medium Helen Toomer, Co-Founder and Artistic Director of Stoneleaf Retreat and Stoneleaf Residency Elizabeth K. Garvey, Co-founder and Director of Garvey Simon Sara Blazej, Curator, 77 Mulberry Art Project Matthew Deleget Founder and Director, Minus Space Arden Sherman, Curator and Director, Hunter East Harlem Gallery Iliya Fridman, Founder and Director, Fridman Gallery Sara Softness, Assistant Curator, Brooklyn Museum Jocelyn Miller, Writer and Curator, MoMA PS1 Harry Burke, Assistant Curator and Web Editor, Artists Space Andre Escarameia, Principal and Curator, Rooster Gallery Sarah Demeuse, Independent Curator and Writer Jack Barrett, Curator and Owner, 315 Gallery Josephine Graf, Writer and Curator Jillian Steinhauer, Senior editor, Hyperallergic Rachel Wetzler, Writer and a PhD student in Art History at CUNY Graduate Center Adam Abdalla, Creator and Presient, Cultural Curator, 77 Mulberry Art Project Matthew Deleget Founder and Director, Minus Space Arden Sherman, Curator and Director, Hunter East Harlem Gallery Iliya Fridman, Founder and Director, Fridman Gallery Sara Softness, Assistant Curator, Brooklyn Museum Jocelyn Miller, Writer and Curator, MoMA PS1 Harry Burke, Assistant Curator and Web Editor, Artists Space Andre Escarameia, Principal and Curator, Rooster Gallery Sarah Demeuse, Independent Curator and Writer Jack Barrett, Curator and Owner, 315 Gallery Josephine Graf, Writer and Curator Jillian Steinhauer, Senior editor, Hyperallergic Rachel Wetzler, Writer and a PhD student in Art History at CUNY Graduate Center Adam Abdalla, Creator and Presient, Cultural Curator and Director, Hunter East Harlem Gallery Iliya Fridman, Founder and Director, Fridman Gallery Sara Softness, Assistant Curator, Brooklyn Museum Jocelyn Miller, Writer and Curator, MoMA PS1 Harry Burke, Assistant Curator and Web Editor, Artists Space Andre Escarameia, Principal and Curator, Rooster Gallery Sarah Demeuse, Independent Curator and Writer Jack Barrett, Curator and Owner, 315 Gallery Josephine Graf, Writer and Curator Jillian Steinhauer, Senior editor, Hyperallergic Rachel Wetzler, Writer and a PhD student in Art History at CUNY Graduate Center Adam Abdalla, Creator and Presient, Cultural Curator, Brooklyn Museum Jocelyn Miller, Writer and Curator, MoMA PS1 Harry Burke, Assistant Curator and Web Editor, Artists Space Andre Escarameia, Principal and Curator, Rooster Gallery Sarah Demeuse, Independent Curator and Writer Jack Barrett, Curator and Owner, 315 Gallery Josephine Graf, Writer and Curator Jillian Steinhauer, Senior editor, Hyperallergic Rachel Wetzler, Writer and a PhD student in Art History at CUNY Graduate Center Adam Abdalla, Creator and Presient, Cultural Curator, MoMA PS1 Harry Burke, Assistant Curator and Web Editor, Artists Space Andre Escarameia, Principal and Curator, Rooster Gallery Sarah Demeuse, Independent Curator and Writer Jack Barrett, Curator and Owner, 315 Gallery Josephine Graf, Writer and Curator Jillian Steinhauer, Senior editor, Hyperallergic Rachel Wetzler, Writer and a PhD student in Art History at CUNY Graduate Center Adam Abdalla, Creator and Presient, Cultural Curator and Web Editor, Artists Space Andre Escarameia, Principal and Curator, Rooster Gallery Sarah Demeuse, Independent Curator and Writer Jack Barrett, Curator and Owner, 315 Gallery Josephine Graf, Writer and Curator Jillian Steinhauer, Senior editor, Hyperallergic Rachel Wetzler, Writer and a PhD student in Art History at CUNY Graduate Center Adam Abdalla, Creator and Presient, Cultural Curator, Rooster Gallery Sarah Demeuse, Independent Curator and Writer Jack Barrett, Curator and Owner, 315 Gallery Josephine Graf, Writer and Curator Jillian Steinhauer, Senior editor, Hyperallergic Rachel Wetzler, Writer and a PhD student in Art History at CUNY Graduate Center Adam Abdalla, Creator and Presient, Cultural Curator and Writer Jack Barrett, Curator and Owner, 315 Gallery Josephine Graf, Writer and Curator Jillian Steinhauer, Senior editor, Hyperallergic Rachel Wetzler, Writer and a PhD student in Art History at CUNY Graduate Center Adam Abdalla, Creator and Presient, Cultural Curator and Owner, 315 Gallery Josephine Graf, Writer and Curator Jillian Steinhauer, Senior editor, Hyperallergic Rachel Wetzler, Writer and a PhD student in Art History at CUNY Graduate Center Adam Abdalla, Creator and Presient, Cultural Curator Jillian Steinhauer, Senior editor, Hyperallergic Rachel Wetzler, Writer and a PhD student in Art History at CUNY Graduate Center Adam Abdalla, Creator and Presient, Cultural Counsel

