Sentences with phrase «american modern and contemporary artists»

His years - long mantra, that in order to push the Western canon of art history in a more diverse and representational direction images of black people and the black experience should hang in museums alongside the so - called «masters,» dovetailed with a promising moment for a select group of African American modern and contemporary artists.

Not exact matches

Modern and contemporary Latin American art; 19th - century traveler artists to Latin America; colonial art and objects from Latin America; Amazonian ethnographic objects

Caracas, Venezuela; Dominican Republic; New York Media, entertainment, telecommunications, consumer products, and travel resorts 19th - century traveler artists to Latin America; Amazonian ethnographic objects; colonial art and objects from Latin America; Modern and contemporary Latin American art Top 200 appearance: 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016

19th - century traveler artists to Latin America; Amazonian ethnographic objects; colonial art and objects from Latin America; Modern and contemporary Latin American art

Caracas, Venezuela; Dominican Republic; New York Media; Entertainment; Telecommunications; Consumer products; Travel resorts Modern and contemporary Latin American art; 19th - century traveler artists to Latin America; colonial art and objects from Latin America; Amazonian ethnographic objects Top 200 appearance: 1990, 1991, 1992, 1993, 1994, 1995, 1996, 1997, 2017

Work by the artist is held in public collections including The Broad Art Foundation, Santa Monica, California; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Los Angeles County Museum of Art; Museum of Contemporary Art, Tokyo; The Museum of Modern Art, New York; National Gallery of Art, Washington, D.C.; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Stedelijk Museum, Amsterdam; Tate Gallery, London; and the Whitney Museum of American Art, New York.

While Johnson's works are grounded in a dialogue with modern and contemporary art history, specifically abstraction and appropriation, they also give voice to an Afro - futurist narrative in which the artist commingles references to experimental musician Sun Ra, jazz great Miles Davis, and rap group Public Enemy, to name just a few, with various symbols including that of Sigma Pi Phi (also known as the Boulé), the first African American Greek - letter organization, and writings by civil rights activist W. E. B. Du Bois, among others.

This major touring exhibition organized by the National Gallery of Art (Washington, DC) examines the shifting identity of American self - taught artists and offers an unprecedented overview of their profound impact on the evolution of modern and contemporary art.

Performa Curatorial Advisory Board Marina Abramovic, Artist and Teacher Massimiliano Gioni, Curator, New Museum for Contemporary Art Yuko Hasegawa, Curator Jens Hoffmann, Deputy Director, The Jewish Museum Chrissie Iles, Curator, Whitney Museum of American Art Joan Jonas, Artist Lois Keidan, Director, Live Art Development Agency, UK William Kentridge, Artist Joseph V. Melillo, Executive Director, Brooklyn Academy of Music Paul D. Miller, Musician Meredith Monk, Artist Hans Ulrich Obrist, Independent Curator Yoko Ono, Artist Lisa Phillips, Henry Luce III Dir., New Museum Contemporary Art Catherine Wood, Curator, Tate Modern Octavio Zaya, Independent Curator

