Sentences with phrase «american literature»

She was educated abroad from the age of 13 to 30 — in Switzerland, the United States, and receiving her PhD in English and American Literature from the University of Oklahoma.

Anna graduated from Brown University with a B.A. in English and American Literature and received her J.D. from U.C. Berkeley School of Law where she served as an Associate Editor of the California Law Review.

The Attic style has a storied history in British and American literature and law.

The discussion above, of course, isn't a comprehensive treatment of the influence of the Attic style on 19th - and 20th - Century British and American literature and law.

«Over the course of the year we will mount the first major Irish exhibitions from internationally renowned artists Stan Douglas and Karla Black, as well as an exhibition of the work of poet, artist and writer Etel Adnan; one of the leading voices in contemporary Arab American literature since the 1960s.

[3][3] Hartley to Alfred Stieglitz, Feb. 1913, Yale Collection of American Literature, quoted in Patricia McDonnell, ««Portrait of Berlin»: Marsden Hartley and Urban Modernism in Expressionist Berlin,» in Marsden Hartley, ed.

«I am working out some war motifs which people praise highly,» Hartley wrote to Alfred Stieglitz, Nov. 3, 1914, Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library, quoted in Patricia McDonnell, ««Portrait of Berlin»: Marsden Hartley and Urban Modernism in Expressionist Berlin,» in Marsden Hartley, ed.

Hartley to Stieglitz, May 1913, Yale Collection of American Literature, quoted in Patricia McDonnell, «Changes of Heart: Marsden Hartley's Ideas and Art,» in Marsden Hartley: American Modern; Selections from the Ione and Hudson Walker Collection, Frederick R. Weisman Art Museum, ed.

Hartley to Alfred Stieglitz, Feb. 1913, Yale Collection of American Literature, quoted in Patricia McDonnell, ««Portrait of Berlin»: Marsden Hartley and Urban Modernism in Expressionist Berlin,» in Marsden Hartley, ed.

The exhibition was initially inspired by a personal interest in Latin American literature and its distinct tradition of storytelling.

Elizabeth Mankin Kornhauser (Hartford, CT, 2002), 43; see also n. 113, which quotes Hartley's letter to Stieglitz of Oct. 23, 1914, Yale Collection of American Literature, in which Hartley writes of «sit [ting] alone much the spectator of the great tragedy of the heart & soul of mankind — I can not set up and work.»

In April 1914, reunited in Berlin with Freyburg and his cousin, the sculptor Arnold Rönnebeck, both of whom he had met during his first European trip in 1912 − 1913, Hartley resumed his enthusiastic embrace of the «movement and energy» of the fast - growing modern metropolis [5][5] Hartley to Stieglitz, May 1913, Yale Collection of American Literature, quoted in Patricia McDonnell, «Changes of Heart: Marsden Hartley's Ideas and Art,» in Marsden Hartley: American Modern; Selections from the Ione and Hudson Walker Collection, Frederick R. Weisman Art Museum, ed.

While she is recognized as one of the most important voices in Arab - American literature, wider acclaim for her paintings began to accrue after Adnan's inclusion in Documenta 13 in 2012 and 2014 Whitney Biennial..

In «Painting in Sound,» a 1985 essay by John A. Williams published in Black American Literature Forum, the professor of English and journalism at Rutgers University writes that Middleton «thought then that the music was so fantastic that it ought to be in color.»

Though The Oxford Encyclopedia of British Literature sees Modernism ending by c. 1939, [16] with regard to British and American literature, «When (if) Modernism petered out and postmodernism began has been contested almost as hotly as when the transition from Victorianism to Modernism occurred».

Tulane's New Orleans Center for the Gulf South, A Blade of Grass Foundation, Socially Engaged Artist Fellowship, Antenna, Art Matters, The Givens Foundation for African American Literature, The Kindle Project, The Joan Mitchel Center, The MAP Fund / Creative Capital, The McColl Center for Art + Innovation, Open Society Foundation Documentary Photography Project Moving Walls Grant, Smack Mellon

Her research and teaching interests focus on African - American literature and visual culture.

Writers such as Jack Kerouac and Allan Ginsburg were leading figures in American literature during this time while Dean Martin, Jerry Lewis, and Thelonious Monk were predominant on the entertainment and jazz scene in the circles frequented by Rosenquist.

A milestone in American literature, the novel is narrated by a black man who feels socially invisible.

Courtesy of Yale Collection of American Literature, Beinecke Rare Books and Manuscript Collection.

SCOTT ROTHKOPF: A lot of Glenn's work deals specifically with subject matter from black history, African American literature, and for that reason, it's often been discussed in terms of its engagement with questions of identity as they relate to race.

Her books include Barriers Between Us: Interracial Sex in Nineteenth - Century American Literature (Indiana UP 2004), and Violence, Visual Culture, and the Black Male Body (Routledge 2010).

Bui: I always felt Ryder was to American painting as Melville was to American literature.

