Sentences with phrase «american independent film»

Having come up through the American independent film movement of the early - mid» 00s commonly known as «mumblecore», Greta Gerwig began her career as an actor in a number of low budget films that would typically revolve around the complicated love lives of self - involved, twentysomething hipsters living in New York City.

Sundance has grown from the small American independent film festival it was 30 years ago, and now has about a dozen sections with some presenting films in competition, and other sections presenting films out of competition.

And it ought to be the last word on American independent film's receding infatuation with the noir / crime movie genre.

«Burning Sands» is one of 16 narrative feature films that has been chosen to play during the festival's Dramatic Competition, which offers audiences a first look at groundbreaking new voices in American independent film.

Well, the acclaimed 2001 American independent film Memento put him on the map.

Editor's note: Filmmaker Ramin Bahrani has been a major presence in American independent film since his 2005 debut, «Man Push Cart.»

I had the opportunity to view the first Kelly Reichardt film River Of Grass at an American Independent film Festival in Melbourne this year.

But Swanberg and Gerwig also have a gift for constructing the kind of moments rarely seen in contemporary American independent film.

At its peak, a Weinstein campaign's optics had the power to silence the competition and absorb all the attention in the room, well beyond awards season: For much of the country, Weinstein and his movies became synonymous with American independent film.

And then there's The Color Wheel, a comedy that somehow marries the hectic, will - they - make - it - to - the - end - before - the - film - collapses mania of classic screwball with the warts -» n - all nature of contemporary American independent film.

Cast: Zac Efron, Dennis Quaid, Heather Graham, Clancy Brown, Kim Dickens Program: Special Presentations Headline: Rain on the scarecrow, whatnot Noel's Take: Ramin Bahrani's Man Push Cart, Chop Shop and Goodbye Solo all belong on the top shelf of recent American independent film, but ye gods is his At Any Price ever a misfire.

Todd Haynes (born January 2, 1961) is an American independent film director.

He pioneered a staccato style that would become highly imitated, but playwright, screenwriter and director David Mamet is still one of the more distinctive voices in American independent film — one that will be celebrated at the Aero Theatre in Santa Monica in the coming weeks.

I was reflecting upon this recently — and in particular an interview with the director of an American independent film, with major stars, that released last year — and it struck me doubly disheartening because it's (generally) not like these people are complete idiots.

If Andrew Fleming «s next film shores up in Park City, it'll be an almost unrecognizable American independent film landscape from the Sundance of then (2008), and the Sundance of now.

Another writer - director who was himself, like Fuller, at the forefront of a particularly important moment in the history of American independent film, John Sayles, used his time introducing Park Row to eloquently characterize the film, in one of the overall best, most informed, beautifully delivered speaker presentations I've ever seen at TCMFF, as «Citizen Kane printed on butcher paper.»

Film Independent has announced the nominations for the 31st annual Spirit Awards, which celebrates the very best in American independent film.

They're doing this quietly, but they're one of the great producers of American independent film though they're based in the U.K.»

Amy Seimetz («Upstream Color») Over the last few years, Amy Seimetz hasn't come anywhere near threatening to crack the mainstream, but has served as a sort of «Zelig «- figure for a particular kind of American independent film, crossing paths with many of the most notable players in the scene in some way or another.

Presenting the world premieres of sixteen narrative feature films, the Dramatic Competition offers Festivalgoers a first look at groundbreaking new voices in American independent film.

That's a particular corner of the American independent film landscape we're talking about, but that's the medium: one corner, leading to another corner, to another intersection where something amazing might happen when it's show time.

As a proven artist pipeline, the American independent film sector is one place where opportunities exist to create change.

Looking back to celebrate these groundbreaking storytellers reframes and expands the dominant narrative typically recounted about American independent film.

Self - taught writer - director Richard Linklater was among the first and most successful talents to emerge during the American independent film renaissance of the 1990s.

As an actor Buscemi has practically become a poster boy for the modern American independent film movement.

Skinny, bug - eyed Steve Buscemi, the twitchy actor du jour of American independent films, makes a striking directorial feature - film debut with «Trees Lounge,» in which he also stars as a twitchy, hyperkinetic loser.

But unlike too many American independent films, this one isn't essentially a PDF of the script acted out for a cinematographer who knows how to light faces.

