Sentences with phrase «american modern art world»

During the 1950s and»60s, when he was connected to the American modern art world via Mr. Kootz, half of Mr. Soulages's works were purchased by institutions or collectors in the United States, including Nelson A. Rockefeller and a number of filmmakers like Alfred Hitchcock, Billy Wilder and Otto Preminger.

Not exact matches

It can be seen and felt in New York galleries, on the walls of major art institutions like the Museum of Modern Art and the New Museum, watching a Trisha Brown performance on Chelsea's High Line, and even viewed on TV — take the HBO production Cinema Verite, about the world's first reality show, An American Famiart institutions like the Museum of Modern Art and the New Museum, watching a Trisha Brown performance on Chelsea's High Line, and even viewed on TV — take the HBO production Cinema Verite, about the world's first reality show, An American FamiArt and the New Museum, watching a Trisha Brown performance on Chelsea's High Line, and even viewed on TV — take the HBO production Cinema Verite, about the world's first reality show, An American Family.

Tworkov was featured in many historic exhibitions that defined the period including «New American Painting» organized by The Museum of Modern Art, which introduced the world to Abstract Expressionism and toured Europe in 1958.

Soon after World War II, the center of the avant - garde shifted from Europe to the United States when the first American - grown modern art movement — abstract expressionism — was born.

Selected group exhibitions include The Forever Now: Contemporary Painting in an Atemporal World, the Museum of Modern Art, New York (2014 — 2015); 30 Americans, organized by the Rubell Family Collection, Miami, traveling to Contemporary Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20Arts Center, Cambridge, MA (2012).

Tags: Albright - Knox Art Gallery, American Republic Insurance Company, Brazil, City University of New York, College Art Association, Colombia, Columbus Gallery of Fine Arts, Corcoran Gallery of Art, Denver Art Museum, Detroit Institute of Art, Eugene Goossen, Everson Art Museum, France, Gabriele Evertz, Grand Palais, Guatemala, Harris Bank, Hunter College, IBM, John Baldwin, John Simon Guggenheim Memorial Foundation, Johnson & Johnson, Karl Knaths, Kunsthaus Zurich, Kynaston McShine, Marcia Tucker, Massachusetts, Matthew Deleget, Metropolitan Museum of Art, Mexico, Milwaukee Art Museum, Museum of Modern Art, National Endowment for the Arts, New York State Council on the Arts, Nicaragua, Pan-American Highway, Park Place Gallery, Robert Swain, Schering Laboratories, Spain, Switzerland, Tate Gallery, Texas, The American University, Tony Smith, Travenol Laboratories, Tupperware World Headquarters, United Kingdom, University of Buffalo, University of Madrid, Venezuela, Virginia, Virginia Museum of Fine Arts, Walker Art Center, Washington DC, Whitney Museum of American Art, William Agee

Text by Johanna Burton Uncertain States of America: American Art in the 3rd Millennium, Astrup Fearnley Musum of Modern Art, Oslo, pp. 52 - 53, 2005 The Failever of Judgement, JRP editions, Zurich, 2005 Real World: The Dissolving Space of Experience, Modern Art Oxford, 2004 Formalismus.

His work can be found in public collections throughout the world including the Art Institute of Chicago; the Brooklyn Museum; the Cincinnati Art Museum; the Cleveland Museum of Art; the Dallas Museum of Art; the Fogg Art Museum, Harvard University, Cambridge, Massachusetts; the Israel Museum, Jerusalem; the Indianapolis Museum of Art; the Metropolitan Museum of Art, New York; the Minneapolis Institute of Arts; Centre Georges Pompidou, Paris; the Museum of Contemporary Art, Chicago; the Museum of Fine Arts, Boston; the Museum of Modern Art, New York; the National Gallery of Art, Washington, D.C.; Solomon R. Guggenheim Museum, New York; Tate Gallery, London; Tokyo Metropolitan Art Museum, Tokyo; the Whitney Museum of American Art, New York and Yale University Art Gallery, New Haven, Connecticut.

By cutting, tearing, and layering pasted papers, Motherwell reflected the tumult and violence of the modern world, establishing him as an essential and original voice in postwar American art.

Well, the New - York Historical Society has an exhibition to celebrate, featuring 100 works from the original show itself: The Armory Show at 100: Modern Art and Revolution revisits those heady days when the American art world was changed forevArt and Revolution revisits those heady days when the American art world was changed forevart world was changed forever.