«Pose and Sculpture,» curated by Daniel Baumann, Casey Kaplan, New York, NY, June 30 — August 4, 2006 «Two or Three or Something: Maria Lassnig, Liz Larner,» Kunsthaus Graz, February 4 — May 7, 2006 «Whitney Biennial 2006: Day for Night,» Whitney Museum of American Art, New York, NY, March 2 - May 28, 2006 «Gone Formalism,» Institute of Contemporary Art at the University of Pennsylvania, Pittsburg, January 21 — March 26, 2006 2005 «Extreme Abstraction,» curated by Louis Grachos and Claire Schneider, Albright Knox Art Gallery, Buffalo, NY, July 15 — October 2, 2005, catalogue «The The,» curated by Stuart Shave, Modern Art, London, July 8 — August 7, 2005 «The Meeting,» curated by Kathryn Andrews, Center for the Arts of Eagle Rock, Los Angeles, CA, May 27 — July 2, 2005 2004 «Showdown,» curated by Kimberli Meyer and Fritz Haeg, Schindler House, Los Angeles, October 22 — 23, 2004 «Full House,» curated by David Pagel, East Gallery, Claremont Graduate University, Claremont, CA, August 16 - September 10, 2004 «100 Artist See God,» curated by John Baldessari and Meg Cranston, The Jewish Museum San Francisco, March 7 — June 27, 2004; Laguna Art Museum, Laguna Beach, CA, July 25 — October 3, 2004; Institute of Contemporary Art, London, England, November 19, 2004 — January 9, 2005; Contemporary Art Center of Virginia, Virginia Beach, Virginia, June 9 — September 4, 2005, catalogue «The Thought that Counts,» curated by Jason Meadows, Sister Gallery, Los Angeles, CA 2003 «Inaugural Exhibition,» Regen Projects, Los Angeles, CA, January 25 - March 8 «Within Hours We Would Be in the Middle of Nowhere,» 303 Gallery, New York, NY, July 19 — August 29, 2003 neugerriemschneider, Berlin, Germany «Popstraction,» curated by Paola Antonelli, curator of Architecture and Design at MOMA and independent curator and writer, Eungie Joo, Deitch Projects, New York, NY, catalogue «Imagination: Perception in Art,» curated by Peter Pakesch and Martin Prinzhorn, Kunsthaus Graz, Graz, Austria, October 25, 2003 — January 18, 2004, catalogue Tanya Bonakdar Gallery, New York, NY, November 20, 2003 — January 10, 2004 2002

The contemporary American artist said he aims to bring «landscape painting up to date» by liberating color, being free in his application and just generally trying to be «more modern than most landscape painters are.»

Traveled to Worcester Art Museum, Worcester, Massachusetts (October 3 — November 25); Grey Art Gallery, New York University, New York (January 15 — February 23, 1985); Contemporary Arts Center, Cincinnati (March 14 — April 27, 1985); Albright - Knox Art Gallery, Buffalo (September 14 — November 3, 1985) and Archer M. Huntington Art Gallery, University of Texas at Austin (January 12 — February 23, 1986) Sur Invitation, Musée des Arts Décoratifs, Paris (June 6 — September 17) Olympic Arts Festival Los Angeles 1984, Newport Harbor Art Museum, Newport Harbor, California (June 1 — September 9) Selections from the Permanent Collection: Paintings and Sculpture, Museum of Modern Art, New York (opened May 17) Three Painters, Three Decades: Lee Krasner — Joan Mitchell — Pat Steir, Harcus Gallery, Boston (May 5 — June 20) XXIX Salon de Montrouge, Art Contemporain, Peinture — Sculpture — Dessin, Montrouge, France (May 2 — June 3) Aspects de la Peinture Contemporaine (1945 — 1983), Musée d'art moderne de Troyes, France (April 29 — June 18) Vent «anni d'arte in Francia, 1960 — 1980, Association Française d'Action Artistique, Galleria comunale d'arte moderna di Bologna (March — April) Master Drawings: 1928 — 1984, Janie C. Lee Gallery, Houston (March 7 — April) La Part des Femmes dans l'Art Contemporain, Galerie Municipale, Vitry - sur - Seine, France (March) American Women Artists, Part I: 20th Century Pioneers, Sidney Janis Gallery, New York (January12 — February 4)

«Black Fire: A Constant State of Revolution» Featuring works by modern and contemporary artists, «Fire» includes works by Hendricks, Cox, Robert Colescott and Martin Puryear, among others that reflect the African American experience from 1964 to the present.

The New York auction house is collaborating with Drake, commissioning the rapper / musician to program a playlist for its selling exhibition of modern and contemporary works by 31 major African American artists, including Jean - Michel Basquiat, Mark Bradford, Nick Cave, Njideka Akunyili Crosby, Theaster Gates, David Hammons, Barkley L. Hendricks, Glenn Ligon, Wangechi Mutu, John Outterbridge, Faith Ringgold, Betye Saar and Lorna Simpson.

