Sentences with phrase «american modern art scene»

Mira Schendel (1919 - 1988), a seminal figure in the Latin American modern art scene who formed her own approach to abstraction with influences from quantum physics to Zen Buddhism, attempted to reconcile the practices of painting and sculpture with these series.

Not exact matches

Later he got more involved in New York art - scene of modern Surrealism; it was for instance Andre Breton who labelled Gorky as a «real Surrealist» in American modern art.

Against this revisionist tradition, an essay by Michael Kimmelman, chief art critic of The New York Times, called Revisiting the Revisionists: The Modern, Its Critics and the Cold War, argues that much of this information (as well as the revisionists» interpretation of it) concerning what was happening on the American art scene during the 1940s and 50s is flatly false, or at best (contrary to the revisionists» avowed historiographic principles) decontextualized.

A forceful clarity of purpose and vision has characterized his art and his career from the start: he dominated the New York art scene of the late 1950s with his Black Paintings composed of stripes, which famously helped pave the way for Minimalism, and which were exhibited in The Museum of Modern Art, New York's milestone exhibition Sixteen Americans, alongside Johns and Rauschenbeart and his career from the start: he dominated the New York art scene of the late 1950s with his Black Paintings composed of stripes, which famously helped pave the way for Minimalism, and which were exhibited in The Museum of Modern Art, New York's milestone exhibition Sixteen Americans, alongside Johns and Rauschenbeart scene of the late 1950s with his Black Paintings composed of stripes, which famously helped pave the way for Minimalism, and which were exhibited in The Museum of Modern Art, New York's milestone exhibition Sixteen Americans, alongside Johns and RauschenbeArt, New York's milestone exhibition Sixteen Americans, alongside Johns and Rauschenberg.

In the 1950s, Hare's work turned away from the general abstract trajectory of modern American art when he began painting mythological scenes.

2017 Jewelry of Ideas: Gifts from the Susan Grant Lewin Collection, Cooper Hewitt, Smithsonian Design Museum, Smithsonian Institution, New York, NY Cutting Edge: Modern Prints from Atelier 17, Cleveland Museum of Art, Cleveland, OH Visionaries: Creating a Modern Guggenheim, Solomon R. Guggenheim Museum, New York, NY 49th Collectors Show and Sale, Arkansas Arts Center, Little Rock, AR Making a Scene: The Jefferson Place Gallery, Katzen Arts Center, American University Museum, Washington, DC

Some of the innovations and associations formed at Black Mountain proved to have a long - lasting influence on the postwar American scene, high culture and, eventually, on Pop art, the last of the great modern movements.

[7] At the time the Museum of Modern Art had a policy of featuring European abstraction while endorsing American regionalism and scene painting.

«American Scene Photography: Martin Z. Margulies Collection» traces some of the journey made by Miami - based collector Martin Z. Margulies during the building of his modern and contemporary art collection.

Red Grooms is an American multimedia artist best known for his colorful pop - art constructions depicting frenetic scenes of modern urban life.

Stella first burst on the New York art scene in 1958, when some of his «black paintings» were shown in the exhibition Sixteen Americans at the Museum of Modern Aart scene in 1958, when some of his «black paintings» were shown in the exhibition Sixteen Americans at the Museum of Modern ArtArt.

Select group exhibitions featuring his work include Creature, The Broad, Los Angeles (2016); America Is Hard to See, Whitney Museum of American Art, New York (2015); Disembodied, Cleveland Museum of Art, Cleveland, OH (2013); Mike Kelley, Centre Georges Pompidou, Paris (2013); The Royal Family, Hayward Gallery Project Space, London (2012); Off the Wall: Part 1 — Thirty Performative Actions, Whitney Museum of American Art, New York (2010); Spazio: The Scene and the Imaginary, Museo Nazionale delle arti del XXI Secolo, Rome (2010); Looking at Music, The Museum of Modern Art, New York (2008); and California Video, J. Paul Getty Museum, Los Angeles (2008).

Organizes several exhibitions at the Whitney Museum of American Art and wrote the accompanying catalog, including: «American Genre: The Social Scene in Paintings and Prints (1800 - 1935)» (1935); «Winslow Homer: Centenary Exhibition» (1936); «A Century of American Landscape Painting 1800 to 1900» (1938); «Pioneers of Modern Art in America» (1946); «Ralph Albert Blakelock: Centenary Exhibition» (1947); «Albert P. Ryder: Centenary Exhibition» (1947); «Yasuo Kuniyoshi» (1948); «Max Weber» (1949); «Edward Hopper» (1949); «John Sloan» (1952); «Reginald Marsh» (1955); «Four American Expressionists: Doris Caesar, Chaim Gross, Karl Knaths, Abraham Rattner» with John I. H. Baur (1959); «Edward Hopper» (1964); «Edwin Dickinson» (1965); «Art of the United States, 1670 - 1966» (1966); «Raphael Soyer» (1967); «The Graphic Art of Winslow Homer» (1968); «John Heliker» with Patricia FitzGerald Mandel (1968); «Georgia O'Keeffe» with Doris Bry (1970); «Edward Hopper» (1971); «Winslow Homer» (1973); and «Winslow Homer in Monochrome» with Abigail Booth Gerdts (1986).

Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop - art constructions depicting frenetic scenes of modern urban life.

In 1959 Leo Castelli became his representative and four of his paintings from the period were included in the pivotal Sixteen Americans exhibition at the Museum of Modern Art in 1959 - 1960; Stella's presence in the New York art scene was thus establishArt in 1959 - 1960; Stella's presence in the New York art scene was thus establishart scene was thus established.

He moved to New York City in his 20s and emerged as a force in the American art scene in 1958 with a solo show at Leo Castelli Gallery from which the Museum of Modern Art purchased three piecart scene in 1958 with a solo show at Leo Castelli Gallery from which the Museum of Modern Art purchased three piecArt purchased three pieces.

The term «Ashcan School» - first used in print in the book Art in America in Modern Times (1934) edited by Holger Cahill and Alfred H Barr - refers to a loose - knit group of American painters active in New York (c.1900 - 15), whose works depicted scenes of everyday urban life in the city's poorer areas.

«a / drift: Scenes from a Penetrable Culture,» curated by Josh Decter, Bard Center for Curatorial Studies, Annandale - on - Hudson, NY, October 26, 1996 — January 5, 1997 «On Paper II,» Schmidt Contemporary Art, St Louis, MO, January 23 — February 20, 1996 «Tangles,» Otis College of Art and Design, Los Angeles, CA, November 2 — December 21, 1996 «Community of Creativity: A Century of MacDowell Colony Artists,» Currier Gallery of Art, Manchester, NH, 1996; traveled to the New York School of Design, New York, NY; Wichita Art Museum, Wichita, KS «The Inner Eye: Art Beyond the Visible,» Manchester City Art Galleries, Manchester, UK, 1996; traveled to the Museum and Art Gallery, Brighton, UK; Glynn Vivan Art Gallery, Swansea, UK; Dulwich Picture Gallery, London, UK; catalogue «Hotter Than July,» Margo Leavin Gallery, Los Angeles, CA, 1996 «a / drift,» Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY, 1996; catalogue «Inclusion / Exclusion: Art in the Age of Post-Colonialism and Global Migration,» Steirischer Herbst 96, Graz, Austria, 1996; catalogue «Art at the End of the 20th Century: Selections from the Whitney Museum of American Art,» National Gallery, Alexandros Soutzos Museum, Athens, Greece, 1996; traveled to Museu d'Art Contemporani, Barcelona, Spain; Kunstmuseum Bonn, Bonn, Germany; catalogue «Burning Issues: Contemporary African - American Art,» Museum of Art, Fort Lauderdale, FL; brochure «Thinking Print: Books to Billboards 1980 - 1995,» Museum of Modern Art, New York, NY, 1996; catalogue «10th Biennale of Sydney: Jurassic Technologies Revenant,» Art Gallery of New South Wales, Sydney, Australia, 1996; catalogue «The Mediated Object: Selections from the Eli Broad Collection,» Fogg Art Museum, Cambridge, MA, 1996; traveled to Forum for Contemporary Art, St Louis, MO «An American Story,» Whitney Museum of American Art, New York, NY, 1996 «Festival Exit,» Maison des Arts de la Culture, Paris - Creteil, France, 1996 «Screen,» Friedrich Petzel Gallery, New York, NY; video catalogue «Prospect «96,» Frankfurt Kunstverein, Frankfurt, Germany, 1996; catalogue

American Regionalism is an American realist modern art movement that included paintings, murals, lithographs, and illustrations depicting realistic scenes of rural and small - town America primarily in the Midwest and Deep South.

Most renowned for his oil paintings depicting both urban and rural scenes, American realist Edward Hopper has cemented his place amongst the greats of American modern art.

He was, for instance, the leading American exponent of Cubism, creating a unique blend of modern art and American Scene painting.

Don't Be Shy, Don't Hold Back: The Logan Collection at SFMOMA, San Francisco Museum of Modern Art, CA * New Forms: The Avant - Garde Meets the American Scene, 1934 - 1949, University of Iowa Museum of Art 2014 Biographical forms: Construction and individual mythology, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain * Everything falls faster than an anvil, PACE London, England * Made in the U.S.A.: Art from the Phillips Collection, Phillips Collection, Washington, D.C. Modernism from the National Gallery of Art: The Robert and Jane Meyerhoff Collection, De Young Museum, San Francisco 12 Painters: The Studio School, 1974/2014, Steven Kasher Gallery, New York