Her work is included in major public collections around the world, including: The Metropolitan Museum of Art, NY; The Museum of Modern Art, NY; The National Gallery of Art, Washington, D.C.; The San Francisco Museum of Fine Arts, CA; The Solomon R. Guggenheim Museum, NY; The Tate Gallery, London; the walker Art Center, MN; and the Whitney Museum of American Art, NY.

Her work is included in major public collections around the world, including: The Metropolitan Museum of Art, NY; The Museum of Modern Art, NY; The National Gallery of Art, Washington, DC; The San Francisco Museum of Fine Arts, CA; The Solomon R. Guggenheim Museum, NY; The Tate Gallery, London; and the Whitney Museum of American Art, NY.

Her work is included in major public collections around the world, including: The Museum of Modern Art, NY; The National Gallery of Art, Washington, DC; The San Francisco Museum of Fine Arts, CA; The Solomon R. Guggenheim Museum, NY; The Tate Gallery, London; and the Whitney Museum of American Art, NY.

Pat Steir's work is included in major public collections around the world, including: The Metropolitan Museum of Art, NY; The Museum of Modern Art, NY; The National Gallery of Art, Washington, D.C.; The San Francisco Museum of Fine Arts, CA; The Solomon R. Guggenheim Museum, NY; The Tate Gallery, London; and the Whitney Museum of American Art, NY.

Her work is included in major public collections around the world, including: The Metropolitan Museum of Art, NY; The Museum of Modern Art, NY; The National Gallery of Art, Washington, D.C.; The San Francisco Museum of Fine Arts, CA; The Solomon R. Guggenheim Museum, NY; The Tate Gallery, London; and the Whitney Museum of American Art, NY.

Willie Cole's work is found in numerous private and public collections and museums around the world, including the Museum of Modern Art, the Whitney Museum of American Art and the Metropolitan Museum of Art in New York City, New York.

World Print Fair San Francisco Museum of Modern Art San Francisco, CA The Modern Art of the Print, The Torf Collection Museum of Fine Arts Boston, MA Twentieth Century American Drawings travelling exhibition Whitney Museum for International Exhibitions Foundation European Museums

She is known for her work to dismantle the sexist, racist and homophobic structure of the art world, and seeks to elaborate a queer, anti-racist, feminist history and theory of modern and contemporary Euro - American visual arts.

Sikander has had major solo exhibitions throughout the world, including at, amongst others, MAXXI Museo nazionale delle arti del XXI secolo, Rome (2016); the Asia Society Hong Kong Center, Hong Kong (2016); the Guggenheim Museum, Bilbao (2015); the Smithsonian American Art Museum, Washington D.C. (2012); the Museum of Contemporary Art, Tokyo (2010); the Irish Museum of Modern Art, Dublin (2007); the Museum of Contemporary Art, Sydney (2007); the Miami Art Museum, Miami (2005); and at the San Diego Museum of Art, California (2004).

Since her New York City debut in 1972 at the Whitney Museum of American Art, Murray has been featured in nearly sixty solo exhibitions around the world, including a retrospective at the Museum of Modern Art in 2005/2006.

Her work has appeared in dozens of international biennials and exhibitions all over the world and is included in the collections of the Museum of Modern Art in New York, the Hirshhorn Museum in Washington, D.C., the Whitney Museum of American Art in New York, the Solomon R. Guggenheim Museum in New York, the San Francisco Museum of Modern Art, and Museum of Fine Arts Boston, among many others.

2016 Impermanencia, Bienal de Cuenca, Cuenca, Ecuador Busan Biennale, Busan, Korea Decade by Decade: Art Acquired in Its Time, Weatherspoon Museum of Art, University of North Carolina, Greensboro, NC Modern Heroics, Newark Museum, Newark, NJ Half the World: Abstract Sculpture by Women, 1947 - 2016, Curated by Paul Schimmel and Jenni Sorkin, Hauser, Wirth & Schimmel, Los Angeles, CA 30 Americans, Cincinnati Art Museum, Cincinnati, OH

Lesson Plan: An Artistic Tribute Essay: American History and Its Art After World War II Museum Guide: Self - Guide: Modern and Contemporary Art at the Art Institute Detail: Blotting

Meanwhile, in the high temple of modernism ---- New York's Museum of Modern Art ---- curator and past New American Paintings juror Laura Hoptman has just opened The Forever Now: Contemporary Painting in an Atemporal World.

He has exhibited in museums and galleries throughout the world and his work is in major museum collections including, Museum of Modern Art (NY), Museum of Contemporary Art (LA), Pérez Art Museum (Miami), Whitney Museum of American Art (NY) and Armand Hammer Museum (LA) among others.