«From Thornton Dial's magisterial constructions to the emblematic compositions by the Gee's Bend quilters from the 1930s onwards, this extraordinary group of works contributes immeasurably to the Museum's representation of works by contemporary American artists and augments on a historic scale its holdings of contemporary art,» said Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art at the Metropolitan Museum, in a museum prcontemporary American artists and augments on a historic scale its holdings of contemporary art,» said Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art at the Metropolitan Museum, in a museum prcontemporary art,» said Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art at the Metropolitan Museum, in a museum prContemporary Art at the Metropolitan Museum, in a museum press release.

The artist's work is included in numerous museum collections worldwide including the Museum of Modern Art, New York; Whitney Museum of American Art, New York; The Solomon R. Guggenheim Museum, New York; Los Angeles County Museum of Art, Los Angeles; Walker Art Center, Minneapolis; Tate, London; Leeum, Seoul; Artsonje Center, Seoul; Museum of Contemporary Art, Tokyo; Mori Art Museum, Tokyo; and 21st Century Museum of Contemporary Art, Kanazawa, among many others.

Representation of artists from diverse backgrounds — or a lack thereof — is an ongoing concern for museums, particularly those like the Whitney Museum of American Art, whose programme aims to cover the full scope of modern and contemporary art in the US.

Kat Griefen, an art dealer and art historian, is the co-owner of Accola Griefen, which focuses on modern and contemporary art by American women artists and feminist artists of historical significance.

Previously Chief Curator at the Museum of Arts and Design, Sims has helped to diversify and enrich understandings of American modern and contemporary art through her scholarship and support of minority American artists.

Rather, in 2010 it launched the Modern Women's Project, «the first effort by a major North American museum to examine its collection by highlighting the production of modern and contemporary women artists&rModern Women's Project, «the first effort by a major North American museum to examine its collection by highlighting the production of modern and contemporary women artists&rmodern and contemporary women artists».

«America Is Hard to See» (until 27 September) presents more than 600 works by 400 artists, not as a comprehensive survey of modern and contemporary American art, but as a series of investigations — curated essays, if you will — over 23 thematic «chapters».

Marina Abramovic, Artist and Teacher Massimiliano Gioni, Curator, New Museum of Contemporary Art Yuko Hasegawa, Curator Chrissie Iles, Curator, Whitney Museum of American Art Joan Jonas, Artist Lois Keidan, Director, Live Art Development Agency, UK William Kentridge, Artist Joseph V. Melillo, Executive Director, Brooklyn Academy of Music Paul D. Miller, Musician Meredith Monk, Artist Hans Ulrich Obrist, Independent Curator Yoko Ono, Artist Lisa Phillips, Toby Devan Lewis Director, New Museum of Contemporary Art Catherine Wood, Curator, Tate Modern Octavio Zaya, Independent Curator

1969 New American Painting and Sculpture, Museum of Modern Art, New York, NY Posters by Artists, Finch College Museum, New York, NY Sixth Biennial National Religious Art Exhibition, Cranbrook Academy of Art, Bloomfield Hills, MI Centennial Exhibition, Lincoln University, Lincoln, PA Ten Afro - American Artists, Mount Holyoke College, South Hadley, MA The First Generation, Museum of Modern Art, New York, NY Homage to Martin Luther King, Museum of Modern Art, New York, NY Contemporary American Painting, Whitney Museum of American Art, New York, NY

Pittsburgh International Exhibition of Painting and Sculpture, Museum of Art, Carnegie Institute, Pittsburgh, PA Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, NY Two Decades of American Painting, National Gallery of Victoria, Melbourne, Australia 1966 Six Artists from New York, San Francisco Museum of Art, San Francisco, CA Seven Decades of Modern Art, Public Education Association, Cordier - Ekstrom, New York, NY Harry Abrams Family Collection, The Jewish Museum, New York, NY Systemic Painting, Solomon R. Guggenheim Museum, New York, NY Group Show, Leo Castelli Gallery, New York, NY 68th American Exhibition, Art Institute of Chicago, Chicago, IL