Fifteen years ago, Ligon wandered around the Givens Collection of African American Literature at the University of Minnesota and it soon became clear to him that «one could trace a history of black people in the United States simply by examining how we were represented on book covers.»

These include his relationship with education, his links with modernist architecture, his view of the tradition of painting and of American literature, and his approach to the vernacular, popular culture, youthful initiatory rites and styles of musical subcultures.

Adnan was born in 1925 in Beruit and has been one of the leading voices in contemporary Arab American literature since the 1960s.

One of the leading voices in contemporary Arab American literature since the 1960s, the Adnan exhibition includes a selection of her publications, from her iconic novel Sitt Marie - Rose (Éditions des femmes, 1978) to the Etel Adnan reader, To Look At The Sea Is To Become What One Is (Nightboat Books, 2014).

His first novel, Raining Sardines, received the Americas Honors for Latin American Literature, while 90 Miles to Havana received the Pura Belpre Honors Award from the American Library Association.

Slave Rebellion Reenactment is / has been supported in part by: A Blade of Grass Foundation, Socially Engaged Artist Fellowship; Antenna; Art Matters; The Givens Foundation for African American Literature; The Kindle Project; The Joan Mitchel Center; The MAP Fund / Creative Capital; The McColl Center for Art + Innovation; Open Society Foundations; Smack Mellon as well as generous contributions from individual donors.

Homi K. Bhabha is Anne F. Rothenberg Professor of English and American Literature at Harvard University and visiting Professor in the Humanities at University College, London.

During the Harlem Renaissance in the United States, a cultural movement in the 1920s and 1930s that brought the explosion of African - American literature, music and art, African - American artists aimed to re-conceptualize their identity and represent their heritage and tradition with a sense of cultural pride.

Introduced to art and American literature by a grade - school teacher, he studied at the School of the Art Institute of Chicago on the G.I Bill after mustering out of the Army Air Corps.

Berrigan and Padgett's collaboration is emblematic of the New York School culture's rebuttal of stodgy, self - serious American literature, but more importantly (thank God), it's fun — whatever the duo was attempting, lofty or not, they were having a damn good time getting there, two artists riffing on their shared interests behind a typewriter, not unlike those Brainard monkeys on the second page.

He holds a degree in English and Spanish American Literature from the University of Warwick, and an MA in English Literature: Critical Theory, from the University of Sussex.

A retrospective of artist Glenn Ligon's work at the Whitney Museum provides a backdrop for his personal history growing up in New York, as well as for the disparate influences that contribute to his mature work — from DeKooning, to children's coloring books of the 1970's, to classics of American literature by writers such as Gertrude Stein or Zora Neale Hurston.

«Over the course of the year we will mount the first major Irish exhibitions from internationally renowned artists and, as well as an exhibition of the work of poet, artist and writer; one of the leading voices in contemporary Arab American literature since the 1960s.

The 1973 Love stamp was one of the most widely distributed Pop Art images ever (300 million were issued), but his subject matter is drawn from decidedly un-Pop American literature and poetry.

In this he was perhaps well advised, for in Kandinsky's own day German experimental psychology had already begun to undermine the whole project of a possible color language, and this development was reported in some detail in the American literature of experimental aesthetics,» Gage noted.

Today, 160 years after its first publication, Walden is firmly ensconced in the canon of great American literature.

The expatriate American poets T.S. Eliot and Ezra Pound were so European embedded they helped initiate a poetic modernist movement in Europe that was to influence North American literature as though from a foreign source.

His essays have appeared in, among other places, American Literature, American Literary History, Callaloo, Afterimage, Small Axe, The Chronicle of Higher Education, Women and Performance, Social Text, Transition, Studies in the Novel, The African American Review, Feminist Formations, and Radical America.

Cortez received her BA in Latin American history from Arizona State University, in 1994; MA in Spanish from Arizona State University, in 1996; PhD in Latin American literature from Arizona State University, in 1999; MA in visual arts from California State University, Northridge, in 2013; and MFA from California Institute of the Arts, in 2015.

Råberg earned her MFA in Photography from the School of the Art Institute of Chicago and her BA in American Literature from Oberlin College.

Her research explores the role of African - American literature in the creation of radical Black political consciousness, particularly as it relates to local elections and Democratic populism during the Progressive Era.

Fortunately for world literature, Berkeley rejected Pynchon, who went on to write several of the greatest works of postwar American literature, including

It happens in all sorts of cultural fields — think of the shift from Bret Easton Ellis to David Foster Wallace in American literature, or from Punk to Post-Punk.

Katherine Stubbs is associate professor of English at Colby College, where she teaches eighteenth and nineteenth - century US American literature; she recently developed a course on US Orientalisms and Arab American literature.

She is currently working on a manuscript called Imponderables: American Literature and the Scientific Epistemologies of Early Photography.

He completed his PhD in English and American Literature at Stanford University in 2011 and his bachelor's degree at Princeton University in 2002.

As part of a national event, VMFA staff and members of the community share African American literature through readings, poetry, and speeches.