Represented in all the major art museums throughout the world, Stella first gained international attention by being included in the seminal Sixteen Americans exhibition at the Museum of Modern Art, New York, in 19art museums throughout the world, Stella first gained international attention by being included in the seminal Sixteen Americans exhibition at the Museum of Modern Art, New York, in 19Art, New York, in 1959.

Some of the exhibitors are La Cometa from Bogotá, an important space for development of art in Colombia and a reference for exhibits in Latin America; Mark Hachem from Paris, an innovative modern platform for contemporary art presenting work for artists from all over the world; and Durban Segnini from Miami, focusing on contemporary Latin American Aart in Colombia and a reference for exhibits in Latin America; Mark Hachem from Paris, an innovative modern platform for contemporary art presenting work for artists from all over the world; and Durban Segnini from Miami, focusing on contemporary Latin American Aart presenting work for artists from all over the world; and Durban Segnini from Miami, focusing on contemporary Latin American ArtArt.

Classic bodies of work from his fifty - year career have been extensively published in monographs and are included in major public and private fine art collections around the world, including the Museum of Modern Art and International Center of Photography in New York, and the Smithsonian American Art Museum in Washington, D.art collections around the world, including the Museum of Modern Art and International Center of Photography in New York, and the Smithsonian American Art Museum in Washington, D.Art and International Center of Photography in New York, and the Smithsonian American Art Museum in Washington, D.Art Museum in Washington, D.C..

His work has been featured in numerous exhibitions around the world, in such institutions as the Whitney Museum of American Art, The Museum of Modern Art, the Vienna Secession, the Serpentine Gallery in London and the Centre Georges Pompidou in Paris.

His work can be found in the collections of many of the world's major museums, such as the Centre Georges Pompidou, the Los Angeles County Museum of Art, the Museum of Modern Art, the Stedelijk Museum, the Tate Modern, the Walker Art Center, the Guggenheim Museum, and the Whitney Museum of American Art, which in 1987, honored Salle, at age 34, with the youngest mid-career survey ever.

His award wining work coupling 1 - bit electronics with traditional forms in both music, visual art, and installations have been presented in venues around the world such the World Science Festival, American Mavericks Festival at the Kitchen, Sonar, Ars Electronica, Mass MOCA, the Whitney Museum, SxSW and most recently at The Museum of Modern Art's Soundings: A Contemporary Score at The Museum of Modern Aart, and installations have been presented in venues around the world such the World Science Festival, American Mavericks Festival at the Kitchen, Sonar, Ars Electronica, Mass MOCA, the Whitney Museum, SxSW and most recently at The Museum of Modern Art's Soundings: A Contemporary Score at The Museum of Modernworld such the World Science Festival, American Mavericks Festival at the Kitchen, Sonar, Ars Electronica, Mass MOCA, the Whitney Museum, SxSW and most recently at The Museum of Modern Art's Soundings: A Contemporary Score at The Museum of ModernWorld Science Festival, American Mavericks Festival at the Kitchen, Sonar, Ars Electronica, Mass MOCA, the Whitney Museum, SxSW and most recently at The Museum of Modern Art's Soundings: A Contemporary Score at The Museum of Modern AArt's Soundings: A Contemporary Score at The Museum of Modern ArtArt.

1957 The 25th Biennial Exhibition, Corcoran Gallery of Art, Washington, DC LXII American Exhibition: Painting & Sculpture, The Art Institute of Chicago, Chicago, IL Golden Years of American Drawing 1905 - 1956, The Brooklyn Museum, Brooklyn, NY; Sloshley Art Gallery, Brandeis University, Waltham, MA 46th Annual Exhibition of American Painting, Randolph - Macon Women's College, Lynchburg, VA Cinq Maitres de la Ligne, Henry Clews Memorial, Fondation d'Arte de la Napoule, Paris, France American Painting 1945 - 57, The Minneapolis Institute of Arts, Minneapolis, MN Pacific Northwest Painters & Sculptors, Ogunquit Museum of Art, Ogunquit, ME 20th Century Works of Art, Krannert Art Museum, University of Illinois, Champaign, IL The American Vision - Paintings of 3 Centuries, Wildenstein Gallery, New York, NY Art in Asia & The West: An Exhibition to Illustrate Varied Aspects of Asian Traditions & Their Importance for Art in the West, San Francisco Museum of Modern Art, San Francisco, CA Annual Exhibition of Contemporary American Painting, The Whitney Museum of American Art, New York, NY 8 American Artists for the United States Information Agency; Korea, Japan, Australia, Europe Carnegie Institute Collects, Cincinnati Art Museum, Cincinnati, OH Prints and Drawings: Mainly By Modern French Artists, Parke Bernet Galleries, INC., New York, NY Seattle World's Fair, Seattle, WA

That show introduced American audiences to Cubism and other avant - garde forms of European art and, in the process, «exploded New York and the nation into the modern world,» as the Historical Society's President Louise Mirrer explained at a recent symposium.