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

2017 Third Space: Shifting Conversations about Contemporary Art, Birmingham Museum of Art, Birmingham, AL We Wanted a Revolution: Black Radical Women, 1965 — 85, Brooklyn Museum, Brooklyn, NY; California African American Museum, Los Angeles, CA; Albright - Knox Art Gallery, Buffalo, NY; Institute of Contemporary Art, Boston, MA Magnetic Fields: Conversations in Abstraction by Black Women Artists 1960 - Present, Kemper Museum of Contemporary Art, Kansas City, MO; National Museum of Women in the Arts, Washington, DC; Museum of Fine Arts, St. Petersburg, St. Petersburg, FL Approaching Abstraction: African American Art from the Permanent Collection, La Salle University Art Museum, Philadelphia, PA 20/20: The Studio Museum in Harlem and Carnegie Museum of Art, Carnegie Museum of Art, Carnegie Institute, Pittsburgh, PA Making Space: Women Artists and Postwar Abstraction, The Museum of Modern Art, New York, NY The Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY MIDTOWN, Salon 94 at Lever House, New York, NY

It's also etched with the names of 392,486 contemporary and modern artists, according to the Whitney Museum of American Art.

Senior Curator, American Indian Cultural Center & Museum, OKC, OK Rachel Cook, Artistic Director, On the Boards, Seattle, WA Rebecca Hart, Curator of Modern and Contemporary Art, Denver Art Museum, Denver, CO Orit Gat, Editor for art - agenda, London and NYC, NY Lauren Haynes, Curator of Contemporary Art, Crystal Bridges, Bentonville, AR Zoe Larkins, Assistant Curator, Museum of Contemporary Art, Denver, CO Sharon Louden, Artist, Advocate for Artists, and Editor, New York City, NY Michael W. Maizels, Assistant Professor of Art History University of Arkansas, Fayetteville, AR Kirsten Olds, Ph.D..

Arkansas Arts Center, Little Rock, AR Armand Hammer Museum of Art and Cultural Center, University of California, Los Angeles, CA Art Institute of Chicago, Chicago, IL Birmingham Museum of Art, Birmingham, AL Brooklyn Museum of Art, Brooklyn, NY California African American Museum, Los Angeles, CA Chrysler Museum of Art, Norfolk, VA Crystal Bridges Museum of American Art, Bentonville, AR Colby College Museum of Art, Waterville, ME Dayton Art Institute, Dayton, OH Denver Art Museum, Denver, CO Detroit Institute of Arts, Detroit, MI Greenville County Museum of Art, Greenville, SC Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Herter Art Gallery, University of Massachusetts, Amherst, MA Hirshhorn Museum and Sculpture Garden, Washington, DC Indianapolis Museum of Art, Indianapolis, IN LaJolla Museum of Art, LaJolla, CA The Metropolitan Museum of Art, New York, NY Minneapolis Institute of Arts, Minneapolis, MN Mint Museum of Art, Charlotte, NC Munson - Williams - Proctor Institute, Museum of Art, Utica, NY Museum of Contemporary Art, Chicago, IL Museum of Fine Arts, Boston, MA Museum of Fine Arts, St. Petersburg, FL The Museum of Modern Art, New York, NY Museum of the National Center of Afro American Artists, Boston, MA Nasher Museum of Art, Duke University, Durham, NC National Gallery of Art, Washington, DC New Jersey State Museum, Trenton, NJ New Orleans Museum of Art, New Orleans, LA The Newark Museum, Newark, NJ Norton Museum of Art, West Palm Beach, FL Pennsylvania Academy of the Fine Arts, Philadelphia, PA Solomon R. Guggenheim Museum, New York, NY The Smart Museum of Art, University of Chicago, Chicago, IL Smithsonian Museum of American Art, Washington, DC The Speed Art Museum, Louisville, Kentucky The Studio Museum in Harlem, New York, NY Tougaloo College Art Collection, Tougaloo, MS University Art Museum, University of California, Santa Barbara, CA University of Louisville, Louisville, KY Wadsworth Atheneum Museum of Art, Hartford, CT Whitney Museum of American Art, New York, NY

