Sentences with phrase «american landscape»

His work examines deep ecology, radical environmentalism, and dark histories of the American landscape — advancing subtext by proposing a narrative: a dissection of the architecture of anarchy.

What always united her diffuse ideas was a wry intelligence for materials and an absolute devotion to the unspoken tensions and traumas manifest in the American landscape.

In these works, Fernandéz references the «slash - and - burn» technique used by Native Americans to create land for farming through the deliberate burning of forests, a process that essentially designed the American landscape.

Activities include discussions of American landscape painting, Manifest Destiny, Transcendentalism, and new perspectives offered by women and African Americans.

Highlighting the contrast between the idealized Chinese landscape and the actual American landscape, Carrión throws into relief the effects of human intervention.

Carly Drew examines our ever changing relationships to place through layers of personal history, industrial changes to the terrain and the rich American landscape painting traditions.

Greta Van Campen's paintings explore both the urban and rural American landscape in a distilled and geometric fashion.

D'Arcangelo utilized a vocabulary of road signs, electrical wires, underpasses and gasoline logos to form a graphic, stylized American landscape.

American landscape paintings from the mid-19th century onward, elevated the viewer situating his or her vantage point high above in both a spatial and symbolic inversion of power.

For his latest exhibition, Ryan McGinley has shifted his focus away from constructing a youthful sublime within the boundless American landscape and has concentrated instead on creating imagery within the confines of his New York studio.

This exhibition will highlight contemporary landscape and nightscape images, bringing attention to the serenity and natural beauty of the American landscape, highlighting critical environmental issues, and presenting playful and thought - provoking ways to intervene with the natural world.

He creates a world in which objects and characters of outlandish shapes and sizes populate an American landscape of pop music, suburbia, and screwball comedy.

The duo met with artists across the American landscape for 10 consecutive months in search of the most compelling American art being created today.

Alex Katz has been painting the American landscape since the 1950s.

Bozzi's work is more scaled - down and condensed, but both artists depict a straightforward, sober American landscape without epic markers or glorifications.

Painted Landscapes: Contemporary Views features American landscape paintings executed in a variety of media from 49 of the country's best contemporary painters.

The first is the genre of heroic mid-19th-century American landscape painting.

Since then, the car has come to be a symbol of America, notably celebrated by Pop Artists that photographed the American landscape such as, Ed Ruscha and Lee Friedlander, and by John Chamberlain who brought Abstract Expressionism into three...

As a Van Lier Fellow at MAD, Hoffman will explore the history of American landscape painting through invented narrative and material experimentation.

Through Jan. 6 Benjamin Genocchio reviews: «For this exhibition, a handy coda to shows of Asher B. Durand's works at the Brooklyn Museum and the New - York Historical Society, the National Academy has borrowed eight major 19th - century American landscape paintings from the Berkshire Museum in Pittsfield, Mass., most of them never before shown in New York.

Albert Bierstadt's Hetch Hetchy Canyon, a masterpiece of American landscape painting, was the first gift to the MHCAM at its founding in 1876.

His intimate and idiosyncratic paintings, which include imagery largely drawn from the American landscape, do not scream for attention, yet when given it, they emanate a restrained power that only the best art possesses.

Having begun his artistic career in the Art Society of Hartford, Connecticut, Avery was initially inspired by famed American landscape artists such as Ernest Lawson and John Henry Twachtman.

His large, usually dark canvases call to mind the natural world and the primordial American landscape, simultaneously wonderful and terrifying and their torn, gestural quality speaks to the classic Abstract Expressionist themes of struggle and the human condition, of man against the void.

Her more recent artistic work involves large - scale paintings that explore the American landscape.

Ernest Lawson (1873 - 1939) Canadian - American landscape painter and member of The Eight.

Since the first decades of European settlement, American identity has revolved around a handful of promises, among them: the awesome nature of the American landscape, the bounty of the American West, and the opportunity of the American city or settlement.

She was the only female participant in the Precisionist movement, which in the 1920s and 1930s took a Cubist - inspired approach to painting the skyscrapers and factories that had come to define the new American landscape.

Lisa Sanditz is an artist whose work investigates the collision of the natural and built environment in the American landscape through historically anchored and formally complex paintings, drawings, and, most recently, sculptures.

In a gallery focused on the American landscape, Albert Bierstadt's majestic view of the newly explored Western territories, A Storm in the Rocky Mountains, Mt. Rosalie (1866), is set against a display of dinnerware machine - printed with scenes of the Hudson River Valley and California, produced in England for middle - class American consumers.

The lonely, desolate American landscape encompassing the paintings» subjects serves as an exploration of nature's sacredness and a reflection of the human soul, symbolising all things powerful, fragile, and eternal.

The images feel rooted in the romance of the American landscape, yet his work has a signature that always refers back to its inhabitants, reflecting the artist's personable nature and patient observation.

Several African American artists are represented in the inaugural show, beginning chronologically with Robert Scott Duncanson (1821 — 72), said to be the first internationally successful African American landscape painter, and ending with recent work by Kerry James Marshall and Kara Walker.

He was a central figure in the Hudson River School of American landscape painters.

It concludes with an examination of Cole's extraordinary legacy in the work of the next generation of American landscape painters whom he personally mentored, notably Asher B. Durand and Frederic E. Church.

Frederic Edwin Church was an American landscape painter born in Hartford, Connecticut.

If you think of Thomas Hart Benton paintings you think of an extraordinary romantic vision of the American landscape.

He has always been interested in painting vehicles and scenes that have defined the evolution of the American landscape.

Sanditz's paintings obsess over peculiar features in the post-industrial American landscape such as circular farms, shopping malls, trees halved by power lines.

This is the first exhibition to focus on the little - known fact that the renowned leader of the Hudson River School of American landscape painting realized three buildings and had plans for others before his untimely death.

In Dan Attoe's work landscape plays a significant role and moreover the American landscape.

Her central images have the atmosphere of a late Romantic American landscape.

The New - York Historical Society organized the exhibition with works selected from their rich collections of 19th - century American landscape painting.

The mythic American landscape — long held to subtend the movement's biomorphic shapes and totemic figures floating or swirling in dense tonalities of iconic color fields — assumed an Alexandrian cast in the West.

NEW ORLEANS, LA - Seeing Nature: Landscape Masterworks from the Paul G. Allen Family Collection features 39 masterpieces exploring the evolution of European and American landscape painting from the collection of Paul G. Allen, Microsoft co-founder and philanthropist.

Howard Greenberg Gallery is pleased to present — One Thing and Another — an exhibition of work by leading American landscape photographer, Frank Gohlke.

American landscape painting and work by Long Island artists, past and present, are particular strengths, as is American and European modernism.

«Seeing Nature: Landscape Masterworks from the Paul G. Allen Family Collection» features 39 masterpieces exploring the evolution of European and American landscape painting.

Adams» oeuvre marks a transition in the representation of the American landscape, shifting from an attempt to capture the beauty of the sublime landscape to more complex investigations into the environmental, social and political changes wrought on the land during the last century.

Yet all seven painters share one common bond — their work is a contemporary interpretation of the centuries - old tradition of American landscape painting.