Gary Hill - American foundational artist in video art Dr Lee Weinberg independent curator, researcher and lecturer at Shenkar College of Engineering Design and Art and the head of the Curatorial Studies MA programme at the University of Haifa Andrew Stahl - professor from British School of Art Mychael Barratt - Canadian highly accomplished printmaker and bestselling artist.

Most recently, Rivas has worked as an independent curator in New York City and as the associate curator of Latin American Art at LACMA.

Evan J. Garza is an independent curator and is Editor - at - Large for New American Paintings and New American Paintings > Blog.

Eowyn Mays is an independent curator based in Washington, D.C. Mays earned a B.A. in art history from Tulane University and an M.A. in art history from the University of Maryland where she specialized in American and contemporary art.

The curators, Christopher Y. Lew (Associate Curator at the Whitney Museum of American Art) and Mia Locks (independent curator), made their selections after visiting with dealers, curators and artists in over 40 cities throughouCurator at the Whitney Museum of American Art) and Mia Locks (independent curator), made their selections after visiting with dealers, curators and artists in over 40 cities throughoucurator), made their selections after visiting with dealers, curators and artists in over 40 cities throughout 2016.

Biography of the Juror Brian Russell Jobe (American, b. 1981) is an artist, educator, independent curator, and non-profit co-director based in Nashville, TN.

Nira Pereg 2010 Paul Young, independent curator, has selected 67 Bows for exhibition at the Pacific Design Center (Los Angeles), currently on display (until February 2010) Sabbath 2008 is making its American debut at the Santa Monica Museum of Art, opening January 16th (until April 17th).

The winners will be determined by second panel of jurors, including Miranda Lash, curator of contemporary art at the Speed Art Museum in Louisville; Dominique Nahas, independent curator and critic in Brooklyn; and Monica Moses, editor in chief of American Craft in Minneapolis.

Co-curated by Franklin Sirmans, Terri and Michael Smooke Department Head and Curator of Contemporary Art at LACMA, and Independent Curator Yael Lipschutz, Noah Purifoy: Junk Dada examines the work of a seminal American artist who is still little known.

In 1974 he was appointed Curator and Head of the Film and Video Department at the Whitney Museum of American Art where he directed the «New American Film and Video Series» which featured independent film and video art programming as well as commissioning art projects and expanding the museum's collection to include video installation art.

Yelaine Rodriguez is a Dominican - American Artist, Educator, and Independent Curator.

Artpace honored Eugenio López, President and Founder of Fundación Jumex Arte Contemporáneo, and Carla Stellweg, independent curator and writer with a focus on Latin American contemporary art.