Current projects include In the Shadow of the Negress: A Brief History of Modern Artistic Practice, which explores the constitutive role played by fictions of black womanhood in Western art from the late - eighteenth century to the present, and a companion volume — tentatively entitled Touched by the Mother: Contemporary Artists, Black Masculinities, and the Ends of the American Century — that brings together many of his new and previously published critical essays.

1936 «Five Contemporary American Concretionists: Biederman, Calder, Ferren, Morris, and Shaw,» (curated by A.E. Gallatin) presented by The Gallery of Living Art at the Paul Reinhardt Galleries, New York, NY; exhibition travels to Galerie Pierre, Paris, France; Mayer Gallery, London, UK «Salons of America,» American Art Association - Anderson Galleries, New York, NY, March Yale Club, New York, NY Independent Artist's Exhibition, New York, NY Paul Reinhardt Galleries, New York, NY Modern Age, New York, NY

Museum collections which hold works by the artist include the Centre Georges Pompidou, Paris; Hamburger Bahnhof — Museum für Gegenwart, Berlin; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Stedelijk Museum, Amsterdam; Tate Gallery, London; and the Whitney Museum of American Art, New York.

Some of the exhibitors are La Cometa from Bogotá, an important space for development of art in Colombia and a reference for exhibits in Latin America; Mark Hachem from Paris, an innovative modern platform for contemporary art presenting work for artists from all over the world; and Durban Segnini from Miami, focusing on contemporary Latin American Art.

Three years after the Belgian artist's first U.S. retrospective stopped in Dallas, he mounts a Raid the Icebox - style that presents a (mostly) career - spanning selection of his portraits with portraits, masks, funerary objects and more from the Menil Collection's ancient, African, Native American and modern - and - contemporary collections.

C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing process

-- Hilton Kramer, New York Times Book Review, front page review James E. B. Breslin (1936 - 1996) was professor of English at the University of California, Berkeley, and author of From Modern to Contemporary: American Poetry, 1945 - 1965 and William Carlos Williams: An American Artist.

«Each of the works entering our collection is produced by artists fundamental to the development of American modern and contemporary art, and many are in direct dialogue with the social and political conditions of their day,» said Christopher Bedford, BMA Dorothy Wagner Wallis Director and Commissioner for the U.S. Pavilion at the 2017 Venice Biennale.

The book elucidated the collection's prominence as one of the most significant holdings of modern and contemporary work by African - American and African diaspora artists.

S. 1; Tate Modern, London; Hirschhorn Museum and Sculpture Garden D.C.; Kunstmuseum Lucerne, Switzerland; Philadelphia Museum of Art; Denver Art Museum; Indianapolis Museum of Art; Museum of Contemporary Art Chicago; Mass MoCA; MoCA Cleveland; San Francisco Museum of Modern Art; High Museum of Art Atlanta; Los Angeles County Museum of Art; Stedelijk Museum, Amsterdam; Kunsthalle Bern, Switzerland; ICA Boston; Albright - Knox Gallery, Buffalo; El Museo del Barrio NY; The Jewish Museum NY; Socrates Sculpture Park; Sculpture Center NY; ICA Philadelphia; New Museum NY; Bronx Museum; Brooklyn Museum; Creative Time NY; Pinchuk Art Centre Kiev; American Academy in Rome; Guggenheim NY, Venice, Bilbao & Berlin; White Columns; Art in General; Studio Museum in Harlem; Zacheta National Gallery of Art Poland; Artists Space NY; The Menil Collection Houston; J Paul Getty Museum LA and many other museums nationally and internationally; as well as every major cultural institution in South Florida.