Since 1985, the Sundance Film Festival (formal title since 1991) has become the preeminent showcase for American Independent films in the world.

The 1983 festival ushered in the «New Wave» retrospective of innovative American independent films from 1958 - 1967 while 1984 ushered out the video program.

One of the great American independent films of the 1990s, writer - director Whit Stillman's surprise hit Metropolitan is a sparkling comedic chronicle of a young man's romantic misadventures while trying to fit in to New York City's debutante society.

One of the great American independent films of the 1990s, the surprise hit Metropolitan, by writer - director Whit Stillman, is a sparkling comedic chronicle of a young man's romantic misadventures while trying to fit in to New York City's debutante society.

This delicate, novelistic character study is what more American independent films would be like if more were made by thoughtful grown - ups who gravitated toward nuance and complexity.

Jenkins begins taking percussion lessons from Sleiman, and as they give in to the rhythm, an unlikely friendship develops, though in American independent films, unlikely friendships tend to develop with more frequency than in the real world.

Though more commonly known as a cradle for American independent films, the Sundance Film Festival has also premiered some notable films through its World Cinema Competition section over the years.

Michael Moore's screed against the American health care system Sicko, Laura Dunn's cosmic meditation on the environment and political action The Unforeseen — MIFF 2007, Julian Temple's ultimate music documentary, Joe Strummer: The Future is Unwritten — MIFF 2007, Chris Smith's poetic parable of class and poverty The Pool — MIFF 2007, Shane Meadows pitch perfect recreation of 80's England, This is England, and finally, a year late because I saw it late, Ryan Fleck and Anna Boden's Half Nelson, which would make my top five in any year and is easily one of the best American independent films of the decade.

Not exact matches

Sundance bestows status to independent films; simply by being screened at the legendary venue which recognized iconic sex, lies and videotape, American Splendor, and the like; being picked up by a movie studio is a sure path to mass audiences and used to be every filmmaker's Holy Grail.

Mr. Jackson (also known as Sekou Molefi Baako) is an East Elmhurst resident with a long history of community service, including 36 years as Executive Director of the Queens Library's Langston Hughes Community Library and Cultural Center, a full - service, general circulation library with an extensive reference collection of materials related to African American history and culture, and a cultural arts program that offers a variety of programming of independent film video screenings, stage presentations, panel discussions, concerts, art exhibitions and more.

Night of the Living Dead is a 1968 American independent horror film directed, shot and edited by George A. Romero, co-written by Romero and John Russo, and Bobby Lee LIVE from MADtv, Chelsea Lately and Harold & Kumar Go to White Castle at Arlington Drafthouse.

Free XXX Porn Tube at Night of the Living Dead is a 1968 American independent horror film directed, shot and edited by George A. Romero, co-written by Romero and John Russo, and

Prior to American Beauty, Bentley's film experience had been limited to roles in independent films such as Three Below Zero and Halfway to Pleasantville, and a small part in Jonathan Demme's Beloved.

It's one of the best independent American films of the last decade, playing on current concerns about the future of the planet.

Gregg Araki (born December 17, 1959) is an American film director of independent and gay films.

John Sayles and Maggie Renzi are heroes of the American independent movement — filmmakers who create films of their choosing on terms of their own making.

The film is highly influenced by American independent cinema.

Festival organisers have revealed the slate of films by American and international directors that will be in competition at the independent film showcase, which runs from January 22 to 31.

INDEPENDENT & FOREIGN FILMS Bordertown (R for sexuality, nudity, profanity, and violence, including a brutal rape) Jennifer Lopez stars in this fact - based thriller about an American journalist who goes undercover to investigate the murders of hundreds of women near U.S. - owned factories located in a Mexican town just across the border.

is a notable independent American film.

He burst onto the scene in 2013 with Fruitvale Station, a low budget independent film that premiered at Sundance and told the true story of a 22 - year - old African American who was killed by police in Oakland.

Robert Altman and Francis Ford Coppola, arguably the two pivotal figures of American cinema in the 1970s, both rose from the turmoil of the transition from studio - based to independent production, to emerge as leading forces in film production as well as film style.

FIlm Festival Official Selection - American Independent Film Festival Official Selection - California Independent FIlm Festival Official Selection - Hollywood Film Festival Official Selection - Southern California Independent Festival Official Selection - Landlocked Film Festival