Each application was reviewed by a panel of jurors comprising Erin Gilbert, independent curator from Chicago; Mark Scala, Curator at the Frist Center for the Visual Arts in Nashville; Lauren Haynes, Curator of Contemporary Art at Crystal Bridges Museum of American Art in Bentonville, Arkansas; Jan Davidson, retired director of the John C. Campbell School of Folk Arts in Brasstown, North Carolina; and Gia Hamilton, director of the Joan Mitchell Center in New Ocurator from Chicago; Mark Scala, Curator at the Frist Center for the Visual Arts in Nashville; Lauren Haynes, Curator of Contemporary Art at Crystal Bridges Museum of American Art in Bentonville, Arkansas; Jan Davidson, retired director of the John C. Campbell School of Folk Arts in Brasstown, North Carolina; and Gia Hamilton, director of the Joan Mitchell Center in New OCurator at the Frist Center for the Visual Arts in Nashville; Lauren Haynes, Curator of Contemporary Art at Crystal Bridges Museum of American Art in Bentonville, Arkansas; Jan Davidson, retired director of the John C. Campbell School of Folk Arts in Brasstown, North Carolina; and Gia Hamilton, director of the Joan Mitchell Center in New OCurator of Contemporary Art at Crystal Bridges Museum of American Art in Bentonville, Arkansas; Jan Davidson, retired director of the John C. Campbell School of Folk Arts in Brasstown, North Carolina; and Gia Hamilton, director of the Joan Mitchell Center in New Orleans.

High Times, Hard Times: New York Painting 1965 — 75, Independent Curators International, New York; traveled to Weatherspoon Art Museum, University of North Carolina at Greensboro, North Carolina; American University Museum at the Katzen Arts Center, Washington, D.C.; National Academy Museum, New York; Museo Tamayo Arte Contemporáneo, Mexico City, Mexico; Neue Galerie Graz, Graz, Austria; ZKM Center for Art and Media Karlsruhe, Karlsruhe, Germany.

Member of Independent Curators International (ICI, NY), where she furthered her concept of curating in context, she is currently curator of the Centro de Fotografía de Montevideo, where she has organized and commissioned new work by South American artists such as Rosângela Rennó, Dias & Riedweg, Martin Weber and Fredi Casco.

The exhibition is organized by Crystal Bridges and curated by independent curator Candice Hopkins (Tlingit, citizen of Carcross / Tagish First Nation), Crystal Bridges Curator of American Art, Mindy Besaw, and Manuela Well - Off - Man, Chief Curator at the IAIA Museum of Contemporary Native Arts in Santa Fe, New curator Candice Hopkins (Tlingit, citizen of Carcross / Tagish First Nation), Crystal Bridges Curator of American Art, Mindy Besaw, and Manuela Well - Off - Man, Chief Curator at the IAIA Museum of Contemporary Native Arts in Santa Fe, New Curator of American Art, Mindy Besaw, and Manuela Well - Off - Man, Chief Curator at the IAIA Museum of Contemporary Native Arts in Santa Fe, New Curator at the IAIA Museum of Contemporary Native Arts in Santa Fe, New Mexico.

The 2014 Independent Vision Curatorial Award Nominating Committee includes: Zdenka Badovinac: Director, Moderna galerija, Ljubljana (Slovenia); Iwona Blazwick: Director, Whitechapel Gallery (UK); Zoe Butt; Executive Director and Curator, Sàn Art (Vietnam); Rosina Cazali: Independent Curator (Guatemala); Reem Fadda: Associate Curator, Middle Eastern Art, Abu Dhabi Project, Solomon R. Guggenheim Foundation (UAE); Gridthiya Gaweewong; Artistic Director, Jim Thompson Art Center (Thailand); Abdellah Karroum: Founding Artistic Director of L'appartement 22 (Qatar); Koyo Kouoh: Artistic Director, Raw Material Company (Senegal); Michy Marxuach: Co-director of Beta - Local (Puerto Rico); Riason Naidoo: Independent Curator (South Africa); Valerie Cassel Oliver: Senior Curator, Contemporary Arts Museum Houston (US); José Roca: Estrellita B. Brodsky Adjunct Curator of Latin American Art, Tate Modern, London, and Artistic Director of FLORA, Bogotá, Colombia; Claire Tancons: Curator (US); Philip Tinari: Director, Ullens Center for Contemporary Art (China).