Torrance Art Museum invites you to attend the Opening Reception for Dae - Bak Super Cool, an exhibition presenting Korean and Korean - American contemporary artists that relate to traditional, modern, and pop vernacular idioms.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris,Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris,artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Tarek Abou El Fetouh (curator) John Akomfrah (artist and filmmaker) Rheim Alkadhi (artist) Noora Al Mualla (Curator of Modern Arab Art, Sharjah Art Foundation) Monira Al Qadiri (artist) Hoor Al Qasimi (Director, Sharjah Art Foundation) Saira Ansari (Researcher, Sharjah Art Foundation) Rasheed Araeen (artist) Marwa Arsanios (artist) Mohammad Ali Atassi (Director, Bidayyat) Sarnath Banerjee (artist, writer and graphic novelist) Daniel Blanga Gubbay (Researcher and Curator, Aleppo.eu) Yaminay Chaudhri (artist and Co-founder, Tentative Collective) Ali Cherri (artist) Manuel de Rivero (Co-founder, Supersudaca) Manthia Diawara (University Professor and Director, Institute of African American Affairs, New York University) Mona El Mousfy (Founder and Managing Director, SpaceContinuum) Shilpa Gupta (artist) Ayesha Hameed (artist and Lecturer, Visual Cultures, Goldsmiths College) Dale Harding (artist) Salah Hassan (Goldwin Smith Professor and Director, Institute for Comparative Modernities, Cornell University) Mohamed Ahmed Ibrahim (artist) Saba Innab (artist and architect) Eungie Joo (Curator of Contemporary Art, San Francisco Museum of Modern Art) Butheina Kazim (Co-founder, Cinema Akil) Maha Maamoun (artist) Ahmed Mater (artist) Almagul Menlibayeva (artist) Sally Mizrachi (Co-founder, lugar a dudas) Naeem Mohaiemen (artist) Paribartana Mohanty (artist) Aram Moshayedi (Curator, Hammer Museum) Hania Mroué (Founder and Director, Metropolis Art Cinema) Neo Muyanga (composer and musician) Zeynep Öz (curator) Claudia Pagès (artist) Sharmini Pereira (Founder and Director, Raking Leaves) Filipa Ramos (Co-curator, Vdrome) Uzma Rizvi (Associate Professor, Anthropology and Urban Studies, Pratt Institute) Abir Saksouk (Architect, Public Works) Larissa Sansour (artist) Mario Santanilla (artist) Zineb Sedira (artist) Wael Shawky (artist) Reem Shilleh (Co-founder, Subversive Film) Martine Syms (artist) Yoshiharu Tsukamoto (Co-founder, Atelier Bow - Wow) Alper Turan (Co-founder, DAS Art Project) Deepak Unnikrishnan (writer) Antonio Vega Macotela (artist) Hajra Waheed (artist) Ala Younis (artist and curator)

1942 Americans 1942: 18 Artists from 9 States, The Museum of Modern Art, New York, NY Cross Section Number One of a Series of Specially Invited American Paintings and Watercolors with Rooms of Recent Works by Max Weber, Karl Knaths & Morris Graves, The Phillips Museum, Washington, DC Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings, Whitney Museum of American Art, New York, NY Eighteen Artists From Nine States, Museum of Modern Art, New York, NY

1984 Dreams and Nightmares, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Crime and Punishment: Reflections of Violence in Contemporary Art, Triton Museum of Art, Santa Clara, CA American Women Artists: Part II: The Recent Generation, Sidney Janis Gallery, New York, NY About Face, Art Museum of South Texas, Corpus Christi, TX Pratt Invitational Alumni: A Multimedia Presentation of Outstanding Pratt Alumni, Pratt Institute and 469 Broome Street Gallery, New York, NY ID, Bette Stoler Gallery, New York, NY Modern Masks, Whitney Museum of American Art at Philip Morris, New York, NY Sculpture Exhibition, Gallery Moos Ltd., Toronto, Ontario, Canada Drawing: Works on Paper From the Past Five Years by Fifty Artists, Barbara Toll Fine Arts, New York, NY Sculptors» Drawings 1910 - 1980, Selections from the Permanent Collection, Whitney Museum of American Art, New York, NY