Boston Museum of Fine Arts, Boston, MA International Ceramic Museum, Faenza, Italy Metropolitan Museum of Art, New York, NY Musée des Arts Decoratifs, Paris, France Museu Nacional do Azulejo, Lisbon, Portugal Museum of Modern Art, New York, NY National Gallery of Art, Washington, DC Victoria and Albert Museum, London, England Whitney Museum of American Art, New York, NY World Ceramic Center, Ichon, Korea Gardiner Museum, Toronto, Canada

Retrospectives of Ellsworth Kelly's art has been held at the Museum of Modern Art (MoMA), the Solomon R. Guggenheim Museum (1996), which traveled to Los Angeles, London and Munich, Steddijk Museum (Amsterdam)(1979), the Whitney Museum of American Art (1982), and Museum of Fine Arts (Boston) and museums around the worart has been held at the Museum of Modern Art (MoMA), the Solomon R. Guggenheim Museum (1996), which traveled to Los Angeles, London and Munich, Steddijk Museum (Amsterdam)(1979), the Whitney Museum of American Art (1982), and Museum of Fine Arts (Boston) and museums around the worArt (MoMA), the Solomon R. Guggenheim Museum (1996), which traveled to Los Angeles, London and Munich, Steddijk Museum (Amsterdam)(1979), the Whitney Museum of American Art (1982), and Museum of Fine Arts (Boston) and museums around the worArt (1982), and Museum of Fine Arts (Boston) and museums around the world.

His work is exhibited in numerous museums and prominent institutions and is part of public and private collections all around the world including the Museum of Modern Art, New York; Metropolitan Museum of Art, New York; George Eastman House, Rochester; Phillips Collection, Washington D.C.; National Gallery of Art, Washington D.C.; The Art Institute of Chicago; Philadelphia Museum of Art; San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York.

Since 1979 he has exhibited solo shows in numerous venues around the world, including the Institute of Contemporary Art, Boston; The American University Museum, Washington, DC; MACRO Testaccio Museum, Rome (traveling to Mönchenhaus — Museum of Modern Art in Goslar, Germany, in July 2015).

Meanwhile, in the high temple of modernism — New York's Museum of Modern Art — curator and past New American Paintings juror Laura Hoptman has just opened The Forever Now: Contemporary Painting in an Atemporal World.

With solo exhibitions at institutions around the world including Tate Modern, London; Whitney Museum of American Art, New York; Berkeley Museum of Art, California; Tate Liverpool; the Stedelijk Museum Bureau Amsterdam; Yvon Lambert, Paris and New York; Gagosian Gallery, New York; and the Security and Intelligence Agency of the Netherlands, Magid has received awards from the Fonds Voor Beeldende Kunsten and the Netherland - American Foundation Fellowship Fulbright Grant.

Alfonso Ossorio is represented in numerous prestigious museum collections around the world, including the Aldrich Museum of Contemporary Art (Ridgefield, CT); Art Institute of Chicago (Chicago, IL); Ateneo Art Gallery, Ateneo de Manila University (Quezon City, Philippines); Museum Boijmans Van Beuningen (Rotterdam, The Netherlands); Brooklyn Museum (Brooklyn, NY); Centre Georges Pompidou (Paris, France); Collection de l'Art Brut (Lausanne, Switzerland); Crystal Bridges Museum of American Art (Bentonville, AR); Harvard University Art Museums (Cambridge, MA); Los Angeles County Museum of Art (Los Angeles, CA); The Metropolitan Museum of Art (New York, NY); Museo Nacional Centro de Arte Reina Sofia (Madrid, Spain); Museum of Modern Art (New York, NY); National Gallery of Art (Washington, DC); National Museum of Modern Art (Kyoto, Japan); Philadelphia Museum of Art (Philadelphia, PA); The Phillips Collection (Washington, DC); Pinakothek der Moderne (Munich, Germany); Rose Art Museum, Brandeis University (Waltham, MA); Scottish National Gallery of Modern Art, National Galleries of Scotland (Edinburgh, United Kingdom); Solomon R. Guggenheim Museum (New York, NY); Tel Aviv Museum of Art (Tel Aviv, Israel); Wadsworth Atheneum Museum of Art (Hartford, CT); Whitney Museum of American Art (New York, NY); William College Museum of Art (Williamstown, MA); and Yale University Art Gallery (New Haven, CT).