Alternative Figures in American Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism and Fantasy in Early California Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of Art and Nora Eccles Harrison Museum of Art, UT 1993 Selections from the Permanent Collection - California: Art from the 1930s to the Present, San Francisco Museum of Modern Art 1989 Forty Years of California Assemblage San Jose Museum of Art, Fresno Art Museum and Joslyn Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern Art 1985 Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker Art Museum, University of Arizona Museum of Art, Huntsville Museum of Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California Painting and Sculpture: The Modern Era, San Francisco Museum of Modern Art and National Collection of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland Art Museum First Artists» Soap Box Derby, San Francisco Museum of Modern Art 1971 Continuing Surrealism, La Jolla Museum of Art 1969 An American Report on the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public Collections

Exhibition presenting Korean and Korean - American contemporary artists that relate to traditional, modern, and pop vernacular idioms.

1957 The 25th Biennial Exhibition, Corcoran Gallery of Art, Washington, DC LXII American Exhibition: Painting & Sculpture, The Art Institute of Chicago, Chicago, IL Golden Years of American Drawing 1905 - 1956, The Brooklyn Museum, Brooklyn, NY; Sloshley Art Gallery, Brandeis University, Waltham, MA 46th Annual Exhibition of American Painting, Randolph - Macon Women's College, Lynchburg, VA Cinq Maitres de la Ligne, Henry Clews Memorial, Fondation d'Arte de la Napoule, Paris, France American Painting 1945 - 57, The Minneapolis Institute of Arts, Minneapolis, MN Pacific Northwest Painters & Sculptors, Ogunquit Museum of Art, Ogunquit, ME 20th Century Works of Art, Krannert Art Museum, University of Illinois, Champaign, IL The American Vision - Paintings of 3 Centuries, Wildenstein Gallery, New York, NY Art in Asia & The West: An Exhibition to Illustrate Varied Aspects of Asian Traditions & Their Importance for Art in the West, San Francisco Museum of Modern Art, San Francisco, CA Annual Exhibition of Contemporary American Painting, The Whitney Museum of American Art, New York, NY 8 American Artists for the United States Information Agency; Korea, Japan, Australia, Europe Carnegie Institute Collects, Cincinnati Art Museum, Cincinnati, OH Prints and Drawings: Mainly By Modern French Artists, Parke Bernet Galleries, INC., New York, NY Seattle World's Fair, Seattle, WA

A specialist in modern and contemporary art she is known for her particular expertise in the work of African, Latino, Native and Asian American artists.

The seven exhibitions will be installed throughout the museum to create a diverse experience for visitors, with the work of American Masters and modern and contemporary artists juxtaposed with exhibitions of decorative arts and Chinese artifacts.

2013 Ballet of Heads: The Figure in the Collection, Berkeley Art Museum, University of California, Berkeley, CA Personal, Political, Mysterious, The FLAG Art Foundation, New York, NY A New View: Contemporary Art, Saint Louis Art Museum, Saint Louis, MO Artists» Self - Portraits from the Collection of Jackye and Curtis Finch, Jr., The Arkansas Art Center, Little Rock, AR; The Baker Museum, Naples, FL 2014 A Chromatic Loss, Bortolami Gallery, New York, NY, January 9 - February 15, 2014 The Sara Roby Collection, Smithsonian American Art Museum, Washington, DC Inaugural Group Show: Gallery Artists, March Selwyn Fine Art, Beverly Hills, CA Venus Drawn Out: 20th Century Drawings by Great Women Artists, The Armory Show Modern, New York, NY Vintage Violence, Monya Rowe Gallery, New York, NY New Hells, Derek Eller Gallery, New York, NY Four Figures, Marc Selwyn Fine Art, Los Angeles, CA Solitary Soul, Michael Rosenfeld Gallery LLC, New York, NY