His innovative works can be found on display in museums around the world such as the Museum of Modern Art, New York; Phillips Collection, Washington D.C.; Getty Museum, Los Angeles; Guggenheim museum, New York; Whitney Museum of American Art, New York; Metropolitan Museum of Art, New York; Philadelphia Museum of Art; The Art Institute of Chicago; and the San Francisco Museum of Modern Art.

Described as «one of the great masterpieces of Moore's œuvre» by Cyanna Chutkow, Christie's Deputy Chairman of Impressionist & Modern Art, the work, which wasprivately held in an American collection for almost a half century, was one of eight to establish a world auction record in a sale that celebrated four centuries of British aArt, the work, which wasprivately held in an American collection for almost a half century, was one of eight to establish a world auction record in a sale that celebrated four centuries of British artart.

In addition to the exhibition, the UAG will also present multiple programming events to include: «Q&A with the Artist: A Conversation with Wendy Red Star and Michelle Lanteri» on January 25, 2018, in the NMSU HSS Auditorium 101 at 6:00 pm; a screening of Rumble: The Indians Who Rocked the World, a feature documentary about Native American peoples» contributions to rock «n» roll history, on February 15, 2018, in the NMSU CMI Theatre at 5:30 pm; and «Considering Contemporary Art,» a panel featuring Julie Sasse, Chief Curator of Modern, Contemporary, and Latin American Art, Tucson Museum of Art; Nadiah Rivera Fellah, Guest Curator, Newark Museum and Art History PhD Candidate, CUNY Graduate Center; and Michelle J. Lanteri on March 8, 2018, in the University Art Gallery at 5:30 pm.

Even now, decades after its closing in 1957, the powerful influence of the Black Mountain College continues to reverberate as some of its students are considered to be true milestones of American modern and contemporary art — Willem de Kooning, Rauschenberg, Cy Twombly, Franz Kline, Francine du Plessix Gray, Charles Olson, Robert Creeley, Dorothea Rockburne and many others made an impact on the world in a significant way.

Manal has shown her work in Prospect 3 New Orleans - The American Biennale (2014/15), in collateral shows at the Venice Biennale (2009/11), and at Museums around the world like Gawngju Museum in South Korea, Louisiana Museum of Modern Art in Denmark, The Victoria and Albert Museum in UK, and Mathaf Museum of Modern Arab Art in Qatar.

«30 Americans is an exciting exhibition that brings world - class, cutting - edge art to the Hampton Roads community,» says Amy Brandt, Ph.D., the Chrysler's McKinnon Curator of Modern and Contemporary Aart to the Hampton Roads community,» says Amy Brandt, Ph.D., the Chrysler's McKinnon Curator of Modern and Contemporary ArtArt.

Classic bodies of work from his fifty - year career have been extensively published in monographs and are included in major public and private fine art collections around the world, including the Museum of Modern Art, International Center of Photography in New York, and Smithsonian American Art Museum in Washington, art collections around the world, including the Museum of Modern Art, International Center of Photography in New York, and Smithsonian American Art Museum in Washington, Art, International Center of Photography in New York, and Smithsonian American Art Museum in Washington, Art Museum in Washington, DC.

Experience the Whitney's world renowned collection of modern and contemporary American art in American Sign Language.

His photographs appear in major museum collections around the world, including the Museum of Modern Art, the Smithsonian American Art Museum, and the Art Institute of Chicago.

On view are examples of the Black Paintings series, with which he announced himself to the New York art world in the Museum of Modern Art's 1959 «Sixteen Americans» exhibition, as well as works from his Aluminum and Copper series, unveiled in his first and second solo shows at the Leo Castelli Gallery in 1960 and 19art world in the Museum of Modern Art's 1959 «Sixteen Americans» exhibition, as well as works from his Aluminum and Copper series, unveiled in his first and second solo shows at the Leo Castelli Gallery in 1960 and 19Art's 1959 «Sixteen Americans» exhibition, as well as works from his Aluminum and Copper series, unveiled in his first and second solo shows at the Leo Castelli Gallery in 1960 and 1962.